Beer-fuelled Bard

Round & About

Shows & Reviews

Peter Anderson catches up with Stacey & Saul of Sh*tfaced Shakespeare which lands at Swindon’s Wyvern Theatre on Tuesday, 12th November

A smash-hit, internationally acclaimed, award-winning, multi sell-out fringe phenomenon comes to Swindon this month presenting Shakespeare in a way none of us remember it from our schooldays. We all know about pre-show drinks, but what if it is a random member of the cast who spends the four hours before a show having the pre-show drinks? Welcome to Sh*t-faced Shakespeare and their production of A Midsummer Night’s Dream. With a gin in one hand, a cup of wine in the other and a flagon of ale in the other… What could possibly go wrong?

I catch up with Stacey & Saul from the group to find out this combination of beer and the Bard, came about. “We had one of those sessions where we all put our heads together and came up with ideas on how we can make the improv different. This was the suggestion that someone came up with. I don’t remember whether we said yes or no to it at the time, but it was a little while later that in a radio interview someone mentioned that this was something, we had thought of doing. From then on, we had to it, and it seems to have been well received as we are still filling theatres after some years.”

Is there a chance the plot could change? “Oh yes, when you are one of the sober cast you have to be ready for just about anything, from Juliet deciding she is not going to commit suicide to characters appearing in the wrong play which adds to the spice and fun – for both us and the audience especially. There are rules that we use in improvisation and these can usually keep the play flowing. The important thing is that we are providing something enjoyable for the audience, there is no question of deliberately making one of the cast look stupid.”

You are quite a close-knit group of actors to be able to do improv, especially with the additional jeopardy of alcohol, but if you could have a famous actor join you for a show, who would you love? “Now, there’s a thought! I think the one actress who always seems good fun in the things she does is Helena Bonham-Carter, I am sure she would be up for it and extremely good fun whether she was drunk or sober.”

The Evening Standard said of this show “There is no doubt this is a hoot to watch”. To get your chance to see what could be subtitled for one actor A Midsummer Morning’s Hangover the show is on Tuesday 12th November at the Wyvern Theatre

Want to go?

Get your tickets here

Reading Thames Festival

Round & About

Shows & Reviews

Photo: Cirque Bijou – Nic Kane

Reading Thames Festival returns for the third year with a new programme set to change the town’s cultural scene. The world-class festival is made locally, celebrating the incredible creativity of Reading and driven by it.

The four-day festival, which runs from today (26th September) until Sunday 29th, will present music, film, theatre, dance, circus, spoken word, and offer a variety of food and drink.

Taking inspiration from the Thames’ grand heritage as a rich source of creativity, this year, the festival programme addresses themes of change and transformation, exploring how music, performance and the arts can bring people together in times of social unrest.

The festival will bring together more than 20 Reading and Berkshire artists and organisations, including a new co-commission partnership with Reading University. A brand-new festival strand – Art After Dark – will be introduced by performer Janine Harrington this year, due to transform Reading for one unforgettable night. The free one-night event will present art and performances in public spaces you may encounter every day as well as secret, off-the-beaten-track sites and venues.

Among the highlights this year are:

never closer to midnight

Reading on Thames Festival and University of Reading Co Commission
Thursday 26 September
Time: Various from 12pm – 5pm
Venue: White Knights Campus, Reading University, Shinfield Road, Whiteknights Road, Reading RG6 6UA
Free, un-ticketed

A meditative, rhythmic outdoor live art installation, exploring the sense of urgency in the face of climate change by artist Janine Harrington. never closer to midnight will also feature as part of Art After Dark. Harrington’s practice involves choreography, installation, writing and performance. She is interested in game structures, play, access, neurodiversity and the poetics of movement practices.

Art After Dark

Thursday 26 September
Time: 5pm – 10.30pm
Venue: Various venues Reading town centre
Free, un-ticketed

Art After Dark is a new contemporary arts strand that will transform Reading for one night. The free one-night event will present art and performances in public spaces and venues around the town centre. The event invites you to explore Reading’s identity, culture and architecture, offering arts organisations, independent artists and curators the opportunity to present works responding to Reading and the 2019 festival themes.  The Art After Dark trail will bring Reading’s waterways, town centre, heritage quarter and University alive with artworks and pop-up performances in an array of locations. Art After Dark aims to be accessible for a broad audience, giving local people and visitors the chance to discover different places across the town and explore its hidden histories and architecture. The event aims to meet the ever-growing demand for night-time cultural events.

In A Wonderland They Lie – A Riverboat Salon

Friday 27 September
Time: 6.30pm
Venue: Thames River Cruise
Meet Point: Thames River Cruise boarding pier
Ticketed: £10 full price, £6 concessions

In A Wonderland They Lie is a floating literary and musical salon. A riverboat tour showcasing writers and musicians whose work is haunted by a certain spirit of place. Partnering with Thames Cruisers, this event will take place on board one of their beautiful boats, set to sail along the quiet middle reaches of the Thames allowing audiences to see Berkshire from the water. This intimate event is curated by the writer, broadcaster and film-maker Michael Smith.

Acid Brass Fairey Brass Band

Sunday 29 September
Time: 7.30pm – 9pm
Venue: Reading Concert Hall
Ticketed: £12 full price, £7 concessions

Acid Brass is the brainchild of the Turner Prize winning artist Jeremy Deller. It is the unlikely fusion of Acid House anthems with the sound of a traditional British Brass Band, the result of which has received much appreciation from varied audiences across Europe and beyond. Since its conception in 1998, Acid Brass has been performed in locations such as the Tate Modern (London), The Louvre (Paris), and at many large popular music festivals across Europe. The Fairey Band is one of the most successful contesting brass bands in the world. Founded in 1937 by a group of employees at the Fairey Aviation Works in Stockport, the band has won every elite band event on the contest calendar, including the National Championships of Great Britain on nine occasions and the British Open an incredible 16 times.

Cirque Bijou

Saturday 28 September
Time: 6.30pm – 9.30pm
Venue: Reading Abbey
Ticketed: £14 full price, £7 concessions

Following the sold out 2018 Reading on Thames finale event, Cirque Bijou return to perform against the beautiful and historic backdrop of Reading Abbey. They bring the party to Reading with an immersive evening of the most contemporary of circus. Combining traditional skills and daredevilry with modern technology, live music and sophisticated styling, with beautiful, graceful and inspiring performances supported by performances from the communities of Reading against this backdrop.

More info

For full details of all the events at Reading Thames Festival visit their website

Beeline to bliss

Round & About

Shows & Reviews

Petersham Nurseries – Richmond’s visionary garden center and lifestyle mecca – is one of West London’s greatest treasures and creative success stories.

The family behind the business are celebrating their 15th birthday, looking back on their humble beginnings as a dilapidated local plant shop, and how much has changed. Now with a second branch in Covent Garden, the small empire includes a homeware shop, florist, café, two restaurants and a wine cellar, with visitors come from near and far to discover Richmond’s unique lifestyle destination.

For September, they’re celebrating their birthday by paying homage to the gardener’s best friend, the honeybee, with a one-off masterclass in all things bee-related. In keeping with Petersham’s ethos, this will include a tasting session with Bermondsey Street Bees’ honey sommelier, a gardening session in planting bee-friendly flowers, a delicious lunch, and a ‘preserving with honey’ cookery class with Rachel de Thample.

Petersham's 15th Birthday

To sign up for this, on Thursday, 26th September

Vino veritas

Round & About

Shows & Reviews

Jessica Elphinstone learns a thing or two about wine at Vagabond,  Fulham’s most underrated date spot

If you detest wine snobbery, and the whole glass-swirling, Merlot-gargling pomp of it all, then I’m totally with you. I spent my entire three years of university drinking £4.99 Gallo rosé, and that sweet, sickly nectar has a special place in my heart. But the wonderful thing about Vagabond is that, despite being a bouji wine bar and boasting over a hundred carefully selected bottles from indie vineyards across the globe, it is somehow also unpretentious.

First of all, the way you order the booze appeals to my inner vending-machine-loving child: Pre-load money onto a credit card, swipe into the recently revamped wine fridges, before clicking on the bottle you’d like and watching with glee as your chosen amount of wine comes pouring out. Taster sizes of 25ml are mostly around a couple of pounds, allowing people to sample a whole range of different wines you wouldn’t normally risk getting a glass of. We taste a tangy Spanish Albarino, a buttery, Meursault-style Reserva Branco from a sustainable smallholding in Alentejano (yes – I stole that from the tasting notes), and a questionable Italian Pecorino from Abruzzo.

Each wine comes with an information slip, onto which you can jot notes like ‘beeswax and tangerine’ or ‘pomegranate and watermelon’ if you so wish. My friend Chloe is a picky soul, and finds GM Henry’s pick, a Condrieu from the Northern Rhône which is one of the most expensive wines, not to her taste. We play games, bringing each other wines with tasting notes of honey, straw and water chestnuts, and try unsuccessfully to guess them. Around us, we see couples (a lot of first dates, apparently) doing the same, laughing and chatting as they pair their Tempranillo with delicious cured meats, artisan cheeses and charred Padron peppers.

Finally, we strike gold, and both fall in love with an Australian Zibibbo from winemaker Brash Higgins. “English Pears and Freesia” writes Chloe dramatically, now slightly less than sober. I imagine that this balance of light-heartedness, mixed with some actual exploration into new realms of wine, is exactly what Vagabond’s founder Stephen Finch imagined when he opened to doors to his first Fulham wine shop in 2010.

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Vagabond

Visit Vagabond Fulham, 18-22 Vanston Place, SW6 1AX
Contact on 0207 381 1717 or visit

Brian Blessed

Round & About

Shows & Reviews

Peter Anderson chats to Brian Blessed, director of Towards Zero at the Mill At Sonning about meeting Agatha Christie and more…

‘A murder is the culmination of a lot of different circumstances all converging at a given time, at a given point. It’s Zero Hour.” So says Superintendent Battle in Agatha Christie’s Towards Zero.

The play begins with the shipping forecast, but the weather does not suddenly happen – it is the result of many influences and other events, in the same way murder does not just happen. Towards Zero is the current play at the Mill at Sonning, and the team are pleased that Brian Blessed, is once again directing one of Christie’s plays.

The “Queen of Crime” wrote it in 1944, when Agatha was married to Max Mallowan and living at Winterbrook, near Cholsey. But it was just over a decade later when a young Brian Blessed met Agatha Christie.

He was just starting his first job at Nottingham Playhouse where they ran a fortnightly repertory company under the artistic director Val May (who was later the artistic director of the Yvonne Arnaud Theatre at Guildford) for the princely sum of £4-19-6 per week.

Agatha Christie was putting on Spiders Web at the Theatre Royal and came to the Playhouse for a look around. In those days the Stage Door opened on to the street.

Agatha and Brian often met up during the following three weeks. She helped him source some props he needed and told him some of her wishes about how her plays should be staged. Some of these, all these years later, Brian has remembered and used at The Mill, including the suit of armour that came to life. Towards Zero was Agatha’s favourite play, he recalls, and that of her good friend Robert Graves, the author of I Claudius.

Sometimes, either before or after their meetings, she was not going back to the theatre but to the police station to see if there had been any interesting murders! She described her meetings with him as relaxing which, for a lady who said that sometimes her head felt like a house where a light was on in at least one room 24 hours a day, must have been a blessing. Sadly, for Brian, her one gift to him apart from the advice a small radio covered in red velvet was taken from his bedsit.

As to what the audience can expect at the Mill, period music and the perpetual ticking of many different clocks as we head to the zero hour. Agatha was not Bran’s only source of advice, for Superintendent Battle, he went back to one of his early television roles – PC “Fancy” Smith on Z Cars.

Get tickets

Towards Zero runs until Saturday, 28th September; visit their website for tickets

Interiors: Decorex

Liz Nicholls

Shows & Reviews

Liz Nicholls looks forward to another Decorex International at Kensington’s Olympia London between 6th and 9th October…

Lush forest green tones, warm metal accents and a fresh, geometric take on more than 50 shades of grey….

These are just some of the home trends of note visitors can absorb at this year’s Decorex International. If you’ve never been, and love interiors, I recommend you visit – it’s like a giant, interactive Pinterest board, all abuzz with creative people and interiors ideas.

You can gain insight into the craft behind a piece of bespoke furniture or decoration as designers transform areas of the show floor into live workshops. In the Future Heritage zone, talented young names in British craft are given a platform to distill their aesthetic into a finished piece of fine craft.

Europe’s leading event for interior design professionals, Decorex has taken place in and around London every year since 1978.

One of the local creatives who exhibited last year (and provided the awesome inspo for my under-the-sea themed bathroom redseign!) is Chelsea-based contemporary fabric and home accessory designer Sarah Fortescue. Read Sarah’s blog and admire her gorgeous wares.

The leading designer and producer of Portuguese tapestry rugs in the UK, Putney-based Atlantico Rugs will return to show their new collection of elegant designs complementing current styles, trends and colours.

And Pooky, based in the kooky design quarter of Lots Road, is sure to bring a stand that will be another wonderland of colour & creative use of light.

Anyone who’s peeked inside the Fiona McDonald showroom in Fulham will be impressed by the custom-made bespoke furniture, lighting, mirrors and seating. Visit her stand for more inspiration on this stylish midcentury vibe!

Decorex

Follow @Decorex_Intl and visit Decorex for tickets, details and updates.

Presence, Cornerstone

Karen Neville

Shows & Reviews

Kate Aries

Four emerging Oxford based artists are showcasing their work in an exhibition at Didcot’s Cornerstone.

Presence is a group exhibition featuring the work of Kate Aries, Manon Franklin-Fraiture, James Lester and Jack Whitney.
Combining drawing, textile, illustration and digital artworks, the artists have created new works that question what is means to exist in the contemporary world, physically, sexually, virtually and digitally.

Visitors will be able to engage with works perceptually and/or physically, encouraging them to also contemplate these questions.
Kate Aries explores perception and illusion through experimentation with the camera, using different techniques to obscure and restrict her body. Kate’s practice focuses not only on embodied experience, but also the manipulated and processed image in our changing society.

James Lester
Jack Whitney
Manon Franklin-Fraiture

Manon Franklin-Fraiture’s quirky illustrations incorporate conversations and questions she overhears and brings them to life, shining a light on how human existence can be in our modern life.
James Lester is a portraiture artist whose work contemplates the shaping of humanity within a modern context. Throughout the duration of the exhibition James will be creating large-scale charcoal murals of an array of celebrity figures, offering visitors the chance to watch the artist in action.

Jack Whitney’s practice challenges normative notions of gender, sexuality and politics, for this exhibition Jack has used embroidery as a way of drawing humorous yet thought provoking images.

Exhibition

Presence runs from today, 6th, until 18th August and is free to attend.

Visit the Cornerstone site for more information about this or any of the other productions on.

Fox & Pheasant review

Round & About

Shows & Reviews

I’m a country bumpkin at heart, and when I moved to Fulham nearly three years ago all my edgy East London pals rolled their eyes and said it was highly predictable, the obvious choice for a Gloucestershire gal like me.

It’s true, there’s something about the leafy streets, parks and plentiful dog owners in SW6 that felt like home. But what I always missed was a cozy country pub, with roaring fires and stuffed foxes, the sort you’d turn up to in wellies after a long walk. That is until my little brother moved up to London a couple of months ago, and sniffed out the Fox and Pheasant. Hidden in a charming little mews called The Billings, a short walk from Fulham Broadway and Stamford Bridge, I’m embarrassed to say I’d walked past the faded Victorian exterior, with its green tiles and hanging baskets, a hundred times without a second glance.

This is probably exactly what James Blunt and wife Sofia Wellesley wanted, when they decided to buy their local boozer and save it from being turned into apartments back. It’s understated, and no expense has been spared in retaining the original charm of the 17th century pub. When I walked in, I was transported with a jolt to my favourite Cotswold pubs, and half expected to recognise the faces at the bar.

We plonk ourselves at the bar for a pint of the Fox and Fez, their house lager, and chat to charming manager Toby. The decor is so quintessentially British it feels a bit like a film set, with vintage wallpaper and original 1930’s oak panels and locals playing darts. The walled garden is divine, with ivy and jasmine and pot-plants galore, and a Wimbledon-style glass roof ready to pull over in case of rain. We sit here for supper, which blows us away with its quality and freshness and attention to detail. You can have your usual pub classics – scotch eggs; burger and chips; honey & mustard chipolatas; a killer roast with all the trimmings on Sundays.

Alternatively you can go off-piste and order soft shell crab tacos with sriracha mayo, or an Ottolenghi-esque roast cauliflower with rocket and dates, sprinkled with dukka grains and toasted almonds. For pudding, don’t miss the sticky toffee pudding soufflé, served with ice cream of the same flavour, which was mind-bogglingly delicious. The Fox and Pheasant is the perfect country escape, while barely having to leave SW6.

Find them

The Fox and Pheasant, 1 Billing Road, Chelsea, SW10 9UJ.

Call 0207 352 2943 or email [email protected]

Mum on stage

Round & About

Shows & Reviews

Peter Anderson chats with Jodie Nolan, the local mum who is starring in the hyper-successful musical Mamma Mia in the West End this summer

A sunny, funny tale of a mother, daughter and three possible dads set on an idyllic Greek island, has been celebrating the music of Abba and entertaining audiences the world over since 1999. Now a mum who took time out of her West End career has joined the ensemble cast once more. For about a decade Jodie Nolan has been enjoying married life in Chipping Norton, teaching dance and musical theatre, after herself starting to learn ballet at the age of two and a half at a dance school in Byfleet.

Who are her inspirations? “Both my parents, but especially my mother. I was brought up with the philosophy if you really want something go for it, and they were very supportive. Growing up, it was Judy Garland in the Wizard of Oz and ballet wise Mikhail Baryshnikov in White Knight.

How did you get your first break in the West End? “I did not go straight into a musicals after leaving the Laine Academy in Guildford, I spent time working as part of the entertainment team on one of the Royal Caribbean Cruise ships, very quickly I had to get my head around all types of shows, and I was away from home. Then, I performed in a couple of tours of Chicago, and then the international tour of Mamma Mia. When I saw that there were vacancies in the West End show and so I gave it a shot and managed to get into the cast in 2008.

Was it hard ten years ago to decide to have a break from the West End? “At the time no, it had been a challenging time for me, I had got married to a lovely husband, but I lost my mother and decided it was time to take a step back for a while. Alongside having children – we now have two lovely daughters and live in idyllic Chipping Norton. I also trained as a teacher in ballet and musical theatre and opened the Nolan Academy. I just felt the time was right now for another shot at the West End and was pleased to get back into Mamma Mia – and supervise the teachers who are covering me in the academy.

Jodie is back on stage in Mamma Mia, but are there any other musicals on her wish list? “What a question! As I walk along The Strand to get to the theatre you see so many musicals that are on. But who wouldn’t want to appear in Les Miserables?”

Want to go?

See Jodie in Mamma Mia in the Novello Theatre in London’s West End – buy your tickets

Vinyl Revival

Round & About

Shows & Reviews

Watch The Vinyl Revival at Oxford’s Phoenix Playhouse

Billed as “a film about why the tables are turning again”, The Vinyl Revival is a 43-minute documentary exploring the renaissance of all things vinyl.

Released as part of Record Store Day 2019, it is now enjoying a limited cinema and festival run and you can catch it at the Phoenix Picturehouse in Walton Street, Oxford on Wednesday, 24th July.

In The Vinyl Revival you can hear from new passionate record shop owners as well as the established die-hards going strong and thriving.

The documentary also features musicians and music industry pundits, experts on culture and music history. The film discusses the importance of the record shop and vinyl as a whole. It addresses the why’s of vinyl’s revival, the human need for belonging, the love of history, and the stories of how the humble little record shop has shaped so many lives.

It follows on from the acclaimed Last Shop Standing and is again directed and produced by Pip Piper.

Contributors include Philip Selway (Radiohead), Jen Otter Bikerdike (Rock and Roll Historian), Nick Mason (Pink Floyd) and Ade Utley (Portishead).

After the documentary there will be a Q&A with Pip and Philip Selway of Oxford-band Radiohead. The event starts at 8.30pm.

True lovers of vinyl will be interested in the album, The Vinyl Revival, a gatefold compilation album released for Record Store Day 2019 and the book, The Vinyl Revival and the Shops that Made it Happen by Graham Jones, which inspired the film. Jones is famous for being the man who has visited more record shops than anyone ever.

Nick Mason, of Pink Floyd summed up vinyl saying:
“The vinyl record is the equivalent of whether you have the tea bag or the Japanese tea ceremony, the tea ceremony is the right way to approach music”.

To book tickets and for more information