Arlene & Oti: The Cher Show

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The Cher Show, directed by Arlene Phillips & choreographed by Oti Mabuse lands at Oxford’s New Theatre, 21st-25th February

From a young child with big dreams, the shy daughter of an Armenian American truck driver, to the dizzying heights of global stardom, The Cher Show tells the incredible story of Cher’s meteoric rise to fame.

Cher takes the audience by the hand and introduces them to the influential people in her life, from her mother and Sonny Bono to fashion designer and costumier Bob Mackie. It shows how she battled the men who underestimated her, fought the conventions and, above all, was a trailblazer for independence.

The musical is packed with 35 of her biggest hits, including If I Could Turn Back Time, I Got You Babe, Strong Enough, The Shoop Shoop Song and Believe.

With more than 100 million record sales, an Academy Award®, an Emmy®, a Grammy®, three Golden Globes® and an award from The Council of Fashion Designers of America, Cher has influenced popular culture more than most. Her on-screen career started in 1971 with her weekly television show that attracted 30 million viewers a week, and went on to include starring roles in iconic films from Moonstruck, for which she won the Oscar for Best Actress, to Mamma Mia: Here We Go Again!, which prompted the New York Magazine to realise “every single move – no matter how flawless – would be infinitely better if it included Cher.” Her ‘Farewell Tour’ became the highest grossing music tour in history – in true Cher fashion, she followed up her ‘Farewell Tour’ with two further sell-out, worldwide arena tours. She is the only artist in history to have a number one hit in the Billboard chart for six consecutive decades; an achievement that caused Vogue to deem her “eternally relevant and the ruler of outré reinvention.” She became known as the Queen of Reinvention.

In the 1990s, she established The Cher Charitable Foundation to support causes around the world. She has been a long-time donor and supporter of Habitat from Humanity, The Intrepid Fallen Heroes Fund and Keep A Child Alive, an organisation that helps to combat the AIDs epidemic. Most recently, she co-founded Free the Wild to help rescue Kaavan the Asian elephant from Islamabad zoo.

Written by Tony Award-winning Rick Elice, The Cher Show made its debut on Broadway in 2018 in a production that earned two Tony Awards and delighted fans from around the world. This new production will be the European premiere.

“I loved Cher’s music from the first time I heard it, but it’s more than that; Cher is an icon,” says Arlene.

“Cher is a woman who right from the star of her career was ahead of her time. She’s had hits in every decade, she’s a great actress and she’s whip-smart. She has also been a great pioneer for women’s rights. If there’s something to shout about then Cher shouts about it.

“There is a great story running through as she looks back at the moments where she made an impact, whether through a relationship, a hit, a movie or fashion. We want the audience to embrace her story and have a good time. Oti’s choreography is SO exciting! She is really gifted and people are going to see something that hasn’t been seen before.”

Oti adds: “I grew up with a family that always listened to music and we all loved Cher’s music. Her songs have stories behind them and I LOVE choreography that has a story behind it! It has an intention you can then give to the movement. It makes everyone in the theatre part of the story. And everyone connects to Cher’s music because it is timeless. SHE is timeless!”

To book your tickets, call Oxford New Theatre on 0844 871 7615 or visit New Theatre Oxford Box Office.

Art, design, your garden & you!

Karen Neville

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Broadlands in Romsey is the setting for The Garden Show from September 30th to October 2nd

The Garden Show is set to bloom again this autumn at Broadlands and although there will be fewer plants than in the spring and summer shows, it is the perfect time for planting trees, shrubs, bulbs, winter flowering plants as well as finding indoor plants to enhance the winter home.

It’s a great opportunity to source new talent, designers and artisans and browse more than 160 stands showcasing the latest specialist plants, garden and home accessories, art, design, sculpture, fashion, toys and a multitude of lovely goodies with tempting foods and wines in the Country Food marquee. There is something at the show that will appeal to everyone. It’s a good chance to do some early Christmas shopping and support the smaller businesses.

Apart from the extensive selection of retail companies there are many other attractions. Expert advice daily from ‘The Environmentalists, Jules & Lance, who apart from helping gardens thrive will be specifically providing the solution to any pruning confusion plus holding a daily Walk & Talk on The Hidden Life of Trees.

There is something at the show that will appeal to everyone. It’s a good chance to do some early Christmas shopping and support the smaller businesses.

On Friday Dr Ian Bedford, entomologist, will be running the Pest Clinic and can identify any bug samples brought along and how to rid your garden of them in as friendly a way as possible and he will discuss Britain’s Nature Recovery Plan. The show welcomes, Ben Cross from Crosslands Nursery who on Sunday will be extolling the British Cut Flower Industry … British Flowers Rock!

It’s not all about gardening: there are plenty of activities on site to keep all the family occupied including The Giant Tombola, a chance to win amazing prizes donated by The Garden Show exhibitors in support of the show’s chosen charity Jane Scarth House https://www.janescarthhouse.co.uk

There are fun times to be had with the children’s entertainer Crazee Hazee, learning circus skills and watching his hilarious Punch and Judy shows.

There will be ongoing artisan demonstrations along with musical entertainment from The Jazz Trio who will be wandering around delighting all with their evocative music of times past … all this and so much more to enjoy … including Huxley Birds of Prey who will thrill spectators as they soar to the skies.

Buy your tickets

Ticket prices on the gate –  adults £10, concessions £8, child £4 (4yrs and under FOC), family £26 (2A & 4C) Pre-book your tickets online 15% discounted!

John Otway & Wild Willy Barrett

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John Otway & Wild Willy Barrett bring their hugely entertaining, funny show to The Crooked Billet, Stoke Row on Wednesday 7th September.

John and Willy’s roots were originally in acoustic, roots and folk. Otway was hugely influenced by early Bob Dylan, Otway’s early gigs were on the folk circuit. In the early 70’s Willy Barrett enjoyed an enviable reputation on the folk scene. Willy features on The Contemporary Folk Guitar album with Bert Jansch, John Renbourn, Gordon Giltrap and Ralph McTell. He performed numerous times at the Cambridge Folk Festival. Willy also spent time as guitarist with George Hamilton IV.

Otway & Barrett’s grungy fast and furious fiddle, banjo and guitar with sweet and sour harmonies became pigeon-holed by the punk rock/new wave genre.

The duo have split and reunited umpteen times since their first gigs in 1971. The Who’s Pete Townshend produced and performed on their legendary self-titled debut album “John Otway & Wild Willy Barrett.

Otway has headlined Reading Rock Festival and played Glastonbury dozens of times

A legendary Old Grey Whistle Test performance where Otway’s failed amplifier leap saw him straddling the speaker, crashing on his most delicate bodily parts. The painful landing led to “Really Free” being a Top 20 hit and Top of the Pops appearances.

Over the years Otway & Barrett have headlined numerous festivals. Over 10,000 attended Otway’s home turf Aylesbury Market Square gig – filmed for the ITV documentary “Stardust Man” (Otway was originally a dustbin man).

Otway has headlined Reading Rock Festival and played Glastonbury dozens of times. Wild Willy Barrett is a regular at the Cambridge Folk Festival. The duo have performed main stage at Cropredy, and performed to 150,000 supporting The Police in Toronto.

Chart success has been sketchy. In 1980 the BBC cameraman’s dispute cancelled Otway & Barrett’s Top of the Pops performance of their single DK50/80 which consequently dropped out of the charts. The BBC banned their single “Headbutts”. Otway enjoyed a Top 10 hit in 2002 with “Bunsen Burner”, performed on one of the last ever Top of The Pops.

Otway clocked up his 5000th gig recently. The secret to John and Wild Willy’s huge cult following and popularity of their stage shows is down to an enduring, hilarious and utterly entertaining live performance and presence. Barrett is an incredibly talented musician and very funny, with the ability to swap from Django Reinhardt to punk rock in a blink. The ability to play blues slide guitar with an egg, play classical guitar (usually Otway’s) with a hacksaw and claw hammer. Otway is a brilliant songwriter, their set bounces from beautiful ballad to grunge-folk-punk to their hits: “Bunsen Burner”, “Really Free”, “Geneva” and the seminal “Beware of the Flowers (’Cos I’m Sure They’re Going To Get You Yeah!)”

Incidentally, in 2000 “Beware of the Flowers” was voted in at Number 7 by the BBC National Poetry Day poll to find the nation’s favourite lyric. The Beatle’s Yesterday comes in at Number 6.

Otway, Otway & Barrett have sold out the London Palladium, The Astoria, Hammersmith Odeon and the Royal Albert Hall (more people went to see Otway at the Royal Albert Hall than went to see Tom Jones at this year’s Henley Festival).

Hogs Back Brewery opened in August 1992 in Tongham, near Farnham, in 18th century farm buildings that at various times had stored wheat and housed cattle and, appropriately, hogs. The first casks to roll out of the original brewhouse – now the site of the Brewery Shop – and into local pubs were TEA – which was renamed Tongham TEA earlier this year.

Catch John Otway & Wild Willy Barrett at The Crooked Billet

Catch John Otway & Wild Willy Barrett at The Crooked Billet, Stoke Row on Wednesday 7th September. Pub chef and landlord Paul Clerehugh promoted many of Otway & Barrett’s big London shows. Paul played guitar on the original “Bunsen Burner” hit recording and took a choir of 1000 Otway fans to Abbey Road Studios to record the B side of the 2002 hit.

Otway & Barrett. National Treasures.

For tickets and further details contact the Crooked Billet on 01491681048 / 01491682304.

The Crooked Billet, Stoke Row, Henley on Thames, RG9 5PU

New theatre company Moonhawk stage Frankenstein

Karen Neville

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Abingdon’s Unicorn Theatre is the stage for inaugural production 

Catch new theatre company Moonhawk in action from Wednesday, 30th March until Saturday, 2nd April when they’ll be performing a new version of a classic tale. 

The fledgling company will be staging Nick Dear’s version of Frankenstein based on the Mary Shelley original at the Unicorn Theatre full of all the Gothic and romantic elements that have made this tale popular still more than 200 years later. 

Victor Frankenstein (Nick Kovari) constructs a creature from recovered body parts. When his creation comes to life he runs away in horror and abandons it. The creature wanders across Europe, trying to escape violence and hunger. When he is taught to read and write by a blind teacher he learns about his creator and begins a new journey to find Frankenstein and to get answers. 

This is the first production from Moonhawk who will perform a wide range of plays, old and new and welcome anyone and everyone with an interest in all aspects of theatre production, either on stage or behind the scenes. The new theatre company has been created to give opportunities to actors and technicians of all ages with the aim of supporting those wanting to go to drama school. 

Moonhawk founder Leon Witcomb said: “I caught the drama bug over 10 years ago and have been acting, directing and stage managing ever since. More recently I’ve entered the world of producing, hence Moonhawk Productions.  

“We’re based in Abingdon-on-Thames and we use several locations to put on our diverse types of 

drama. We operate an “open door” policy meaning that anyone can be part of Moonhawk – on stage, back stage, production and front of house.” 

Leon added: “My mentor and the catalyst for my drama career is my old drama class teacher, Andrea Mardon. She taught me from a very early age and directed me in many shows and inspired me to take acting and producing seriously. Thanks Andrea! 

“Moonhawk have some really amazing plays, as they say in politics – shovel ready and raring to go! Watch this space!” 

Tickets £10, age 14 & upwards on the door or from www.wegottickets.com/moonhawk

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Musical treats at The Watermill, Newbury

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From an enchanting folk-inspired musical to a sizzling Cuban inspired spy thriller The Watermill Theatre has a musical treat for everyone.

Highly anticipated musical The Wicker Husband returns to The Watermill Theatre from Friday 11th March to Saturday 26th March, after premature closure in 2020 due to the pandemic. A captivating show featuring ‘delightfully vivid’ Bunraku puppetry and ‘richly evocative’ music, The Wicker Husband tells the timeless tale of the outsider.

In a superficial world, meet the so-called ‘Ugly Girl’. Ostracised by the shallow townsfolk because she doesn’t fit in, the Ugly Girl becomes the envy of her neighbours when the mysterious Old Basketmaker makes her a strong and loving husband woven from living wicker. As bitter rivalry and jealousy threaten to tear the community apart, the townsfolk embark on a cruel and destructive plan. Will the Ugly Girl’s happiness be ruined forever?

Get 2 for 1 tickets to The Wicker Husband, with thanks to the National Lottery’s Love Your Local Theatre campaign. More information can be found on the theatre’s website. Tickets from £15.

The Watermill’s second musical of the season is Our Man In Havana running from Thursday 7th April to Saturday 21st May. A roller coaster comedy full of colourful characters and uplifting Cuban inspired songs. This new musical is based on Graham Greene’s iconic novel that cleverly satirises the fine line between truth and lies.

It’s 1958 and Havana is on the brink of revolution. All day and night, the streets are filled with dancing and the shadows are filled with criminals. In the midst of the warm tropical air, an English vacuum cleaner salesman lives a quiet life running a modest business, raising his teenage daughter Milly and collecting miniature whisky bottles.

Just as Milly’s love of shopping reaches new heights, James Wormold receives an offer from the British Secret Intelligence Service that is too good to refuse. What Wormold lacks in sleuthing experience, he makes up for with imagination. Nothing stays quiet for long in Havana and his life is soon turned upside down when the fictional events of his intelligence reports start to come true! Tickets from £15.

Fascinated to find out what happens behind the scenes? Join writing duo Ben Morales Frost and Richard Hough who will talk about bringing Our Man in Havana to the stage at a Creative Insights event on Tuesday 12th April. Tickets £24, includes lunch and a ticket for the talk.

Book tickets via The Watermill’s website watermill.org.uk or by call the box office on 01635 46044.

Principal Sponsor: Saica Pack

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Southern Pro Musica’s two new concerts

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Southern Pro Musica has two exciting concerts for the new year. Songs from the Shows: Musical highlights from stage and screen on Friday, 14th January

Start the new year with a sensational show featuring Songs from the Shows courtesy of Southern Pro Musica at Guildford’s Yvonne Arnaud Theatre.

Following the last two sell-out collaborations with the superb singers from Guildford School of Acting, Southern Pro Musica is delighted to return on Friday, 14th January, to once again present an evening of musical dazzle. There’ll be numbers from the very best Broadway and West End hits, as well as the most enduring film scores, compèred by Julian Woolford and under the baton of renowned conductor Jonathan Willcocks.

The audience will enjoy spirited ensemble numbers such as ‘Hello, Dolly!’, ‘The Best of Times’ and ‘I won’t send roses’ by Jerry Herman; ‘Puttin’ on the Ritz’ and ‘Alexander’s Ragtime Band’ by Irving Berlin and much more. The orchestra will bring you iconic film music by John Williams – Superman and Raiders of the Lost Ark; the Great Escape music by Elmer Bernstein; the Pink Panther theme, to name a few. This will be an evening for all lovers of music theatre and film.

To purchase tickets go to www.yvonne-arnaud.co.uk, call 01483 440 000.

G Live will host Family Classics: Fun with classical music for all the family on Sunday, 20th March.

This popular annual event provides the opportunity for people of all ages to have a go at trying all sorts of musical and percussion instruments in workshops led by Southern Pro Musica musicians. The afternoon will be rounded off with a fun classical concert performed by the full professional SPM orchestra with exciting, family-friendly classical music, a narrated musical story and a song for the audience to join in with. There’ll also be guest appearances by SPM’s ‘Strictly Strings’ scheme pupils from Sandfield, St Thomas, Boxgrove and RGS Prep School, as well Guildford High Junior School Lower Choir.

To purchase tickets go to www.GLive.co.uk, call 0343 310 0055.

Southern Pro Musica is firmly established as one of the leading freelance professional chamber orchestras in the south of England. It includes among its core players many of the finest orchestral players to base their work in the south. In 2013 Southern Pro Musica was appointed by Guildford Borough Council as their ‘principal provider of Classical music’, encompassing a broad range of orchestral concerts and educational outreach work in Guildford.

Entrance is FREE to all Music for Guildford concerts for 18s and under.

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Guildford Jazz Fest

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The team behind Guildford Jazz are getting ready to hold their first festival this month
with a variety of jazz –as well as funk and Latin – on the bill

Guildford Jazz are getting ready to blow their own trumpet as the first Guildford Jazz Fest is set to take place between 20th and 22nd March.

The three-day event at Guildford’s Electric Theatre will feature music from leading UK jazz, Latin and funk artists and begins on 20th by putting some of the best young jazz musicians from across Surrey in the spotlight, from small ensembles to big bands.

Ease yourself into Saturday with a New Orleans jazz brunch with live music from clarinet maestro Duncan Batchelor and his quartet. Follow that with a wide choice of jazz styles including rising star of the British jazz scene Nicolas Meier who is influenced by his love of Middle Eastern and Turkish music; funk and world-music roller coaster from renowned trombonist Dennis Rollins Velocity Trio and Sandy Burnett reliving The Age of Jazz.

Rounding off Saturday, Pete Churchill sings jazz before headliner Iain Ballamy performs 21st Century Pastoral, an arrangement for big band of music by Ballamy spanning his 30-year career.

Sunday brings Alan Barnes and Dave Newton before a Creole jazz lunch spices things up ahead of the afternoon offerings featuring a tribute to the music of Henry Mancini from The Mark Nightingale/Alan Barnes/Steve Waterman Sextet before a showing of classic Buster Keaton film Steamboat Bill, Jr featuring live musical accompaniment by Gareth Williams, one of the country’s leading modern jazz pianists.

Photos from left: Ian Ballamy, event poster, Marianne Windham

The festival finishes with Latin jazz salsa 
courtesy of Heads South combining Cuban and other Latin rhythms.

Founder of Guildford Jazz which is behind the festival, Marianne Windham is excited about the first for the community-based arts organisation.

She said: “The festival represents a celebration of all that Guildford Jazz is about: bringing the finest UK jazz musicians to Guildford to play a wide spectrum of accessible music in a friendly-club like atmosphere. There is something for everyone in the programme whether you are just looking for great live music or are a committed jazzer.”

Guildford Jazz has been running regular events since 2011, has organised more than 250 gigs, holds two outdoor concerts a year as well as hosting a monthly jam session.

All profits from the festival will go the local charity partner Guildford Philanthropy which helps local people disadvantaged by disability, poor education, mental illness or caring responsibilities.

Find more details

For more details and to book tickets click below or call 01483 501200.

Review of Aladdin

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Review of Aladdin at the New Victoria Theatre Woking, by Lucy Barker

From the moment the curtain went up on Aladdin, my five-year-old was spellbound by the giant King Cobra snake that reared up at baddie Abanazar’s command. The thing was huge – it reached to the top of the stage and seemed to extend into the audience, complete with flashing eyes and sinuous body.

Next came the double act of David Phipps-Davis as Widow Twankey and Bobby Davro as Wishee Washee, old hats at panto, whose banter was a key feature of the production. Some of the comments were a bit adult for the children but the audience didn’t seem to mind. My son was particularly keen on the donkey derby that took place between ‘mother and son’ although the joke wore a bit thin for me.

As a lifelong Strictly Come Dancing Fan I was looking forward to seeing Brendan Cole, who didn’t disappoint as the Spirit of the Ring and completely overshadowed the special effects genie. I, like the rest of the audience, was entranced by the magic carpet ride taken by Aladdin (although my imagination was stretched a bit too far by the fact that only he got to take a ride, leaving his companions to just walk out of the cave!). This was a definite highlight as, like the snake, Aladdin flew over the audience as well as the stage.

CBBC favourite Mischa Eckersley did a good turn as Princess Jasmine and special mention must also got to Pearce Barro in the title role. The production also featured the talents of veteran ventriloquist Dawson Chance as Chief of Police.

Overall, it was a thoroughly enjoyable night out, from getting to sneak out at bedtime (his, not mine) with my son; to the display in the foyer of a monkey sneaking into the treasure cove; to obviously the production itself, which contained all the elements of a traditional Christmas pantomime.

The panto runs until 5th January 2020

For more information and tickets

Beer-fuelled Bard

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Peter Anderson catches up with Stacey & Saul of Sh*tfaced Shakespeare which lands at Swindon’s Wyvern Theatre on Tuesday, 12th November

A smash-hit, internationally acclaimed, award-winning, multi sell-out fringe phenomenon comes to Swindon this month presenting Shakespeare in a way none of us remember it from our schooldays. We all know about pre-show drinks, but what if it is a random member of the cast who spends the four hours before a show having the pre-show drinks? Welcome to Sh*t-faced Shakespeare and their production of A Midsummer Night’s Dream. With a gin in one hand, a cup of wine in the other and a flagon of ale in the other… What could possibly go wrong?

I catch up with Stacey & Saul from the group to find out this combination of beer and the Bard, came about. “We had one of those sessions where we all put our heads together and came up with ideas on how we can make the improv different. This was the suggestion that someone came up with. I don’t remember whether we said yes or no to it at the time, but it was a little while later that in a radio interview someone mentioned that this was something, we had thought of doing. From then on, we had to it, and it seems to have been well received as we are still filling theatres after some years.”

Is there a chance the plot could change? “Oh yes, when you are one of the sober cast you have to be ready for just about anything, from Juliet deciding she is not going to commit suicide to characters appearing in the wrong play which adds to the spice and fun – for both us and the audience especially. There are rules that we use in improvisation and these can usually keep the play flowing. The important thing is that we are providing something enjoyable for the audience, there is no question of deliberately making one of the cast look stupid.”

You are quite a close-knit group of actors to be able to do improv, especially with the additional jeopardy of alcohol, but if you could have a famous actor join you for a show, who would you love? “Now, there’s a thought! I think the one actress who always seems good fun in the things she does is Helena Bonham-Carter, I am sure she would be up for it and extremely good fun whether she was drunk or sober.”

The Evening Standard said of this show “There is no doubt this is a hoot to watch”. To get your chance to see what could be subtitled for one actor A Midsummer Morning’s Hangover the show is on Tuesday 12th November at the Wyvern Theatre

Want to go?

Get your tickets here

Mum on stage

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Peter Anderson chats with Jodie Nolan, the local mum who is starring in the hyper-successful musical Mamma Mia in the West End this summer

A sunny, funny tale of a mother, daughter and three possible dads set on an idyllic Greek island, has been celebrating the music of Abba and entertaining audiences the world over since 1999. Now a mum who took time out of her West End career has joined the ensemble cast once more. For about a decade Jodie Nolan has been enjoying married life in Chipping Norton, teaching dance and musical theatre, after herself starting to learn ballet at the age of two and a half at a dance school in Byfleet.

Who are her inspirations? “Both my parents, but especially my mother. I was brought up with the philosophy if you really want something go for it, and they were very supportive. Growing up, it was Judy Garland in the Wizard of Oz and ballet wise Mikhail Baryshnikov in White Knight.

How did you get your first break in the West End? “I did not go straight into a musicals after leaving the Laine Academy in Guildford, I spent time working as part of the entertainment team on one of the Royal Caribbean Cruise ships, very quickly I had to get my head around all types of shows, and I was away from home. Then, I performed in a couple of tours of Chicago, and then the international tour of Mamma Mia. When I saw that there were vacancies in the West End show and so I gave it a shot and managed to get into the cast in 2008.

Was it hard ten years ago to decide to have a break from the West End? “At the time no, it had been a challenging time for me, I had got married to a lovely husband, but I lost my mother and decided it was time to take a step back for a while. Alongside having children – we now have two lovely daughters and live in idyllic Chipping Norton. I also trained as a teacher in ballet and musical theatre and opened the Nolan Academy. I just felt the time was right now for another shot at the West End and was pleased to get back into Mamma Mia – and supervise the teachers who are covering me in the academy.

Jodie is back on stage in Mamma Mia, but are there any other musicals on her wish list? “What a question! As I walk along The Strand to get to the theatre you see so many musicals that are on. But who wouldn’t want to appear in Les Miserables?”

Want to go?

See Jodie in Mamma Mia in the Novello Theatre in London’s West End – buy your tickets