Review of Aladdin

Review of Aladdin at the New Victoria Theatre Woking, by Lucy Barker

From the moment the curtain went up on Aladdin, my five-year-old was spellbound by the giant King Cobra snake that reared up at baddie Abanazar’s command. The thing was huge – it reached to the top of the stage and seemed to extend into the audience, complete with flashing eyes and sinuous body.

Next came the double act of David Phipps-Davis as Widow Twankey and Bobby Davro as Wishee Washee, old hats at panto, whose banter was a key feature of the production. Some of the comments were a bit adult for the children but the audience didn’t seem to mind. My son was particularly keen on the donkey derby that took place between ‘mother and son’ although the joke wore a bit thin for me.

As a lifelong Strictly Come Dancing Fan I was looking forward to seeing Brendan Cole, who didn’t disappoint as the Spirit of the Ring and completely overshadowed the special effects genie. I, like the rest of the audience, was entranced by the magic carpet ride taken by Aladdin (although my imagination was stretched a bit too far by the fact that only he got to take a ride, leaving his companions to just walk out of the cave!). This was a definite highlight as, like the snake, Aladdin flew over the audience as well as the stage.

CBBC favourite Mischa Eckersley did a good turn as Princess Jasmine and special mention must also got to Pearce Barro in the title role. The production also featured the talents of veteran ventriloquist Dawson Chance as Chief of Police.

Overall, it was a thoroughly enjoyable night out, from getting to sneak out at bedtime (his, not mine) with my son; to the display in the foyer of a monkey sneaking into the treasure cove; to obviously the production itself, which contained all the elements of a traditional Christmas pantomime.