A virtual shaggy dog story

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Grand Theft Auto and AI help Surrey team turn dog pics into 3D models

Photographs of dogs could soon be used to help generate 3D models more accurately than ever before – thanks to an award-winning study from the University of Surrey and the famous video game, Grand Theft Auto.  

The researchers taught an artificial intelligence (AI) system to predict the 3D pose from a 2D image of a dog – which they trained on images they created using Grand Theft Auto V.  

Moira Shooter, a postgraduate researcher at the University of Surrey, said:  

“Our model was trained on CGI dogs – but we were able to use it to make 3D skeletal models from photographs of real animals. That could let conservationists spot injured wildlife, or help artists create more realistic animals in the metaverse.” 

One way to teach AI to get 3D information from 2D images is to show it photos while giving it information about 3D ‘ground truth’ – where the objects actually are in 3D space. For humans, that means wearing motion capture suits.  

Even on their best behaviour, getting dozens of dogs to wear motion capture suits can prove challenging.   

Instead, researchers created a myriad of virtual dogs to study.  

They altered the code of Grand Theft Auto, switching the main character for one of eight kinds of dog – a process known as “modding”. They generated 118 videos of the dogs sitting, walking, barking and running in a range of different weather and lighting conditions.  

The team called their new database ‘DigiDogs’ – made up of 27,900 frames. They will now fine-tune it using Meta’s DINOv2 model to make sure it can predict a 3D pose just as well from real dog pictures.  

Moira added, “3D poses contain so much more information than 2D photographs. From ecology to animation – this neat solution has so many possible uses.”  

Here comes the science bit…

The research won the prize for Best Paper at the IEEE/CVF’s Winter Conference on Applications of Computer Vision.

It helps promote the UN Sustainable Development Goals (SDGs) 9 (industry, innovation and infrastructure) and 15 (life on land). 

All images were produced by Moira Shooter of the University of Surrey, using the engine of GTA 5 (Rockstar Games). 

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The Talbot supports local charities

Ellie Cox

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Partnerships with charities Oakleaf and Eikon aim to raise mental health awareness and support those in need

The Talbot, a premier hotel in Ripley owned by Bespoke Hotels, is partnering with local charities Oakleaf and Eikon in 2024 to support the mental health of young people and adults in Surrey.

Oakleaf is a mental health charity based in Guildford that supports clients aged 16+ who are managing their mental health. The charity’s mission is to foster confidence and reduce social isolation through a wide range of wellbeing activities and support groups, work-related training and employment guidance, and counselling. Oakleaf also acts as a social enterprise, selling gardening services to the public – the funds of which are fed straight back to the charity.

Eikon supports children and young people in Surrey who are struggling with poor emotional wellbeing and mental health for whatever reason, giving them the skills to respond positively to life’s challenges and thrive. Their focus is on prevention or helping early on, before a concern becomes a crisis.

Arvind Azad, Hotel Manager at The Talbot, is excited about the collaboration: “I have spent some time getting to learn and know more about both Eikon and Oakleaf and the work they do to support young people and adults in Surrey. I, along with my team here at The Talbot, am delighted and keen to get involved to be able to support both charities this year.” 

Jen Clay, Head of Fundraising and Engagement at Oakleaf, said: “We are thrilled to be supported by The Talbot in 2024. Together, we aim for the partnership to create a positive impact, ensuring more people in Surrey who need mental health and wellbeing support, receive it.”

Becky Hughes, Grants and Corporate Partnerships Manager at Eikon, said “It is so encouraging to see the community coming alongside local charities in this way. This partnership will help raise awareness of the mental health crisis, as well as raising vital funds to enable Eikon and Oakleaf to provide support to children and adults in Surrey.”

The Talbot has set up online fundraising pages for Oakleaf and Eikon, viewable here.

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Want to be in GSC production?

Round & About

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Guildford Shakespeare Company issues a community casting call for its outdoor Romeo & Juliet, application deadline March 1st

This summer Guildford Shakespeare Company are staging their most ambitious project to date and are looking for an ensemble of community performers to be part of it.

The company are taking to the streets of Guildford for a multi-venue, promenade production of Shakespeare’s Romeo & Juliet.

Swapping the streets of Verona for the streets of Surrey’s county town, the production will feature iconic landmarks including the Guildhall balcony, Holy Trinity Church, Tunsgate, the historic High Street and Guildford Castle. Audiences will move with the action, from one location to another, following the fateful story of the star-cross’d lovers.

Alongside the professional cast, GSC are recruiting a youth ensemble from local schools and their own drama clubs, and forming an adult community ensemble, to bring the play as fully to life as possible.

Matt Pinches, GSC Co-Founder and Director says: “We really want our 18th birthday summer season to celebrate everything that’s positive about Guildford. Our community is at the heart of everything GSC does, whether on stage or in our huge range of outreach and education programmes. This is an opportunity for so many elements of Guildford to come together and be part of something special.”

The Community Ensemble will help bring to life the pivotal scene of the Capulet ball, where Juliet and Romeo meet for the first time. This is a high society party where the movers and the shakers of Verona strut their stuff and where the Capulets are showing off the best they can. Performing will involve some dancing/movement, and possibly a little dialogue.

“If you love performing, or dancing, or just want to be part of something special, we would love to hear from you. No experience is necessary, just a desire to take part and buckets of energy.”

Casting will take place across two dates, 23rd and 25th March, with rehearsals beginning on Saturday 25th May. Deadline for applications is 1st March. Please note this is an unpaid participation opportunity.

Full details of all dates, times and how to register are on the GSC website.

Romeo & Juliet runs June 21st to July 13th.

Booking opens later in the spring. More details here.

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Maestro Matthew Taylor of Farnham Sinfonia

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Diana Martin tells us more about Matthew Taylor, the man behind Farnham Sinfonia

There really couldn’t be a better time to write an article on local composer and conductor Matthew Taylor, for the Oscar nominated Leonard Bernstein biopic Maestro is due to show at Farnham Maltings in February…Matthew was one of Bernstein’s protégées! 

Bernstein, who is known for composing one of the most successful musicals ever, West Side Story, had an inspired conducting style which led to his big break conducting the New York Philharmonic in 1943. He was one of the first American-born conductors to lead world-class orchestras and achieve success globally. Maestro tells the audience of Bernstein’s complex life, his musical fame and his marriage.

During his twenties Matthew was selected by Bernstein as one of three conductors to attend the Schleswig Holstein Musik Festival – when young musicians from all over the world are given the opportunity to study and perform great works from the orchestral literature with famous conductors.   During the summer Matthew continued to conduct concerts with Bernstein in Northern Germany. Matthew was a friend of Bernstein’s until his death in 1990.  He recalls with amusement Bernstein’s ability to put young musicians at ease by reciting limericks, some of which were quite risqué.

Matthew felt a passion for music at a very young age when his father would play Beethoven to keep him amused rather than playing nursery rhymes.  This led to his lifelong enthusiasm with music as he became both a conductor and composer.  He says, ‘Beethoven has always been central to all my thought processes as a composer.  I still find more life force in his work than in any living composer.’

Over the years, Matthew has appeared as Guest Conductor with many renowned orchestras both at home and abroad and which included many first performance pieces by Robert Simpson, Vagn Holmboe, David Matthews and James Francis Brown.  Matthew has also held significant roles such as Artistic Directorships, Composer in Residence and Lecturer in Composition at the Royal Academy of Music.  He currently works at the Yehudi Menuhin School, supporting the development of his students.

Matthew’s recent work includes his 6th Symphony which was commissioned by the family of Malcom Arnold for the composer’s centenary celebrations. Matthew has long been an advocate for Malcolm Arnold’s music. This work will be broadcast later this year with Matthew conducting the BBC National Orchestra of Wales.

Having moved to Farnham in 2010, a town that he considered home to many artistic people, Matthew decided to form an orchestra and the Farnham Sinfonia was born. Over time, his vision became a reality, and the orchestra nurtures the next generation of musical talent by inviting young aspiring musicians to perform solo with a professional orchestra. This is a unique proposition for the students and graduates alike and underlines Matthew’s enthusiasm to promote young talent.

Sinfonia’s Outreach programme includes Matthew and Lead Violinist Elizabeth Cooney visiting local schools and colleges to fill the gaps in musical education. Matthew is keen to impart his musical abilities with the rising stars of the future as well as nurturing the orchestra to its full potential.

The next concert is on Saturday, 23 March at 7.30pm at St Andrew’s Farnham.

Mahler – (theme from Death in Venice)

Beethoven – Piano Concerto No. 2 and Two Romances

Schumann – Fairytale (for Viola)

Hindemith – Trauermusik

Piazzolla – Spring

For further information on Farnham Sinfonia (CIO), please go to their website

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Big Balloon Build raises over £10,000

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Local charities’ funds inflated by colourful display of more than 125,000 balloons with the help of Surrey’s Peanut Balloons

Surrey balloon artist Amy Brown has raised more than £10,000 for charity with her Big Balloon Build, an incredible festive display of creativity in December.

More than 1,000 people visited the Big Balloon Build created out of 125,000+ balloons and built in just under four days.

“I’ve seen such wonderful achievements from all the artists involved and incredible possibilities of what can be created out of the humble latex balloon on my journey with the Big Balloon Build,” said Amy, who owns and runs Peanut Balloons in Thursley. “Since my first build in 2017, I have wanted to bring this impressive world to the people in my area, so by bringing it home, I have not only been able to do this, but also help local charities within the community too.”

As a certified balloon artist, Amy has more than 15 years of balloon industry experience and loves the new challenges that balloon decorating brings. This was her sixth Big Balloon Build.

Seventy five of the best balloon artists were selected from around the world to come to the UK and transform the Charterhouse Club at Charterhouse School into a unique, walk-through balloon world, filling the 12,500 square foot Sports Hall.

The impressive display was created in just three and a half days although Amy worked for months behind the scenes with designers and organizers from the Big Balloon Build to bring this incredible event to Surrey.

Visitors were taken on a journey from London to the North Pole made entirely out of biodegradable, natural latex balloons and saw Big Ben, shops, enchanting elf villages, a ski slope with a skiing bunny, life-size reindeer ushering Santa’s sleigh across the winter sky and so much more. Paddington was certainly very popular.

One of those which benefitted was Meath Epilepsy Charity., Lucy Miguda, head of fundraising said: “This was incredible, it totally blew my mind!”

A VIP launch party was held with more than 80 guests including The Mayor of Waverley Cllr Penny Rivers, The Mayor of Godalming Cllr Adam Druce and The Mayor of Guildford Cllr Masuk Miah. Chancellor of the Exchequer, Jeremy Hunt, and his family joined in on the fun stopping by for a look when the build opened to the public Friday 15th to Sunday, 17th December.

“We had a lovely time at the balloon event, we have never seen anything like it and had to go around twice,” said Kimberley Burmingham, an associate at Phyllis Tuckwell.

“We are so very happy to receive this wonderful donation, which we will use to provide vital play and leisure opportunities to local disabled young people across the South East, so they can have fun and enjoy new activities with their friends,” said Becky Cox from Disability Challengers.

All profits from ticket sales have been donated in an equal split between the five charity partners: Disability Challengers, Action for Children, The Meath Epilepsy Charity, Phyllis Tuckwell and Farnham Youth Choir. The five charities will split the $10,000 raised to help children in the greater Surrey area.

“The funds raised from the Big Balloon Build could support up to 380 children by paying for soft furnishings for a young person moving into care, helping them to make their room feel like their own,” said Sam Jones, regional manager at Action for Children.

Generous sponsorships were also given from Brewers Decorator Centres and Dominos Pizza Guildford-Stoughton branch who provided a group trip for the delegates to Wisley Glow and evening pizzas for them too. “We are extremely grateful as without the delegates, these fundraising events don’t happen!” said Brown.

Gemar Balloons, a leading manufacturer of 100% bio-based rubber balloons, donated all 125,000+ balloons to the cause and PremiumConwin, the world’s leading manufacturer of high-quality balloon  inflators and ecofriendly balloon accessories, provided all equipment to inflate the Christmas Wonderland.

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A career in caring

Round & About

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If you or a loved one benefit from care whether on a daily or occasional basis you’ll value the importance of the carer in your life

Rewarding is the word most often used to describe what it means to be a carer, whether it’s just playing cards, a trip to the shops or attending to medical needs, what you do as a carer can make a real difference to someone’s life.

As the population grows and we live to a greater age – there are now more over 65s than under 5s – there is an increasing need for carers in all sectors. Whether you are enabling someone to continue living in their own home or supporting an older person with greater care needs in a nursing home, as one carer puts it “you’re not just a care professional, you become part of a family”.

No two days are the same and while it may sound like a cliché, the constantly changing needs of those you care for make each day one of discovery as you learn more about them and make connections. You’ll soon find many have interesting stories to tell.

Caring is more of a vocation than a job, which is why Dianne Downard has developed a keen instinct when it comes to interviewing potential new recruits at Goring Care. She has worked with the family care business, owned and directed by the Northeys, for more than 25 years, covering caring, cooking and leading the specialist team.

“You are called to this work and have to care about it and be committed, otherwise it won’t work,” says Dianne. “We offer personal care for those who need it, whether that’s help with bathing, showering, managing continence, food or mobility. We also offer palliative care, so we can meet clients’ needs right to the end.”

Families make contact with the Goring Care team to see whether they can meet the needs of an older person, who is assessed to find out whether dementia is a factor and plan the earliest possible support. “I love working with residents with dementia,” adds Dianne, who lives in Didcot. “It’s about making them feel they’re still important and valued as human beings. Whether they remember your name or to say thank you doesn’t matter. You’ve done something to improve their quality of life. We call them ‘butterfly moments’. Everyone deserves to feel safe and loved all the way through their life, as you’d want for your parents or grandparents.”

Having worked in reablement, learning disabilities, end-of-life care, and dementia specialist roles, Susie Long chose to join BelleVie Care which operates across Oxfordshire, bringing two decades of experience to a rewarding role. She was drawn to BelleVie’s person-centric approach and commitment to exceptional care.

The team, carefully selected for their passion and alignment with BelleVie’s values, reflects a diverse range of interests, from studying environmental studies to participating in local drama groups, singing, dancing, cooking, personal development, and travel.

Susie emphasises the importance of recruiting caregivers exclusively from the communities served, fostering a strong local connection.

She envisions BelleVie Care as a beacon of hope, not only for those they support but for those aspiring to work in the care sector and aims to transform the perception of care roles by advocating for excellent working conditions, providing support and training, and ensuring fair wages.

For Susie, BelleVie is not just a care provider; it’s a community where caregivers go the extra mile to ensure the well-being and happiness of those they serve. The emphasis on quality mentoring, coaching, and training reflects the commitment to delivering first-class support and enabling caregivers to thrive.

This month sees You Can Care Week, an annual event dedicated to raising awareness about careers in social care and inspiring others to consider getting involved in the social care sector and embarking on a fulfilling and rewarding role.

The week-long campaign shines a light on the essential work carers do day in, day out and the immense influence they have on not just the lives of those they care for but on their families and communities too. There is a growing demand for care workers and the week aims to attract more to the profession and explore the career opportunities it presents not just as a care assistant but also as support workers and social workers.

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Ring the changes with your wedding

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Celebrate your big day, your way, your wedding day should reflect who you are and with these trends for 2024 it shows you can ‘rip up the rule book’ and surprise your guests

Congratulations! You’ve celebrated your engagement and now’s where the fun / hard work starts. Planning a wedding is exciting and sometimes overwhelming. Why not take some inspiration from the trends for 2024 to kick start those plans for your ‘big day’…

Sustainability is a key consideration for many brides and grooms this year with couples becoming increasingly aware of the impact on the environment of ‘throw away’ items. Many will opt for biodegradable, recycled and upcycled decorations with ‘pre-loved’ dresses ticking both the eco and cost boxes. Charity shops are a great source of beautiful bargain dresses and Oxfam has a website dedicated to them, onlineshop.oxfam.org.uk/bridal

Hiring is growing in popularity too for all the reasons above, older readers will remember fondly popping into high street stores for tails and top hats. Searches for ‘wedding dress hire’ have increased with specialist shops offering the opportunity to rent designer or vintage dresses. It’s only worn for one day and if you’re on a budget or are trying not to splash too much cash on one item, it gives you funds to use elsewhere. One of the key dress trends for this year is colour, expect blush or champagne hues, bold brides may even try blue or peach.

Alongside alternative colours and styles are a move towards alternative venues allowing couples to be more creative and often offering a more personal choice – beaches, barns, vineyards and even industrial spaces are becoming increasingly popular as are outdoor options. During the pandemic many couples wishing to continue with their nuptials had no alternative but to say “I do” in the open air and this is continuing especially with brides and grooms wishing to get up close to nature and celebrate in the great outdoors.

Ideally positioned within the heart of the charming historic village of Crondall, Crondall Village Hall offers a perfect setting for your magical day. Opening onto the village green and able to seat 150 guests comfortably, offering a further smaller room which can act as a bar, buffet space or a further entertaining area, a large well-equipped kitchen, parking and competitive packages, making it suitable for all requirements. Please contact [email protected]

Hand in hand with the venue will go the choice of food and again, there is an increasing trend towards less formal fare with couples reflecting their personalities with sharing platters and grazing menus. Both provide a great way for guests to mingle and break the ice, chatting over the charcuterie and cheese, wandering among warm bread and olives. Dessert bars are an original alternative to the traditional cake, choose a variety of mini options that are sure to please even the pickiest of guests, bear in mind you’ll need to cater for different diets but the possibilities are endless.

After the day-long celebration comes that precious time for the two of you to be together and reflect but don’t despair if that bucket-list once-in-a-lifetime trip isn’t possible right now, opt for a minimoon instead. Choose a nearby location and enjoy just recharging and relaxing after the hectic past few months, perhaps extend your stay at your wedding venue and enjoy what that has to offer.

Explore a delightful array of wedding gifts at Culinary Concepts, crafted to capture the hearts of the newlyweds and be treasured for years to come. Whether you’re looking for the perfect gift or a stunning centerpiece, from beautiful barware to charming token gifts, our collection has you covered. Visit culinaryconcepts.co.uk for ideas.

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Art & soul

Liz Nicholls

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John Vardon raises a toast to Arts’ Society Farnham Evening who have been meeting for 20 years this month

Venice was the subject of the inaugural lecture given by Douglas Skeggs to the Cobbett’s Wey Decorative and Fine Arts Society on 14th January 2004. 

Eight months earlier, in April 2003, a group of like-minded ladies got together with a view to setting up a Decorative and Fine Arts Society (DFAS) that would meet in the evening, complementing the existing society meeting in the daytime, and giving an opportunity for working Farnham people to attend lectures.  There was much to do, from finding a suitable venue, through procuring audio visual equipment, creating a programme of lectures, finding a name for the nascent society, drafting a constitution and preparing publicity material to establishing a membership.  In the intervening period, the steering committee worked hard and with success; the society was born.

From the beginning, refreshments were served before the lectures, allowing members and their guests to socialise and the society’s meetings rapidly gained a reputation as friendly as well as informative events.  In the beginning, nine lectures were presented each year but, after only two years, this was increased to ten. The range of lectures has been extremely wide; topics covered have been as diverse as gardens, silver, furniture, tromp l’oeil, architecture, music, bricks and much else.

The society also arranges visits and study days for members, often related to a the subject of a lecture. Members have also been active participants as Church Recorders and Heritage volunteers. Church Recorders ensure that the contents of a church are meticulously described and fully recorded whilst Heritage Volunteers work to conserve artefacts in museums, archives, gardens and historic houses.  Another aspect of the society’s activities was the Young Arts Bursary designed to assist promising young students in their studies to support artists of the future; more recently, the Society has provided financial support to the Woodlarks Centre, specifically in support of the on-site Activity Centre.

In 2017, the National Association of Decorative and Fine Arts Societies rebranded as The Arts Society so, as an affiliated organisation, Cobbett’s Wey DFAS became The Arts’ Society, Farnham Evening (ASFE) but it still retained its reputation as a welcoming and friendly society offering an excellent series of lectures.  The COVID pandemic presented further challenges to the Society which went on-line enabling its programme of lectures to continue with only minor interruptions.  However, it was a real joy for Members to reconvene to socialise over a drink and listen to excellent lectures. Over the years, a hard working and cohesive committee supported by enthusiastic volunteers has ensured the success of the Society.  And so at the end of 2023, the Society celebrates the completion of twenty years with the return of Douglas Skeggs, speaking this time on the topic of James Whistler: The Gentle Art of Making Enemies

New members are most welcome or come to a talk as a visitor. Free parking and a glass of wine are included! For further information visit theartssocietyfarnhamevening.org.uk

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Heart felt with author Teri Terry

Liz Nicholls

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Teri, whose psychological thriller The Patient will be published by Bookouture on 13th February, tells us about her local life & loves

Teri is no stranger to writing, having previously published 14 young adult novels. She was inspired to write The Patient after following the tragic news of the parents of a young boy who went to court to stop his life support being withdrawn.

This and other previous cases got her thinking about what life and death mean, both medically and legally, and how it might differ from how most lay people would view this…

“When I was a law student I was fascinated at the difference between ethics and a lay person’s gut reaction of what is right or wrong,” she says. “An action could be considered ethical even if many would consider it wrong; conversely, it could be unethical even if most might think it was right.”

Teri, who has worked as a scientist, a lawyer and an optician; managed her own business, worked for a charity and in schools and libraries, has been writing full-time for a dozen years, mostly thrillers for teens, starting with the Slated trilogy. She was born in France, going to school in Canada, and living in Australia before settling in south Bucks which has been home for almost 20 years and where she lives now with her husband and six-year-old cockapoo Scooby. “Bucks is very much home,” adds Teri. “We got engaged at the top of Coombe Hill… Then I slipped over in the mud. Scooby is much loved and full of life and mischief. Having her made such a huge difference to our lives during lockdown. Tommy the trainer is one of her very favourite people, now located at Pegasus Unique Pets in Whitchurch [pegasuspets.store].

“I love that we have easy access to canal and countryside walks here, but are still being able to get to London in under an hour: the best of both worlds! I love Black Goo in Tring and Thame is a favourite haunt. Also, The Bell in Aston Clinton and Rumseys in Wendover for getting together with other writers, eating chocolatey treats and having a good natter. I’m also very pleased there is a new independent bookshop in Tring, Our Bookshop.”

The Patient is a psychological thriller about a heart transplant recipient who becomes obsessed with her donor. You can order or pre-order before that date on Amazon.

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Grayson Perry at The Lightbox

Round & About

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Grayson’s tapestries visit Surrey for the first time. For those with good taste. Possibly.

Grayson Perry’s The Vanity of Small Differences – six large-scale tapestries exploring the British fascination with social class, created by the Turner Prize-winning artist as a result of his acclaimed TV series – go on display at The Lightbox this January. The tapestries, which are part of the Arts Council Collection, are touring the country and this will be their first public display in Surrey.

Inspired by the characters, incidents and objects the artist encountered during the making of his Channel 4 documentary series, All in the Best Possible Taste, the tapestries evolved from drawings and photography Perry made whilst travelling around England in search of what is – or isn’t – deemed to be ‘good taste’. 

Grayson Perry is one of Britain’s most celebrated artists and cultural figures.  He is recognised as a great chronicler of contemporary life, tackling subjects that are universally human: social status, identity, sexuality, religion and more.

In The Vanity of Small Differences, Perry shares a story of 21st century social mobility. The tapestries chart the life of a fictional character, Tim Rakewell, whose ‘class journey’ has parallels with that of his 18th century namesake, Tom Rakewell – the central figure in William Hogarth’s A Rake’s Progress (1732-34). 

As Hogarth told his tale in a series of eight paintings, Grayson Perry shares the rise and demise of Tim Rakewell in this series of six, 2m x 4m tapestries – an art form traditionally associated with grand houses for the depiction of great historical, religious and military scenes.  In The Vanity of Small Differences, Perry plays with the idea of using this ancient allegorical art to elevate the commonplace dramas of contemporary British life.

Art historical references within contemporary scenes feature throughout the series.  In The Adoration of the Cage Fighters,in which the infant Tim reaches for his mother’s smartphone, there are echoes of Mantegna’s Adoration of the Shepherds (c.1450), and Perry’s second tapestry, Agony in the Car Park, is described by the artist as a “distant relative” of Bellini’s Agony in the Garden (c.1465).

The Annunciation of the Virgin Deal shows Tim as a wealthy man having sold his business to Richard Branson, with the convex mirror and discarded shoes recalling the famous Arnofilni Portrait (1434) by Jan van Eyck; and in The Upper Class at Bay, Tim and his wife, now owners of a mansion in the Cotswolds, resemble Mr and Mrs Andrews walking through their estate in Thomas Gainsborough’s celebrated painting.

But the story ends in tragedy.  In Perry’s final, dramatic tapestry, Lamentation – which takes inspiration from The Lamentation (c.1441) by Rogier van der Weyden – Tim’s life comes to an end following a car accident.  This image also reconnects the series with Hogarth, whose final painting in A Rake’s Progress records Tom Rakewell’s death.

Grayson Perry said: “The tapestries tell the story of class mobility, for I think nothing has as strong an influence on our aesthetic taste as the social class in which we grow up. I am interested in the politics of consumerism and the history of popular design but for this project I focus on the emotional investment we make in the things we choose to live with, wear, eat, read or drive. Class and taste run deep in our character – we care. This emotional charge is what draws me to a subject”.

Sarah Brown, Director of The Lightbox, said: “We are thrilled that The Lightbox will host this exhibition, which marks Grayson Perry’s first solo exhibition in Surrey and is also the first time that The Vanity of Small Differences have been on public display in the county.  Creating local opportunities to experience the best contemporary and modern art is at the heart of what we do, and through our exhibitions, activities and community events we work hard to ensure that as many people as possible can benefit.”

“We share with Grayson a firm belief that “art is good for you”, and never have we needed it more. This exhibition will provide inspiration for the New Year and we look forward to welcoming visitors.”

Grayson Perry: The Vanity of Small Differences opens at The Lightbox, Woking on 27 January (until 2 June). A programme of events for visitors, schools and community groups accompanies the exhibition.  For further information: lightbox.org.uk

Image credit: GraysonPerry: The Adoration of the Cage Fighters 2012, Arts Council Collection, Southbank Centre, London ©GraysonPerry Gift of the artist and Victoria Miro Gallery with the support of Channel 4 Television, The Art Fund and Sfumato Foundation with additional support from Alix Partners



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