Debbie Shrimpton Illustrates: scene-stealing gifts!

Liz Nicholls

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Local creative & cover artist Debbie Shrimpton created her first illustration during lockdown. Today, her joyful portraits make heartfelt gifts

For 20 years mother-of-two Debbie Shrimpton worked as a childrenswear fashion designer. After more than a decade with M&S, she’d gone freelance and was comfortably set in her career, working with retailers all over the world. But then the coronavirus hit… “All retailers stopped using freelance designers due to excess stock and an enforced change to their in-house systems,” she recalls.

“During lockdown I was home schooling my children Poppy and Rosie with the added pressure of having no income for us.

“I had to find a way to diversify and generate an income fast. My friend’s birthday was approaching and as I couldn’t choose a gift in a shop I decided to draw her home, pop it in a frame I already had and give her a present saying: ‘Sorry this is the best I could come up with’. My friend was so delighted with her house portrait that she encouraged me to advertise on the local Facebook groups offering house portraits.”

That first Facebook advert in 2020 revealed a market. “Within two weeks I had received 18 orders for house portraits for people I didn’t know,” says Debbie. “This gave me confidence that I had created something people (other than my friends!) wanted to buy.”

Because house portraits were only saleable to one customer, Debbie decided to build a portfolio of Loved Local Landmark illustrations starting with all her favourites. She has an ongoing series of High Street illustrations of beloved market towns, including Amersham, Chesham, Wendover and Great Missenden. “One of my favourite places to illustrate has been the Sunflower Fields near Wigginton,” says Debbie. “This was inspired by visits to the PYO sunflower fields with my children: it’s such a mesmerising, happy sight and I believe I’ve captured this happiness in my illustration. It’s proved to be one of my best-selling illustrations along with the stunning bluebell woods, another of my favourite local scenes.”  

Her illustrations can take anything from four hours to several days – and Debbie now has quite a collection. “I have now drawn more than 400 houses, 200 cars and campervans, more than 75 wedding venues, 100+ business premises, 14 aeroplanes, many pubs and 35 Loved Local Landmarks,” she smiles.  

“I’ve done many unusual bespoke commissions for customers including a scaffold yard as a memento before demolition, a wild swimming pond, a treasured beach hut, a football ground, a memorable cricket match, an aeroplane flying over a donkey, and even a spot where a customer proposed to capture that memory.  

“I’ve been asked to do draw people but have declined as how people look is much more subjective… Buildings, vehicles and landscapes are more straightforward! I sometimes include silhouettes of people with their dogs walking in their favourite locations or pets outside homes but don’t like to draw detailed portraits of faces.”  

Thus far about 70% of Debbie’s commissions have been in Buckinghamshire and Hertfordshire but she continues to grow her portfolio. “This year I bought a Debbie Shrimpton Illustrates branded gazebo and I’ve done numerous markets and shows, including the St Francis Hospice Classic Car Show, Hyde Heath village fete & car show, Ashridge House Garden Party, Redbourn Classic Car Show, Lucky Duck Makers Market, Peterley Manor Farm Christmas market and Chiltern Made, to name just a few.” 

The latest string to Debbie’s bow has been hosting illustration workshops in primary schools as a visiting local artist. She has inspired children with her story of resilience and adapting to change and taught step-by-step classes to draw landmarks, encouraging confidence in creativity and giving an example of a career created out of something she loves. 

“The positive response I’ve had has been overwhelming. The support from my local community, especially to promote me and commission me has been incredible. But the biggest surprise has been how grateful and complimentary my customers have been. After so many years working in the fast- paced world of fashion, I’m used to working under pressure, to tight deadlines churning out designs without seeing the joy on the customer’s face when they purchase. Meeting my customers has been fantastically rewarding and motivating. The feedback I get is heart-warming. Some of my illustrations have even brought tears to the recipient’s eyes.” 


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Autumn glow

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As we change seasons there’s a new palette of colours and array of nature to greet us

October. Mellow warm colours; russet leaves, orange pumpkins and an early golden hour before sunset. Maybe a first fire. Change of clothes as summer’s departure can no longer be denied. Gloves for early morning nippy fingers. Warm food, switch from herbs to spices. Sweet treats (not tricks) please!

Redwings may start to arrive from colder climes. It’s difficult on frosty mornings to image that there are places much colder than home but birds know. Sometimes they visit the garden. I wonder if they will stay further north as the global temperatures become less cold.

The more I connect with the natural world, the more I cycle back to concern about the environment. Birds understand weather and climate change. Their collective numbers and behaviours can teach us too.

Our generic seagull, the Herring Gull is red listed for conservation concern due to population decline. UK waters and coastlines support up to 60% of all North Atlantic populations of this species. They may seem common on our seaside visits but the truth is that they are struggling. The combined effect of climate change and bird flu is probably to blame.

The age of the internet means that we are not short of facts on any matter of our choosing. The United Nations seemed like a good starting point from my google search, but even that climate-based information is heavy on what is happening and even how it is happening. Very little analysis is published on the why. Surely lasting change can only come from understanding and acting on why?

What hope of system change for an individual anyway? I am easily paralysed by information overload and default to doing nothing if I don’t know what the right thing to do is. The UN has a helpful app if that’s your thing (or you could share it if not), called ACT NOW with suggestions of steps we can all take.

Patrick Grant’s book “Less” is also an interesting read/listen. A perfect opportunity to curl up on an old comfy chair, dig out your fluffy (woollen, locally made) socks!

Helen Grimbleby is a West Berks/North Hants based artist who is inspired by the natural world’s changing seasons. After exploring outside, she enjoys writing, illustrating and painting larger landscapes at her home studio (@helengrimblebyart).


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Scents of summer

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Artist Helen Grimbleby shares her love of nature in her monthly Nature Sketchbook

“Spring flew swiftly by, and summer came; and if the village had been beautiful at first, it was now in the full grow and luxuriance of its richness.” Charles Dickens

Summer is the season when our senses may easily delight in the natural world and the fairer weather means the opportunities to engage directly with nature are greater.

The wind of blustery seaside cliff tops is kinder and more inviting when it is warmer and drier. Its gentler brush on bare arms may even be welcome on hot summer days. Pink sea thrift flowers break up the wild expanses of rocky coastal scenes dominated at other times by blues, greens and greys. Such rocky coastal locations can also be home to puffin colonies who at this time of year are kept busy feeding their single chick broods.

Puffins can be found on the mainland in the very North of Scotland and also at Bempton in Yorkshire. Most are found on small islands such as Skomer (Wales) and the Farne Islands (Northumberland).

Badger cubs are actively playful now and I am so very hopeful to see some this year. I plan a few night-time hikes for this purpose. This brings excitement and a hint of trepidation in equal measure as the familiarity of darkness and shadows was left behind in the long-ago winter months.

After re-reading Kenneth Grahame’s The Wind in the Willows in late spring, I was longing to see a badger in the wild, something I had never seen before. A short while later, I was slightly lost making my way back to a campsite in Wales after a friend’s birthday party. Having gone off track, driving up a high-hedged narrow single track, steep mountain road in the Black Mountains, I was focused on fretting about meeting a vehicle coming the other way. Then, turning a corner, I found myself face to face with a badger. Only momentarily perturbed by the road blockage cause by my car, it set off making its way through the embankment hedge, its slightly brownish, warm black coloured body perfectly camouflaged, wearing an intelligent expression set on a moon river face. What a joy!

I am assured of the scents of summer on my night-time walks with honeysuckle, wild rose, elderflower and pyramid orchids all in June bloom and my jaunts may be accompanied by an orchestra of grasshopper making their reedy music as I go. Will you walk with me grasshopper?

Helen Grimbleby is a West Berks/North Hants based artist who is inspired by the natural world’s changing seasons. After exploring outside, she enjoys writing, illustrating and painting larger landscapes at her home studio (@helengrimblebyart).

Salisbury Cathedral: Threads Through Creation

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Threads Through Creation. Photographer: Ash Mills

Creating the world in eight million stitches… On Tuesday 17 August Threads Through Creation, a magnificent embroidery display created by textile artist Jacqui Parkinson will go on show at Salisbury Cathedral. Twelve enormous panels, some 8ft by 11ft, will be displayed in the medieval interior until 26 September.  

The exhibition took Jacqui Parkinson three years to prepare – a vibrant combination of eight million stitches and layers of silk, using quilting, applique, and specially dyed fabric to tell stories from the book of Genesis, the first book of the Bible.  

Jacqui’s magnificent re-creation of the Creation story features all the familiar figures and animals from the serpent in the garden of Eden, to Adam and Eve, who were asked to leave the garden because they ate the forbidden apple. Each work is accompanied by a reading from the relevant excerpt of the bible, accessible by QR code. A visual and poetic feast that is not to be missed. 

Threads Through Creation comes free with Cathedral entrance, which can be booked by individuals online – or if you are coming with a group contact either [email protected]  or phone 01722 512156. 

Supporting the exhibition are a special Children’s Trail and family weaving workshops in the Cloisters. The workshops can be tailored to suit all ages, and children can choose which design they want to make from a range including flowers, turtles and butterflies. Workshop tables cost £6 with space for six (must include one adult) and the sessions run hourly from 10am-2pm (finishing at 3pm) on Wednesday 18 August and Wednesday 25 August. 

Threads Through Creation. Photographer: Ash Mills

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Interview with local artist Catherine Cook

Liz Nicholls

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“From an early age growing up on the family farm, inspiration was never far away, whether it be our rescue dog asleep in the chair, my dad’s herd of Charolais cattle, to the farm buildings around me, I would be sketching.”

Catherine Cook’s desire to draw and create has taken her down several paths since she studied decorative crafts at art college and university, but drawing has always been her starting point whichever medium she is aiming for – glass, digital graphic or paint.

Having gained her degree she worked for a number of years in an auctioneers office but says “the yearning to create was always there” and so she returned to the pursuit of developing her glass artwork.

With the arrival of her two boys, family life took over and creativity was on hold briefly until the creation of a family birthday gift involving a collection of watercolour dog portraits took Catherine back to her paints and pencils and she has been drawing pet portraits continually ever since, working in watercolour, oil paint and pen and ink.

“When I paint a pet portrait for a client, I feel there is a great responsibility to capture the special character, which is achieved through seeing those fine details accurately,” Catherine explained.

“The power of a portrait and the emotional response from clients, when presented with the final artwork can be very moving and rewarding.”

“The process of drawing and observing your subject is a discipline which makes you stop and really look; this is an aspect I especially enjoy. You can become completely absorbed in the process of drawing, it is therapeutic, it is a form of escaping all other busy thoughts. During lockdown weeks, anytime I could find to draw was valued.

”Living in the Hampshire countryside she never tires of watching the seasons change and enjoys having an “endless list of plants, wildlife and breeds of animals to draw”. And her work can be enjoyed through everyday objects such as greeting cards, tea towels and coasters.

Catherine added: “I love constantly seeing new ideas around me on every country walk and during these lockdown months, there have been many!

“I take photos when out and about and use the images to build compositions. Capturing those magical countryside moments of a Robin chirping on a branch or a squirrel busy in the garden, greatly inspires my artwork style.”

While in-person events have not been possible – and much missed – you can discover Catherine’s work at thecatherinegallery.co.uk and shop on Etsy.com


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Presence, Cornerstone

Karen Neville

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Kate Aries

Four emerging Oxford based artists are showcasing their work in an exhibition at Didcot’s Cornerstone.

Presence is a group exhibition featuring the work of Kate Aries, Manon Franklin-Fraiture, James Lester and Jack Whitney.
Combining drawing, textile, illustration and digital artworks, the artists have created new works that question what is means to exist in the contemporary world, physically, sexually, virtually and digitally.

Visitors will be able to engage with works perceptually and/or physically, encouraging them to also contemplate these questions.
Kate Aries explores perception and illusion through experimentation with the camera, using different techniques to obscure and restrict her body. Kate’s practice focuses not only on embodied experience, but also the manipulated and processed image in our changing society.

James Lester
Jack Whitney
Manon Franklin-Fraiture

Manon Franklin-Fraiture’s quirky illustrations incorporate conversations and questions she overhears and brings them to life, shining a light on how human existence can be in our modern life.
James Lester is a portraiture artist whose work contemplates the shaping of humanity within a modern context. Throughout the duration of the exhibition James will be creating large-scale charcoal murals of an array of celebrity figures, offering visitors the chance to watch the artist in action.

Jack Whitney’s practice challenges normative notions of gender, sexuality and politics, for this exhibition Jack has used embroidery as a way of drawing humorous yet thought provoking images.

Exhibition

Presence runs from today, 6th, until 18th August and is free to attend.

Visit the Cornerstone site for more information about this or any of the other productions on.

Whiteknights Studio Trail

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Join the studio trail around Whiteknights and uncover some treasures

Thirty-eight artists, designers and makers in the Whiteknights area of Reading will once again open their doors for the Whiteknights Studio Trail.

Artists will invite people to come, view and buy their work, enjoy a pleasant stroll around the area and have cake and tea at various venues.

The trail which takes in 21 venues on Saturday, 15th and Sunday, 16th June, will also showcase Reading’s creative community by including events, activities and demonstrations. Visitors can see and buy artworks ranging from fine art paintings, ceramics and printmaking to jewellery, furniture and photography.

Join the walk around the area and wander into artists’ homes and studios. Discover the wealth of creativity in the area, such as the piece pictured from Carole Stephens, as well as buy artwork at affordable prices. You can browse and chat with the artist about their work while stopping for lunch and refreshments on the way.

This year the Whiteknights Studio Trail is trialling a new enterprise, Whiteknights Studio Trail Introduces encouraging young artists between the ages of 16 and 21 to develop their creativity – three have been chosen including Bulmershe School student Charlie who uses ink and acrylic for her self portraits.

Among other artists exhibiting their work are those working in mixed media, ceramics, photography, quilting, sculpture, glass and jewellery workers. Twelve of the venues will also feature demonstrations of tools and techniques used by the artists to make their work.

The studio trail is about more than just art with open houses and open gardens to be enjoyed too.

 For more details about the artists and their work and to see the map of venues involved, visit Studio Trail

Artists open studios

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Art lovers in Surrey are in for a real treat over the next few days when 297 artists open their studios as part of the largest Surrey Artists’ Open Studios to date.

Running until 16th June, it’s a chance to meet and talk to artists in their place of work, view demonstrations, buy artwork and get involved in creative workshops.

SAOS co-ordinator Caitlin Heffernan said it offers a unique opportunity to meet artists and makers in Surrey, “Many are offering the public the chance to get hands on and discover their own creativity through the many workshops and taster sessions.

“Whatever your interest, painting, printmaking, glass, ceramics, textiles, jewelry or sculpture, SAOS is a brilliant opportunity to discover the county through the vast network of creative people who live and work here.”

One of those exhibiting is Liphook artist Orlanda Broom who takes her inspiration from nature to create landscapes which represent fantastical and re-imagined places.

After graduating with an MA Fine Art, Barcelona in 1997, Orlanda has been exhibiting and selling her work for the past 15 years and having moved out of London to the Hampshire countryside she has been further inspired.

A recent piece took inspiration from somewhere very different – a 4x4m work for the Four Seasons in New York makes reference to the city and Orlanda decided to use water, reflections and bridge-like shapes to mirror the island of Manhattan. Entitled Manna Hata it is now a favourite selfie spot!

Working on such a large scale, Orlanda’s work benefits from the big open space she works in with a wealth of natural light which helps with the composition of her landscapes which are very full and alive with colour and must be seen in full to be completely appreciated.

Her work will be exhibited at her studio at The Workshop in Iron Hill, Hollycombe, Liphook, on 7th, 8th and 9th June from 11am-5pm and on 6th from 6pm-8.30pm.

For more information about Orlanda’s work visit her website and for more on the open studios event at venues across the county, visit Surrey Open Studios

Orlanda

“I take inspiration from nature. I love botanical art and if I can, I go to botanical gardens to take photos and sketch. I’ve been lucky to have travelled a bit to places like Belize and Tobago, so I have strong memories of those trips and lots of photos.”