Hampshire Hobbits tale to theatre tour

Liz Nicholls

tour

Originating at The Watermill Theatre last year, director Paul Hart’s The Lord of the Rings – A Musical Tale promises to be the theatre smash of next year

The Lord of the Rings – A Musical Tale will embark on a new journey as this timeless tale unfolds in this critically acclaimed and breathtaking theatrical production, playing Theatre Royal Plymouth from 4-11 October 2025. This is an exclusive UK presentation of this award-winning production, following its seasons in Chicago, Auckland and Australia, with tickets on sale from Tuesday 22nd October at Theatre Royal Plymouth

Originating at The Watermill Theatre in 2023, and told from the Hobbits’ perspective, director Paul Hart’s production is a unique theatrical interpretation of J.R.R. Tolkien’s epic trilogy. Hart and the original creative team evolved the acclaimed production to play larger venues. The enhanced production played a highly successful season during the summer of 2024 at Chicago Shakespeare Theater, and will play upcoming seasons in Auckland, New Zealand and this November, then Sydney, Australia from January 2025, with additional Asia Pacific dates to follow.

With a UK cast, the show will return to British audiences at Theatre Royal Plymouth before embarking on a European tour presented by People Entertainment Group, with details to be announced soon. The Lord of the Rings – A Musical Tale is performed live by a 32-strong ensemble of actors and actor-musicians.

The production features a score by international composers A.R. Rahman (Slumdog Millionaire), Finnish folk band Värttinä, and Tony Award winner Christopher Nightingale (Matilda the Musical), with book and lyrics by Shaun McKenna (Maddie, La Cava) and Matthew Warchus (Groundhog Day).

As the Hobbits celebrate Bilbo Baggins’ eleventy-first birthday in the Shire, he gifts his nephew Frodo his most precious belonging – a gold ring. This fateful moment launches Frodo on a legendary and perilous quest across Middle-earth to the darkest realms of Mordor to vanquish evil with his loyal Fellowship.

As producer Kevin Wallace said, “Paul’s wonderful production, invites us all to become Hobbits in the company of Hobbits, celebrating Bilbo Baggins’ birthday as this incredible journey begins.”

The original 2023 production, which sold out its 12-week run at The Watermill Theatre, won a WhatsOnStage Award for ‘Best Regional Production’, and scooped eight Broadway World Awards, garnered 4- and 5-star reviews, with critics praising its innovative use of projections, puppetry, and live music. The production has been described as ‘exhilarating’ and ‘rewarding’ for both long-time fans of The Lord of the Rings and newcomers to the story. The following year, having evolved to include an ensemble of 30, The Lord of the Rings – A Musical Tale had its U.S. premiere at the Chicago Shakespeare Theater, where it was described as ‘a must see’ and ‘a visual marvel’.

The show will make its New Zealand premiere at The Civic Theatre in Auckland, running from 5 November to 1 December 2024, and will then, with an Australian cast, head to Australia for a limited season at the State Theatre in Sydney from January 7, 2025, with further dates to be announced soon.

Kevin Wallace continues, “This production began its journey at The Watermill, realised by an exceptional creative team led by Paul Hart and, in collaboration with our colleagues at Chicago Shakespeare Theater, they went on to thrill US audiences with the US Premiere at The Yard Theatre in Chicago. Together with Middle-earth Enterprises and GWB Entertainment, we are thrilled to bring it back to the UK, where it will play exclusively at Theatre Royal Plymouth before heading to Europe. It’s been an incredible experience seeing performers from each production make these roles their own, and we look forward to this new chapter, once again with a British company.”

Fredrica Drotos, Steward Brand & Licensing at Middle-earth Enterprises adds that “bringing this production to audiences across the globe has been a privilege and a delight, and now, A Musical Tale embarks on another adventure, touching home in the UK briefly before setting off again with an immensely talented cast and crew, poised to infuse each and every performance across the continent, with a palpable purity of spirit.” 

James Mackenzie-Blackman, CEO of Theatre Royal Plymouth said, “We are incredibly proud to be hosting The Lord of the Rings – A Musical Tale as the exclusive UK venue in 2025. This production has captured the hearts of audiences worldwide, and we are excited to bring it to Plymouth. It’s a truly unique theatrical experience, combining music, storytelling, and a multi-skilled ensemble of performers. We can’t wait to share this production with our audiences before it embarks on its European tour.” 

Director Paul Hart says, “To tell this most epic and beloved story onstage, we had to start small and think big. Very much like a Hobbit! What began as an intimate production at The Watermill has grown into something larger than we ever imagined, traveling across continents and captivating audiences with its music and storytelling. It’s been an exhilarating journey, and I am thrilled to bring the show back to the UK before we embark on the European tour. Each night, we create this world anew, and I hope audiences leave feeling a little more like the Hobbits we all have within us—hopeful, wide-eyed, and daring to do the impossible.” 

For more information on all worldwide productions, visit www.lotrmusical.com


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David Walliams’ Awful Auntie goes live! 

Round & About

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David Walliams invites us all to enjoy a new production of his fourth book at Woking’s New Victoria Theatre from July 4th to 6th and tells us about his collaborations with his fellow Little Britain co-creator & star Matt Lucas

Watch a sneak preview of Awful Auntie in our new podcast, Spotlight: A Diary For The South East, out on YouTube now.

Bestselling children’s author David Walliams and the award-winning Birmingham Stage Company have teamed up for a new production of the family adventure Awful Auntie. This is their latest collaboration in a series of shows which includes the Oliver Award-nominated Gangsta Granny and Billionaire Boy.

So how does David feel about Awful Auntie, his fourth book, being translated into a play by this talented lot? He says: “It’s a thrill. They’re the kings of doing family shows and so I’m really lucky I can trust them 100% with it. With this story you have to be very imaginative moving it from the book to stage because it’s a book on a big scale. You’ve got a ghost, you’ve got a killer owl, you’ve got a car chase. The show has to be spectacular, funny and thrilling, and it is.

“Neal [Foster] is a writer, director, actor, and he adapted the book, he’s directed it and he’s starring in it… a very humble man! I’ve realised what an amazing part Aunt Alberta is: a female part played by a man so one day I’d like to play Aunt Alberta, but I can’t commit to a production for practical reasons like being a dad and having to do others things. But I’d like to.”

Speaking of cross dressing, does David have anything in the pipeline with his Little Britain co-star Matt Lucas? “Me and Matt Lucas started our first show in Edinburgh in 1995, nearly 30 years ago. In fact, Matt recently sent me a picture of Jackson’s Lane Community Centre which was our very first gig and he said ‘wow 29 years ago’. That’s how long we’ve been in each other’s lives! We did a show in Edinburgh and we took it on a small show of art centres and little theatres. That was quite exciting and then we did a Little Britain tour which was on a much bigger scale.

“Me and Matt are working on a brand new show together with brand new characters. So that’s exciting because as much as I love writing on my own books, it’s very rare that it’s collaborators writing the same story together. I’m working on a cartoon series of Gangsta Granny and I’m writing a movie screenplay of Slime for Nickelodeon. We have a few other bits and pieces in development, a film of Fing from one of my books so there’s loads of activities that flow from the books that’s more than just writing the books. So, there’s lots to do, we’re working on a Gangsta Granny musical, all kinds of things. That’s one of the incredible things about writing books, the book is not the end! Can it be a play? Can it be a TV series? Can it be a movie? A Gangsta Granny theme park ride?!”

“Me and Matt are working on a brand new show together with brand new characters.”

“Normally when I’m writing I’m thinking about them as films. Something I learnt from reading Roald Dahl was that if you can make your villains equally funny and scary then you probably are on the right path. In Awful Auntie there’s a giant owl called Wagner who can fly after Stella the heroine and pick her up and fly off with her as if she is a bit of prey. It’s fun to come up with things that are pretty surreal and still scary but within safe boundaries.”

David says he’s inspired by his son who often comes up with ideas when they’re at park… “Sometimes he gives me great ideas – he gave me the title and the idea for Mega Monster, which came out a few years ago, but the problem is he does want 50% of the royalties!”

You can catch Awful Auntie, which is adapted and directed by Neal Foster, (assistant director/movement director Richard J Hinds, designer Jackie Trousdale, lighting by Jason Taylor, sound by Nick Sagar and the music by Jak Poore) on the following dates in the South East:

4th-6th July at New Victoria Theatre, Woking 

25th to 27th July at Everyman Theatre, Cheltenham 

19th to 22nd  September Waterside Theatre, Aylesbury 

31st October to 2nd November at Milton Keynes Theatre 

7th to 10th November at New Wimbledon Theatre 

Tickets are available from the theatre box office and via Birminghamstage.com 

Paloma Faith April music star Q&A

Liz Nicholls

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Musician Paloma Faith tells us about her new break-up album The Glorification of Sadness ahead of her UK tour which starts this month

Q. Hello Paloma; congratulations on your album, your best yet! Are you happy with it?

“Thank you. Well, yes but it’s difficult! I’m the sort of person who takes any sort of success with a pinch of salt… When people say ‘oh it’s really great’ you never know whether that’s going to translate into popularity or streaming figures.”

Q. Do you have imposter syndrome?

“Yeah and I think it’s part of what drives me. We live in a real era of isolation; it’s all internet or social media-led and quite confusing. I’m not quite sure what’s real and what isn’t. I look at my following of 800,000 and then I look at peers of mine, who have 2 milllion and they don’t sell as many records. So I tend to be a bit blinkered and just go: ‘oh I’m gonna give the best show that I can’.”

Q. Do you think women have to play a role to win popularity?

“It’s funny, I didn’t announce my break-up but when the press reported it all the comments underneath were either ‘she’s a bloody handful’ or ‘I’m sorry he cheated on you’. It’s so weird that people think in those two narrow-minded terms and neither one is correct. As a woman either you’re a victim, and if you’ve got kids with them you’re expected to stay and suffer, or you’re perceived as this nightmare femme fatale character. I don’t think I’m either! So it’s wrong on both counts. There’s the expression of sadness [on this album] and remorse and vulnerability but also there’s a lot of empowerment, standing up for myself and saying this isn’t for me. In this way society needs to catch up. Quite often I listen to songs by women and they’re celebrated when they express vulnerability or victimhood but not so much when they express their strength.”

Q. You were moved by something Madonna said…

“Yes, Madonna says the most controversial thing she did was to stick around & I relate! A woman’s longevity is always under attack more than a man’s. I’m lucky; I’ve always looked quite young for my age, partly because I don’t do the injectables that, I think, make people look old. I hope to stick around!”

Q. Who would be your dream collaborators, alive or dead?

“I think I’d like to stick with the people who are still alive, please! I would love to work with SZA and Miley Cyrus.”

“Performing is my favourite thing to do and the only time I’m not anxious”

Q. How do you take care of your mental health?

“I do exercise and I go to therapy. I’ve done EMDR [eye movement desensitisation and reprocessing] and think it’s really good. One thing I’m learning more recently in my life is that avoidance or distraction mean your issues just come back to bite you in the bum. You can choose to address & face your issues and own up to who you are or else you’re just prolonging the agony.”

Q. Do you like being on tour and will you take your children on this one?

“I’ll take my youngest but the oldest is in school so she can only come for the dates in the Easter holidays; she’s gutted about it and has real FOMO! I love touring. I get a bit nervous beforehand but performing is my favourite thing to do and the only time I’m not anxious.”

Q. Are you looking for love?

“I tried dating for a bit and it just feels difficult to navigate when you’ve got children. The last time I was single I didn’t have any kids and I wouldn’t ever put anyone before my children. And I just don’t have the tolerance I used to have. When we as women are looking to pursue relationships and we don’t have kids, we compromise a lot. People keep talking to me now about compromise but I think ‘oh f***  off with your platitudes, I don’t have to compromise, I’d rather be on my own’. Maybe I am a nightmare woman after all, haha! You know better than you did when you were younger that you can do it without anyone.”

Paloma Faith is on tour including the Hexagon in Reading on 3rd April and New Theatre Oxford on 14th May as well as starring at Southampton Summer Sessions on 28th June. Visit palomafaith.com

Star Q&A: Tony Blackburn

Liz Nicholls

tour

Radio DJ legend, dad & grandad Tony Blackburn chats to Liz Nicholls ahead of his Sounds Of The 60s live tour at a theatre near you

Q. Hello Tony! How are you? You’ve just had a big birthday, I believe?

“Hello! Yes, I’m great thank you. I just had my 80th last Sunday, at Cliveden. As you might know, it’s where the Profumo Affair happened… not that you’d remember that! I stayed there with family on my 70th too – it was great fun. It was a family get-together and was meant to be a surprise then my wife accidentally told me where we were staying and let it out the bag.

Then the person who booked us in let my daughter’s name slip so I knew she was coming, plus my son and grandchildren. Over the last two weeks we’ve done six theatre shows which I love. As long as you enjoy what you’re doing, that’s the main thing.”

Q. What’s your first memory of music?

“When I was a youngster, four or five, loving music and listening to people like Frankie Laine. I had a deep love of soul music right from the word go because my dad, who was a doctor down in Poole, he loved Jackie Wilson and we used to play him over & over again. I’ve always loved black soul music particularly. I just loved Motown, people like Marvin Gaye and Sam Cook, all the original people, I just loved them, and I’ve been lucky enough to get to know them over the years as well.”

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Star Q&A: Kate Mosse

Liz Nicholls

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Best-selling author Kate Mosse OBE shares her thoughts ahead of her Warrior Queens & Quiet Revolutionaries tour at a theatre near you

Q. Hello Kate! How are you?

“Very well, thank you for asking! I’ve just become a grandmother, so loving everything about that.”

Q. It’s wonderful that you’re shining a light on previously overlooked trailblazing women. Can you tell us a little about any of your favourites?

“There are so many amazing women – from every corner of the world, in every period of history – but I love the extraordinary footballer, Lily Parr, who scored more than 1,000 goals in her professional career in the early 1900s, and also the legendary 18th century pirates, Anne Bonny and Mary Reid, who were fierce and uncompromising – my next novel, The Ghost Ship, is partly inspired by their story.”

Q. What was your favourite book as a child?

“So many, but certainly The Golden Hamster, a beautiful story for young children about being true to who you are (a hamster, not a rat or a cat or a mouse). My beloved, and much missed Dad, used to read it to me at bedtime, and I still have that 1960s edition. I also loved The Little House on the Prairie books by Laura Ingalls Wilder for their sense of freedom, the amazing descriptions of the American mid-west in the 1880s and 1890s, and the feisty, principled heroine of the books herself.”

Q. And how about now – who is your favourite author?

“I try to avoid ever answering this question – too many of my friends are writers – but, going back in time, certainly Emily Bronte, Adrienne Rich, Rider Haggard and Agatha Christie would be at the top of the list.”

“It’s quite a challenge starting a new career as a performer at the age of 61!”

Q. Do you enjoy touring?

“I’m excited and nervous – what if nobody comes or my voice gives out – and it’s quite a challenge starting a new career as a performer at the age of 61! On the other hand, you have to keep having new challenges and pushing yourself. I’m not ready to hang up my boots and sitting dozing by the fire quite yet. I’m really looking forward to meeting audiences and hearing all the amazing women from history they would like to celebrate. The tour is about starting a conversation, having a great night out in the theatre, and putting some incredible women back in to the history books.”

Q. How well do you know the parts of the South East where you’re on tour?

“Very well. I grew up, and live now, in Chichester, so one of our days out was always to Guildford. My aunt and uncle lived in Woking, and my son-in-law comes from a beautiful village in the Surrey Hills. So, it’s home from home. Also, the Guildford Book Festival is one of my favourite festivals. I was lucky enough to go to university in Oxford, so I had three years of getting to know not only the city itself, but also the amazing countryside around about. The joy of being on tour is not only meeting audiences from all over the country, but also getting to know new parts of our beautiful country. Every day before the evening show, I’ll be out exploring.”

Q. What is your first memory of music?

“My fabulous Ma had an LP of Nancy Sinatra’s Swinging Safari, and I adored it and dancing along with her. In those days, you had to drop the stylus on to the record, listen, and then start again…”

Q. Who would be your dream dinner party guests?

“So many of the women I’ll be celebrating in my show – so, as well as those I’ve already talked about, the great British composer Ethel Smyth; the extraordinary 13th century Mongolian wrester princess, Khutulan – who was the inspiration for Puccini’s opera Turandot; Pauli Murray, one of the ‘freedom riders’ along with Rosa Parks who changed the racist ‘Jim Crow’ laws in America in the 1940s and 1950s; Josephine Cochrane who, in 1893, invented the dishwasher (yes, really!) Eunice Newton Foote, who discovered global warming but saw her discovery attributed to the men who came after her; and perhaps Beatrix Potter, to talk about her amazing work in conservation as much as her writing for children.  Oh, and of course, my own great-grandmother, Lily Watson, who is at the heart of the Warrior Queens tour, who I would have loved to have known.” 

Q. How much do you love life in West Sussex and why?

“I’m a Chi (Chichester) girl, born and bred, and it’s where all my family live.  So, my whole life – apart from a few years away at university, then working in London – has been spent in and around Chichester and Fishbourne.  There is something for everyone – amazing woods and beaches, incredible art galleries and an internationally-renowned theatre, the canal and Roman Palace, history and folklore, music and community. I can’t imagine living anywhere else.” 

Q. Can you tell us a bit about your first impressions of Carcassonne and how you fell in love with it, changing the course of your life?

“We first bought a tiny house in the shadow of the medieval city walls of Carcassonne back in 1989 and, from the moment I first saw the extraordinary ‘crown of stone’ sitting on the hill above the river Aude, 52 towers and turrets, two rings of defensive walls, everything stepped in history, I fell in love.   I didn’t intend to write about Carcassonne but, little by little as I read history about Languedoc and learnt about the people who had lived there in the 13th century, the ‘whispering in the landscape started’ … that’s to say, I started to hear the voices of characters and the outline of a story.  Those whisperings became my novel, Labyrinth, and since then, almost all of my fiction has been a kind of love letter to this beautiful corner of southwest France.”

Q. What advice would you have for any woman out there who has always dreamt of writing a book? “Do it! A little writing every day, just so you start to get your muscles used to the process, that’s how a novel or biography takes shape. Don’t worry about how good it is, or quite where it’s going, just get some words down. Soon you’ll have a sentence, then a paragraph then, before you know it, a chapter. Once you have a rough draft, then you have something you can start to edit into the novel you’ve always wanted to write.” 

Q. If you could make one wish for the world, what would it be? “That we all share the same planet. So, more kindness, more remembering how to listen and respect one another’s point of view – even if it’s not the same as our own – more attention to saving the planet, and a return to public service not self-interest built on values of decency, honesty and equality.  I’m still an idealist and believe that we can all work together, we can leave the world in a better state than we found it.  And most of the women I’m celebrating in Warrior Queens did precisely that.” 

Chawton House virtual gardens

Round & About

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Celebrate gardens of all shapes and sizes with two days of talks, Q&As, interviews and readings… all online, and all for free

‘Get out’ and enjoy Chawton House’s virtual garden festival this weekend on May 30th and 31st at this garden event like no other.

The 400-year-old manor house was owned by Jane Austen’s brother Edward who gave his mother and sisters the nearby bailiff’s cottage, which became Jane Austen’s House Museum.

The event will bring you an exciting programme inspired by the Chawton House gardens and collections. Gardening talks and tips, botanical workshops, discussions with heritage gardeners, and a chance to take part in a virtual ‘best in show’ competition on Instagram will all feature.

Find out more about what it takes to manage a country house garden, the inspirations behind them and the team managing the gardens at Chawton House.

Learn about the extraordinary botanical women such as Elizabeth Blackwell who was also the inspiration behind their herb garden.

Take a virtual walk on Chawton House’s Jane Austen Garden Trail and find out more about Jane Austen and her love for gardens. There will also be plenty of opportunities to ask any questions that you might have as the Chawton House team share tips throughout the weekend to use in your own gardens.

Just register for your free weekend ticket and Chawton House will send you the full programme and line up. All content is free excluding their online creative writing workshops. There is a cost of £5 per session with festival sign ups given priority booking.

To find out more