The TV star & dad chats to Bruce Dessau ahead of his tour which next year visits Guildford, high Wycombe, Reading & more
You may well know Josh Widdicombe from Channel 4’s award-winning show The Last Leg, his podcast Parenting Hell with Rob Beckett, or his many appearances on panel shows.
In his brand new show, entitled Not My Cup of Tea, he takes stock of the little things that niggle him, from motorway hotels to children’s parties.
Q. How is the preparation for the tour going? “It’s going way better than I thought. To the point where I could probably get away with doing it in the spring but I didn’t want to put any pressure on myself. I want to enjoy it because in the past I was so busy with Mock the Week and Live at the Apollo and stuff I was chasing my tail and desperately trying to have enough material for each tour. This time I’m able to enjoy the process of creating the stand-up.
Q. What is it like returning to tiny clubs to road test material after doing arena Parenting Hell gigs in 2023? “I’ve been doing 20 minute sets and it’s almost divorced from the fact that I’m going on tour, which I think is the best way to write a tour, like you’re just doing it for the sake of it, in the same way I suppose it must be nicest for a musician to just write songs for the sake of writing songs. I’m doing stand-up for the sake of doing stand-up at the moment. I love the experience of coming up with ideas and just being able to go and do them.”
Q. You’ve called your new show Not My Cup Of Tea… “Yes, because I like the phrase. And since I gave up alcohol in 2023 I drink a lot of tea. As you get older you realise who you are a bit more and I’ve realised that the things I love are like parochially British things like Martin Parr’s photography or Blur or Alan Bennett.
Q. Is there a theme? “If there is a theme it’s probably about accepting that I prefer being at home and not having to deal with any other human beings. Which is a weird way to approach a tour show where you have to travel around the country talking to thousands of people!”
Q. You are more of an introvert comedian than a show-off comedian then? “When I stopped drinking I realised how much the reason I drank was really for social situations because I didn’t feel comfortable in them. I grew up in Devon, I was an only child in a small school and watched TV for hours a day so I was quite introverted. Here’s a good example, I’m currently doing The Last Leg every day in Paris and everyone’s like ‘do you want to meet up in the morning?’ and I’m like ‘no, I’m spending 10 hours a day working with you, I want the morning to myself so I can read a book in bed.’ And there’s something about observational comedy, it’s about watching from the outside, so I wonder whether that is part of why I do comedy.”
Q. Are there any other new routines you think will make the finished show? “There is a bit about children’s parties and party bags so as you can see I’m dealing with the big issues! I take a huge pride in the banality of the topics I talk about. I think that’s my favourite type of stand-up – really niche observations about silly little things that you wouldn’t think about. I’ve got no interest in the big topics.”
Q. Has Parenting Hell’s massive success changed your stand-up style? “I think the podcast has had a huge impact on how I understand myself as a comedian. I spent years terrified of letting the audience know who I was and then we did Parenting Hell and I suddenly saw that the more I showed myself the funnier I am. So I think it will almost certainly be the case that I’ve changed, but I wouldn’t ever do it consciously. I saw Ed Gamble at the Hackney Empire recently and – I’d hate him to know this – I found it incredibly inspiring because he was funny every 20 seconds for an hour and 10 minutes and that is everything I want to be. Just be as funny as possible.”
Q. Have you missed stand-up? “It took a while for me to think I wanted to do stand-up again after the pandemic. I think I got really used to being at home. I hadn’t had evenings off for 12 years and for the first time I got my evenings back and I was like ‘oh this is what it’s like and it’s really nice.’ But now I’m really loving it again.”
Q. Do you ever worry about how long success will last? “It’s the curse of the freelance. You can go up and down in terms of venue size, I don’t know where I am on that graph. I’d rather work really hard and take the opportunities while they’re here now. One day they might not be here. People ask ‘why did you do that show?’ and you’re like ‘because it’s fun, because I love it and I get paid really well to do what I love so why wouldn’t I do it?’ I can’t believe that I got paid to go to the Paralympics. This is my hobby that got out of hand!”
HEY GIRL…HEY BOY… Superstar DJS…HERE WE GO! Jo Whiley is here with the ultimate 90s party… at Oxford’s o2 Academy on 3rd October and G Live in Guildford on 18th November
Get ready to be transported back to the decade that defined a generation – as the legendary Jo Whiley brings her electrifying new show Jo Whiley’s 90s Anthems to your doorstep.
The undisputed queen of this decade of British music will be rummaging through her record bag, dusting off her vinyl and bringing you the biggest hits and hidden gems that shaped the soundtrack of the 90s.
From the rise and huge success of Blur and Oasis to the block rocking beats of The Chemical Brothers and The Prodigy, with Jo behind the decks, this isn’t just a soulless 90’s playlist – it’s a journey through music history. Jo lived every moment, curated every track, and shared the studio and stage with the greatest acts of the decade.
Jo says: “I can’t wait to get back on the road in 2025 and bring the best of the 90s to audiences across the UK. There’s nothing like the energy of a 90s Anthems crowd, and I am looking forward to relive those moments with everyone – from Britpop to Rock to dance, it’s going to be an epic trip down memory lane.”
It really WAS better in the 90s… let Jo Whiley show you with this sensational new show. Prepare for a night of Britpop nostalgia, high-energy beats, the ultimate celebration of the era and let Jo remind you of what you’ve forgotten with this sizzling anthem-packed party to end them all.
Jo is still at the cutting edge of new music and will always be the ultimate authority on the very best of classical sounds of the 90s, Jo is an institution in her own right and a national treasure.
Whether you were rocking out to Britpop, raving to club classics, or living the indie dream, Jo’s got you covered – Jo loved it all and she’s ready to remind you why 90s really were the best time to be alive.
We chat to comedian Ray Bradshaw who brings his new show Doppelginger to Maidenhead, Swindon, Aylesbury, Guildford, Dorking, Reading, London & more from 1st March.
Ray Bradbury is forever being told “you look just like my mate…” wherever he goes. It’s been happening for years, and he’s worried about it. Either someone is cloning generic bald men or, there’s a ginger bearded bald man out there who’s doing a bad job of stalking Ray.
In his new show, Ray is going to use the latest in genetic research (the internet) to try and put an end to this once and for all. He’s on a quest to find the person who looks most like him.
“My new show Doppelginger is about a bald ginger man (me) trying to find other bald ginger men who look really like him. Purely for comedy purposes, not some weird Tinder fetish game gone horribly wrong. Although there are probably some people that would be into that and if that’s you then please buy a ticket for the show because any ticket sale counts as far as I’m concerned.
“The whole show is going to be about finding people that look like me and the weird things that arise from it. Hopefully there will be some bald ginger people in the audience who don’t even know what the show is about and have just been brought there by an evil partner. The whole show will just turn into an episode of Surprise Surprise for them where I play Cilla Black (with a wig, obviously). Please submit your photo to doppelginger.net”
Ray’s whole show will be sign language interpreted. “My mum and dad are deaf and I grew up learning sign language,” says Ray. “So that’s a big part of every show I do as I want as big a deaf audience as possible.
“I love having deaf audiences in my show and have them heckle me in sign language only for me to tell the audience what they signed to me and then have the deaf person deny it so I look like I’m picking on them. You’d be surprised how often that happens.
“When I’m not gigging, I’m usually getting made fun of by my son. He thinks the fact I’m bald is so funny and constantly asks me where I’ve left my hair. The other day we were in soft play and he made me feel the oldest I’ve ever felt. We were playing hide and seek and after shouting ‘ready or not!’ he found me in about eight seconds. I asked him how he had found me so quickly and he just replied, ‘when you crouched down I heard your knees crack’. I felt about 100 years old.”
If Ray had to choose a line-up of comedians to go on tour with him or for a special one-night-only all-star comedy show, alive or dead who would he pick? “I’d go for me, Billy Connolly, Bernie Mac and Victoria Wood. It would be an amazing show and I’m the least rich of them all so I wouldn’t have to put my hand in my pocket at the post show drinks. Win win.”
To book your tickets please visit Norden Farm or call 01628 788997.
Academic, TV presenter and author Alice Roberts tells us about her Crypt theatre show, based on her latest book, which visits Guildford’s G Live and Wycombe Swan this month…
Q: Hello Alice. You’re taking your new show, Crypt on the road. What is it about?
“The show is all about my new book, Crypt, illustrated with lots of great images and packed full of intriguing stories and surprising revelations. I’d like to say it’s an all-singing, all-dancing romp through the worst injuries and diseases of the Middle Ages, but – my audiences will be thankful – there’s no singing and dancing in it. But I can promise plenty of plague, syphilis and leprosy, gruesome murders, archery and sword fights. Crypt is the final instalment in a trilogy that started with my books Ancestors and Buried. It pulls together some of the threads from the first two books but also moves us on in time. Ancestors focused on prehistory, while Buried was about the first millennium: Romans, Anglo Saxons and Vikings. With Crypt, I move into the Middle Ages, but once again I’m looking at how archaeology is being radically transformed by new science, from chemical techniques which allow us to analyse tooth composition and work out where out where somebody grew up, to ancient DNA – where we’ve now entered the era of “archaeogenomics”.
Q: Can you tell me more about why ancient DNA is so exciting?
“Yes – we’re now sequencing entire genomes – in other words the entire set of genetic information contained in an organism. And that’s providing us with all sorts of revelations when it comes to human history – allowing us to trace family relationships between individuals in cemeteries and communal tombs, and to track migration in the past. But the focus in Crypt is on diseases and what this genetic investigation can tell us about them. It’s completely transforming our understanding of how diseases have affected human societies in the past because we’re suddenly able to make definitive diagnoses using DNA – and see how diseases have changed genetically over time, too. During COVID, we used similar techniques – PCR and sequencing – to test for the disease and to track the emergence of new mutations and strains of the virus, and we can do the same with ancient pathogens.”
Q: Does it have any relevance to today?
“Yes, absolutely. It means we can understand the impact of disease on past populations much better – and that’s very useful information for archaeologists and historians, but it also means we understand more about how diseases actually work.”
Q: Do you draw comparisons between disease in the Middle Ages and COVID?
“Not explicitly, but it’s interesting to look at how epidemics and pandemics emerged and spread in the past – and how society responded. You might think that, 500 years on, we’d be dealing with infectious disease very differently – but actually, up until the point we had vaccines, the only protection we had available was similar to what people had in the Middle Ages – quarantining, keeping away from people, wearing a mask.”
Q: Do you look at how diseases were treated in the past?
“Yes – I’m interested not only in how we can use new science to look at old diseases but also the experience of those individuals with diseases – how they were treated by society and the management options available to them. If you had leprosy, for example, there was certainly no curative treatment available but there were hospitals – more like the hospices of today – where you could be cared for.”
Q: What is the genome research you cover in the book and talk about in the show?
“I focus on the exciting 1000 Ancient Genomes Project at the Francis Crick Institute in London, led by Pontus Skoglund – and already generating some incredible results. It’s the most ambitious ancient DNA project in Britain to date. But there’s lots of other genetic research mentioned in the book, too.”
Q: Can you give us an example?
“One really fascinating case is the Justinianic Plague of the sixth century CE. Through DNA research, we now know that the three big pandemics of history – the 19th-century Hong Kong Plague, the 14th-century Black Death and the Justinianic Plague – were all caused by the same pathogen, Yersinia pestis. It’s a great example of how DNA can lead us to a precise diagnosis of diseases in the past – and a sobering lesson about how diseases can lie dormant for centuries, then re-erupt into a pandemic. If we can understand why that happens – that will help us combat disease today.”
“I love campervanning – heading off on adventures, and not necessarily knowing where I’ll end up.”
Q: Do the audience need to be science boffins to follow the things you mention?
“Definitely not. I’m interested in sharing science in a way that’s detailed and interesting but accessible to everyone. That’s not about dumbing down – but just about explaining technical terms and not using impenetrable jargon! I want to open up this amazing science and history – to tell these brilliant stories and reveal secrets – without talking down to people.”
Q: What else happens in the show?
“I can promise a very entertaining evening, which may sound weird to say when it’s about death and disease. There’s a lot of new science, and it really is this collision of science and history that for me is very exciting. There’s also a Q&A with the audience and a book signing afterwards.”
Q: Has an audience member ever asked a question in a Q&A that stumped you?
“Yes, of course! There have been times when I’ve genuinely never thought of a particular question and it’s really exciting to be challenged. I find that with my university teaching too – I love being asked interesting questions. If I can’t answer a question, it means I either have to go away and find out – or if the answer doesn’t exist that could be a whole new avenue for research. And some questions can be more philosophical or ethical – and those questions invite everyone in the audience to form an opinion.”
Q: You’re a qualified doctor, who once treated living patients. Do you think of the skeletons you work on as dead patients, as it were?
“Yes I do. When I’m looking at a skeleton I’m not just looking at a bunch of old bones, I’m very much looking at a person. I’m looking for the traces of that life, written into the bones. It’s a kind of biography.”
Q: You’ve packed a lot into your career – doctor, academic, author, television presenter, artist and now children’s author. Do you have a favourite?
“I enjoy all the strands of my career, and feel very lucky to be exploring ideas I find fascinating in my writing and broadcasting – and sharing those ideas with an enthusiastic audience. The different aspects of my work might seem quite separate, but they all flow together. I started writing because of television, and I started doing television because of my academic work, by writing bone reports on Channel 4’s Time Team, back in the day. I really enjoy the teamwork and camaraderie when I’m making documentaries, but I also enjoy the monastic solitude of writing, and I also love teaching medical students. It sounds like a lot of different things, but they all inform each other and are quite synergistic. I also really enjoy ranging across different disciplines – bringing together ideas from biology and history, genetics and archaeology.”
Q: Will people get to see your art in the show?
“I’ve drawn chapter headings for the new book, so I’ll certainly be sharing those images. I’ve always enjoyed art, but have been making more time to develop new techniques and use new media in recent years, and I’ve recently been made an honorary academician of the Royal West of England Academy. I offer some of my artwork as giclee prints which people can buy via my website.”
Q: What projects are you working on at the moment?
“I’m writing the sequel to my children’s novel Wolf Road, and I’m currently working on a series for History Channel called Royal Autopsy, where we explore the medical histories and causes of death of various monarchs. We’ve already autopsied Elizabeth I and Charles II, and in the new series we’ll delve into the insides of Henry IV, Mary Tudor, Queen Anne and George IV. We interrogate what was written about their deaths at the time, but also approach them with modern eyes. There’s also a new series of Digging for Britain – series eleven – and it will be available on iplayer, of course – where viewers can also catch up with my earlier landmark series such as Ice Age Giants and the Incredible Human Journey. I’ve also got an exciting programme on the Herculaneum scrolls coming soon on Channel 5. And I’m very much hoping to embark on a science podcast soon with my good friend, the geneticist and broadcaster Adam Rutherhood. So I’m keeping myself busy!”
Q: You’re famously part of the campervan community– how did that start?
“It’s all down to the wonderful, late Professor Mick Aston, of the University of Bristol and Time Team fame, who used to have a campervan which he used to drive to filming locations. I bought it from him – it was a very special Type 25 Syncro – and I sprayed it a lurid green! I’m now the proud owner of a slightly younger VW T5 California. I love campervanning – heading off on adventures, and not necessarily knowing where I’ll end up!”
Q: Do you use your camper van when you’re on tour?
“Yes I do – on my last book tour I stayed in some fantastic campsites across the UK. I had a great time touring round northern Ireland and found some really special places to stay in the Yorkshire Dales too. Our ancient ancestors were nomadic hunter-gatherers – perhaps that’s why I love camping so much!”
