Formula 1

Liz Nicholls

We chat to former motorsport engineer and Formula One team principal Ross Brawn OBE

Q. What advice would you give engineers looking to get into F1?
“A very small percentage of engineers who wish to follow a career in F1 succeed, unfortunately. There are probably a thousand engineers employed directly by the teams and a high demand for places within those. My advice is to look at the various disciplines; aerodynamics, metallurgy, software engineering, composite structures, engineering design, etc. Try to specialise. And get your hands dirty!”

Q. In 2009, preparing to race as Brawn GP, did you ever have doubts?
“Many. We had major set-backs from November 2008, when Honda announced they were withdrawing, until February 2009, when we did the deal to buy the team ourselves. Strangely, because there was no choice than to carry on, there was a simple commitment to be at the first race. However, there were many false dawns. We got there, but with no spare parts. Luckily the drivers, Jenson Button and Rubens Barrichello were experienced, made no mistakes, didn’t damage anything and we finished first and second. It was a reward to the team after hard work in the face of adversity.”

Q. Is it still a good idea to have a race in Monaco?
“Yes, the combination of a street race, Formula One, speed, glamour, history, is intoxicating! It is the toughest challenge on the Grand Prix calendar. You’re racing at speeds up to 280kph on the streets of Monte Carlo and one mistake, you hit the wall, but the drivers love the circuit. It is a unique event and long may it continue.”

Q. Is it inevitable F1 will go electric?
“No, far from it! Formula One is primarily sport and entertainment, and the pursuit of technology is secondary. I do think the sport is at a crossroads. Formula One has been aligned with road cars. But, on the road, the role of the internal combustion engine is now being challenged by new technologies such as hybrid, electric or fuel cells. Formula One provides an accelerated learning and development for manufacturers. The noise is one of the major emotions, especially when you attend a live event. Electric motors are virtually silent. The sport has to take all of this into consideration and decide what it wants to be. The fans will vote with their feet.”

Q. Is there one defining F1 moment you’d change?
“The loss of a driver is the most traumatic event one can experience. Fortunately, I never experienced that in a team I was with, but in the F1 community we lost eight drivers during my 37-year career. Ayrton Senna died in 1994 which changed the sport in many ways, but the positive outcome was the loss intensified the approach towards the safety standards of the cars and the circuits.”

Q. Can you tell us about your new book?
“I was approached by a previous colleague, Adam Parr, ex CEO of Williams Grand Prix, who thought it might be interesting to compare Formula One with military strategy. We have tried to give a unique insight into the business and sport of Formula One and the strategies that were successful, along with stories and anecdotes. There were many interesting comparisons, particularly with some of the old Chinese writings and philosophies.”

Q. You’re a keen fisherman – game or coarse?
“Both. I was taught to fish by my dad when I was a nipper. We fished the polluted canals and rivers around Manchester in the late ’50s and early ’60s. I travel the world for different species; trout, salmon, bonefish, tarpon, permit, trevally, milkfish… anything that is strong, aggressive, tough to catch and that will take a fly. About five years ago I realised my dream and took on a small stretch of the River Itchen. I spend my time there watching nature and working with the river keeper. I’ve probably fished it only a dozen times. It’s become a special place for me.”

Total Competition: Lessons in Strategy from Formula One by Ross Brawn and Adam Parr is out now.

Vine and dandy

Liz Nicholls

Liz Nicholls talks to comedian Tim Vine

Q. Are you getting into character as Idle Jack for the pantomime?
“Yes! I always play the idiot friend of the female lead in panto and, being a bit of a moron, I just turn up in character. I’m not a Dame so it doesn’t take me long to get dolled up – I just put on some colourful corduroy and I’m good to go. I’ve never seen Matthew [Kelly, who plays Sarah the Cook] when he isn’t dressed up. It was the same when I did panto with him a couple of years ago. I think it’s such a palaver to put all that make-up on he’s decided to whack it all on once and leave it on until January 16th.”

Q. Are you all having fun?
“We’re getting on… but it’s very early days. Pretty soon they’ll be asking ‘who’s the idiot with all the jokes?’ But, Arlene [Phillips], Matthew, they’re all great and everyone loves everyone… they haven’t told me they don’t like me, anyway. Panto is a happy, silly show for families – we’re not doing King Lear. Although it can be hard work, no one takes it seriously.”

Q. Did you love pantomimes as a child?
“I went to a couple as a kid but I think my parents took us to those very highbrow ones where there wasn’t much audience participation. I do remember seeing Treasure Island with Bernard Miles but I think it was quite serious. My parents are much more into yelling at the stage now that they have grandchildren to take to pantos.”

Q. What are your New Year resolutions?
“I’m planning on marching on parliament… Oh no, sorry I thought you said New Year’s Revolution! I keep thinking maybe I should do more exercise but the sweet trolley always looks too tempting [bites into a cake].”

Q. You’re renowned for your quick wit – were you always into one-liners?
“Thanks and I’m flattered, but I don’t think I am mentally agile! I can’t even say it easily. I’ve always liked short jokes; as a child I loved The Muppets, Morecambe & Wise, Tommy Cooper, people being silly.”

Q. Were you the class joker at school?
“No, I was the class trapeze artist. I was always messing about quite a lot. But I think you should be more worried if you have a child who works incredibly hard and the teachers never have a bad word to say about them. I was always the one looking out of the classroom window dreaming, being silly or showing off. My mum used to say ‘Stop showing off, Timmy…’ I didn’t listen did I?!”

Q. What was your favourite aspect of school?
“I used to write little plays based on Greek mythology – Odysseus, Jason and the Argonauts – and had an amazing English teacher called Mr Moss who used to let me stage them with my mates. The whole school gathered in the gym to watch my Minotaur and I thought I’d written some kind of sweeping epic… and it was all over in seven minutes. But to be encouraged by an adult in something you enjoy is something you’ll always remember.”

Q. You’re turning 50 in March, aren’t you?
“Yes, I suppose I should have a party shouldn’t I? A huge one with 1,000 people I don’t know? I feel very lucky to have got to 50 relatively unscathed. I’ve been very fortunate to have the friends I’ve got, and family – sorry, I went off on one there – I was mentally practising my party speech!”

Q. Do you still love playing darts?
“Yes, I’m part of a pub team in Epsom. They’re all much better than me and it’s quite nerve-wracking stepping up to the oche. My hand shakes and I’m telling myself ‘please don’t all land in the number 1’! It’s a drinking game – well, more drinking goes on in darts than, say, badminton… Or Formula One.”