Sigur Ros to play in Berkshire

Round & About

Shows & Reviews

Image credit: Tim Dunk

Book your tickets to enjoy Sigur Ros at wonderful Wasing Estate on 2nd July

As far as life achievements go, soundtracking David Attenborough’s Planet Earth II for the BBC, as well as being the only band in the world to have acted in both Game Of Thrones AND The Simpsons is pretty unbeatable.

Step forward Icelandic rock royalty Sigur Rós who this week surprised fans with the release of ÁTTA , their first new studio album in ten years.

Sigur Rós are set to play a rare UK live show at Wasing Estate, near Aldermaston as part of this summer’s On The Mount At Wasing series of outdoor concert spectaculars.

Widely-known for their track Hoppipolla which soundtracked David Attenborough’s TV series, Sigur Rós will play as a UK outdoor festival exclusive nestled amongst the beautiful treescape in Wasing’s natural amphitheatre on Sunday, 2nd July.

ÁTTA, their first studio album in more than a decade – released on the same day they headlined the prestigious Meltdown Festival at London’s Royal Festival Hall, their only other UK live show of 2023.

Few bands cut through the noise and distractions of the world to bring you a pure elemental truth or feeling like Sigur Rós. As can be heard on ÁTTA (which boasts collaborators including the London Contemporary Orchestra), there’s a renewed compulsion and drive to the band that comes with the new formation of their line-up. Multi-instrumentalist Kjartan Sveinsson is back in the fold – having left the band in 2012 – to join frontman Jónsi and bassist Georg Holm.

In a post-pandemic world torn apart by war, economic turmoil, culture wars, and brutally divisive discourse, Sigur Rós’s music feels like a balming and unifying bond.

Talking of the new album ahead of the band’s Berkshire live show, Jonsi said: “We wanted the music to be really sparse, floaty and beautiful. When we do this, we always talk about each album as if it might be the last. We’re always thinking about climate change, doom-scrolling and going to hell. The world felt a bit bleak making this album, but maybe there is hope. When there is darkness, there is light.”

Sigur Rós (plus special guest Bat For Lashes) play Wasing Estate, Berkshire on Sunday 2nd July 2023.

egendary Abbey Road in the UK and a number of studios in the US.

The wondrous Wasing Estate is the suitably dramatic setting for the only UK date on the otherwise sold-out Sigur Ros tour. Final remaining tickets available now via ticketmaster.co.uk/on-the-mount-at-wasing

Summer sparkling wines worth your time

Round & About

Shows & Reviews

From Cava to Champagne, Tasmania to South Africa, our wine columnist Giles Luckett serves up the 10 best sparkling wines on the market

Summer’s here, and I’m in a sparkling mood. Having had to put the log burner on throughout May (sorry, Greta), the sun’s finally shining, and that calls for fizz.

Such is the effervescence of my disposition that I’ve decided to do a bumper edition and run down my top ten sparkling wines for summer 2023. The following are drawn all over the world and run the gamut of styles from desert-bleached bone dry through to a rich off-dry Champagne that is bottled elegance. They vary in price from “A dangerous third bottle…?” to “I can’t wait for your 50th, so we can have that again” by way of whites and rosés. What unites them is their excellence and how astonishingly versatile this glorious style of wine can be. So, pop pickers, in at number ten…

10. A new entry, all the way from South Africa, it’s the Kleine Zalze Cap Classique (Taylors Fine Wines £21). This is a ripe, soft, fruit-driven wine that’s deliciously satisfying. Mid-gold, the nose boasts tropical fruits, yeast, and a lovely biscuity tone. It’s broad and expansive in the mouth, with big flavours of peach, apricot, guava, and a tang of lemon. A fine solo sipper, it’s a wine where two bottles seem ideal.  Well, that’s what we’ve found on more than one occasion.

9. At number nine, we have a re-issue of a much-loved classic, the Roger Goulart Reserva 2019 (Surrey Wine Cellar £19). This is to bog-standard Cava what a Ferrari 355 is to the family run about. It’s in a different class. Invitingly deep gold colour, the nose is evolved, rich and full of autumn fruits. On the palate, the long bottle age shows again, presenting magnificent tones of apricot, red pear, nectarine, and crushed nuts. The finish is long, mellow, and rounded. This is a serious Cava that’s seriously good. It was made for pairing white meats, and meaty fish such as monkish or heavily smoked salmon.

8. A non-mover at number eight, and another Spanish stunner, it’s the Cune Cava (Majestic £9.99). This is one of those wines that always leaves me smiling. Its consistency is admirable, if unremarkable, given that the amazing CVNE team makes it, and it never disappoints. Pale gold, the nose is a cheerful blend of honeydew melon, pears and grapes with a warm, bready tinge. In the mouth, it’s light to medium-bodied and offers white-skinned fruits backed by rounded yet fresh acidity and a hint of honey — a joyous accompaniment to a summer’s evening.

7. At seven, we’ve got the first of two wines from South Africa’s Graham Beck.  Regular readers of this column will know I’ve long-admired Beck’s back catalogue, but this a new wine that has classic written all over it. It’s the Graham Beck Ultra Brut 2016 (VINUM £19.90). If you like your sparkling wines bone dry but approachable and complex, this is an excellent choice. Bottle-aged for three years prior to release; at this point, this is a fresh, zesty wine with underlying notes of brioche and peach stones. This is better with food at this point – oily fish, white meats, and creamy cheeses are all good – but it will age and mellow out over the next three-to-five years.

6. Another new entry at number six, it’s the Simonnet-Febvre Crémant de Bourgogne (Tesco £15). Crémant de Bourgogne is a sparkling wine made in Burgundy, and like most crémants, they offer great wines that are great value for money. Simonnet-Fevre has been making classic wines in Chablis since 1845, and their class shows through here.  A blend of Chardonnay supported by Pinot Noir, on the nose, there’s plenty of fresh green apple and pear with underlying notes of chalk and a saline touch.  It’s clean and tangy in the mouth but soon develops a peach, yellow plum and vanilla creaminess.  Wonderfully versatile, it’s the perfect aperitif, but it goes equally well with smoked fish or a peppery rocket and goat’s cheese salad.

5. Taking fifth spot is a wine from a land down under; the Jansz Premium Cuvée (Waitrose £18.49). The first time I tasted this tremendous Tasmanian sparkler was at the winery when our press tour was treated to a tasting of 30+ wines, none of which we wanted to spit, few of us did, and the afternoon was a contented, if sleepy, blur.  A recent encounter reminded me of quite how good this wine is.  The bouquet melds white berries, plums, honeysuckle and citrus. At the same time, its generous, multi-layered tones range from autumnal berries to tropical fruits, almonds, and finally, lemon-soaked minerals and smoke.  This is undoubtedly one of the world’s greatest sparkling wines, yet it remains affordable.

4. At number four, Graham’s back, this time with the Graham Beck Blanc de Blancs 2018 (Majestic £18.99). Being produced from 100% Chardonnay from cooler, high-altitude sites, you might expect this to be light, bright and breezy, and as about as substantial as a marshmallow crash helmet, but like me, you’d be wrong. Extended bottle age before release has leant this wine weight and depth. Mid-gold, the nose has a vanilla foam scent to it before fresh flavours of grapefruit and lime come forth. On the palate, the bright green apple, peach, and apricot flavours are powerful yet balanced, and there’s a lovely finish of limes and coconut at the end.

3. This week at three, it’s the Champagne Taittinger’s Nocturne (Waitrose £45), the only ballad in this summer’s chart.  Nocturne is a ‘Sec’ champagne which means it has a much higher level of sweetness – 17.5 grams per litre, versus less than 12 grams for ‘Brut’ (Noel Edmonds never gave this level of detail on Top of the Pops!). The result is a wine that has a luxuriously full, opulent mouthfeel.  Taittinger’s signature peaches in syrup accent take centre stage, and as you sip, the richness builds.  This could quickly become cloying and sickly, but extended ageing and perfectly judged citrusy acidity make it mellow and harmonious.

2. At number two, but only by a whisker, is the Bruno Paillard Grand Cru Blanc de Blancs (Petersham Cellar £60). I bought a parcel of Paillard’s wines earlier this year and have been happily tasting my way through them. While all are outstanding, and the Dosage Zero (Wanderlust Wine £59) almost made it to this list, the Grand Cru Blanc de Blancs is on another level. 100% Chardonnay from 100% rated vineyards, this is everything you could wish for from a blanc de blancs. Fragrant, mixing white flowers, grapes, greengages, and vanilla notes, the complex aromas are a prelude to a wine that is soft, subtle, and astonishingly complex. Baked apple, ripe comice pear, white currant, and grapefruit are wrapped in a creamy, nutty finish. I’ve had this on its own and with foods as diverse as baked white fish, roasted artichokes, and pork medallions, and it’s always performed beautifully.

1. And holding the number one spot, we have a wine that tastes as beautiful as it looks, the Gosset Celebris Extra Brut 2007 (The Champagne Company £119.50). Gosset is a champagne-lovers’ champagne. Made without compromise, all have a steely backbone from their wines not undergoing malolactic fermentation, which converts firmer malic acid into softer latic acid. Not doing “malo” as it’s known, preserves the wine’s purity and extends its life. Gosset’s wines need age – I prefer the non-vintage after a couple of years in bottle – and the Celebris gets a minimum of ten years.  2007 is a wine that offers piercingly beautiful notes of red berries, blackcurrant leaves, lavender honey, yeast and spices in a powerfully refined fashion. Food’s best friend, try this seafood – it’s sublime with lobster (someone was paying), white fish or spring lamb.

Well, that’s it for this edition.  Here’s to a sparkling summer.

Next time out, everything’s coming up rosés…

More soon!

Giles

Kingham Plough, fit for a queen

Liz Nicholls

Shows & Reviews

We enjoy The Plough in Kingham which has earned rave reviews as one of the best foodie pubs with rooms in the country

One week on and I can’t stop rabbiting on about my fairytale slice of Cotswold heaven… So I might as well tell you about it as well.

Kingham, out in the laciest Oxfordshire fringes, is the sort of honey-hued village that tourists dream about but rarely wake up to. The 17th century Plough, right opposite village green, canopied by an awesome oak, is arguably (from a visitor’s POV) its beating heart, throbbing with friendly, thirsty locals. Among this fun-loving crowd is the amazing Blur bassist and cheesemaker Alex James (who hosts The Big Feastival on his idyllic dairy farm) and his big family.

The Plough has won rave reviews and Gastro Pub awards as one of the UK’s best, earning foodie fame thanks to Great British Menu winner Emily Watkins. Since 2019 it’s been in the capable hands of Matt and Katie Beamish who have worked with the likes of Raymond Blanc, Jamie Oliver and Fergus Henderson, and for hotels across the country. Even if you’re a hotel-hopper of Princess and the Pea proportions, you’re sure to be won over by the full royal flush of hospitality.

Swathed in summertime blues in the middle of a tricky week, I was lucky enough to book into a room above the oak-beamed barn that was fit for a queen. Tucked into the eaves, this super-classy space was the perfect luxe crashpad for two hungry girls, with its rolltop bath, double vanity sink and humungous, comfortable bed big enough to accommodate a side of morris dancers (maybe next time).

Back down into the pub for that much-anticipated dinner and we were greeted by the smiley staff and punters with a welcome warmer than the weekend heatwave. The interior is achingly cool and quirky (think mismatched furniture and original art and photography on the wall, all for sale).

A rarity for me (I’m very decisive when it comes to food, and only food) the menu presents a challenge because all of the seasonal dishes conjure up pure magic. Matt and Katie continue Emily’s legacy of championing local artisan products and sourcing the best fresh, local ingredients in this fertile patch, resulting in first-world conundrums such as: “watercress, wild garlic and pea soup or Smoking Brothers teriyaki salmon tartar, with caviar, avocado & wasabi, radish & crostini…” And that’s just for starters. The chicken liver parfait, with crispy chicken skin, sauterne and the most adorable still-warm mini brioche was the ultimate choice, by the way, and I want it again.

Proving that this is a proper boozer rather than pretentious in the least, the mains include (I gawped, and, yes, also tried) a stunning fish & chips and an epic cheeseburger, all cooked on the new wood-fired grill and oven. But there was no food envy because I fell, hook, line & sinker, for my pan-roasted tender halibut, in white wine sauce, with asparagus, Cornish Mussels (which I don’t normally even like), samphire and little copper saucepan of new potatoes with hazelnuts (my new fave combo).

Afterwards, we devoured a carrot cake baked Alaska with blood orange sorbet but (rubbernecking at the nearby tables) the baked mint chocolate torte, meringue and fruit and sticky ginger cake with rum butterscotch sauce, lime curd and coconut sorbet seemed to hit the spot as well.

Throw in a couple of cosmic Cosmopolitans to start and bookend the meal with a couple of fat fingers of Cotswold Cream (which puts Baileys in the shade) and I was grinning like a Cheshire cat, having left all my troubles at home.

The pub has an amazing wine list, if that’s more your jam, and the friendly team recently launched a new outside catering service, The Potted Goose, for private parties.

As the lucky winner of our May competition is about to enjoy, the Plough’s Little Barn, a luxurious two-bed self-catering cottage 300m from the pub, sleeps four and includes wood burner, fully equipped kitchen, wifi and outdoor space with barbecue. I’d consider booking in for any kind of special occasion (or when there’s a y in the day of the week) as soon as I can.

And, just when the hype is at fever pitch, I have to say that the Plough offers what might just be Britain’s best breakfast – so heartwarming for your onward journey that I had to hunt down the source of the sourdough (Marks Cotswold Bakery) to buy some of that sourdough to take home…

Double rooms £150-£195 a night on a B&B basis. Little Barn from £375 a night on a B&B basis. Dog-friendly rooms £10 a night extra per dog. Call 01608 658 327 or visit The Kingham Plough.

Favourite Farnham views at New Ashgate

Round & About

Shows & Reviews

Head to New Ashgate Gallery to enjoy Susie Lidstone’s Lost Alleys of Farnham from 17th June to 29th July…

Susie Lidstone has been painting for some 30 years and works from her small studio in Farnham. For this exhibition, she has painted more of the hidden alleyways and homes in Farnham, presenting hidden gems of beautiful architecture.

Susie says: “I am delighted to show my new paintings created for The New Ashgate gallery showing my love of Farnham and the hidden gems of the market town’s architecture each boasting, I hope, a strong sense of place.”

Susie trained in Fine Art Printmaking at West Surrey College of Art and Design has gone on to accept commissions from all over the world. Susie is one of only a few women worldwide to be a full member of The Society of Architectural Illustration. Fascinated by the architecture of Farnham and all its alleyways, Susie enjoys capturing the hidden parts of Farnham and the shops that have gone but form so much of the history of the market town.

Clean up pet pongs with Vax

Liz Nicholls

Shows & Reviews

We review the new VaxSpotWash Home Pet-Design which is designed to make your carpets, rugs and upholstery shiny and new

The things we deal with for our pets, hey? The filth… the fury… the faeces…

Obviously, any pet owner will tell you that the companionship their furry friend offers far outweighs the drudgery.

But, at this time of year especially, you might find that distinctive animal pong tends to linger, and the quest to clean up muddy paw prints can leave you hot & bothered. Since having my joyful rainbow carpet staircase fitted, I’ve been pining for a VAX gizmo to keep it looking vibrant. And then recently, an elderly, and somewhat smelly cat came to stay, in addition to the stompy-booted teenager and black sprocker. As one of those numpties who got a white boucle sofa over lockdown (in my defence it was given to me by a friend who had a spare one, and it was before I had black pets) it’s fair to say I lost the battle with the fur, footprints and fragrance some time ago.

“it’s fair to say I lost the battle with the fur, footprints and fragrance some time ago’

So I was delighted to test drive the new VAXSpotWash Home Pet-Design which is surprisingly small (30cm high) and cute enough to slot into a kitchen shelf. But it has plenty of power – it’s proven to rid your home 99% of potential harmful bacteria. Crucially, it’s also easy to use, with various attachments to slot on to the cleaning hose (it must be idiot-proof because, trust me, I’m not great with technology).

Attaching the extra-wide two-in-one wash tool I set to work on my stairs and was delighted to find that working this deep-pile carpet required much less elbow grease than my previous efforts. And, prompting a little whoop, the grime and god-knows-what being sucked away by the SpinScrub hand tool into the dirty water tank was sooo satisfying. You just go back and forth over the carpet et voila! The Vax will do its magic, leaving the carpet cleaner, shiny and new, without leaving it wet.

Being lightweight, the gadget politely tells you when the dirty water tank is full, and switches itself off. Pouring away the treacle-coloured liquid that comes off your floors will make you think again about how clean you ever managed to get it in the first place. Trust me, it’s gross!

I then happily set to work on my wool carpets and upholstery, including my much-neglected car without breaking too much of a sweat. The odour-neutralising solution is instantly pleasing and I was very pleased to bid farewell to that ubiquitous wet-dog smell.

The next time tea got spilled on the landing involved significantly less drama, and swearing, than it would have previously. And then when the cat inevitably went whoopsie on the rug I was almost zen (for me).

I can safely say that this little poppet is my favourite recent addition to the household. Using it is pleasing and even addictive – one of my new favourite weekend activities now is get the house to myself for a bit to ‘get my Vax out’. In fact (don’t tell anyone) I talk to it affectionately, even more than the dog.

Buy the VAX SpotWash Home Pet-Design direct from vax.co.uk for £199.99, including 1 x 250ml VAX Spot Washer Antibacterial Solution, 1 x VAX 250ml Pet Stain & Odour Remover, free delivery and a free Stain Removal Kit worth £30, when purchasing direct from VAX.

Thames Valley Food & Drink Festival

Round & About

Shows & Reviews

Head to Brightwell Vineyard for a splendid array of wine and artisan treats, June 17th & 18th

The third edition of The Thames Valley Food & Drink Festival – (thamesvalleyfestival.co.uk) – returns to Brightwell Vineyard, just outside of Wallingford, over the weekend of June 17th & 18th.

The line-up includes over 30 lip-smacking independent food and drink producers drawn from the Thames Valley region – including six independent English wine producers – with negligible food miles.

On offer is wine and food tastings, self-guided walks among the vine rows, artisan food stalls, with plenty of seating to eat and drink while listening to live jazz, swing, and popular melodies, soaking up the far-reaching countryside views. The festival takes place in the grounds of Brightwell Vineyard who will be showcasing their award-winning wines, including Bacchus, Pinot Noir, Sparkling Chardonnay and its prestigious English Brandy.

Wine buffs (and bluffs) can also sample English wines from six leading local vineyards including Brightwell, Dawes Hill, Fairmile, Jojo’s, Freedom of the Press and Hendred. Each offering subtly different white, rosé, red and sparkling wines grown on the mineral rich soils of the Thames Valley and Chiltern Hills. Those whose tipple is a spirit will not be disappointed, with artisan makers including the GB Mead Company, vermouth from In the Loop Drinks, gin from Henley Distillery and Old Sun Rum. South Oxfordshire Brewery will be serving-up pints brewed only five miles away.

A tantalising array of artisan fare is designed to tempt the tastebuds of visitors from far and wide, and food vendors will ensure nobody leaves hungry with stalls including savoury tarts from Tarte in a Box, vegan cakes from The Witches Kitchen, doughnuts from Oh So Dough, Alex’s delicious sweet and savoury Crepes, Marlow Cheese, and wraps with Bohemian Rhapsody, Supreme Burgers, surf n Fries and the Pizza Boys. Sample local charcuterie, biltong, or Johnny Hot Stuff’s chilli sauces. Perhaps book a home delivery hamper from Riverford Organics. There’s tableware by Blue and White Company, and beeswax candles from Henley.

The Horsebox Coffee is back too, offering a range of hot drinks including freshly ground coffees.

Doors are open from 11am to 5pm on both Saturday and Sunday, with ample free parking on site for visitors.

Prices: Tickets purchased in advance for one Day entry cost £9 per person, with children under 10 free. Purchase a full ticket for £14 which includes festival entry, six tasting vouchers, a tasting glass and glass holder. Tickets purchased at the gate on the weekend will be £10 and £15 respectively. Cash and cards welcome.

For tickets and further information see thamesvalleyfestival.co.uk.

Q&A with Richard O’Brien

Liz Nicholls

Shows & Reviews

The 50th anniversary tour of the legendary smash-hir musical The Rocky Horror Show, will time warp its way to Aylesbury. Richard O’Brien shares a few thoughts on the show as we head into Pride month.

Richard O’Brien’s legendary rock ‘n’ roll musical is celebrating 50 years of non-stop partying with this special anniversary production. Since it first opened in London in June 1973 at the Royal Court Theatre, The Rocky Horror Show has become the longest continuous run of a contemporary musical anywhere in the world. The show has been seen by over 30 million people worldwide in more than 30 countries and translated into 20 languages as it continues to delight audiences on its sell-out international tour.

Q. What was your original inspiration behind the Rocky Horror Show?

“Someone asked me to entertain the Christmas staff party at the EMI Film Studios and so I wrote a song (Science Fiction Double Feature) and with the help of some jokes, performed to much laughter and applause. In the New Year I wondered whether it might serve as a prologue to the gem of an idea that I had for a musical. I shared that thought with Jim Sharman who had directed Jesus Christ Superstar. Jim liked the concept and away we went…”

Q. Why do you think it is still successful today, half a century later?

“It is simply a musical comedy and as long as it rocks, and the audience are laughing what more could you wish for? It’s very inclusive, it’s very easy to watch. It’s not rocket science as far as narrative is concerned – Brad and Janet are a couple that we kind of recognise as Adam and Eve or Romeo and Julie, like a stereotypical couple – we can all relate to them. It is also a fairy tale which allows us to feel comfortable with its rites of passage storyline. A retelling of Hansel and Gretel if you like, with Frankfurter standing in for the wicked witch.”

Q. What about the show do you believe makes audiences feel comfortable joining in?

“The innocent rather naughty fun of it draws not only a ‘theatre’ crowd but also people who want a fun evening and a guaranteed return on the investment of their ticket price.”

Q. What was happening in your life at the time you wrote The Rocky Horror Show?

“I was a recent father of my first child and out of work when I wrote the show. 1972-73 was a moment of change. Glamrock and overt sexuality was around, gay people were coming out and there was a ‘buzz’ in the air. There are certain parts of the world where we are a little bit more free to be ourselves. London is certainly one of them. Back in the Seventies you had gay bars, but now you don’t need to because if you walk into most bars in London there will be a gay man behind the bar. That is rather nice.”

Q. How do you believe the show supports those who are questioning their identity or sexuality?

“The support for the LGBT community was unintended but it is a very welcome addition to the laughter and toe tapping.”

Q. Has the show supported your own journey surrounding your identity?

“It must have been, some extent, cathartic but I have always gone my own way and played the cards that I was dealt at birth the best way I can.”

Q. Do you have a favourite character?

“I would have loved to have played Rocky, that would have been cool, wouldn’t it? But one thing is essential, you have to be rather handsome, and you know, muscular, and that ain’t going to work. I could have played Janet. They’re all so stupidly wonderful these characters, they’re iconographic.”

Q. How do you think the live shows compare to the film?

“The live show has an energy that the movie doesn’t have – it wasn’t intentional, but the film was very slow. Once some fans came up to me and said, “did you leave the gaps between the lines so that we the audience could say our lines?” I said, “Well, ok yes”. But no we didn’t, The move is a very surreal, almost dreamlike journey, the live show is far more rock and roll.”

Q. What’s your favourite part of the show?

“The noise at the end of Rocky is wonderful – it is empowering and exhilarating at the same time it is quite joyous. Rocky never fails to deliver. Each performance lifts the heart and the nightly laughter and roars of approval leave the whole cast with a sense of wellbeing and accomplishment that you rarely get from any other shows.”

Q. The Rocky Horror Show remains a huge hit around the world. Do you think the show would be as successful if written today?

“Timing is very important as is luck. Zeitgeist sums it up. There are lots of variables in this equation, for instance, would it have been as successful is someone other than Tim Curry had played the lead?”

Q. How has the show developed over time? Have there been any adaptations in the past 50 years?

“It has remained much the same through the years. If it ain’t broke don’t fix it.”

“If it ain’t broke don’t fix it”

Q. How different do you think your life might have been without Rocky?

“I have no idea but, I would have had a good life because I am made that way. My journey has been a different one than others. I guess some people have a game plan. I would imagine they’re rather humourless. Most of us get an opportunity and we wing it. Luck plays an awfully big part in our lives. You should never underestimate that. I am the luckiest person on the planet. I shall be happy as long as I can keep singing.”

The Rocky Horror Show is on at Aylesbury Waterside Theatre stage from 3rd-8th July

Neil Gaiman Q&A

Liz Nicholls

Shows & Reviews

Author Neil Gaiman answers a few questions ahead of the forthcoming tour of the National Theatre’s adaptation of the award-winning book The Ocean at the End of the Lane

Q. The book is loosely based on your childhood. What was the starting point?

“The book began with me wanting to try and explain to my wife where I grew up and what that world was like. She could take me to her childhood home because it’s still the same, but I couldn’t take her to where I grew up [in East Grinstead] because the place had long since been demolished; lots of lovely neat little housing estates covered the gardens and the fields and lanes. So for it was kind of an effort to try and evoke a past and a sense of place. An interesting side of for me too was that I realised that I hadn’t heard, for a very long time, the Sussex accent of my childhood. Mrs Weller came in and cleaned once a week and Mr Weller came in and did the gardens. They were probably in their 80s and they had proper Sussex accents – almost like a West Country burr. I resolved to write a novel with that in too.”

Q. How did you create the Hempstocks?

“I was told by my mother – quite erroneously, I discovered, when I did my research – that the farm half-way down our lane was in the Doomsday Book. And that was the start of the Hempstocks in my head; who they were and what I wanted to do with them.”

Q. Do you find writing about family especially fascinating?

“I don’t think I’ve ever been able to avoid writing about family, even when I thought I was writing about something else. Whether it’s biological family or the family we make. In the novel I created a semi-fictional family for myself, and in the play version it was one step further away from my family, which I think look back on is incredibly healthy! But the boy is definitely me.”

“I don’t think I’ve ever been able to avoid writing about family”

Q. The play received amazing reviews when it premiered. Without any spoilers, do you have any favourite moments?

“There is something astounding about the moment when they enter the ocean. That completely fascinates me. And you’re going to see miracles made out of bits of rubbish and old plastic bags and nightmarish birds beyond your imagination It still takes me by surprise every time I watch.”

Q. Is it true that you were so moved by the play when you saw it in rehearsals that you cried?

“I saw the first full run through. About ten minutes from the end I had tears running down my face. I thought that this was terribly embarrassing and I was discreetly trying to flick them away.”

Q. You describe yourself as a storyteller. What inspired you to be a writer?

“I’m not sure that all writers are frustrated performers, but for me it was the joy in getting to be all of the characters. As a writer you get to do that. Being a kid who loved book I could think of nothing cooler than giving people the pleasure that I got.”

Directed by Katy Rudd (Camp Siegfried) and adapted by Joel Horwood (Skins, I Want My Hat Back) The Ocean at the End of the Lane (suitable for ages 12+) will land at Oxford’s New Theatre, 20th-24th June.

Globe Theatre – a great all-rounder

Round & About

Shows & Reviews

London’s iconic open-air wooden ‘O’ shaped theatre has lots to enjoy over the summer…

With tickets to shows starting from £5, the Globe is a world-class and affordable way to experience the best the city has to offer. Spend a full day exploring the world of Shakespeare in the new exhibition, on a guided tour or in a family workshop, and enjoy a delicious meal at the Swan, before watching a show.

A Midsummer Night’s Dream runs until 12th August starring artistic director Michelle Terry as Puck, there’s a special Midsummer midnight matinee on 24th June.

The Comedy of Errors runs until 29th July, Macbeth 21st July to 28th October, and As You Like It 18th August to 29th October.

Midsummer Mechanicals, The Olivier Award nominated family show, based on A Midsummer Night’s Dream, runs 22nd July – 26th August, following Peter Quince’s acting troupe – known as the Mechanicals – as they attempt to recapture the success of their first hit Pyramus and Thisbe, a show so bold, brilliant and chaotic that it went down in theatre history.

Running throughout the summer, Family Workshops and Storytellings are the perfect way to introduce younger audiences to Shakespeare and bring his plays to life. Guided Tours and Sword Fighting Demonstrations created for younger audiences are the perfect addition to a full family day out at the Globe.

Audiences can enjoy a pre-show drink with a stunning view across the Thames and overlooking St Paul’s Cathedral, or indulge in A Midsummer Night’s Dream themed afternoon tea at our on-site restaurant Swan at the Globe.

Mark Harrison at The Phoenix

Round & About

Shows & Reviews

Acclaimed national touring artist Mark Harrison brings up his unique music back to The Phoenix on May 20th with Charles Benfield

There is no one in music quite like Mark Harrison. He is widely considered one of the most original and interesting artists around.

His highly individual, all-original music has taken him to some of the top venues and festivals in the UK, attracting acclaim wherever he goes. Appearances on BBC Radio 2, as guest on Cerys Matthew’s show and on the Pick Of The Week show, have further added to his growing reputation.

Described at BBC Radio 2 as ‘quirky’ and an artist who ‘makes you think afresh’, Mark is a totally original songwriter, a stunning guitarist, and a master storyteller. Mark’s live shows are well-known not only for the music but also for his introductions and explanations of the songs, delivered in a manner often described as ‘wry’ and ‘dry’.

Mark’s songs cover all manner of non-standard subjects. With catchy tunes, lyrics that intrigue and engage, and striking rhythms, they make you smile, think and move. He takes elements of roots music, including folk and blues to create something new that is very much his own genre. Each song is a snapshot of life or has a story to tell.

A thrilling, rhythmic, finger-picker and slide player, with a very distinctive style, Mark tours extensively. He has released six albums which have been unanimously acclaimed across a wide range of areas of the music world, receiving a very great deal of airplay and highly enthusiastic reviews in the UK, Europe and the US, the latest being the double album The Road to Liberty.

For more information or to book tickets, £13, go to Phoenix Arts | Phoenix Arts