Giles Luckett’s hurrah for Pinot Noir!

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Our resident wine columnist shares his picks in time for International Pinot Noir Day on 18th August.

Hello. I shall be celebrating International Pinot Noir Day in my usual way by opening a magnum of Romanee Conti 1985. I keep a couple on my yacht in Monaco in case I fancy an early morning pick me up with my dodo eggs on toast. Putting my #livingmybestlife Instagram fantasy to one side, this is a grape anniversary I will be observing as any excuse to drink Pinot Noir is fine by me.

Pinot Noir is the queen of grapes. Ask any producer who’s ever tried to make wine with it and they may refer to it as the drama queen of grapes. Few if any varieties are as fickle, prone to mutation, picky about their site selection or as downright infuriating as Pinot. Its thin skins have earned it the nickname of the ‘heartbreak grape’ as they break so easily, though when done well its beauty will steal your heart away.

Burgundy in eastern France is the home of Pinot Noir. This long, thin strip of land produces wines of truly astonishing splendour, complexity and ethereal charm that are like no other. Alas to afford wines like Romanee Conti or some of other rare Grand Cru you’ll need pockets deeper than the Mariana Trench. A bottle of Leroy’s Musigny 2015, for example, is currently on offer on WineSearcher for £175,000.

Happily, great Pinot Noir is available to us mere mortals, and to celebrate Pinot’s day in the sun, here are my top recommendations for affordable Pinot Noir.

Must-taste Pinot Noir wines

The Spacenine A23 Pinot Noir (Perfect Cellar £14.95) isn’t produced by the side of the Brighton Road as the name might suggest but in France’s Languedoc. Some will tell you that great value French Pinot Noir doesn’t exist. Twenty years ago I’d have agreed, but better site and clone selection combined with infinitely better winemaking have given us crackers like this. Mid-red, the bouquet offers red berries, cherries and a touch a raw beetroot. The medium-bodied palate is lively with lots of raspberries, strawberries, red cherries and a hit of minty spice to the finish. Try this with barbecued red meats or hot smoked salmon.

Next up, are three wines from New Zealand’s Marlborough region. Following Kiwi Sauvignon Blanc’s explosive entry on to the UK market in the late 1980s, winemakers started looking at other vines and, inevitably, decided to try their hand at Pinot Noir. The results can be exceptional. A cool climate, poor, free-draining soils and a long growing season, New Zealand has all that Pinot could want.

The King’s Wrath (Majestic £9.99) shows New Zealand’s Pinot delicate side. Mid-red, the nose is gentle, combining summer pudding with mint and cream. While no blockbuster, there’s a gentle intensity to the red and black berry fruit that makes it feel bigger than it is. The use of oak is well-judged and adds a creamy, smoky tone without overwhelming the fruit’s mellow beauty.

If you prefer your Pinot big, bold, and boisterous, then the Villa Maria Cellar Selection Pinot Noir (Waitrose £16.99) is for you. This mighty wine has an old-school feel to it. The nose is crammed with sweetly toned red and black berries, vanilla, loganberries and jam. The palate is equally well-endowed, offering masses of rounded berry fruits, damson conserve, sour cherries and spearmint-tinted minerals on the finish. Decant/leave open for a couple of hours and savour this joyful Pinot with bruschetta, mushroom dishes or lamb.

“Classy” is a word I associate with The Ned Pinot Noir (Ocado £16). It’s quite European in its refinement, but it retains New Zealand’s upfront fruit. The bouquet is fresh, clean, zesty and red berry-driven with an undertow of something darker, something herbal and smoky. On the palate, it continues to walk a fine line between reserved and ebullient. Strawberries and raspberries are offset by black cherries and stewed plums, tangy acidity by creamy oak and mushrooms. Lovely with all sorts of red meats and creamy white cheeses, it’s equally at home on its own with a light chill.

If the Ned can be summed up as classy, then the Moorooduc Estate Pinot Noir 2020 (Caviste £27) is revelatory. I visited this peerless Mornington Peninsula estate when the first wave of cool-climate Australian wines hit our shores. It’s an astonishingly beautiful area just south of Melbourne. Surrounded by cooling water on three sides the wines can be stunning; combining grace with power, precision with intricacy. The Moorooduc Estate Pinot Noir 2020 is the best Australian Pinot I’ve had this year by some margin. Ruby-garnet in colour, the nose blends red berries and cherries with a lift of flowers and darker notes of earth and undergrowth. Cherries dominate the fruit profile, though there are berries and fruits of the forest in the background. Toward the finish, a bright, cleansing acidity comes through alongside smoke, and a savoury, gamey. Still young, this will be age well over the coming 5-10 years.

Chile is noted for the excellence of its Pinots. If you want a truly memorable experience splash out on the Las Pizarras Pinot Noir (Berry Brothers, £60.50). From the same winery but for everyday drinking, I have two very different recommendations, the Errazuriz Wild Ferment Pinot Noir 2022 (Wholefoods £16.45) and the Errazuriz Aconcagua Costa Pinot Noir 2022 (Taurus Wines £19.50). I wouldn’t normally recommend close siblings in the same column, but the difference between these two was so striking I feel it’s worth doing.

The Wild Ferment – so called as it’s made using natural “wild” yeasts – has a deep tawny red hue from which emerge scents of overripe raspberries, black cherries, and roses with an undercurrent of undergrowth and wood smoke. The palate is bright, crisp and full of energy with lots of summer berries and brambles set off by spicy oak and coffee bean bitterness to the lingering finish. Pair this with creamy cheese flans, baked fish or roasted poultry.

The Aconcagua Costa is from the Pacific coast and the cooling effect has imparted a freshness and delicacy, but behind the red fruit sits green herbs and black cherries. This was love at first sip for me as a flood of raspberries, tangy cranberries, alpine strawberries and cream rushed forth. In their wake came red cherries, a hint of citrus, vanilla, and a dash of balsamic. Precise and clean, it’s also satisfying and brilliantly complex. Give this a couple of hours open and serve just below room temperature – too warm and it loses some of its edge – with rich dishes such as liver, filet steak, coq au vin, or game birds. This will age wonderfully too.

I can’t talk Pinot Noir and not mention a Burgundy. While it’s not easy to find affordable brilliance in Burgundy if you follow the golden rule – producer, producer, producer – it can be done. Take the Louis Latour Cotes de Beaune 2021 (Tesco £21). I was quite surprised to see this in Tesco as this “challenging vintage” (wine speak for the nightmare that keeps on giving) was tiny. The little wine that was produced was often lovely though. Freshness and fragrance are 2021’s signatures and these are evident here. Mid-red, there’s a distinct floral note attending the raspberry, cherry and blackberry bouquet. These appear on the supple, yet bright palate, which gives generous quantities of red fruits, cherries, spices, and a crisp, firm finish. Time is on its side, but if you’re drinking it now, pair it with tomato-based dishes, full-flavoured cheeses, duck or spring lamb.

Well, that’s it from me for now. Next time out I’ll be looking at some Argentinean wines and exploring it’s offerings beyond Malbec.

Cheers!
Giles

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Two Weeks In Nashville trio triumph 

Liz Nicholls

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Liz Nicholls

This Surrey band are earning fans and rave reviews thanks to their indie rock sound with a modern twist, and hard graft

Two Weeks In Nashville (TWIN) – who live together in Lingfield – have been making waves within the music industry for the past couple of years thanks to their indie rock sound with a modern twist, their love of live gigs and their aim to bring back fresh, raw energy, personality and big guitar riffs in a hark back to the 70s.

The three-piece band have already had multiple sell-out headline shows as well as supporting a series of major artists including The Hoosiers, Tom Grennan, Supergrass, Razorlight, the Boomtown Rats and more.

Their online videos have more than 8million views and their music has been steamed almost 3 million times.

TWIN won Glastonbury’s Pilton Stage competition in 2023 which led to them supporting Arlo Parks and The Streets at The Pilton Party in Glastonbury. They also reached the final of the Emerging Talent Competition 2024 and were Sir Michael Eavis’ choice and favourite act on the night. Also, in 2022 the band performed at the Silverstone Formula One Grand Prix.

The three band members (Billy LeRiff – Vocals and Guitar; Marc De Luca – Guitar; Ian Wilson – Drums) live together and have a busy summer of gigs ahead.

The band were founded in 2019 after a two-week trip to Nashville which helped them gain clarity on their sound… and their name.

Billy, Marc and Ian all bring their own unique style and personality to the band, with interests varying from tennis, bitcoin, skiing and cooking to Formula 1, handstands and service stations! The band are part of the Purple Heart Records and the lead singer Billy LeRiff also runs a recording studio in Lingfield which is used by other artists and producers, as well as podcast recordings.

You can catch them on tour this summer at Priory Live Festival in Orpington on 10th August, Tilford on 20th September and more dates including London. Make sure to catch the TWIN wave, and watch this space for more from them!

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You’re allowed to like clothes, lads

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If James Bond can have a freaky era, so can you, says Robbie James

Daniel Craig’s recent ad campaign for Loewe’s autumn/winter collection proves that if a 56-year-old, kettlebell loving, former 007 agent can embrace his masculinity with such nonchalance, then so can a man in finance, 6’5’’, blue eyes…

We’ve all had an era. My 2005 Ashes era encompassed a need for spiky hair and a perm to emulate Shane Warne and Kevin Pietersen. My McFly era followed, in which a compromise was met with my mum – I couldn’t get my ear pierced like Tom Fletcher, but I could have a magnetic stud from Claire’s Accessories (why doesn’t everyone just do that instead of having a hole punched through their flesh?).

In the last couple of years I’ve developed a fascination for clothes. An appreciation and curiosity for the way men dress is something that I find poking my brain most days. I find myself noticing what outfits I like and, (very slowly) begin to get to grips with why I like them.

Occasionally I’ll pluck up the courage to stop a fellow manly man in the street to tell them I love their pleated trousers and ask where they found them. Often I get a response incorporating the same level of confusion and blankness as when you’re trying to explain literally anything to a dog, but not always.

During the pandemic I couldn’t be arsed to attempt a self haircut and likely leave myself with one and a half ears, so I just decided to allow my short, back, and sides (SBS) to become a long, back, and sides (LBS). I found it fun, so I kept it, and it opened my eyes to experimenting with appearance. Once we were finally free I took myself to The Hambledon in Winchester (an excellent excellent excellent independent department store – no I’ve not been paid to say that). I declared to Rob who runs the menswear department ‘’I don’t know how to dress myself’’, and he took my metaphorical hand and helped me build a few staple outfits.

There’s something appealing about the experience of visiting a menswear store; the independent ones are often small and intimate. Other than hearing Craig Charles’ segue between Fontaines DC and Idles on Radio 6 Music (the coolest of all the radio stations), there’s a comforting peacefulness within them. The judgement that men are often confronted with when it comes to style and clothing doesn’t exist in these basements or units. Naturally, the business model of independent stores results in items from the upper price limits. You don’t need to buy your socks from these places, but pushing the boat out on something fun once in a while can be rewarding.

Like most things that you don’t understand, the thought of learning that thing can feel overwhelming. I still don’t understand fashion, but I have learnt (reassuringly) it can be made simple. You don’t have to ‘Lewis Hamilton it’ and be wearing a new colour, shape, and texture Monday to Sunday.  In fact, definitely don’t do that. You’ll need about 12 credit cards. Having clothes that actually fit make an ordinary outfit look just a bit more ‘’oh, they look good’’. I’m bored of seeing men wearing t-shirts that are too tight. Or actually, anything that is too tight. It’s like every inch of your skin has a need to be touched all day long (sounded better in my head).

We need to stop making fun of what other men are wearing if they turn up to the pub in anything that isn’t a white t-shirt and black jeans (both of which do have their place). It’s a cheap shot intended to make the perpetrator more comfortable.

I presented football coverage last season in a cream cardigan and, when I tell you I’ve never seen so many people telling someone they’ve stolen their Granny’s clothes…I’ve never seen so many people telling someone they’ve stolen their Granny’s clothes. Some of the most boring tweets I’ve ever received, and a reminder as to why so many men don’t feel like they can throw on a nice knit or some wide leg trousers.

Lots of men aren’t conditioned to allow themselves to feel sexy or take care with how they present, and complimenting each other is something that takes us a while to get to grips with. It’s easy to forget that looking after your appearance is part of looking after you. So now you’ve read this, throw on a face mask (but don’t leave it on for three times the length of time recommended on the pot resulting in what can only be described as a face made out of rock, no idea who’d do that), and find a local menswear store to plod around in.

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Jason Donovan in Rocky Horror Show

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The stage & Neighbours superstar chats about why he’s looking forward to strutting his stuff in fishnets & heels in Richard O’Brien’s Rocky Horror Show at Wycombe Swan 27th-31st August, Fareham Live 1st-5th October & more…

Jason Donovan is making a much-anticipated return to one of his most famous roles: playing Frank-N-Furter in Richard O’Brien’s anarchic musical, The Rocky Horror Show. So, the question Richard Barber wanted to ask him, first of all, was: why?!

“In a nutshell,” he says, “I’m a fan. I love the show; I love the music; I love the character. I was touring my own show about five years ago and included Sweet Transvestite from Rocky as a key moment in my musical career. It went down a storm.”

He subsequently emailed producer Howard Panter saying that he’d read there was to be a 50th anniversary production of Rocky Horror and he’d love to be involved. And so it came to pass: first in Sydney and Melbourne and now, from mid-August, via an extensive UK tour.

The Rocky Horror Show is a musical with music, lyrics and book by Richard O’Brien. A humorous tribute to various B movies associated with the science fiction and horror genres from the 1930s to the early 1960s, the musical tells the story o a newly engaged, clean-cut couple getting caught in a storm and coming to the home of a mad transvestite scientist, Dr Frank-N-Furter, unveiling his new creation, Rocky, a Frankenstein-style monster in the form of an artificially-made, fully-grown, physically perfect muscle man complete with blonde hair and a tan.

The show was produced and directed by Jim Sharman. The original London production premièred at the Royal Court Theatre (upstairs) on 19th June 1973. It later moved to several other locations in London and closed on 13th September 1980. The show ran for a total of 2,960 performances. On the 50th anniversary of the musical in 2023, it is said the production had been performed in 20 different languages and seen by 30 million people globally.

He’s the same performer but how does Jason feel about tackling the role over 25 years later? “To be honest, I can’t really remember much about 1998 but that’s another story. I don’t feel uncomfortable, though, playing him at 56 – and, of course, I have personal reasons for being grateful to the show.”

The stage manager on that late 1990s touring production was a young woman called Angela Malloch. “I’d be backstage waiting to go on,” recalls Jason, “and I’d get chatting to Ange.” The blossoming friendship turned into romance but the relationship hit the buffers.

Shortly afterwards, Angela found out she was pregnant. It was ultimatum time. “If the relationship had any chance of working, she told me, and if I was going to have any involvement in the life of our child, I would have to give up the self-indulgent hedonistic lifestyle of the ’90s and take greater control of my life. And I did.

It’s something that happened gradually rather than immediately. “You either seize your opportunities or you don’t.” But, in the end, he says, you’ve got to want to change. “Elton John said it and it’s true: nobody can do it for you.”

It was a major turning point in his life and the beginning of a relationship – the couple finally married in 2008 – that has stood him in good stead from that day to his. The couple have three children: Jemma is 24 and an actress (and Neighbours star); 23-year-old Zac is a TV producer in Australia and Molly, 13, is still at school.

In the meantime, their father has graduated from small-screen fame as Scott in the long-running Australian soap, Neighbours, to chart-topping pop stardom and now, among much-else, as a stalwart of musical and straight theatre in a diverse number of productions.

He played Joseph in the original production of Andrew Lloyd Webber and Tim Rice’s Joseph and his Amazing Technicolor Dreamcoat (returning as Pharaoh in the 2019 revival and subsequently on tour). He was in Chitty Chitty Bang Bang as eccentric inventor Caractacus Potts, has had two stabs at playing drag artist Mitzi in Priscilla, Queen of the Desert, he also played music mogul Sam Phillips in Million Dollar Quartet, the demon barber of Fleet Street himself in Sweeney Todd and Lionel Logue in The King’s Speech.

But it is Dr Frank-N-Furter who occupies a special place in his heart. “One of the reasons I love Rocky is because it’s a short show.” And nor is he joking. “It says everything it needs to say and nothing more. There’s no unnecessary padding. It means nobody gets bored and you leave them wanting more.”

Fine but, hand on heart, what’s it like climbing into those fishnet stockings and high heels seven times a week? “In many ways, very easy, I put on the costume and there’s Frank all over again. I’m in touch with my feminine side but I come from a masculine sensibility. The character embraces both sides of me: a strength and a vulnerability as well as danger and denial.

“Look, I come to the role as an actor. I always dreamed of fronting a rock band and this is about as close as I’ve got. When I put on those high heels, I become that rock ‘n’ roll star. It makes me feel powerful, tall, in charge.

“And audiences love it. As I look out from the stage, I see a beautiful landscape of people wearing outrageous costumes. It’s not hard to see why: in many ways, Rocky is panto for adults. The costumes are just as much a part of the show as the characters and the music.”

All right but what about the wear and tear on his back? He laughs. “I spend a lot more time in physio these days, something I’ve put in as an appendix in my contract! I’m in my mid-50s. I’m aware of having to look after myself.”

With regular exercise? “Yes, but not obsessively so. Mental health and physical fitness go hand-in-hand for me. This life is a long journey, you hope. My dad gave me the tool of a good work ethic linked to physical activity.

“I don’t go the gym: I’m not interested in lifting weights. But I swim. I ride my bike. I stretch. I steam. I do those things more or less on a daily basis. In fact, they’ve become a borderline addiction. And, of course, doing the show is a work-out in itself: I put a lot of energy into my performance.”

He’s also sensible about his eating regime. “Within reason but then I’m lucky. I seem to burn a lot of fat naturally. Trouble is, you get to my age and you’re in sniper’s alley: increasingly, you’re dodging a lot of bullets. There’s a bit of arthritis here, deteriorating eyesight there. If I take off my glasses, I can’t see whether the bottle contains shampoo or conditioner!” he laughs.

“Although my vocals were never my strongest point back in the day, since Joseph, I have worked really hard and through 30 years of strengthening my vocal cords – they’re a muscle like anything else – I’ve become a better singer. Rocky now plays to my strengths, less musical theatre, more edgy, a little bit rock ‘n’ roll. More me really!”

Touring at any age is demanding and Jason is about to embark on a fairly punishing schedule. He’ll be performing in Bromley and Wycombe in August, for two weeks in the West End at the Dominion from September 6th, then Fareham, Bath, York, Glasgow from October 28th, Cardiff, Blackpool, Sheffield, Southend, Edinburgh and Newcastle from next January 27th. Additional dates in 2025 include Bournemouth, Milton Keynes, Cheltenham, Swindon, Dartford, Birmingham, Darlington, Shrewsbury, Brighton, Oxford, Richmond and Stoke-On-Trent.

He makes light of it. “On tour, I wake up a little later; there are no domestic chores to tackle – no trimming the ivy or doing the washing. And I’m a seasoned professional when it comes to locating any M&S or Waitrose.  

“I do try and get home at weekends, though, and not agree to more than three or four weeks away at a stretch. But if I want to play Frank – and I do – I’ve got to travel. It comes with the territory.  

And after Rocky? “I’ve got my Doin’ Fine 25 tour – that’s 35 concerts across the UK and Ireland. It’s a greatest hits show, a celebration of 35 years of work.” 

For now, though, all his concentration is on bringing Frank-N-Furter back to life, both for his own satisfaction and that of his inexhaustible audience. “I’ve reached a point of great contentment,” says Jason. “As long as I have my family and my health, as long as I have a good life/work balance, I’m happy. I like to think I work to live, not the other way around.” 

For tickets and venues you can visit Rocky Horror Show

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Atul Kochhar’s Chicken Tikka Pie recipe

Liz Nicholls

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Atul Kochhar, star of our second Spotlight podcast, shares the recipe for the delicious pie he cooked up for Angela Walker

Watch the podcast episode -> https://bit.ly/3WwheIF

Chicken Tikka Masala Pie

For the first marinade:
• One garlic clove, peeled
• 1cm piece of fresh ginger, peeled
• One teaspoon chilli powder
• Juice of ½ lemon

For the second marinade:
• 250g Greek-style yoghurt
• One teaspoon each garam masala and ground coriander
• 50ml vegetable oil
• Half a teaspoon each ground cinnamon, chilli powder and dried fenugreek leaves
• Two teaspoons gram flour

For brushing:
• Small knob of butter
• Two teaspoons lime juice
• One teaspoon chaat masala or garam masala

For the pastry:
• 250g plain flour, plus extra for dusting
• One teaspoon sea salt
• 250g cold unsalted butter

For the masala:
• One small onion, peeled
• 10 garlic cloves, peeled
• Vegetable oil
• 6cm piece of fresh ginger, peeled
• Three level teaspoons each ground coriander, chilli powder, turmeric and garam masala
• Two large bunches of fresh coriander, leaves picked
• Three ripe tomatoes

Method:
1. For the first marinade, finely grate the garlic and ginger and place in a bowl. Add the chilli powder, lemon juice and chicken, then set aside to marinate for 30 minutes.
2. For the second marinade, add all of the ingredients to the chicken, mix together well, then leave to marinate for a further four to six hours.
3. Skewer the marinated chicken pieces and cook over a barbecue, or in a hot oven at 200ºC/400ºF/gas 6, for 15 minutes, or until cooked through. Brush with a mixture of butter, lime juice and chaat masala and set aside.
4. For the pastry, sieve the flour and salt into a bowl. Cube the butter, then rub in with your fingertips until the mixture resembles breadcrumbs. Add 105ml of cold water and gently mix into dough. Dust the dough with flour, wrap in cling film and leave to rest in the fridge for 30 minutes.
5. Preheat the oven to 160ºC/325ºF/ gas 3. For the masala, chop the onion and garlic, then add with a little vegetable oil to a pan over medium heat and sauté for five minutes until soft. Finely grate the ginger into the pan and cook for two minutes until golden.

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Disraeli delights at Hughenden Manor

Liz Nicholls

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Liz Nicholls

Myths & Mythmaking, the new exhibition at Hughenden Manor until autumn, explores how Victorian Prime Minister Benjamin Disraeli created his own living legend. Katy Dunn of the National trust tells us more

A new exhibition at Hughenden Manor has opened which explores how Victorian Prime Minister Benjamin Disraeli carefully curated his own image and used Hughenden as stage and backdrop for creating his own legend.

Benjamin Disraeli was described as ‘the most potent myth-maker in British history’ by his biographer, Lord Blake. New interpretation at Hughenden Manor explores how Disraeli carefully cultivated his public identity and used the Manor as the setting for shaping his personal narrative.

Despite humble beginnings, Disraeli boldly claimed grand Iberian and Venetian ancestry. He went on a Grand Tour to the Mediterranean and Ottoman Empire and styled himself as a Byronic figure when he returned. Then, as his political ambitions increased, he remodelled himself again to join the ‘squirearchy’. Owning land was essential to his rise within the Tory party.

Hughenden was more than just a home, it was a country seat to bolster his political image, allowing him to present himself as a member of the establishment and serious political thinker rather than an opportunistic dandy. When he was finally ennobled in 1876, he chose as his title, Earl of Beaconsfield, the name of a fictional character in his first novel, Vivian Grey, written 50 years earlier.

Rob Bandy, House and Collections Manager at Hughenden said: “Benjamin Disraeli was Queen Victoria’s favourite prime minister. He was probably one of the wittiest, most engaging, most human, most fascinating characters of the Victorian period. He curated his own public image and became his own creation. His political climb was stratospherically successful and when he became Earl of Beaconsfield, it was poignant for him as after half a century, it was a literary destiny fulfilled.”

As an author, politician and public figure, Disraeli was both comfortable and accomplished at storytelling. He was an avid reader, immersing himself in literature from ancient Nordic myth to the Classics. This is reflected in his library and writings, but also extends beyond the page to Hughenden’s manor, garden and parkland.

As visitors explore, the myths Disraeli wove into fabric of the estate are revealed. From the Aesops fables depicted on the library ceiling to the German Forest he created in the grounds, every manipulation was designed to contribute to his personal image. The exhibition also explores contemporary parallels in the way that we curate our own story on social media.

Myths and Mythmaking is now open at Hughenden 11am-4.30pm

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Towersey Festival Q&A with Billy Bragg

Liz Nicholls

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Liz Nicholls chats to singer songwriter and activist Billy Bragg who will star at the last ever Bucks highlight Towersey Festival – the 60th highlight – from 23rd to 26th August, and urges you to book your tickets

Q. Hi Billy, how are you?
“Not too bad thank you. I wish the weather was a bit better! As we’re into festival season and it’s a bit worrying. The likes of Glastonbury [where Billy helps curate the Leftfield stage] is always fine as they’re sort-of recession-proof but it’s the smaller festivals like Towersey which are hard hit. Near me where I live there’s the Tolpuddle Martrys festival in Dorset and it was cancelled because of torrential rain. The damage that does to the logistics of a small festival run by people who love music like Towersey is huge. I feel for the volunteers and audience too. I’ve been doing festivals for 40 years and it has to be climate change. The folk audience are generous, and the ones that have a tradition going, you’re coming together with people who maybe only see each other once a year. The nice thing about a folk festival is you can wander round, get a pasty and a beer and people are groovy about it. It’s not like some mad festival where people are charging around to the next mosh pit: the worst thing that can happen to you is you might get knocked over by some Morris dancers… but you generally hear them because they’ve got bells on. Let’s give Towersey a great send-off, shall we?!”

Q. What’s your first memory of music?
“We went to Blackpool for a holiday and stayed with a cousin of my dad’s, this has to be 1963/64 judging by the photos, as my brother was a baby. They had a record player which we didn’t have at home, and a record called The Northern Lights of Old Aberdeen, which I was obsessed with, and played over and over again! It’s a dreadful old song but it kind of connected with me in some deep emotional place, and from then on I was really into music and my parents recognised this. When I was 12 they bought me a reel-to-reel tape machine for Christmas so I could tape stuff off the radio.”

Q. You read a poem out at school didn’t you?
“Yes, I read a poem out in English language and got called out of class by the teacher: they asked my parents if I’d copied it out of a book! So I wrote to a local radio station and it was the first time I thought ‘this is something I could actually do’.”

Q. What’s your favourite lyric…
“And take me disappearing through the smoke rings of my mind, Down the foggy ruins of time, Far past the frozen leaves, The haunted frightened trees, Out to the windy beach, Far from the twisted reach of crazy sorrow, Yes, to dance beneath the diamond sky, With one hand waving free, Silhouetted by the sea, Circled by the circus sands, With all memory and fate, Driven deep beneath the waves, Let me forget about today until tomorrow... Yeah Mr Tambourine Man [by Bob Dylan] really brought me into the idea that poetry and songwriting was the same thing. That stayed with me for a long time.”

Q. You love Woody Guthrie too don’t you?
“Yeah, he was a massive influence on Bob Dylan. Until I was 14 or 15 you couldn’t really find Woody’s records… in Barking anyway. Eventually I picked up a cassette. It wasn’t until I went to America 40 years ago that I was finally able to really connect with Woody and hear his voice clearly, rather than second hand from people who covered his songs.”

Q. Do you have a big vinyl collection?
“I have loads of vinyl but no record player. It’s a terrible thing to admit but my son took the record player when he moved out which is fair enough. But if I get the urge to listen to a song I can usually find it online, on one of the streaming services. I’m never without music!”

Q. Do you and your son share any musical tastes?
“Yeah, he does turn me on to people like Jamie Webster. And he and I shared a lot of musical loves when he was younger. When we went to college in Yeovil and came back and said ‘Dad, tell me, why has nobody at college heard of The Skids?’ And I thought oh, damn, I wonder if I’ve given him a musical education that’s not quite age-specific for him, the poor lad! He’s a huge Ramones fan, and because he’s out on the circuit he sees a lot of brands and he does trip me up to some of that.”

Q. Who was your hero growing up?
“In those times it was music that had the ability to articulate the ideas that could bring about change. The people I was listening to were people like Marvin Gaye, the Clash, the Jam to some extent… That seemed to be a time when change was very much in the air. Are there bands like that now? I’m not sure but then again music is no longer the vanguard medium of youth culture. Back in the late 20th century music was the only medium available to us if we wanted to talk about the way the world was. It allowed us to talk to our parents’ generation as well, let the world know how you feel. Now, if you want to let the world know how you feel there are social media platforms, you can make a film with your phone. I don’t think people now immediately think of writing songs as the route to get their voice heard. I don’t think music has that dominant role any more. It still has a role to play but it doesn’t sum up the feelings of an entire generation the way it used to.”

Q. Do you have a favourite book?
“Yeah, I do: The Lion and the Unicorn by George Orwell. It was written during the second world war, and Orwell struggles to reconcile his left-wing beliefs and socialism with the patriotic necessity of winning the war. He has to come to terms with that and ask himself what he loves about England. The subtitle of the book is Socialism and the English Genius and I first read it in the 1980s and since then I’ve gone back to it many times. 1984 is another book that you can keep going back to. Every decade I have a run-in with it and realise it’s about something else. Is it really about spin rather than dictatorship? Is it about fake news? It is isn’t it!? The way that truth has become untethered from fact, which is what we’ve seen in the last few years, with the Johnson premiership and Trump in America. It resonated with me in a way it hadn’t before. A great novel can do that, it can change with the times.”

Q. If you had a magic wand what would you wish for?
“I’d like to see Arsenal relegated. I’d like to live long enough to see that, yeah! That would really cheer me up.”

Q. Haha! What would you do if you were education minister?
“Pay teachers more. They do a great job, teachers. For some reason I get a lot of them at my gigs. Young people, if they recognise me, which they seldom do, they say ‘oh my teacher says you’re great’. I much admire teachers. I think they have a much greater chance of changing the world than I will ever have as a musician. So investment in teachers is an investment in our future, in our young people. Teachers now are not only having to deal with education, they’re also having to deal with helping young people with their anxieties or mental health problems. They’re almost like glorified social workers. We need a much greater social care regime. The police the same, they spend so much time doing things that we as a society should undertake, looking after people who’ve fallen through the gaps of the system. The police should be able to be out chasing criminals instead of helping people who can no longer cope in our society. Those people have always been there but there are more now. I do a bit of work sometimes getting guitars into prisons. Prison is the last place that can’t say no. Hospitals can say no, schools can say no and expel you. Social care can say no. Prison can’t, that’s why they’re over-full. That’s not a society that’s healthy. It needs a lot of thought about how we do something about that to help.”

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Enjoy later life

Karen Neville

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Later life gives much to embrace and much to consider but it can also be a worrying time, help is at hand whatever your needs

With a variety of options available how do you choose the care which is right for you and yours? Broadly speaking there are three main options: domiciliary, live-in and residential.

Domiciliary care allows you to stay in your own home with visits from a carer. The intensity and frequency of domiciliary care visits will be determined by your needs, it maybe that short-term ‘dom care’ will suffice after a hospital stay for example, but it may be that more regular care is needed albeit for relatively low-level care needs. You may find that just an hour or two a day is sufficient to meet your needs which may include just daily care and essential tasks.

Dom care allows you to maintain easy contact with family and friends and grants a degree of independence where possible.

If your care needs are more acute but you would still like to stay in your own home then live-in care may be suitable. You’ll benefit from one-to-one care from a professional caregiver focussing on your needs and giving you and your loved ones peace of mind. This increasingly popular option is more financially viable than residential care. Some care assistants live in all the time whilst others work on a rota system.

There are a wide number of residential care homes providing comfortable living specifically for elderly care. Many are purpose-built to account for a wide range of circumstances with one of many people’s key deciding factors being the social aspect they offer with the chance to live alongside others on a day-to-day basis and enjoy a variety of activities.

Residential care is designed for those needing round the clock care and can also provide practical, emotional and personal support. Residents can keep their independence but also enjoy help with tasks such as bathing and house keeping.

Whatever your living circumstances in later life, staying in touch with friends and family are essential for your wellbeing. According to the Campaign to End Loneliness, half a million older people go at least five or six days a week without seeing or speaking to anyone. Technology can help connect people and provide access to essential services online.

Two devices are tailor made for seniors. GrandPad is an eight-inch tablet which has a touch sensitive screen and includes simple one-touch buttons to access video chats. Families can create a secure social network that only includes approved contacts who can communicate with the GrandPad and share photos and emails. They can also be customised to suit the user’s needs.

KOMP is a one-button computer designed by No Isolation specifically for video chats with loved ones. Looking like an old-style TV with a large screen it has just one button.

KOMP is a receiving device and loved ones will need to download an app to start a video conversation.

The Amazon Echo Show also allows video calls. The latest version includes an interactive screen that rotates with you as you move or interact with it.

There are many kinds of smart devices that can make a big difference to quality of life and help keep you connected with essential services and loved ones.

Smart heating controls can help ensure the home isn’t being heated when it needn’t be and will help save money. Most devices can be fitted to a boiler or heating system and linked to an app. Smart lighting and plug controls can also be activated automatically. Voice activated devices can also help control heating and lighting and can be set up with a ‘trigger word’. Most devices can also make voice phone calls with just a command, vital in an emergency or if not near a phone. Camera doorbells are also worth considering for added peace of mind, especially if you live alone.

How to spot and prevent scams

It’s a sad fact of life that as you age you are often more susceptible to cruel scams and ruthless fraudsters trying to trick you out of your money. It’s perfectly normal to feel worried about these scams but there is plenty of advice to help you spot and avoid scams.

On average, four people aged 50+ are scammed in England and Wales every minute. Age UK has embarked on the Scams Prevention and Support Programme with the aim of helping older people be more aware and to help avoid them.

There are various methods of being scammed to be aware of: Phone scams and cold calls, postal scams, doorstep scams, email scams, investment scams and pension scams.

In all cases, the old adage “if it sounds too good to be true, it probably is” should be paramount. Being scammed can be very distressing, and the impact is often emotional as well as financial. There is support available.

Call the police on 101 if it’s not an emergency or 999 if you feel threatened. If you notice any unusual activity on your bank account get in touch as soon as possible, you’ll find a contact number for your bank on the back of your card.

There are various other support services out there too – Action Fraud: Action Fraud or call on 0300 123 2040. Victim Support provides 24/7 free and confidential support to victims and witnesses of crime. Find out more at Victim Support or call 08 08 16 89 11.

Contact Citizens Advice for information and advice about how to avoid scams and fraud. Their consumer services also provide information and advice on consumer issues by telephone and online, Citizens Advice.

For more advice and support visit Scams advice – How to spot and avoid scams | Age UK or call the free advice line on 0800 678 1602.

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Giant inflatable Labyrinth challenge at Leonardslee!

Liz Nicholls

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As mentioned in Spotlight: A Diary for the South East

Are you looking for a bit of family fun with more bounce to the ounce?! Check out the Labyrinth Challenge at Leonardslee Lakes and Gardens at Horsham, 8th to 11th August

The Labyrinth Challenge, an exhilarating four-day festival of summer fun returns to Leonardslee Lakes and Gardens this summer.

This year’s event promises to be bigger and better than ever, featuring one of the UK’s largest inflatable obstacle courses, spanning 1,000 feet in length.

The Labyrinth Challenge is divided into five action-packed zones: Lava, Jungle, Toxic, Combat, and Ocean. Thrill-seekers of all ages can conquer more than 34 unique challenges and obstacles, including jump-offs, hurdles, biff n’ bash sections, slides, giant balls, corkscrews, and more. Participants dodge swinging blades, leapfrog over hurdles, and sprint to the finish line in this adrenaline-pumping adventure. 

“We are delighted to host The Labyrinth Challenge at Leonardslee once again and invite visitors to experience the thrills of the largest inflatable obstacle course in the UK,” says Adam Streeter, estate general manager.  

“It’s going to be a summer to remember, and we can’t wait to see families, friends, and adventure-seekers of all ages taking on this incredible challenge.” 

In addition to the main Labyrinth Challenge, which is suitable for those over 1.2m in height, there is also a Mini Labyrinth Challenge for younger children. This 200ft inflatable obstacle course brings storybook and video game adventures to life, creating a fantastical world of bouncy fun with four themed zones: Arctic, Jurassic, Egyptian, and Jungle. The event also offers quiet sessions on 8th August for those who prefer a more relaxed experience. 

Leonardslee offers an ideal setting for this exciting event, with its 240 acres of Grade I Listed woodland gardens. Visitors can explore the estate, where wallabies and deer roam free, visit the ‘magical world in miniature’ dolls’ house museum, and the play park. The newly opened play park is designed to blend recreational play with the natural beauty of the Grade I Listed woodland gardens. This 2,500 square metre park offers immersive installations for children of all ages.  

For more information and to book tickets, visit www.leonardsleegardens.co.uk/all-events/labyrinth-challenge-leonardslee-2024    

• The Labyrinth Challenge takes place from 8th to 11th August 2024 at Leonardslee Lake and Gardens, Horsham, West Sussex.

• Tickets for the main Labyrinth Challenge are priced at £22.50 per adult and £12.50 per child for non-members. Leonardslee Members receive a 50% discount of ticket prices.

• Tickets for the Mini Labyrinth Challenge are priced at £12.50 per child, which includes one free accompanying adult. Additional adult spectators can join for £7.25 each.

• All Labyrinth Challenge ticket holders receive all-day entry to Leonardslee Lakes and Gardens, allowing them to explore the estate’s beauty and attractions.  

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Ready to give padel a bash?

Liz Nicholls

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As featured in Spotlight: A Diary for the South East

Padel is a fun and exciting sport that’s rapidly gaining popularity around the world, with stars such as Antonio Banderas, Lionel Messi, Cristiano Ronaldo, Rafael Nadal and Serena Williams all fans. Want to join them?

Padel’s an innovative form of tennis that’s fun, easy to learn and extremely sociable. Played on an enclosed court about a third the size of a tennis court, groups of mixed ages and abilities can play together.

Padel is a sport for anyone and everyone – it’s easy to pick up and once you get started, you’ll find it difficult to stop!

There are more than 450 padel courts in Britain ready and waiting for you, with even more on the way. There are also padel clubs across the country that you can join as a member. You don’t have to have played tennis – or any other sport before – just grab a bat, a doubles partner, and away you go!

One of the newest kids on the block is PadelStars, Bracknell which is due to open very soon!

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