The World of Tim Burton exhibition 

Liz Nicholls

exhibition

Delve into the fantastical world of Tim Burton thanks to a major exhibition at the Design Museum in Kensington, which is so popular it’s been extended until 26th May

“It’s a strange thing, to put 50 years of art and your life on view for everyone to see,” says Tim Burton, “especially when that was never the original purpose.  

Image: Matt Crossick/PA Media Assignments

“In the past, I have resisted having the exhibition in London, however, collaborating with the Design Museum for this final stop was the right choice. They understand the art, and with the opportunity to adapt the show and highlight the way design interacts with the works, I’ve been able to view it all through an exciting new lens.” 

The World of Tim Burton exhibition smashed the museum’s record for advance ticket sales when it opened in the winter, with more than 32,000 people snapping up their tickets, making it the biggest advance ticket sales for an exhibition in the Design Museum’s 35-year history. 

The exhibition spans five remarkable decades of creativity, with famed and fascinating objects from Tim Burton’s earliest unrealised projects to his most recent film, Beetlejuice Beetlejuice. 

More than 600 items have been brought together to chart the evolution of Tim Burton’s unique design aesthetic. Objects are loaned from his extensive personal archives, key film studio archives including Paramount, Amazon MGM Studios, and Warner Bros., and the private collections of his collaborators. Many items have never been on public display in the UK before.  

Highlights include hundreds of Tim Burton’s expressionistic sketches and drawings that he has created prolifically since childhood. These are seen alongside props, set designs, and costumes from his iconic films, including Michelle Pfeiffer’s Catwoman costume from 1992’s Batman Returns and the black and white striped dress from 1999’s Sleepy Hollow, worn by Christina Ricci.   

Visitors can see a recreation of the private studio where Tim Burton works, giving a rare private glimpse into his creative process. The walls of this installation are lined with illustrations from recent projects, including designs for a 65m high mural depicting an epic battle between a robot and a monster that was installed in São Paulo, Brazil.  

Nathalie Beauvillain Scott’s Faces of Guildford 

Karen Neville

exhibition

How many of Nathalie Beauvillain Scott’s detailed life-like portraits will you recognise in her Faces of Guildford exhibition?

You may well recognise the people featured in the work of French artist Nathalie Beauvillain Scott currently on display at venues in Guildford. 

She started the Faces of Guildford project five years ago and it is now coming to an end with an exhibition which runs through to January in the town centre. It includes 13 oil portrait paintings and 13 pencil drawings of Guildfordians who have had an impact on the community in the past and the present. Nathalie has had a close relationship at some point with most of the people included in her exhibition.  

Nathalie was born in Fontainebleau, a little town near Paris and as a child always had an interest in drawing. At Secondary school she specialised in Art and History of Art.  

In 1989 she became involved with a group of artists based in Weybridge. She was then creating deltaic paintings on a huge scale based on the shape of the delta. She then went back to Paris to study art for a few years. 

In 1993 she returned to the UK where she met Tony Scott, founder of Guilfest. While bringing up their three children, Nathalie worked as a mural artist getting commissions all around Surrey in schools, private houses, bars and hospitals. 

Her interest in portraiture started in 2003 and she has received many portrait commissions ever since.  

She specialises in highly detailed portrait paintings of everyday life. Her portraits of everyone from children to celebrities and royals are recognised for their incredible likeness. Nathalie paints almost exclusively in oil on canvas. The time-consuming process begins with a detailed drawing and she then applies a succession of thin layers of oil. Some of her portraits will have a narrative content telling a story whereas others will be more about capturing the personalities of her sitters at a specific time in their lives. She recently started to draw portraits in pencil on paper. 

Her meticulous approach to portraiture resulted in her work being displayed in the National Portrait Gallery in 2004, 2010, 2012 and 2015 as part of the BP Portrait Award.  

For the last few years, along with six other local artists, Nathalie has been running an artist-run exhibition space, GU ART currently in White Lion Walk Guildford. 

You can view Nathalie’s incredible work at New House Art and Space Gallery, Fays Passage until November 30th, GU ART, White Lion Walk, December 4th-11th, St Mary’s Church, Quarry Street, January 4th-12th and Growlers & Cans, Chertsey Street, January 15th-22nd. 


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Windsor Photographic Society’s upcoming exhibition

Round & About

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Windsor Photographic Society Exhibition will run from Tuesday 1st to Thursday 31st October

The Windsor Photographic Society (WPS) annual exhibition showcases the variety of photographs taken by its members and is also an opportunity for them to see their work exhibited. Some photographs may be available to purchase.

Members are holding a special opening night on Tuesday, 1st October, and hope you can join them in The Old Court licensed bar and upper areas.

You can view their photographs and meet members who would love to tell you more about their club!

WPS meet at The Old Court at 7.45pm on Monday evenings and fully welcome new members. They offer a full and varied programme that includes presentations, practical workshops, photo walks and competitions. There are members at every level of expertise (from beginners through to professionals), using all kinds of cameras and phones, willing to share a wealth of experience.


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Henry Moore exhibition at the Lightbox

Karen Neville

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Big names and innovative artists are at the heart of The Lightbox’s latest exhibitions

Visitors to The Lightbox can enjoy two special exhibitions into autumn giving greater opportunities to “experience the best contemporary and modern art”.

Material Thinking, until October 13th, brings together for the first-time selected work by major artists from The Ingram Collection with work by contemporary artists associated with the Fine Art programme at the University of Gloucestershire (UoG), recognised as one of the country’s most innovative art schools.

Focusing on artists who use varied, unusual or unexpected ways of making, the exhibition will explore The Ingram Collection – one of the most significantly publicly accessible collections of modern British art in the UK – as a historic context for artists working today, prompting conversations about what it is to make things, between disciplines and across generations.

Curated by Professor Angus Pryor (UoG), selections from The Ingram Collection have been chosen in response to painters, sculptors and film makers working on the UoG Fine Art programme. He said: “Material Thinking will highlight how artists across generations incorporate observation, action, reaction, accident, impulse and instinct into their artistic practice, moving step-by-step to their final artwork.”

Henry Moore in Colour is organised in partnership with The Henry Moore Foundation and runs until November 3rd offering a rare opportunity to see colourful drawings by Moore spanning the artist’s career.

Best-known as one of the most influential and innovative sculptors of the modern era, Moore (1898-1986) was also a remarkably talented and prolific draughtsman, producing nearly 7,500 drawings over seven decades. These works from The Henry Moore Foundation include examples of his best-known works such as the large ‘presentation’ works from the 1930s and the Shelter drawings – commissioned by War Artists’ Advisory Committee during WW2, the Shelter drawings were influential in achieving widespread popular recognition for the artist following their display at London’s National Gallery.

Sebastiano Barassi, Head of Henry Moore Collections & Programmes said: “Henry Moore in Colour reveals his profound love and appreciation of the unique characteristics and possibilities of drawing, for its own ends and as a tool to inform his work in other media. Moore continued to draw until the end of his life. This exhibition attempts to reveal the numerous ways in which it enabled him to study, express, and experiment.”

Sarah Brown, Director of The Lightbox, added: “Our collaboration with The Ingram Collection and The Henry Moore Foundation is at the heart of both exhibitions and we are grateful to all our partners for making our season so exciting.”

A programme of events accompanies and the exhibitions, including the Material Thinking Symposium on September 13th.

For further information about both exhibitions visit The Lightbox


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Leanda McConnell’s first exhibition in Ramsbury

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Artist Leanda McConnell is preparing her first exhibition at Golden Lion Gallery, Ramsbury

After 14 years working at Vogue, Leanda swapped the West End for West Berkshire and started a digital service featuring personalised original artwork and hand drawn family illustrations.

In this debut body of new paintings, she is looking to evoke the warm spirit of her previous artwork whilst reducing it to an essence of colour and texture. Whilst the works are abstract, the themes draw on feelings of the coast, summer days and dreamlike storms without wishing to influence the viewer’s own interpretation.

Leanda says: “I can’t help but think that when I’m trying to represent abstract feelings like love and happiness, it’s important not to give them too much of a shape. I’m very influenced by works of poetry and art from the Romantic period and appreciate their interpretation of the beauty and simplicity of the natural world through the ‘one life’. When I think about trying to do this myself, only a sort of everything and nothing philosophy seems to make sense.”

The oil paint is mixed with cold wax and applied thickly with a palette knife. Tools such as rope, stones and driftwood are then used to create the marks that give more texture in a way that is completely consistent with the theme of the painting.

Leanda will be showing her first exhibition at Golden Lion Gallery, Ramsbury from June 22nd to 29th.

Enquiries via leandagoldenlion@gmail.com or artleanda.co.uk

Patek Philippe Rare Handcrafts exhibition

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Patek Philippe to host the inaugural London edition of the Rare Handcrafts Exhibition 2024 from Friday 7th to Sunday, 16th June

The Patek Philippe event offers the public a rare insider’s perspective into the art of Rare Handcrafts within the family-owned watchmaking company.

The exhibition will take place on the first floor of Bond Street House, 14 Clifford Street in London.

Open to the public with free admission, the exhibition celebrates Patek Philippe’s dedication to preserving rare handcrafts which have been used to decorate timepieces for more than four centuries.

Visitors will be able to explore 83 exhibits over 250sqm. The themed spaces, which include artisans practising their savoir-faire, will take guests on a journey of discover; techniques including enamelling, wood marquetry, guilloche and gemsetting. This is the manufacturer’s largest showcase of rare handcraft timepieces outside of Geneva. The exhibition is open to the public via pre booked ticket reservations on Patek Philippe.

The “Rare Handcrafts 2024” collection (a total of 83 pieces, comprising dome clocks and small dome clocks, table clocks, pocket watches and wristwatches) once again shines the spotlight on a vast range of artistic skills, whether centuries-old techniques (Grand Feu cloisonné enamel, miniature painting on enamel, grisaille enamel, flinqué enamel, paillonné enamel, champlevé enamel, hand engraving, hand-executed guilloché work, or gemsetting) or techniques that are innovating in horology, such as micro wood marquety and Longwy enamel on faience. And not forgetting the growing number of pieces adorned with what are known as “mixed techniques”, uniting, for example, cloisonné enamel and hand-executed guilloché, or hand-engraving and wood marquetry.

The “Rare Handcrafts 2024” collection is also extraordinarily rich in creativity, drawing on multiple sources of inspiration, with motifs ranging from traditional art forms to modern leisure activities, and with subjects inspired by the cultures and landscapes of every continent. These 82 pieces, with their ever-more original and astonishing decorations are presented to great effect in an elegant, specially devised decor divided into three areas.

The Rare Handcrafts Exhibition London 2024, Friday 7th to Sunday, 16th June.

Opening times: 10am until 6pm, Monday-Saturday. From 12pm until 5pm, Sunday.

Address: 1st floor, Bond Street House, 14 Clifford Street, London, W1S 4JU.

To register for free admission to the exhibition, please visit http://www.patek.com/rhc-london

Content written and supplied by: Patek Philippe

Plans for homes at Valley Park

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Taylor Wimpey is inviting Didcot and Harwell residents to see the latest plans for the first phase of new homes at Valley Park during a public exhibition in November.

Valley Park will comprise up to 4,254 new homes, south of the A4130 and west of Great Western Park. The development will include 1,489 affordable homes as well as community facilities including two new primary schools, a Special Education Needs school, shops, sports facilities, playing fields, allotments and open spaces.

Outline planning permission for Valley Park was granted by the Vale of White Horse District Council in July 2021. The first phase, to be known as Primrose at Valley Park, will comprise 293 homes, of which 103 will be classed as affordable housing.

Taylor Wimpey is holding a public exhibition at the District Community Centre at Great Western Park from 12.30pm to 7.30pm on Friday, 12th November. People will be able to see the latest plans for Primrose ahead of the submission of a reserved matters planning application in the new year.

Gary Needham, Land and Planning Manager for Taylor Wimpey Oxfordshire, said: “Valley Park is a major development for the Didcot and Harwell area and we are excited to be able to show off our detailed plans for the first phase of new homes, which will be known as Primrose.

“We’ve seen through our neighbouring Great Western Park development, which is almost sold out, that having a range of great facilities on the doorstep creates a brilliant community, and we know that Valley Park will be no different. We’re eager to meet people in person, talk them through our designs for Primrose and give a real feel for what this new development will be like to live on.”

The public exhibition for Primrose at Valley Park will take place in the Apple Room at the District Community Centre, 1 Gentian Mews, Great Western Park, Didcot, Oxfordshire, OX11 6GR, between 2pm and 7pm on Friday 12th November 2021. People can also visit www.taylorwimpey.co.uk/new-homes/didcot/valley-park to find out more about the plans and register their interest in a new home.

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Salisbury Cathedral: Threads Through Creation

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Threads Through Creation. Photographer: Ash Mills

Creating the world in eight million stitches… On Tuesday 17 August Threads Through Creation, a magnificent embroidery display created by textile artist Jacqui Parkinson will go on show at Salisbury Cathedral. Twelve enormous panels, some 8ft by 11ft, will be displayed in the medieval interior until 26 September.  

The exhibition took Jacqui Parkinson three years to prepare – a vibrant combination of eight million stitches and layers of silk, using quilting, applique, and specially dyed fabric to tell stories from the book of Genesis, the first book of the Bible.  

Jacqui’s magnificent re-creation of the Creation story features all the familiar figures and animals from the serpent in the garden of Eden, to Adam and Eve, who were asked to leave the garden because they ate the forbidden apple. Each work is accompanied by a reading from the relevant excerpt of the bible, accessible by QR code. A visual and poetic feast that is not to be missed. 

Threads Through Creation comes free with Cathedral entrance, which can be booked by individuals online – or if you are coming with a group contact either groups@salcath.co.uk  or phone 01722 512156. 

Supporting the exhibition are a special Children’s Trail and family weaving workshops in the Cloisters. The workshops can be tailored to suit all ages, and children can choose which design they want to make from a range including flowers, turtles and butterflies. Workshop tables cost £6 with space for six (must include one adult) and the sessions run hourly from 10am-2pm (finishing at 3pm) on Wednesday 18 August and Wednesday 25 August. 

Threads Through Creation. Photographer: Ash Mills

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UCA photography

Karen Neville

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Photo in image: From the series La Frontera © Harriet Brookes

Students from the University for the Creative Arts are showcasing some of their work in the latest exhibition at The Lightbox. 

UCA in Farnham has a reputation for educating some of the most innovative photographers of the time and the exhibition will offer visitors an opportunity to explore their work.

The students have captured a variety of themes in their photography to explore contemporary issues, some of which are deeply personal.

Among those whose work is on show include documentary photographer Harriet Brookes whose project La Frontera examines the problems faced by people in Gibraltar during the Brexit negotiations.

Using a series of black and white portraits, Sian Hayden’s photography engages with the uncanny and the male gaze while Neve Marinou explores issues surrounding harassment and the Me Too movement.

UCA Farnham MFA Photography Show is on at The Lightbox, Woking, until 2nd February. Entry to the exhibition is free.

More info

Wallingford Art Club

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With the dark nights here, Wallingford Art Club’s November demonstration evening is very appropriate.

Melanie Cambridge’s demonstration on 19th November (7.30pm) titled Capturing Night Scenes uses oils and will offer some invaluable hints and tips.
A future date to put in your diary is the club’s Christmas Exhibition on 30th November and 1st December which coincides with Wallingford Christmas Festival and the Santa Dash.

This is always great fun and a chance to buy original art for presents, or treat yourself, all at reasonable prices. The venue will be in the centre of town, so look out for our posters and notices in November. The exhibition will be open 10am to 5pm Saturday and 10am to 4.30pm on Sunday.
IN addition to all the extra events, Tuesday morning fee paying tutored classes continue and these are proving very popular, the afternoon classes have finished for now but will start again with a new tutor in December/January, more details to follow.

The Tuesday evening club painting sessions start as usual at 7.30pm. If you would like to paint or draw then go along and join them.

Non members are very welcome to attend these evenings and the demonstrators for a cost of £3. We cover all mediums throughout the year so there is always a subject to tempt you, or perhaps to try something new.

All events apart from the exhibitions are held at Centre 70, Kinecroft, Goldsmith Lane, Wallingford.

More info

Further information can be obtained on the website Wallingford Art Club or call David on 01491 681400.