Max & Ivan

Round & About

Shows & Reviews

Edinburgh Comedy Award-nominees Max & Ivan, as seen in BBC One’s W1A and heard on BBC Radio 4’s The Casebook of Max & Ivan bring their show Commitment to Reading tomorrow (6th February).

Peter Anderson caught up with the hilarious duo…

Q. How did you both discover your talents for comedy & improv?

Ivan: “ Max grew up listening to, watching and reading comedy from an early age – he always dreamed of becoming a performer and through dedication and devotion he got to where he is now.”

Max: “ As for Ivan, we’re both hoping he’ll discover his talents soon…”

Ivan: “ Fingers crossed! That’s one of my talents, incidentally.”

Q. You met while studying at Royal Holloway. Does that mean acting and comedy is to some extent at Plan B?

Max: “ We both studied theatre, so this is Plan A! The fact that we don’t have a Plan B is what worries our parents the most (and us to be honest….).”

Ivan: “ Getting a real job is Plan B! And I’ve no idea what the next letter of the alphabet is, so let’s hope it doesn’t come to that.”

Q. How well did you know each other before you came together at the radio station?

Ivan: “ When we met at an audition for a play (in the first week of university) we got talking about comedy and within a couple of weeks we started working together.”

Max: “ Our friendship and working partnership are one and the same and we look forward to it continuing (until the eventual day it falls apart in bitter, furious litigation).”

Q. Who are your inspirations?

Max: “ The League of Gentlemen, Brass Eye, Little Britain, Key & Peele, French & Saunders, Julia Davis.

Ivan: “ Max.”

Q. What can the audience at South Street expect from the show?

Max: “ If you come to see us at South Street you’ll witness the TRUE story of how I attempted to reform Ivan’s teenage band for one final gig on the night of his stag. It’s an incredible story that has to be seen to be believed, filled with an array of embarrassing photos and videos from our childhood.”

Ivan: “ It also made a number of publications’ Top 10 lists for best comedy shows of 2019 – so we can guarantee that it’s FUNNY! We won’t name those publications out of respect to the Round & About magazine, but feel free to Google – sorry, use a prominent search engine of your choice – if you don’t believe us.”

Q. I know Kieran has performed there before have either of you?

Ivan: “ We haven’t! However when we asked Kieran Hodgson (our director) what to expect, he said: ‘Reading South Street is one of my favourite venues, with a discerning clientele and access to a really good canalside Pizza Express for post-show nosh. You’re also under directorial orders to see the weird muscly lion statue during the afternoon. Break a leg! Kieran. X’

Max: “ His directorial brilliance knows no bounds!”

Q. How do you go about writing/creating the framework for the show?

Max: “ With our previous shows, it’s always been a torturous process involving far too many hours spent in a small room drinking lots of coffee and scribbling on hundreds of Post-it notes.”

Ivan: “ We thought that seeing as Commitment is based on a real story it’d be different this time round… but unfortunately not.”

Q. If you had free rein to pick another actor to join you, who would you pick?

Max: “ We have a running joke with James Acaster that he’ll one day appear halfway through our show as a neighbour, saying his catchphrase of ‘hello boys’ – it’d have to be fulfilling that weird dream I guess!”

Ivan: “ You never know – he might turn up in Reading!*”

Q. How do you relax away from acting?

Ivan: “ We write an eight-part geo-political comedy thriller podcast of course!”

Max: “ Why not give it a listen: it’s called Max & Ivan: Fugitives and it’s nothing like our live show…”

Q. I guess there is a lot of driving between gigs, what do you listen to; music, audio-books?

Max: “ John, our tour manager and driver extraordinaire** is actually a trained musical director, so we’ve actually spent most of our travelling time together learning three-part harmonies to songs…”

Ivan: “ We’re quite tempted to spend our final tour date performing some rousing folk songs instead of Commitment (although we’re not sure what the good people of Norwich would think of that).”

 

* he won’t.

**John’s driving is actually quite dangerous and when we’re not learning harmonies we’re reminding him how roundabouts work, or warning him that he’s about to crash into a parked car.

Banff film festival

Karen Neville

Shows & Reviews

Picture credit: Ben Tibbetts

Celebrate the great outdoors with exhilarating stories and intrepid characters as the Banff Mountain Film Festival World Tour returns for 2020. 

The tour features two different collections of films from the world’s best film makers, with super-human challenges, inspiring journeys and stunning cinematography from the four corners of the globe.

The tour’s films are chosen from hundreds of entries into the Banff Mountain Film Festival, which is held every November in the Canadian Rockies. The UK and Ireland tour visits 60 locations along the way. As well as thrilling films, each event features a free prize draw for exciting outdoorsy goodies from the tour partners.

UK tour director Neil Teasdale said: “We can’t wait to share the latest inspirational films from the world’s most prestigious mountain film festival on our biggest tour yet.

“As well as exhilarating stories starring intrepid characters and pioneering journeys, an evening at Banff is a celebration of the great outdoors, with a vibrant atmosphere and a real sense of community. And we guarantee audiences will leave inspired to have an adventure of their own.”

For more information about the films and to book tickets visit www.banff-uk.com

The tour comes to G Live in Guildford on 13th March with the ‘red’ series of films and 29th April with the ‘blue’ series of films.

‘Red’ films – Charge, Danny Day Care, The Flip, Home, Up to Speed, The Imaginary Line, The Ladakh Project and Thabang

‘Blue’ films – A Nordic Skater, Return to Earth, The High Road, Spectre Expedition – Mission Antarctica, The Frenchy, The Long Rover Home and The Running Pastor

All programmes may be subject to change.

Banff film festival

Karen Neville

Shows & Reviews

Picture credit: Ben Tibbetts

Celebrate the great outdoors with exhilarating stories and intrepid characters as the Banff Mountain Film Festival World Tour returns for 2020. 

The tour features two different collections of films from the world’s best film makers, with super-human challenges, inspiring journeys and stunning cinematography from the four corners of the globe.

The tour’s films are chosen from hundreds of entries into the Banff Mountain Film Festival, which is held every November in the Canadian Rockies. The UK and Ireland tour visits 60 locations along the way. As well as thrilling films, each event features a free prize draw for exciting outdoorsy goodies from the tour partners.

UK tour director Neil Teasdale said: “We can’t wait to share the latest inspirational films from the world’s most prestigious mountain film festival on our biggest tour yet.

“As well as exhilarating stories starring intrepid characters and pioneering journeys, an evening at Banff is a celebration of the great outdoors, with a vibrant atmosphere and a real sense of community. And we guarantee audiences will leave inspired to have an adventure of their own.”

For more information about the films and to book tickets visit www.banff-uk.com

The tour comes to Oxford’s New Theatre on28th January; The Hexagon, Reading on 29th January and 18th March; Abingdon’s Amey Theatre on 5th February; Wycombe Swan, High Wycombe on 11th February; Cheltenham’s Town Hall on 12th February and 28th April; Wyvern Theatre, Swindon on 19th February

Oxford, Reading (29th Jan), High Wycombe, Swindon and Cheltenham (12th Feb) are showing the ‘red’ series of films – Charge, Danny Day Care, The Flip, Home, Up to Speed, The Imaginary Line, The Ladakh Project and Thabang

Abingdon, Reading (18th March) and Cheltenham (28th April) are screening the ‘blue’ series of films – A Nordic Skater, Return to Earth, The High Road, Spectre Expedition – Mission Antarctica, The Frenchy, The Long Rover Home and The Running Pastor

All programmes may be subject to change.

Star of Wonder

Round & About

Shows & Reviews

Lucy Barker tells us about ‘Star of Wonder’ at Guildford Cathedral

Star of Wonder is a beautiful light and sound show that makes full use of the massive vaulted ceiling and majestic interior of Guildford Cathedral.

Created by artist Peter Walker and composer David Harper of Luxmuralis (Light Murals), the show celebrates the twelve days of Christmas. It takes visitors on the journey of the Magi, through starry skies, religious images and colourful laser beams, in a stunning kaleidoscope of colours.

We went as a family and our two small boys (age five and two) were enchanted by the display all around them. For a first visit to the cathedral it was certainly impressive, and memorable.

It’s on for the next three nights – 16, 17 and 18 January, at a cost of £5 (accompanied under 16s £2.50).

Cat’s whiskers

Round & About

Shows & Reviews

Peter Anderson chats to Roy Marsden, producer of the classic thriller Cat and The Canary at The Theatre Royal, Windsor, 15th – 25th January

Staying sane seems so simple, until 20 years after the death of Mr West, his descendants have to gather at a remote mansion to learn who will inherit his vast wealth and the hidden family jewels. When the heir is revealed, the heritage hunters turn to prey and a chain of macabre events is set in motion. Will the heirs dare to face the haunting presence toying with them? When the cat prowls, the flock takes fright…

The Cat and The Canary, the original chilling country house thriller comes to the Theatre Royal Windsor next month. Peter Anderson caught up with the producer, Roy Marsden perhaps known to many as the PD James detective, Adam Dalgliesh.

What can we look forward to with this play?” We are looking forward ourselves as rehearsals start. This is a play written in 1920s America which has seen a number of versions including a silent movie and a comedy thriller written as a vehicle for Bob Hope. Sadly, some of the play adaptions have been lost. We have moved the setting of the play from the Louisiana swamps to perhaps our most chilling of locations – Bodmin Moor.”

When did you discover your love for the theatre? “I grew up in the East End of London, and I was about eight years old when I discovered at that age you could easily travel on the Underground and nobody asked for tickets. I also found I could sneak into the gallery at the Victoria Palace Theatre. I watched the Crazy Gang, Flanagan and Allen, and the rest of them every night I was hooked. When my parents realised where I was going and what my interest was, they sorted out a kids’ drama school for me. “

Does coming to the Theatre Royal bring back happy memories for you? “I remember asking my Dad why he preferred the Theatre Royal, in Stratford East near where I grew up, to the National Theatre. He said that when you walk into the National Theatre it is the same ambience as a library, everyone talking in hushed tones. But in the Theatre Royal, if someone recognised you in the bar, they would call out and welcome you from the other side of the room.

“I love coming to the Theatre Royal – there is such a warm and welcoming atmosphere. You always get the impression that all the staff who work there are all part of one big happy family, and it is that atmosphere that really makes an audience member feel welcome when they come in to watch something.”

More info

The Cat and The Canary runs from 15th to 25th January. For tickets & more information

Review of Aladdin

Round & About

Shows & Reviews

Review of Aladdin at the New Victoria Theatre Woking, by Lucy Barker

From the moment the curtain went up on Aladdin, my five-year-old was spellbound by the giant King Cobra snake that reared up at baddie Abanazar’s command. The thing was huge – it reached to the top of the stage and seemed to extend into the audience, complete with flashing eyes and sinuous body.

Next came the double act of David Phipps-Davis as Widow Twankey and Bobby Davro as Wishee Washee, old hats at panto, whose banter was a key feature of the production. Some of the comments were a bit adult for the children but the audience didn’t seem to mind. My son was particularly keen on the donkey derby that took place between ‘mother and son’ although the joke wore a bit thin for me.

As a lifelong Strictly Come Dancing Fan I was looking forward to seeing Brendan Cole, who didn’t disappoint as the Spirit of the Ring and completely overshadowed the special effects genie. I, like the rest of the audience, was entranced by the magic carpet ride taken by Aladdin (although my imagination was stretched a bit too far by the fact that only he got to take a ride, leaving his companions to just walk out of the cave!). This was a definite highlight as, like the snake, Aladdin flew over the audience as well as the stage.

CBBC favourite Mischa Eckersley did a good turn as Princess Jasmine and special mention must also got to Pearce Barro in the title role. The production also featured the talents of veteran ventriloquist Dawson Chance as Chief of Police.

Overall, it was a thoroughly enjoyable night out, from getting to sneak out at bedtime (his, not mine) with my son; to the display in the foyer of a monkey sneaking into the treasure cove; to obviously the production itself, which contained all the elements of a traditional Christmas pantomime.

The panto runs until 5th January 2020

For more information and tickets

A golden example of dining

Liz Nicholls

Shows & Reviews

Liz Nicholls reviews the newly opened Ivy Oxford Brasserie.

In these strange, straitened times, luxury feels like it’s in short supply. In fact, “luxury” has become so rare a concept that it feels a retro, almost naughty. Luckily, the energetic team behind The Ivy Oxford Brasserie haven’t received this particular memo.

From the moment we were ushered inside, off the bleak wintry high street into the velvet-coccoon of the cloakroom we were (to quote Beyoncé) living lavish.

The Ivy Oxford Brasserie’s arrival in this often austere city of broken dreams has caused a big fat buzz for good reason. Because we’re all hungry for some luxury, and a place to celebrate rather than commiserate.

As with its celebrity honeypot mother branch in London, and the successful brasserie outposts in Winchester and Marlow, the Ivy brand is all about the best of the best. That’s most thrilling, on first entry, with the service. The staff offer the level of old-fashioned courtesy and enthusiasm that makes you feel like you’re winning at life. I go weak at the knees for a good banquette (especially a curvy orange one) and the effervescent Karim’s recommendation – truffle arancini – were balls of richly flavoured sexy joy; the perfect accompaniment for Magdalen Manhattan.

You can’t visit this Ivy branch without being wowed by its interior. Instagram has helped to gild the Ivy Oxford’s golden age because it really is a maximalist wonderland that feels designed to be snapped. For Pinterest fans like myself, the general vibe could be defined as “1920s Flapper Luxe”, with huge botanical motifs (toucans, butterflies, rainbow trout) and shiny surfaces at every turn. The old bank’s stately dimensions make it the perfect stomping ground for anyone in need of a bit of glam – even strutting up the copper-hued illuminated staircase to the ladies makes you feel special. The toilets themselves (which you might have seen on Insta) are worth special mention: rose quartz sinks, brass taps, gothic-gold floral wallpaper and jewel-hued pouffes… No wonder, then, that the smallest rooms have apparently been papped even more than the chocolate bombe (which comes a close second). And the enamel-ceilinged private hire party room is a golden example of how to create a setting where you can and should celebrate in debauched yet elegant style, a la the Ivy alma mater.

Hype can really detract from a good meal, and I had thought this Ivy outpost might be more style over substance but happily I was proved wrong. Tempura prawns and salt & pepper squid, in their conical silver salver, were crisp and gorgeous dunked in their wasabi and miso dressing and – a greedy choice – the lobster risotto was a divine creation of sweet meaty flesh doused in a seafoamy bisque dressing with a perfect partner of tender samphire.

Another greedy winter choice (and Karim’s recommendation), chicken Milanese was peak pleasure, coated in brioche crumb but kept savoury by a shiny tureen of truffle cream sauce that I kept trying to steal and topped with a rudely perfect fried egg. Then, as if to prove more definitely is more, the blackened cod fillet. This has almost become a cliché dish, which footballers plump for at Nobu and other top-tier celeb haunts, but technically the Ivy version is very hard to fault: pearly succulent fish, baked in a banana leaf beautifully fragrant with sesame and helped to sing with its citrus-pickled fennel (genius) broccoli and yuzu mayonnaise. Top marks too for a sublime sweet potato side and creamed spinach with pine nuts. All of it looked beautiful but tasted even better.

That much-Instagrammed chocolate bombe is also worth its 15 minutes: a grenade of golden flavour whose honeycomb centre oozed out to mingle with the vanilla ice cream once the hot sauce was poured on top to make a big sticky mess.

With all this glitz & glam, you’d expect the Ivy to be expensive but it’s reasonable: a la carte starters hover about the £10 mark, mains around £20 and there’s a three-course set menu for £21 which is stunning value, all things considered.

Hats off to the Ivy team. They’ve managed to live up to the not-inconsiderable hype. From my grandmother – who toasted her 94th birthday here earlier this month – to youngsters in athleisure chinking drinks at the bar, being made to feel like royalty is surely the best measure of success.

See their menu and book here

Spa & away

Round & About

Shows & Reviews

Michelle Miley takes some time out to indulge in an afternoon of relaxation and pampering at Donnington Valley near Newbury in Berkshire

We have all been told about the importance of finding the right ‘work-life balance’ but as a working mum it can often seem impossible to devote any real time to yourself. So, a Sunday afternoon spent unwinding at the spa was a rare and welcome retreat from the mayhem of a lively toddler and the ever-expanding washing pile.

Donnington Valley is a four-star spa set in a stunning parkland in Berkshire. It is light and airy with incredible views of the immaculate landscape outside giving it a very calming atmosphere. My husband and I instantly felt at ease as we lounged poolside wrapped in soft, fluffy robes basking in the peace and serenity around us.

Wellbeing is at the heart of what the spa offers with an extensive list of Decléor signature face and body treatments. Professional therapists combine the most luxurious products and the latest techniques to leave you feeling revitalised and renewed. Beauty treatments range from Decléor‘s holistic facial to an Aroma Massage, or a stress-relieving body wrap. Pre and post-natal treatments or essential nail treatments are also available.

As my feet have been rather neglected lately, I opted for the 25-minute Soft Feet treatment. My feet and legs were exfoliated with 1,000 grains exfoliator to remove dead skin then massaged with zesty butter mask to hydrate and relieve tension and stress. Next warm mitts were used to remove the mask and finally hydrating body milk was applied to moisturise the skin. The Soft Feet massage left me feeling thoroughly relaxed and my feet were very soft and smooth.

Bento style lunch was served poolside where we supped a crisp Sauvignon Blanc and tucked into delicious salmon, potato salad and pickled vegetables, and chicken caesar salad, spicy cous cous and coleslaw. Afternoon tea is also an option.

Donnington Valley Spa is a fantastic place to take some time out and catch up with the girls or, as we did, spend a few hours with your partner away from the house and kids. My husband and I both left feeling fully rested and recharged – ready to take on the bedtime routine!

Website

For more information on spa days and treatments at Donnington Valley

Ghost: The Ultimate Tour Named Death

Round & About

Shows & Reviews

Steve Warner enjoys Ghost’s performance at SSE Arena Wembley on Friday

Live performances can be an amazing experience for any music fan and I can testify that the Swedish band Ghost are one of the best live rock acts around. Last year I saw them at The Royal Albert Hall on A Pale Horse Named Death Tour promoting their album, Prequelle. Ghost don’t just write and play great music, they provide an exhilarating, memorable show.

The Ultimate Tour Named Death arrived at Wembley for a Friday night show and was no exception. Opening with Rats, an instantly modern catchy classic song really set the scene. Amazing sound from the whole band, dazzling lighting across a huge mediaeval church backdrop made this a great gig. I have seen a lot of bands over many years and they stand out as such a tight band with powerful riffs and boundless energy, who effortlessly switch in and out of lighter moments. Having toured across America, Europe and much of the world, their fan base is expanding massively as more and more people become aware of what this band are capable of. I came across Ghost three years ago. The hypnotic and tuneful rock track Cirice was my introduction to this band through a friend I met at school. This sort of thing doesn’t happen very often. Pure magic!

Ghost comprises of melodic, talented, masked musicians, with Tobias Forge as the front man heading the nameless ghouls. Tobias has a unique, listenable voice which draws you in and he creates theatrical drama on stage. Between songs he interjects humorous interaction with the mesmerised audience. An air of mystery surrounds them that only adds to their complexity.

In March 2020 Ghost will celebrate 10 years since they initially posted three songs on MySpace and within two days became noticed by the music industry. Some people refer to Ghost as a Doom Metal band. The brilliant track Mummy Dust does fit that description but I’m not so sure I’d agree with that particular pigeon hole for this band as this might put off some people who I believe will love their music. Ghost is a modern day Blue Oyster Cult bearing a dark undertone in the lyrics of each song with hard rock guitars and drums, which hits the spot exactly how rock music should be written nowadays.

When you start exploring the writing styles of Ghost you come across Absolution, Square Hammer, He Is, From the Pinnacle to the Pit, Ritual, Faith and Year Zero you realise the variety of music this band can create. If any of this is catching your attention look them up on youtube. Their packaging of each of their albums is great too so treat yourself to discover what so many rock fans are talking about. Yes, I have all the CD’s and vinyl, and yes, the limited edition items are a joy to own, as is the merchandise! Did I remember to say I love their work…?

The Ghost world tour continues

Until 19th December

For tickets, merchandise and more please visit www.ghost-official.com/. Also follow @thebandghost for updates and more

Make no bones about it…

Round & About

Shows & Reviews

Ella Reeves reviews Lovely Bones at Oxford Playhouse

If there is one play you go to see this year, this is it.

I have just returned from the stage version of Alice Sebold’s 2002 novel The Lovely Bones, adapted by Bryony Lavery and directed by Melli Still.

My mind was blown. I am not one to be reckless with my superlatives, and this was the best play I’ve ever seen. It is the kind of show where you are not thinking about when the interval is coming, because you are completely enthralled by the performance.

The Lovely Bones was one of the few books I found gripping enough to read cover-to-cover as a teenager. The book is set in Pennsylvania, 1973, where the main character, Susie Salmon, dies at the beginning, raped and murdered by a neighbour. The rest of the story follows Susie’s journey in the afterlife, as she watches over her family, while they deal with the aftermath of her death.

When I heard the production was coming to the Oxford Playhouse, I was keen to see it. I was curious as to how a stage production could plausibly portray Susie’s ghostly presence alongside the living world, and how they would deal with the book’s complex and disturbing themes.

How could it be possible to convey that one part of the scene is in the present, then it is in the past, and some characters on stage are in heaven, while some are on earth?

The situation and mood changes were seamless, owing to the actors’ convincing performances, the suspense-building sound design, the lighting, and the innovative scenery. The actors frequently changed roles, which could have been confusing or overdone, but they subtly conveyed the changes, so it felt as if as if you were in the characters’ heads.

It was clear that the other audience members were as captivated as I was. Through the contrast of lightness and laughter with darkness and gruesomeness, a full range of emotions were teased out in each scene. We gasped, we giggled, and we had tears in our eyes.

The stage play was beautifully choreographed, and there were parts where I was mesmerised by how the motion of each actor slowed and sped up, in sync with one another. I wondered how many times they must have rehearsed to perform it so perfectly. The live band, which transported the audience to the place and era of the story’s setting, was worth seeing in itself.

The scenery was inspired. The backdrop was an angled screen, which, dependent on lighting, acted as a mirror of the main act, or an illusion between the dimensions. When the actor playing Susie (Charlotte Beaumont) talks to the audience and “breaks the fourth wall”, you could imagine that the scenery creates a fifth wall.

There was no weak link to be found in the play, certainly not among the actors. Holiday, the dog, was played by actor Samuel Gosrani, and was clearly recognisable while playing a dog, while also credibly playing Ray, Susie’s love interest. It is notable that Susie never leaves the stage, and despite her screams to her parents, siblings, and friends, she is in a different dimension, so they never bat an eyelid.

Oxfordians are fortunate to have the Oxford Playhouse, an attraction of such excellent productions. I went to see the captioned show on a Wednesday, which enables people with hearing loss to enjoy live performances. The casting team of this production should also be commended for their inclusive approach: the actors were selected for their role based on their acting ability and suitability to the character, no matter their race or gender.

Tickets are still available

For the Thursday evening, Friday evening, and Saturday matinee and evening.

You will not regret it!