Hogs Back’s 10 years of hop

Round & About

Round and About

Image: Local hop farmer Mr Tice inspects hop bines, recreated by Hogs Back Brewery owner Rupert Thompson (right) and estate manager Matthew King

Historic images recreated for Farnham brewery milestone as it looks ahead to Hop Harvest celebrations in September

As Surrey-based Hogs Back Brewery approaches its 10th hop harvest, it has recreated historic hop farming photographs lining the walls of its Tap room, with local residents helping to update the images during a Hop Garden Open Evening.

Two original images were recreated, one showing a group of hop pickers reading the local newspaper, while in the other, Matthew King, Hogs Back’s estate manager, is shown with brewery owner Rupert Thompson inspecting the ripening hop plants, replace Mr Tice, a member of a renowned local hop growing family, in the original photograph.

The Hop Garden Open Evening drew 120 guests, who enjoyed a tour of the hop garden next to the brewery, followed by a pint or two in the Brewery Tap. Guests made a £5 donation to British Heart Foundation, Hogs Back’s chosen charity this year.

Image: Museum of Farnham

Rupert said: “We’re immensely proud to mark 10 years of hop growing. We planted our first hop garden, across the road from the brewery, to help us become a more sustainable brewery, to bring hop farming back to the Farnham region, and to build ties with the local community.

“A decade on, we have relocated to a larger hop garden even closer to the brewery, meaning the hops travel ‘from field to firkin in a furlong’ as we say! We capture them at optimum freshness and create a carbon footprint that’s close to zero! We are producing around 60% of our hop requirement and growing three varieties; Fuggles, English Cascade and Farnham White Bine.”

He added: “Hop growing is not for the faint hearted! Hops are a delicate, high-maintenance crop, much impacted by climate; this year’s heavy rain has delayed growth and therefore our harvest.

“However, it has been enormously rewarding, not least because of the support from the local community, in particular our loyal band of volunteers. Not only do they help us tend our hops during the growing season and bring in the harvest in September, but some of them are now immortalised in our recreations of classic hop farming photographs.”

This year’s hop harvest will culminate in the traditional Hop Harvest celebrations, from 13th-15th September. This year, Hogs Back is expecting more than 3,500 people to join the festivities, which include:

Roots Festival, Friday 13th from 6pm: featuring original music, headlined by Newton Faulkner.

Hop Harvest Festival, Saturday 14th, 2pm-11pm: Beer, street food and music, this year including indie folk to electropop and headlined by Britpop tribute band Blurasis.

TEA party, Sunday 15th, midday-5pm: family-friendly day with children’s entertainment including dray rides around the Hop Garden, face painting, magic show, and music including a Taylor Swift tribute act.

For full line ups of musicians and other entertainment, https://hogsback.co.uk/pages/festival-beer-and-music-party

Hop growing and Farnham are inextricably linked. At its peak in the late 19th century, hop fields covered around 40% of all available farmland in the area, and hops from Farnham were highly-prized for their quality. Although hop cultivation dwindled over the next 100 years, it still takes place in pockets across the region.

Hogs Back planted its first hop garden in 2014, relocating in 2019 to the current 8.5-acre site next to the brewery. The current garden contains 6,000 hop plants supported by 100 large posts and 10 miles of high tensile steel wire, strung 18ft above the plants. A small number of bines are crafted into hop garlands for local weddings and parties, and petals from the hop flowers are also being sold this year as aromatic, 100% biodegradable confetti.


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Join charity Plantathon for Squire’s

Karen Neville

Round and About

Support garden centres’ charity of the year programme and get involved in fundraising for local causes

Squire’s Garden Centres is inviting customers to come along to its centres on Friday, 6th September to join its charity Plantathon and help support Squire’s year of fundraising for its local charity organisations, marking the start of its Charity of the Year programme.

Taking place from 10am-3pm, at 15 of Squire’s garden centres**, the Squire’s teams at each centre – as well as charity volunteer helpers – are looking forward to welcoming customers for a fun and rewarding day planting up containers. The completed pots will be available for customers to purchase on the day, between 10am-3pm, with profits from the sale of each container going to each centre’s Charity of the Year (see list below).

Customers are encouraged to come along and support – to chat, ask questions – and are very welcome to pitch-in and plant-up pots too, in aid of some brilliant community causes close to each centre.

Each container will include a selection of autumn bedding plants, a centre piece feature plant, plus some daffodil bulbs to bring added cheer in spring (early September is the perfect time to plant spring flowering bulbs), all planted in peat free compost. The planted containers will be available to purchase for £12 each, representing fantastic value for money, while also helping local charities.

Sarah Squire, Chairman of Squire’s Garden Centres, comments: “We are looking forward to hosting our Plantathon initiative once again this year! It’s a wonderful way to welcome the autumn planting season, while marking the start of our work with our local charity partners for the next 12 months.

“We would be delighted to welcome visitors to our centres to get involved and help plant their own pot up – or just pop along and show their support for our colleagues and charity, which is local to the centre and often close to the hearts of many colleagues. Each centre works with their chosen charity to support their activities in the local community, as well as raising awareness and much needed funds at special evens throughout the year.

Charity of the Year – 2024/25

Charities chosen for the coming year are:

Badshot Leaspace2grow  Farnham’s community wellbeing garden, connecting local people in nature. space2grow.space
ChertseyLittle Roo Neonatal Fund  The Little Roo Neonatal Fund raises money to provide support for St. Peter’s Neonatal Unit, enabling it to continue providing the highest standards of intensive care for babies. ashfordstpeters.nhs.uk/littleroo
CobhamCobham Area Foodbank  A project founded by local churches and community groups, working together towards stopping hunger in the local area.  cobhamarea.foodbank.org.uk
CrawleyAge UK Crawley Branch  Offering services for older people, their families and their carers ageuk.org.uk/westsussexbrightonhove/activities-and-events/crawley/
FrenshamThe Green Hub Project for TeensThe Green Hub Project for Teens is a local community project serving Surrey and Hampshire and surrounding areas, supporting teenagers facing social, emotional and mental health challenges. greenhub.org.uk/
HershamHome-Start ElmbridgeWorking alongside families to give compassionate and confidential support for parents and their children. homestartelmbridge.org.uk
Long DittonWalton CharityA local charitable foundation, working with the community and local partners, aiming to build an Elmbridge community free from poverty and that thrives waltoncharity.org.uk
MilfordThe Fountain CentreA small independent cancer charity within St Luke’s Cancer Centre at the Royal Surrey Hospital, providing holistic and emotional support and information to as many patients as possible. fountaincentre.org/
ReigateSASH Charity (East Surrey Hospital)The charity for East Surrey Hospital and services provided by Surrey and Sussex Healthcare NHS Trust. Raising funds for to create great experiences for patients and staff. sashcharity.org/
SheppertonSpelthorne Dementia SupportA small group of local volunteers who make a positive difference to the quality of life of people living with dementia, their carers and families. spelthorne-dementia-support.org.uk/
StanmoreSt Luke’s HospiceSt Luke’s is a charity providing specialist end of life and palliative care to people in Harrow and Brent, enabling them to achieve the best possible quality of life. stlukes-hospice.org/
TwickenhamHomeLinkA local charity dedicated to the wellbeing of older people and their unpaid carers. homelinkdaycare.co.uk/
WashingtonRockinghorse Children’s CharityThe official fundraising arm of the Royal Alexandra Children’s Hospital, Brighton. Raising money for life-saving equipment, projects and services for sick babies, children and young people. rockinghorse.org.uk/
West HorsleyOakleaf EnterpriseOakleaf is based in Guildford offering a range of services to its clients to empower them to gain the skills, training and confidence needed to manage their mental health and return to work. oakleaf-enterprise.org
WokingWoking & Sam Beare HospiceA charity that cares for thousands of patients and their carers and families each year, specialising in holistic care for patients with life-limiting and terminal illness. wsbh.org.uk/
WokinghamCLASPSupporting people with learning disabilities in the Wokingham Borough and run by its members.  CLASP employs people with learning disabilities and offers voluntary opportunities. claspwokingham.org/

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Henry Moore exhibition at the Lightbox

Karen Neville

Round and About

Big names and innovative artists are at the heart of The Lightbox’s latest exhibitions

Visitors to The Lightbox can enjoy two special exhibitions into autumn giving greater opportunities to “experience the best contemporary and modern art”.

Material Thinking, until October 13th, brings together for the first-time selected work by major artists from The Ingram Collection with work by contemporary artists associated with the Fine Art programme at the University of Gloucestershire (UoG), recognised as one of the country’s most innovative art schools.

Focusing on artists who use varied, unusual or unexpected ways of making, the exhibition will explore The Ingram Collection – one of the most significantly publicly accessible collections of modern British art in the UK – as a historic context for artists working today, prompting conversations about what it is to make things, between disciplines and across generations.

Curated by Professor Angus Pryor (UoG), selections from The Ingram Collection have been chosen in response to painters, sculptors and film makers working on the UoG Fine Art programme. He said: “Material Thinking will highlight how artists across generations incorporate observation, action, reaction, accident, impulse and instinct into their artistic practice, moving step-by-step to their final artwork.”

Henry Moore in Colour is organised in partnership with The Henry Moore Foundation and runs until November 3rd offering a rare opportunity to see colourful drawings by Moore spanning the artist’s career.

Best-known as one of the most influential and innovative sculptors of the modern era, Moore (1898-1986) was also a remarkably talented and prolific draughtsman, producing nearly 7,500 drawings over seven decades. These works from The Henry Moore Foundation include examples of his best-known works such as the large ‘presentation’ works from the 1930s and the Shelter drawings – commissioned by War Artists’ Advisory Committee during WW2, the Shelter drawings were influential in achieving widespread popular recognition for the artist following their display at London’s National Gallery.

Sebastiano Barassi, Head of Henry Moore Collections & Programmes said: “Henry Moore in Colour reveals his profound love and appreciation of the unique characteristics and possibilities of drawing, for its own ends and as a tool to inform his work in other media. Moore continued to draw until the end of his life. This exhibition attempts to reveal the numerous ways in which it enabled him to study, express, and experiment.”

Sarah Brown, Director of The Lightbox, added: “Our collaboration with The Ingram Collection and The Henry Moore Foundation is at the heart of both exhibitions and we are grateful to all our partners for making our season so exciting.”

A programme of events accompanies and the exhibitions, including the Material Thinking Symposium on September 13th.

For further information about both exhibitions visit The Lightbox


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Education Guide Autumn 2024

Round & About

Round and About

Read more articles in our 2024 Education Guide

View the Interactive Education Map

There are many questions to ask when considering which school is right for your child. Headmaster Tom Dawson examines the options to help you make an informed decision

As independent schools face ever increasing challenges; a fall in birth rate, higher cost of living, increase in mortgage rates and now VAT on school fees; the necessity to evolve and adapt has never been greater.

Schools must listen to the needs and desires of parents in order to survive and thrive. They should also, however, be very clear about what they offer and maintain an individuality that provides choice for parents. Some schools, faced with this existential question have chosen to extend down or up, to adapt their boarding model or in the case of a number of independent schools recently, go from single-sex to co-ed. This is a huge shift in policy for some schools with a very long history of educating just boys or girls. These changes have not been made on the spur of the moment but after long consideration of the advantages of both models; so what exactly are they?

Looking at the latest Independent Schools Council (ISC) census, 18% of schools are now single-sex (not including nursery), with more girls being educated in single-sex schools than boys. Interestingly, between years 7 and 10 (ages 11 to 14) 30% of ISC schools have year groups of either all boys or all girls.

Learning styles

Single-sex schools will argue that boys and girls learn in very different ways. This is certainly a generalisation but it does have a strong element of truth in it. This is particularly when the pupils are younger. Girls mature more quickly and approach learning in a more disciplined and determined way than the majority of boys. You only have to look at two pieces of work side by side and more often than not, it will be obvious which was produced by a boy and which by a girl. In order, therefore, to get the most out of the different learning styles, the teaching needs to be adapted to suit. Personalised teaching is a mark of a good independent school and that can be easier in a single sex environment.

It is also true that in single-sex settings, boys and girls can feel more able to be themselves and involve themselves in activities they might otherwise not. Children often feel pressure to conform to traditional gender roles, and this can be a barrier to learning. In single-sex schools, pupils are free to express themselves without fear of judgement or ridicule. This can lead to increased confidence and self-esteem, which can have a positive impact on academic performance and in participation in other activities. It is sometimes precisely because there are no girls that some boys will be happier to sing in the choir or play a female role in a play. The same can be said of girls who might have interests that may be seen by the more traditionally minded (some might say ignorant!) as more male pursuits.

The flip side is that co-ed schools can be seen as much more representative of the society that all school leavers will emerge into. Why separate children when that is not what the future holds for them? Many will say that children need to be in co-educational environments in order to learn that everybody is equal regardless of gender or any of the other protected characteristics. The need for mutual respect and understanding of both sexes is of paramount importance and a co-educational environment can facilitate this in a natural way.

All single-sex schools create situations with other schools where boys and girls are able to mix with each other but these events are often excruciating in their awkwardness. Thankfully, they are often more imaginative than the discos with boys on one side and girls on the other but it is rarely natural and it is always fleeting. There is the rush at the end of the event with a frantic swapping of numbers or ‘snaps’ but this can lead to all sorts of problems if the children are not properly guided in how to use these appropriately. Co-education can improve these social skills and help boys and girls to be more natural in each other’s company.

Whatever your view, the key element is choice. It is ultimately for parents to decide which route is better for their children and, providing that these options remain, there are so many good schools out there providing an outstanding education in a range of different settings.

Tom Dawson
Headmaster, Sunningdale School


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Could you be James Bond?

Karen Neville

Round and About

James Bond fantasies can easily unravel as Michael Smith reveals in his latest account of spies and secret lives

The popular image of a spy as epitomised by James Bond all too often leads people to imagine they can be spies.

FBI Special Agent Richard Miller was supposedly a professional paid to look for spies, but he was 48, seriously overweight and widely expected to be fired for a series of lapses that included leaving the keys in the door of the FBI offices overnight. He did have one potential asset.

Svetlana Ogorodnikova, a slim, pretty, blonde Russian, had emigrated to the US in the early 1970s hoping to become a Hollywood actress. She was all too happy to play a Mata Hari role by helping Miller to recruit the KGB man as his own agent, and turn himself into a hero, a top spy.

The KGB officers in San Francisco were rightly suspicious and rejected the approach. But their bosses in Moscow ordered them to go ahead. When the KGB said yes, Miller and Ogorodnikova celebrated and ended up making love. “It was just something that happened,” Miller said. “She was a very attractive woman. It just sort of came with the territory. I had a James Bond kind of fantasy.”

But the fantasy was spiralling out of control. The KGB sent Ogorodnikova to Moscow to be briefed on what to do and it was agreed that Miller would be paid $50,000 in return for handling over anything the KGB wanted. Ogorodnikova took Miller to the Consulate-General for a meeting with the KGB boss, but the normally teetotal FBI officer was so nervous that he had a few drinks to calm his nerves and became very drunk. He got out of the car in the full view of the FBI surveillance team watching the building, who photographed him with Ogorodnikova and soon identified him.

The FBI set up a surveillance operation against them Operation Whipworm – she was Whip, he was Worm. They bugged Miller’s and Ogorodnikova’s phones and cars, recording an agreement to fly to Vienna to seal the deal. But the trip never went ahead. They were both arrested and jailed.

* Read more stories about spies who never became famous in Michael Smith’s book The Anatomy of a Spy, published by History Press


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Guildford Jazz & Soul Festival

Karen Neville

Round and About

Guildford Jazz & Soul Festival features 16 events across 14 venues and is celebrating the best in UK and local jazz and soul from September 4th through to October 17th

Guildford Jazz has always been about bringing the best, established UK jazz artists to Guildford. Why go to Ronnie Scott’s when you can have the same experience in Guildford?

Its first jazz and soul festival naturally includes many of the sort of artists who you could see at major venues and festivals across the UK. Headline acts include Natalie Williams Soul Family, who make a rare appearance outside their monthly sold out residency at Ronnie’s, and Bill Laurance, the five times Grammy award-winning pianist and founding member of Snarky Puppy.

Other national artists already booked to appear include jazz pianists Jason Robello and Gwilym Simcock, award-winning saxophonist Tony Kofi and the Organisation, rising jazz stars vocalist Emily Masser and saxophonist Alex Clarke, BBC Radio Jazz Records Requests presenter Alyn Shipton talking about his latest book and performing music from the Jerry Mulligan Quartets as part of the Guildford Book Festival, The Soul Sanctuary Gospel Choir and guitarist Pete Roth.

Guildford Jazz’s founder, jazz bass player Marianne Windham explains why now is the right time for the festival. It was decided four years ago to organise the first locally curated Guildford Jazz Festival but just a week before it started lockdown hit. Since then Guildford Jazz has continued to grow and thrive.

It has teamed up with venues such as the Boileroom and The Stoke and attracted audiences at outdoor events and festivals and prides itself on being part of the community and having a reputation as one of the leading jazz clubs in the country.

She continues: “There are many lovers of live music locally who are still unaware of the world class music available on their doorstep. Rather than sit back and wait for them to stumble across us, we thought we would take the plunge and commit to a major high-profile festival to bring great live jazz and soul directly to music lovers who may not have heard of us, in venues across Guildford and in the streets, churches, restaurants, cafes and bars, wherever they normally hang out.

“We hope that the festival will bring the joy of live music to new listeners, bring more people back into the centre of town and be the next step in our journey to make Guildford a UK hub of creative live music.”

Many of the events are free. More information about Guildford Jazz, the festival and how to book tickets at Guildford Jazz


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Why not join your local u3a?

Liz Nicholls

Round and About

On Saturday, 14th September, the Chiltern branch of the u3a will welcome you at The Chilterns Lifestyle Centre in Amersham for an open day to showcase their varied activities

Chiltern u3a was formed in 1999. All the group’s activities are run and supported by members.

Membership is open to all adults: You don’t have to be retired – just not have a full-time employment or caring commitments. Activities aim to offer fun and stimulating environments where you can learn new skills and make new friends.

Annual membership is £28pp. Should a group require specialist facilities or a professional tutor a small additional charge may apply, but this is kept to a minimum. This u3a currently has about 1,350 members who between them offer 90+ interest groups, ranging from ancient cultures to badminton, board games and bowls through drama, dancing, language, music, science & technology to walking, wine tasting and yoga. There’s also a monthly general meeting with external speakers covering varied topics. These groups in a member’s home or at local venues (e.g. in Amersham, Chalfont St Peter, Chesham, Hyde Heath and Holmer Green). Some have been visits to properties, gardens and theatres.

Chiltern u3a is affiliated to a national network of about 1,000 u3as with 400,000 members. The UK u3a Week is all set for 21st-28th September. In advance of this, you’re all welcome to the open day, 10am-4pm at The Chilterns Lifestyle Centre on 14th. Many groups will host information stands and there’s a membership offer of £14pp if you join on the day!


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Down to Earth with new incense

Liz Nicholls

Round and About

Whether you’re meditating, practising yoga or just want to create a chilled atmosphere, the new Earth range by Temple of Incense is your grounding in peace

A harmonious blend of amber woods, earthy musk, tonka bean and mitti (Hindi for soil). Earth by Temple of Incense captures the raw, earthy elements that keep you connected and grounded, and will bring the outside in.

Whether you’re meditating, practicing yoga, looking to sync your body to the natural rhythms of the earth, or just want to create a chilled atmosphere, Earth incense sticks are the gateway to peace and tranquillity.

Even a brief burn of 10 minutes will renew your energy and enhance your vibe with the natural world.

Temple of Incense masterfully creates fresh and diverse vegan and cruelty-free, temple-grade incense sticks, resins, oudh and oils for every occasion and every room. Each box contains 20 luxury incense sticks, ethically hand-crafted with love and consciousness, masterfully created from the best quality oils and resins, sourced locally and from around the world.

The Temple of Incense story began in 2012 on a little market stall on Portobello Road, when two sisters from London – Simi and Sam Aydee – brought their expertise and passion for incense stick artistry to life, creating and marketing world-class natural incense, along with traditional and contemporary sculptural stick holders and bowls to complement every home décor. 


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Johnny Ball on maths & memories

Liz Nicholls

Round and About

Liz Nicholls chats to Johnny Ball, 86, who’s on a mission to make maths easy for all & stars with his daughter Zoe at Wantage Literary Festival  

Hi Johnny! Did you enjoy school?
“I had a dream time in primary school in Bristol. Aged 11, we moved to Bolton and though I was at a grammar school, I was neglected; two illnesses caused me to miss most of the autumns in years 2 and 3. I achieved two O-Levels. So they were surprised when they saw I’d got 100% in maths.”

Q. What would help youngsters master maths at school?
“The main problem is the neglect of geometry [in the curriculum]. It’s geometric thoughts and ideas that help our future engineers as well as artists. Geometry is a visual explanation of mathematical concepts and thus far more relevant than just numbers.”

Q. Can anyone become good at maths, even those who are frightened?
“Being frightened of maths can happen. But everything we get wrong in education is repairable, if and when we get the student in the right frame of mind. Often when school is ending, youngsters get the urge to achieve, despite recent failings. Things can be turned around in sixth form.”

Q. Who was your hero growing up?
“As regards my maths and science career, Jacob Bronowski’s TV series and book, The Ascent of Man, became my bible especially when I was writing Think of a Number and Think Again.”

Q. What do you love about life in Bucks?
“We moved to south Bucks just as my TV career took off and Think Again had won a BAFTA. We bought a wreck of a house, but today it is our pride and joy. Every aspect of the house has been improved over the years.”

Q. What was your favourite book a child?
“I read Treasure Island when I was about eight. In my 30s my mother told me they had been advised to keep me away from books as was clearly so clever, I might have a brain tumour.”

Q. I asked you about Strictly when we chatted years ago & you were not enamoured with how you were treated. How do you feel about it now?
“I went out first through a series of circumstances I don’t wish to revisit. But the very day after I was thrown out, the Strictly Tour asked if they could pencil me in, as they understood how badly I had been treated. Vincent Simone and Flavia Cacace (who I had danced with at a sort of audition) said they wanted me to play the old man in their touring show, but I could not accept, due to other work.

Q. I loved you on TV as a child! Do you have any favourite shows?
“Sadly, BBC children’s TV on its own channels get nowhere near the viewing figures we achieved. It was a criminal decision by the BBC. It was clear when we were making our Think programmes, that our script and editing standards were very high – the best in the world. I often worked in the adult sector and never saw anywhere near the directional standards we achieved. I turned down Tomorrow’s World three times.

Q. What has it been like writing your memoirs?
“I have a quite detailed memory and my problem in writing my memoires, is cutting it down to only feature stories that are worth telling because they are unusual and often unique – Like Dad walking home with me on his shoulders while totally asleep – Mum being machine gunned in Bristol with me in the pram – The lad who robbed a bank and caught a bus home – The thief, who proved how good a thief he was, by stealing the Charge Book from the Police Station – The time I did the Val Doonican show with not one rehearsal and how the camera broke down after a couple of gags – we were live to 19 million viewers. Why, when Roy Orbison and The Bee Gees did their ONLY appearances at British Clubs, I was chosen as the comedy before their spots.

Q. If you could make one wish for the world, what would it be?
“For the world I worry a lot, but if you examine every say ten years back through your life, you see that things do get better when compared with the past – I hope we can always say that this continues. For me, I make wishes every day – mostly that I can keep on working.


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Recipes with Clodagh McKenna

Liz Nicholls

Round and About

We’re sharing two recipes to make the most of the last of summer thanks to Irish chef, author & TV star Clodagh McKenna

Read the Q&A with Clodagh McKenna here.

Prawn Coconut Curry

Check out this light, fragrant curry recipe! It’s quick, easy and packed with juicy prawns, creamy coconut milk and crunchy green vegetables.

Ingredients
Serves four, cooking time 15 minutes
• 2 tbsp olive oil
• 1 onion, thinly sliced
• 3 cloves of garlic
• 1 tbsp fresh ginger, grated
• 2 tsp garam masala
• 1 tsp dried or chilli flakes or one whole red fresh chilli chopped
• 1 tsp turmeric (optional)
• 1 tsp mustard seeds (optional)
• 1 tin of coconut cream or milk
• 1 tin of tomatoes (whole or chopped)
• 450g / 15oz fresh king prawns
• Green vegetables – spinach, chard, pak choy, green beans, or peas
• Zest of 1 lime
• Fresh dill, flat leaf parsley or fennel
• Sea salt

Method
1. Place a saucepan or casserole dish over a low heat and add the olive oil. Stir in the onion, garlic and ginger, cover and cook for two minutes. Next remove the lid and add the garam masala, chilli, mustard seeds and turmeric. Stir and cook for two minutes.
2. Stir in the coconut cream and tomatoes and season with sea salt.
3. Next stir in the fresh king prawns, and cook for five minutes.
4. Lastly add the green vegetables and zest of one lime, and cook for a further 5 minutes.
5. Sprinkle fresh herbs on top and serve with lime wedges or any of these if you have them, rice, yogurt and naan bread.

Rosewater pavlova with soft summer berries

One of my favourite desserts, this is so decadent and looks fabulous, too. I sometimes swap the raspberries for other soft fruits. I make the pavlova the night before and leave it to cool overnight in the oven; switched off, of course.

Ingredients
Makes one pavlova, cooking time 90 minutes
For the pavlova:
• Nine egg whites
• 500g caster sugar
• 2 tsps cornstarch
• 1 tsp white wine vinegar
• 1 tbsp rosewater

For the filling
• 500ml whipping cream
• 1 tbsp icing sugar
• 1 tbsp rosewater
• 200g fresh raspberries / loganberries

Sprigs of red currants to decorate

Method
1. Preheat the oven to 160°C and line a baking tray with greaseproof paper.
2. Use an electric mixer to whisk the egg whites in a clean, dry bowl until firm peaks form. Gradually add the sugar, one tablespoon at a time, whisking constantly until mixture is thick and glossy and the sugar completely dissolves. Add the corn starch, vinegar and rosewater and gently fold until just combined.
3. Pour the mixture on to the prepared baking tray in a circle shape and use the back of a wooden spoon to shape the meringue into a nest. Place the meringue in the pre-heated oven and turn the heat down to 140°C and bake for 1.5hrs. Once the meringue is baked, turn off the heat, open the oven door and allow it to cool completely.
4. When the meringue is cooled and ready to serve you can start assembling the filling. You don’t want to add the cream too far in advance as it will soak into meringue. Gently whip the cream until it thickens and then whisk in icing sugar. Fold in the rosewater and then spoon the filling into the centre of the meringue. Add the fresh berries on top.


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