Christ Church Cathedral School hits all the right notes with young choristers

Zoe Gater

music

Despite increasingly challenging times for choir schools across the UK, Christ Church Cathedral School in central Oxford has celebrated its most successful chorister recruitment event in several years.


A new generation of young singers has been given a taste of life as a cathedral chorister as part of a special experience day celebrating a centuries-old choral tradition.

The event welcomed 24 families, with some travelling from as far afield as Birmingham and London, giving boys aged six to nine the chance to discover what life could be like as part of a world-famous cathedral choir.

The experience comes during a landmark year for the Cathedral Choir, which is celebrating its 500th anniversary. Founded by Henry VIII in 1526, the choir has marked the milestone with a packed programme of events and live radio broadcasts, before heading to New York later this year for a tour that will include a performance at Carnegie Hall.

Today, the choir includes 20 boarding choristers aged eight to 13, alongside its adult singers. The young choristers combine an intensive schedule of cathedral services, broadcasts and international tours with a full school curriculum.

During the experience day, visiting boys took part in singing workshops and team-building craft activities before joining the Evensong service, watched by their families and the regular congregation.

The school also offers three choirs, including opportunities for younger voices to sing with the Worcester and Pembroke College Chapel Choirs. With almost two thirds of its prep boys involved in a choir, choral singing remains a significant part of school life, helping pupils develop confidence alongside their musical skills.

The school says the experience day was particularly special following the recent closure of several choir schools, with the strong turnout highlighting the continued interest in choristership and the opportunities it can offer young people.

Families interested in discovering more about choristership and school life can find out about upcoming open events, nursery Stay & Plays and chorister experience days at cccs.org.uk or by calling 01865 242561.

In partnership with Christ Church Cathedral School

Christ Church Cathedral School is an independent preparatory school for boys in central Oxford, educating pupils aged four to 13. One of the city’s three choral foundation schools, it provides choristers for Christ Church Cathedral, as well as the chapels of Worcester College and Pembroke College. Alongside its strong musical tradition, the school offers a broad education designed to help pupils grow in confidence and thrive both in and beyond the classroom.

Guildford Jazz & Soul Festival promises a vibrant celebration of community and culture

Zoe Gater

music

Is jazz your jam or is soul more your scene? Let the music move you at this year’s Guildford Jazz & Soul Festival running throughout September 2026.


From Guildford Castle to local cafes and bars, the smooth, sultry sounds of Guildford Jazz & Soul Festival will play out in the vibrant town-wide showcase of world-class music when it returns for another year.

Opening up the festival on Thursday 3 September are The Steve Waterman Octet who are celebrating Miles (Davis), one of the most iconic and acclaimed figures in the history of jazz. Join the all-star line-up at Guildford Pavilion to celebrate this legend.

Salsa and Latin jazz comes from The Mantecas on Saturday 5, who’ll be entertaining with their high-energy performance in the surroundings of Guildford Castle. Take along your favourite tipple and a picnic and join the party.

Alan Barnes and David Newton serve up a very special lunchtime concert on Monday 7 at The Guildford Institute, before on Friday 11, there’s a change in tempo at The Boileroom from Dele Sosimi who is at the heart of the global Afrobeat scene, combining a blend of complex funk grooves, traditional Nigerian music and African percussion with an underlying sense of jazz.

Hejira, a seven-piece band fronted by vocalist Hattie Whitehead, are Celebrating Joni Mitchell at the University of Surrey on Friday 18, while there’s a welcome return for Guildford-born saxophonist Iain Ballamy to Guildford Pavilion on Wednesday 23.

The final main event of the festival comes at St Nicholas Church on Friday 25 when the CK Gospel Choir entertain with their outstanding close harmonies and infectious energy.

The festival also includes several free events at various local venues, a particular highlight being the return of the Alvar Tree Frogs on Saturday 19 for an afternoon of joyous New Orleans jazz in the historic courtyard of Abbots Hospital in Guildford High Street.

There’s also a jazz cocktail hour to enjoy with Jo Fooks and Deirdre Cartwright at Guildford Townhouse, on Sunday 6, the Debby Bracknell Quarter at Cosy Club on Thursday 10, a night at Shardana Italian restaurant with the Varley Parker Quintet on Monday 21 and acoustic soul and jazz from Emily Windham Quartet at Roges Bar on Saturday 26 September 2026.

The Guildford Jazz and Soul Festival brings the joy of live music to new listeners and old friends while supporting local venues across town in this celebration of community and culture.

For more details or to book tickets for paid-for events, visit guildfordjazz.org.uk.

See John Barrowman at the Wycombe Swan – for one night only

Zoe Gater

music

John Barrowman returns to the stage with a spectacular celebration of the musicals that have shaped his remarkable career, starting his tour at Wycombe Swan this September.


John Barrowman is ready to step back into the spotlight with his dazzling show, My Life in Musicals when it comes to Wycombe Swan on Saturday 5 September 2026.

The concert marks John’s eagerly anticipated return to touring after several spring performances were postponed following the death of his beloved mother, Marion – affectionately known to fans as “Mama Barrowman”.

Now, after an outpouring of support from audiences, he’s looking forward to reconnecting with theatre lovers.

Packed with songs, stories and plenty of trademark humour, My Life in Musicals celebrates a career spanning more than three decades on the West End and Broadway stage.

Audiences can expect unforgettable music from iconic productions including Sunset Boulevard, Anything Goes, Miss Saigon, Chicago, Company, La Cage Aux Folles and Phantom of the Opera.

Reflecting on the show, John says: “This tour is my love letter to every stage, every song, and every one of you who’ve cheered, cried, laughed and believed right along with me.”

Known for his powerhouse vocals, larger-than-life personality and infectious enthusiasm, John promises an evening filled with nostalgia, laughter and theatrical sparkle as he shares the stories behind 23 leading roles.

Whether you’re a lifelong musical theatre fan or simply love a great night out, expect showstopping moments.

For more information or to book tickets, visit trafalgartickets.com/wycombe-swan-theatre.

West Wycombe Chamber Music Festival returns with world-class performers

Zoe Gater

music

World-renowned musicians return to Hambleden in September, to deliver outstanding chamber music.


Music-lovers are in for a treat this month as the West Wycombe Chamber Music Festival returns to the picturesque village of Hambleden with another programme of world-class performances.

Now in its 16th year, the festival has become one of the region’s cultural highlights, attracting internationally acclaimed musicians to the beautiful Church of St Mary the Virgin for three days of exceptional chamber music.

Running from Thursday 17 to Saturday 19 September 2026, this year’s festival features five concerts, all themed “In Time”, offering a distinctive programme in the stunning surroundings of the historic Bucks church.

The festival was founded by internationally renowned violist Lawrence Power, who grew up locally and continues to serve as its artistic director.

Alongside performing himself, he has built a reputation for bringing some of the world’s finest chamber musicians to the region each year.

Among those returning for the 2026 festival are pianist Simon Crawford-Phillips, cellist John Myerscough, lutenist Sergio Bucheli and violinist Stephanie Gonley, all familiar faces to festival audiences.

Together they will perform a varied programme celebrating the richness and intimacy of chamber music.

One of the festival’s defining features is its commitment to nurturing emerging talent. Saturday morning’s concert will showcase outstanding young musicians at the beginning of their professional careers, allowing audiences to hear tomorrow’s stars alongside established performers.

The festival has earned a loyal following thanks to its combination of outstanding artistry and welcoming atmosphere. Its intimate setting allows audiences to experience chamber music up close in one of Bucks’ most beautiful village churches.

Festival organisers hope both returning supporters and first-time visitors will enjoy five days of memorable music.

Tickets, festival passes covering all five concerts and information about becoming a Friend of the Festival are available through the festival box office.

For tickets, call 01494 528659 or email tickets@westwycombemusic.org.uk. For more information, visit westwycombemusic.org.uk.

The Amersham Concert Club is celebrating its milestone 60th anniversary season

Zoe Gater

music

Amersham Concert Club is celebrating 60 years with a wonderful new season of chamber music.


It’s been a long, hot summer but some of us are eagerly looking forward to the return of autumn evenings… and there’s not long to wait, with Amersham Concert Club’s diamond season beginning on Saturday 26 September 2026 – and it’s a real sparkler!

If you’d like to enjoy a smaller group of outstanding musicians playing a wide range of music and sharing their knowledge and love of music with the audience, these concerts are for you.

Ensemble Serafin will play trios by Haydn, Beethoven and Schubert. Local cellist Nicola Tait-Baxter is joined by pianist Viv McLean making a welcome return to Amersham and violinist Nicola Loud for a lovely programme, Echoes of the Rhine.

The concerts on Saturday 24 October and 21 November both feature talented young musicians chosen to receive support from major musical trusts.

First, Ewan Millar (oboe) and Tomos Boyles (piano) who are supported by the Countess Of Munster Musical Trust, give a wide-ranging programme of music for this lovely combination of instruments.

Then in November, Jamie Cochrane, who is supported by the Tillett Trust, will give a recital of piano music by Schubert, Schumann and Chopin.

The club usually takes a break then until February but there’ll be a special concert on Saturday 16 January 2026, when fabulous saxophonist Jess Gillam performs with her Ensemble Trio, playing a mix of styles from baroque to jazz and much in between.

All of the concerts take place at 7.30pm in the Amersham Free Church.

Tickets are on sale at amershamconcerts.org.uk or, for more information call 01494 765420.

Experience Welsh musical magic in Wantage this September

Zoe Gater

music

London Welsh Male Voice Choir bring their celebrated sound to Wantage for a special charity concert this September.


Wantage music-lovers are in for a very special evening of music when the renowned London Welsh Male Voice Choir bring their powerful harmonies to the Parish of St Peter & St Paul.

Performing at 7pm on Saturday 12 September 2026, the choir will raise funds for the Ray Collins Charitable Trust, helping support the local community through its charitable work.

And this is no ordinary choir. The London Welsh Male Voice Choir has performed on some seriously prestigious stages, including the Olympic Games Closing Ceremony and events marking the 100-year anniversary of the end of the First World War in Ypres.

More recently, the choir filled the Royal Albert Hall in June – so Wantage audiences can expect a pretty impressive night of singing.

The choir’s repertoire celebrates the rich tradition of male voice choral singing, with the distinctive warmth, power and emotion that have made Welsh choirs famous around the world. Whether you’re a lifelong fan of choral music or simply fancy an uplifting night out, this promises to be a memorable performance.

There’s also an opportunity to hear the choir before the big night, with recordings available on Spotify and plenty of uplifting video clips to discover on Facebook.

Most importantly, your ticket helps support a good cause. All proceeds from the Wantage concert will go towards the Ray Collins Charitable Trust and its work supporting the community.

So, if you fancy an evening filled with glorious harmonies, a touch of Welsh musical magic and the feel-good factor of supporting a local charity, this is one to put in the diary.

Tickets are £20 per person.

For more information or to book, visit eventbrite.co.uk/e/london-welsh-male-voice-choir-in-concert-tickets.

Stowaway Festival proves rave’s alive and thriving

Zoe Gater

music

Liz Nicholls reflects on a wondrously sunny and starlit weekend at Stowaway Festival in north Buckinghamshire.


We made it… to Friday, I mean, after a slightly bumpy landing back into the working week. But now, fully recovered (mostly), rehydrated (definitely) and still finding the odd bit of glitter in unexpected places, my fellow Stowaway Festival crew are basking happily in the afterglow of what might just have been the best one yet.

There are so many reasons why this fiercely independent festival has become one of the fastest-growing on the scene. Word has spread through the rave community like a whispered secret: 30-odd years after the heyday of the free-party generation, people still want to dance under the stars… they just appreciate a decent frozen piña collada, non-Trainspotting-esque toilets and somewhere the kids can have a brilliant time, too.

Celebrating its fifth birthday, Stowaway delivered another gloriously eclectic line-up. Friday’s Hospital Records 30th anniversary takeover of the Shake Off stage was an absolute belter, with London Elektricity, Lens, DJ Zinc and Makoto reminding everyone why drum & bass remains one of Britain’s greatest musical exports. Say She She brought sunshine-soaked soul to the main stage, while Saturday’s Calibre and Skream kept the energy soaring before Nightmares on Wax and Kokoroko closed the weekend in sublime style.

One golden example of the festival’s spirit was little Remi, who threw herself into female jungle pioneer Dazee’s Friday night set in the Shake Off tent. Laura, from Bristol, summed it up perfectly: “I really loved the Friday night – the heavy-hitting drum and bass sounds from Dazee were bone-shaking and booty-wiggling!”

The setting remains utterly magical. Ancient woodland transformed into a kaleidoscope of lasers, mirror balls and coloured lights; a beautiful lake where paddleboards drift by day and reflections shimmer by night. Yes, plenty of trees were hugged.

The family vibe isn’t an afterthought here – it’s woven into everything. Nicky Blackmarket’s daytime rave for little ravers was one of the weekend’s happiest sights.

Ten-year-old Ethan, from Milton Keynes, told me: “I have had a great time at Stowaway and I liked Calibre – as well as the skateboarding! So much fun.”

Gemsy, 45, from Berkhamsted, was another first-timer. “This was my first time at Stowaway Festival but definitely not my last! The woods were pure magic, especially at night with the lasers, disco balls and incredible visuals. The sound systems were amazing, the whole festival was so well organised, and the team were incredibly friendly. Such a fun, vibrant festival for all ages. We’ll definitely be back next year with the family.”

Our lucky Round & About competition winner, Tessa from Reading, brought along her teenagers and was equally smitten: “Stowaway Festival was brilliant with a happy, playful, family vibe. We loved the different zones and especially the Listen Here area in the woods. Everyone was chilled out, enjoying each other’s company.

“One of my favourite acts was on the Sunday morning with improvised classical vibes. Not many people were up at that time, but I enjoyed the most relaxing cup of tea on a Sunday morning that I’ve had for a long time. I would recommend Stowaway to have fun and recharge in a great setting.”

Trying to pick favourite moments is impossible. George Michael’s ever-growing woodland shrine once again became a place of joyful pilgrimage, and one of my favourite bits was dancing to camp anthems by him and Madonna at The Jetty, with proprietor Duncan hitting  the desks. I lost my voice, but it was worth it.

And can we just take a moment for the practical luxuries? Queue-free showers. Enough room to dance without accidentally elbowing your neighbour into next week. It turns out middle-aged ravers have standards.

Special mention, too, to the wonderfully wholesome cocktail wagon crew, who somehow made campsite espresso martinis feel like an entirely sensible breakfast option.

Stowaway still feels like a festival created by friends rather than accountants. No giant corporate branding. No endless queues. Just brilliant music, happy people, beautiful surroundings and that increasingly rare feeling that everyone is genuinely pleased to be there.

Oi oi… see you next year.

Star Q&A: Blur’s Alex James

Zoe Gater

music

Liz Nicholls chats with musician Alex James ahead of Big Feastival on his Cotswolds farm, 28th to 30th August.


Big Feastival celebrates its 15th anniversary this summer, bringing together chart-topping music, award-winning chefs and family fun on Alex James’ Cotswolds farm. Ahead of the festival, Liz Nicholls caught up with the Blur bassist to talk food, music and how the event has grown into one of the UK’s favourite weekends.

Q. Hi Alex! Big Feastival is in its 15th year… did you ever imagine it would become this big?

Alex James: “Hiya! I always loved doing it, but I don’t think I imagined quite how it would grow. It’s helped that we started it at a time when British food was really coming back. When my wife Claire and I bought the farm 20 years ago, farming was in a tough place… foot and mouth, BSE; you’d only ever see farmers on telly having a terrible time. Now it’s so different. There’s been this huge food renaissance, especially in the Cotswolds. It’s become a real foodie mecca.”

Q. What makes Big Feastival different from other festivals?

Alex James: “It’s that mix of food, music and family. Food is universal – it’s something everyone can enjoy together. We’ve made it really accessible for families, with everything from kids’ cookery schools and mud kitchens to fire pit sessions and chef demos. Hopefully there’s something for everyone and you can learn something in the day, then have a few drinks and forget it all in the evening.”

Q. The line-up’s banging!

Alex James: “I’ve been trying to book Bastille for years – my kids are thrilled. The Streets will be brilliant. On the food side, we’ve got Simon Rogan, Rachel Allen, and lots of Bake Off and MasterChef talent. We started with three stages, now it’s about 30, including comedy, which has really taken off.”

Q. How has the food scene changed?

Alex James: “When we started, it was molecular gastronomy, chefs in lab coats, food from the future stuff. Now it’s gone the other way – back to basics! Fire, simple ingredients, cooking outdoors. Much more instinctive, and actually much easier to do in a field!”

Q. Food clearly plays a huge role in your life – what’s your signature dish and guilty pleasure?!

Alex James: “We’ve been making pizzas every weekend for about 20 years – from scratch, growing the wheat, tomatoes, making the mozzarella. Simple things done well are best. Great cheese on toast is as good as anything if the ingredients are right. As for guilty pleasures, I still love Primula in a tube. You never grow out of the food of your childhood.”

Q. What’s your earliest music memory?

Alex James: “Wanting the Laurel and Hardy record Trail of the Lonesome Pine. As a teenager, New Order – Blue Monday made me want to be in a band.”

Q. How do you see the music industry now compared to the early days of Blur, back in the ’90s?

Alex James: “It’s much harder for new artists. You’re either huge or nothing. It used to be possible to make a living playing small gigs, building up. It’s tough. But at least that independent spirit has moved into food instead.”

Big Feastival takes place from 28th to 30th August at Alex James’ Farm in Kingham. Find out more and book tickets at thebigfeastival.com.

Found Festival returns to Claydon Estate for a weekend of music, comedy and creativity

Zoe Gater

music

Music, comedy, wellness and family entertainment come together at Claydon Estate as Found Festival prepares for its second year, with local residents eligible for heavily discounted tickets.


After a hugely successful debut last summer, Found Festival returns to the beautiful Claydon Estate over the August Bank Holiday weekend with another joy-filled celebration of music, creativity, comedy, wellness and community.

Taking place from 28th to 30th August 2026, the boutique Bucks festival has quickly earned a reputation for doing things differently. Created by the family behind the legendary Towersey Festival, Found swaps blockbuster headliners for what organisers affectionately call “head-turners not headliners”, championing discovery, atmosphere and connection over crowds.

Small by design and limited to just 2,000 people, the festival offers an intimate and welcoming experience set across the rolling parkland of the Claydon Estate. Yet despite its size, the programme rivals events many times bigger. This year’s musical line-up includes Oxford folk favourites Stornoway, fresh from a sold-out performance at the Royal Albert Hall, alongside acclaimed Americana outfit The Felice Brothers and Scotland’s electrifying Celtic stars Elephant Sessions. Comedy fans can look forward to performances from Shappi Khorsandi and Kiri Pritchard-McClean, plus live podcasts, late-night entertainment and more.

Beyond the stages, festival-goers can immerse themselves in yoga, breathwork, meditation, sound baths, dance workshops, lantern making, silent discos, lakeside fire shows and even clowning for grown-ups. Families are especially welcome, with storytelling, circus skills, street theatre and the magical Midnight Playground helping create a relaxed and imaginative atmosphere. New for 2026, all ticket holders will receive free entry to Claydon House, where leading contemporary gallery White Cube will present a special exhibition inspired by the estate’s rich history.

Found’s local roots remain central to its ethos. Rebellion Brewery will supply award-winning ales, Haddenham wellbeing specialists Firelight will lead the wellness programme and Bucks New University students will gain valuable hands-on festival experience.

People living in MK18, HP18, HP17 and OX9 postcodes can access heavily discounted tickets, with weekend passes priced at just £100 for adults and £20 for under-18s using the code FOUNDLOCAL.

Festival co-director Joe Heap says: “We’re creating something really special here – a festival built with love, creativity and community at its heart. We can’t wait to welcome people back.”

Star Q&A: Madness icon, Suggs

Zoe Gater

music

Ahead of Windsor Live, Madness frontman Suggs reflects on childhood memories of his jazz-singer mother, sneaking into Who concerts, losing his luggage in David Bowie’s driveway, the changing face of London’s music scene, and why Madness still attracts new generations of fans…


Hello Suggs! What’s your earliest memory of music, please?

“My mum used to sing in pubs. She was a jazz singer and back then loads of pubs had pianos. Someone would start playing and Mum would sing for hours. It’s great, looking back. But as a kid, it was deeply embarrassing and you knew you weren’t getting home any time soon.”

Who were your musical heroes growing up?

“The Who were massive for me. I bunked into a gig at Charlton football ground and years later I actually paid Roger Daltrey the two quid I owed him. He was all right about it. They had laser beams and all this incredible stuff going on. Hearing Baba O’Riley live was unbelievable. My favourite was Cockney Rebel; I loved Make Me Smile. You’d carry albums around school like badges, to look cool: Bowie, Bob Marley, Roxy Music. Pre-mobile phones this, and what you wore, showed people who you were.”

Have you ever been starstruck?

“David Bowie would be right up there. He came backstage once in New York, in the early 1980s – that was a bit of a shocker. He invited us to stay with him in Switzerland once. We drove up this mountain road to this amazing house cut into the hillside and there was Bowie himself waving us into a sort of Bond villain lair. But we forgot the suitcases were strapped to the roof of the car. All our T-shirts and underwear went flying down his driveway. Not very cool.”

What can we all expect from you at Windsor Live?

“Outdoor gigs are always brilliant if the weather’s good. The sun’s shining, everyone’s having a great time. Bringing a bit of joy. We’ve got festivals pretty much every weekend through summer now. We still really enjoy it.”

Do you miss the London Madness started out in?

“You’ve got to be careful of the grumpy old man thing, ‘shut up, Dad!’ But yes: London’s changed massively. Young people just can’t afford it now. Back then you could move there with nothing and somehow survive. There used to be railway arches, squats, empty buildings, pubs everywhere. Especially Camden. You could rehearse so cheaply and there were loads of little venues to play. Most of those are gone now and that’s a real tragedy for young bands.”

How do Madness keep going after all these years?

“We’re like a dysfunctional family. Of course we argue. But arguing’s healthy. I’ve seen bands who never argue and then suddenly hate each other. It’s remarkable we’re still alive really, given what we put ourselves through over the years, haha! We were meant to have a quieter year but people keep asking us back. I don’t know why.”

Do younger audiences still connect with Madness?

“That’s the amazing thing. We still get loads of young people coming to gigs. I think we appeal to young people because we’re all pretty stupid. But people still dig this stuff. It’s a miracle really and it’s a real privilege.”