Pax a punch!

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You’re welcome to come along and explore Lord Baden Powell’s former home in Bentley on Sunday, 8th July, where there will be fun for all ages and tastes.

Each year Pax Hill Care Home in Bentley holds a summer fete in aid of a chosen charity with the help of residents who make items for sale and help with stalls on the day. 

This year, the chosen charity is Cancer Research. Everyone is welcome, from 2pm-4pm in the central courtyard, GU10 5NG.

Visitors can also have a look around the home and grounds occupied for more than 20 years by Robert Baden Powell and his wife Olave.

In addition to residents’ contributions, many stalls will offer a variety of items, from vintage gifts and craft ideas to garden goodies. There will be plenty of on offer, including Nepalese street food, barbecue, ice creams, tea and cakes and live entertainment from Hampshire Scouts.

Organisers are hoping for fine weather for this family-friendly event in the beautiful Hampshire countryside. Pax Hill is surrounded by footpaths giving lovely views of the old village of Bentley. Free parking is available in Pax Hill’s grounds and a footpath trail can be accessed from halfway up the drive.

If you are interested in looking at care homes for now or future reference, this is a good day to talk to the people who live at Pax Hill and see what life is like in modern day care.

Call Pax Hill Care Home on 01420 525 882 or visit www.paxhill.co.uk

Class Act

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Westerberg High is back in class this summer with new songs, new material and new classmates with Heathers the Musical

Produced by Bill Kenwright and Paul Taylor Mills, who produced the award-winning Carrie together in 2015, this musical is one of the most anticipated UK premieres this year, and opens at The Other Palace for a limited run until Saturday, 4th August.

Heathers The Musical is based on the 1988 teen film classic starring Winona Ryder and Christian Slater. The award-winning writing team, Laurence O’Keefe (Legally Blonde, Bat Boy) and Kevin Murphy’s (Reefer Madness, Desperate Housewives), hit musical adaptation has enjoyed successful runs in Los Angeles and New York, and finally arrives in the UK for its European premiere.

Veronica Sawyer is played by Carrie Hope Fletcher who has shown her versatility in stage musicals appearing as Wednesday in The Addams Family, Eponine in Les Miserables and Truly Scrumptious in Chitty Chitty Bang Bang. The mysterious JD is played by Jamie Muscato, who is making a return to the Other Palace after appearing there as Story Edward in Big Fish and he has also appeared as Joe in Bend it Like Beckham (Phoenix Theatre), Anthony in Sweeney Todd (Welsh National Opera).

The three Heathers are played by Jodie Steele, T’Shan Williams and Sophie Isaacs. This musical takes us to a place where popularity is life and death, but is it harder to be a nobody or a somebody? To find out and make sure you don’t miss the school bell, head to www.theotherpalace.co.uk

Fun Of The Fair

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Neighbours! Everybody needs good neighbours… so the lyrics to the Aussie soap opera tell us. London may not have a sun-drenched backdrop, but the city’s neighbourhoods are important environments, that are cultural and distinct, created by the human spirit and the will to connect.

However, sometimes, with our busy lives, we lose sight of the glue that holds us together. Which is where the charity, Fulham Good Neighbours, happily steps in. For more than 50 years, it’s been bringing this Fulham community together, with volunteers to support, whether caring for the elderly, doing a bit of gardening or DIY, shopping, looking after a pet and a lot more.

Raising funds is the main part of what they do, in order to support everyone who needs help in this community – and one event is the highlight of the year: the Parsons Green Fair.

For one day the neighbourhood is transformed into a traditional fete, inviting more than 8,000 visitors, with more than 100 stalls selling local goods and fairground attractions. The main stage includes acting and dance performances, promising a great vibe, whatever the weather!

The event is on Saturday, 7th July, 11.30am until 5.30pm, and is free. You can get involved by holding a stall, volunteering your time as a marshal or just turning up and having fun.

Visit www.parsonsgreenfair.org

Military music

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Sarah Readings explains more about one of the lesser-known aspects of the Royal Air Force Music Service; the RAF Voluntary Band Association

Music is, and always has been, an important part of our nation’s military heritage. It has long played an essential role in military affairs, from the war carnyx that roused the ancient Celts to war, via the drums and trumpets of Roman Legions, to the bugle call that signals the lowering of the RAF ensign at sunset. Music lifts the spirits, helps keep a parade in step and encourages a sense of comradeship. Military music is a tradition in which the Voluntary Bands (VBs) of the Royal Air Force have proudly participated for a century.

In April 1918 when the Royal Air Force formed from the union of the Royal Naval Air Services and the Royal Flying Corps, musicians of the two services, augmented by fresh recruits, united to form the first RAFVBs. Funding emerged, including donations from officers. The men who flocked to volunteer came from a variety of musical traditions – brass bands, military bands, pipe bands and corps of drums – and their skills covered all manner of instruments. Some were experienced, others were hobbyists.

Soon after the Voluntary Bands began, the Air Ministry received a report calling for the inauguration of a School of Music to be staffed by a team of 50 band instructors. The Air Ministry agreed, only to reconsider when the dust of the Great War settled to reveal enormous debts. In 1920, amid loud arguments from the Army and the Navy that the RAF itself was no longer necessary, the infant RAF School of Music was disbanded. Happily, the RAF Central Band stepped in and supplied a succession of excellent Voluntary Band Instructors (VBIs).

In the 1920s and 1930s, VBs flourished: many RAF stations, both at home and overseas, had their own band and some of the larger ones worked with the RAF Central Band. Many more bands were established as the Second World War drew thousands more people into uniform and the number of RAF bases and personnel increased. A great number of new recruits of all trades had, in civilian life, been keen musicians, whether professional or amateur, and they rejoiced in the opportunity to continue banding while dressed in RAF blue. Even after the war ended, some of them stayed on in the Service and formed professional ensembles as part of the RAF Music Services.

In 1949, the RAF School of Music reopened and offered a bandmaster’s course which produced some marvellous VBIs, mainly Warrant Officers and Flight Sergeants, who guided the various bands for another three decades. By the mid-1970s, 24 bandmaster posts existed at RAF stations both in the UK and overseas.

Today’s RAF Voluntary Bands are led by fully qualified, experienced bandmasters who are the only paid members of the VBs: all other bandsmen and women are willing volunteers.

One of the welcome results of the formation of the RAFVBA is increasing collaboration among the bands. Over the past few years a number of prestigious massed band events have been staged, highlights being a concert at Symphony Hall in Birmingham in 2008 to celebrate 90 years of the Royal Air Force; a commemoration of the 75th anniversary of the Spitfire in Leicester in 2011 and a showcase concert in Cardiff in 2016. For amateur musicians these massed band events are an opportunity to participate in high-profile and prestigious concerts and enhance our feelings of pride in the Voluntary Band Association and its place in the modern music service.

Now for a more personal perspective – as a proud member of RAF Halton Area Voluntary Band, I have enhanced my musical life and improved my musical skills. I have strong links to the Armed Forces; both of my grandfathers served in WWI in the Australian and British Armies, my father served in the Australian Army in WWII and two of my brothers served in the British Army for years. I married into an RAF family; my mother-in-law was ex-WRAF and my father-in-law a Squadron Leader in the RAF. After his death my mother-in-law remarried a Wing Commander in the RAF. I have a nephew serving at RAF Benson as Puma ground support and another nephew has recently left the Royal Marines after many years’ service, including Iraq and several tours of Afghanistan.

Military tradition and its ethos of service and dedication has formed a backdrop to my life and in a very small way I am able to continue that. As a mature amateur musician, who came late to playing a brass instrument, I was able to learn a new skill and gain an insight into the world of military music. For me, a particular highlight is our participation in the annual Service of Remembrance held by the War Widows Association of Great Britain in Whitehall on the Saturday preceding Armistice Sunday. There is no greater sense of pride than marching to our national memorial, the Cenotaph, and participating in this moving event and supporting women who have suffered the ultimate loss in the protection of our country.

There are advantages to being a civilian member – I for one never thought I would learn to stand on a drill square and start working out my left foot and right foot and then be expected to march, play, stay in step, follow the right direction and not end up facing the opposite way to my comrades in the band. In conclusion, while membership of an RAF Voluntary Band does require commitment and either an understanding of, or a willingness to learn and embrace service discipline, in return you are part of an organisation that can widen your musical experience much more than is usually possible in a civilian alternative.

For more information, please visit www.haltonvoluntaryband.co.uk

It will be pilots on parade this month, as the RAF100 Roadshow reaches Horse Guards Parade, 6th – 9th July as part of the centenary year. On display will be aircraft from all through their history, including; Royal Aircraft Factory BE2c Biplane, Supermarine Spitfire MkXVI, Gloster Meteor F4 (the actual aircraft that captured the world air speed record of 616 mph in 1946), Harrier GR3, Tornado GR1, DC3 Dakota and a Chinook Helicopter. As well as the past, the RAF will also be looking to the future with an interactive STEM/Techno Zone and learn more about how they’re creating the next generation Air Force. After the Roadshow at Horse Guards there will also be a flypast and parade on 10th July. Visit www.raf.mod.uk

With grateful thanks to Mrs Mary Mackie, for her assistance with this article and her research into and words on the history of the RAF VBA. Mrs Mary Mackie, Author & Speaker, Kings Lynn, Norfolk.

Driving force

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Oxford teacher David Johnson has a racing start with his art, catching the eyes of his driving heroes Sir Stirling Moss and Sir Jackie Stewart

Even from a young age David has always had a fascination of Formula One. After initially watching the sport on television, David attended his first Grand Prix at Silverstone in 1997. What began as an interest evolved into a true passion.

As a child he was always found tinkering in the garage with his granddad, building and restoring all types of products. This hands-on approach built the foundations for an enjoyable journey under the umbrella of design and technology at school. St Augustine’s in Oxford provided many exciting opportunities for students to take part in D&T projects. Under the eyes of his teachers, Mr Rose and Mr Humphreys, David remained drawn to F1 and was encouraged to get closer to the sport. His fondest memory is of the Formula Schools club that saw a team of students design, build, and race a remote control car around a small track at Silverstone.

When leaving school, as a hobby, David started to create paintings depicting some of Formula One’s greats. His first was of Jim Clark racing at Silverstone. Curiously, David decided to sell the painting that gained much interest and realised he could be on to something. As time passed this hobby grew, as did his career. He was now a teacher at St Gregory the Great Catholic School. Always aiming to get closer to the sport, he ran many exciting extra-curricular trips and activities, including Formula Schools which gained much success and recognition. He also organised trips to Formula One events and even took a group of students to Sir Stirling Moss’s home to meet the legend himself.

Throughout this time he strived to apply more focus on artwork and developing his style. It was at this point he contacted Sir Stirling Moss.

Back in 2008 he had sent a letter to Sir Stirling Moss, explaining the desire to create a painting of one of Sir Stirling’s favourite cars, with the hope he would sign the prints. In just a matter of days he received an envelope through the post with the initials SM on the reverse! On the response Moss showed a keen interest having viewed David’s previous artwork, and was happy to discuss his favourite racing cars over the phone.

With the decision of which scene to paint made, David began working on the 1956 Monaco Grand Prix with Sir Stirling Moss leading the pack in his Maserati 250F, holding off Juan Manuel Fangio to secure his first victory at the Principality. In just over a month, he had completed this art piece and it was ready to print. It was then one of David’s proudest moments, as he had journeyed to the home of the personality he’d read about and admired as one of his favourite drivers. Sir Stirling Moss hand signed a number of limited-edition prints and posed for a photograph, and the sense of achievement was great.

From this point he was on the motor sport map. He was approached by motoring publications asking to display his work and exhibited at a number of shows. As he continued to still develop and perfect his skills he had worked with other racing greats along the way including John Surtees, Jody Scheckter and Sir Jackie Stewart, just to name a few. He found himself returning to see Sir Stirling Moss regularly for the breakfast signing slot. Sir Stirling could also see David’s talents grow and wrote to him encouraging him to always follow his passion.

David has started a clean chapter with a new challenge; the palette knife. He has swapped his fine grade brushes with great success and has applied a fresh new look, still with an eye for detail. This modern approach has drawn great interest through social media, and will see him attending the Grand Prix Ball and British Grand Prix where he will be exhibiting and live-painting.

Driver signings continue. In April of this year David proudly met once again Sir Jackie Stewart, this time with a palette knife painting for signing. This was unlike anything Sir Jackie had seen before on canvas as he was astonished by the artwork. The painting is now due to be auctioned in Monaco to raise funds for Race Against Dementia.

David continues to develop his skills with a focus on capturing the excitement and atmosphere of the race. Through his art he hopes to meet and work with many more drivers in the future and leave a lasting impact on the artwork within the motor sport sector.

Please visit David’s website to view more of his work at www.formulaart.co.uk

Level best

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Jonathan Lovett chats to Mark Chadwick of seminal band The Levellers ahead of their tour

Places such as Windsor, Eton, Ascot and Henley-on-Thames are beautiful,” enthuses Mark, “and we love our heritage – you can tell from the name of the band! We are contradictory; we have Tory-voting fans as well as lots of left-leaning ones…”

I’d just asked the lead singer of The Levellers if they are as happy playing more overtly “posh” areas such as the above which may not be the natural fanbase of a left-wing band named after a radical 17th-century democracy movement.

But Mark is nothing if not egalitarian and, combined with a passion for history, makes for the kind of stimulating interviewee who can quite easily fall into conversation about the Putney Debates of 1647!

“These were forced by the Levellers and paved the way for many of the civil liberties we value today,” he adds. “They were the first to talk to people as equals and the debates were a platform for common people within the context of the time. I wonder whether we need a modern Putney Debate today?”

Politics has always figured strongly in the work of The Levellers who celebrate their 30th anniversary year with a tour and the release of a new album, We The Collective. But they would never have been able to have preached to so many people if it was not for their wonderfully catchy tunes and sing-alongs which turned them into one of the most popular indie bands of the 1990s.

Indeed, they were so popular that the band still hold the record for playing to the biggest crowd Glastonbury has ever seen when an estimated 300,000-plus people saw them headline the Pyramid Stage in 1994.

“It was bizarre looking out into that crowd because it was so big,” says Mark. “It was terrifying and afterwards I had the worst stomach cramps I’ve ever had in my life because of this massive delayed nervous anxiety! I do look back with affection on those times and still get people coming up to me all the time going, ‘You helped change my life’, which is great.”

Still relevant and still challenging the status quo, We The Collective is the band’s highest-charting album entry in 21 years and features new arrangements of old classics such as Liberty Song and Hope Street alongside new songs such as Drug Bust McGee. “That’s about the subject of undercover police which is something we’ve experienced several times over the years,” adds Mark. “We’ve also been investigated and infiltrated by Special Branch and MI5 but we are no threat to society… the whole point of The Levellers is that we promote society!”

The Levellers play The Anvil in Basingstoke on Friday, 13th July. Visit www.levellers.co.uk

Pirates Ahoy!

Liz Nicholls

Genre

Lechlade writer Sandra Dennis has recently published her second book for young readers aged between nine and 12; The School for Scoundrels – The Lost Map of the Prows.

How many of us have looked for a message in a bottle? One that could bring romance, or rescue someone trapped on a desert island..?

In her first novel, Shades of Time, Sandra kept her readers on their toes with the mysteries from the past which pull strings through time to make those of us in the present mere puppets in their grasp.

Her new volume, School For Scoundrels, should stir the fertile minds of our children. When a message in a bottle washes up in the harbour at the end of the summer holidays, little does Thomas Prow realise how much his ordinary life is about to change. ​Thom is reluctant to leave his grandparents, childhood home and friends but is forced to leave the seaside town in which he has grown up when his grandfather is kidnapped by pirates. He’s summoned by the mysterious Captain Ginger to attend a school for pirate youths, founded in 1642. Lessons in weaponry, history and ancestry, mythological beasts, map reading climbing the rigging and sail-mending help towards his F.Q.P. (fully qualified pirate) status

In this gripping yarn, young Thom must find new friends in a strange school to help him find his ancestor’s map and rescue his grandfather. As one young reader put it; “A great adventure for any budding pirate!”.

To find out more and buy the book, which is also available on Kindle and Amazon, visit www.sandradenniswrites.wixsite.com

By Royal Approval

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Anne Denholm, Official Harpist to HRH Prince of Wales will perform one of Mozart’s most popular works for Grayshott Concerts on Friday, 15th June.

The harp is an important national instrument in Wales, and although the role of Official Harpist to the Royal Household, was discontinued during the reign of Queen Victoria. HRH Prince of Wales restored the position in 2000 in order to foster and encourage young musical talent.

The Prince of Wales has a £150,000 gold leaf harp, made by Italian harp makers Salvi Harps. It is this harp that is used by the official harpist, who is currently Anne Denholm, the sixth Royal Harpist. Her recent role was to keep the guests entertained during the Royal Wedding last month.

But you can have your very, own special performance with Anne, at St Luke’s Church, Grayshott, this month, on Friday, 15th June. She will perform Mozart’s Flute and Harp Concerto with award-winning flautist Emma Halnan, winner of the Arts Club-Sir Karl Jenkins-Classic FM Competition in 2016.

Patron, Sir Karl Jenkins, says: “This concert brings a number of strands together. The harp is particularly dear to my heart, so it’s a pleasure to see Mozart’s Concerto performed in Grayshott by Anne and Emma.

The programme will also include Debussy’s Dances Sacred and Profane for Harp and Strings, composed in 1904, accompanied by Grayshott Concerts’ orchestra-in-residence, the illustrious London Mozart Players. Also featured in the programme will be Britten’s Prelude and Fugue and Mozart’s Divertimento in D.

Tickets and more information at www.grayshottconcerts.co.uk.

A good innings

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Shore thing

Liz Nicholls

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We talk to Cotswold artist Angie Hunt about family, motherhood and the lure of the sea ahead of her solo exhibition at her home studio this May.

Q: Hello Angie, thanks for talking to us! Can you tell how your art started?
“My childhood home was quite a creative one, with an art collector father who worked in advertising and a musical mother who writes and creates beautiful gardens and interiors. I grew up at the seaside, in the north-west of England, so the coast was a big part of our childhood, the sound of seagulls, sand in our shoes! I worked in TV production and advertising before deciding to go in to fine art professionally. I wanted to channel my creative energy in a more hands-on way, so enrolled on a fine art degree course in Banbury in 2007. Ten years later I have my own studio and it’s my full-time occupation… my family would say ‘obsession’!”

Q: What’s the inspiration behind the big themes?
“My big theme currently is family and relationships, probably because of the stage of life I’m at. I’m interested in the evolving generations, how we’re part of a continuum, and how our roles within this are constantly changing. This series of mixed media pieces explores these relationships, especially between mother and child, using abstracted forms as metaphors for the people in my life. The composition is deceptively simple, but I use collage, partially revealed words, drawn lines, charcoal and many layers of oil and acrylic paint to build up texture and depth.”

Q: Which artists have particularly inspired you?
“The 20th century modernists such as William Scott, Diebenkorn, Hilton and their generation appeal to me. I love the post-war period when they were part of rebuilding a fractured society, a fragile time when they were finding ways to express themselves with limited resources.”

Q: What is it about the sea that appeals to you?
“It’s the shoreline, where land meets sea, that I’m drawn to. There’s something about it that makes me feel at my happiest and most alive. My strongest childhood memories are of paddling in the waves, sea swimming and sailing. I’ve just finished a year-long programme at the St Ives School of Painting which has reinforced this.”

Q: Has the St Ives programme changed the way you approach your work?
“It’s been a chance to develop and question these themes through tutorials and workshops, within a small and supportive group of artists. My painting time has become a sort of therapy in a way, finding visual ways to work through feelings and changes.”

Q: You clearly have a strong interest in texture and unusual materials – tell us more!
“Yes, I love to make use of what I call ‘found objects’; cast-off bits and bobs that relate to my subject. As much as I love art shops, I’m totally bewildered by the choice and choose to use these items as a starting point. I have been given old sails which are full of wonderful details – zig-zag stitching, reinforced corners with eyelets and fixings, and a textured surface that is robust enough to withstand layers of paint to be piled on and re-worked, and this is a strong theme in my exhibition this May. That said, I am incredibly lucky to have the Cotswold Art Supplies in Stow on the Wold a couple of miles away for regular top-ups and they also handle all my bespoke framing.”

Q: Do you have any favourite galleries?
“I’m a big fan of Oxford Artweeks for discovering new art, though it is very big nowadays so quite a trawl to uncover real treasures. Modern Art Oxford has some really inspiring exhibitions, eg Lubaina Himid before she won the Turner Prize. I love the Stour Gallery in Shipston-on-Stour which has an emphasis on my favourite Cornish art and there’s always an exciting programme of contemporary British artists at Fosse Gallery in Stow-on-the-Wold. I like supporting new initiatives eg The Compton Gallery, an exhibition pop-up and event venue in the middle of stunning countryside.”

Q. What direction do you see your work going in next?
“Good question! I’m enjoying this current theme and looking at relationships between people in my own life, and also between objects within the composition. My work is becoming more and more abstract, with the forms of the boats and vessels gradually becoming more ambiguous and some starting to resemble domestic objects in a still life. A recent trip to Cuba has also given me inspiration – colours and textures I’m longing to incorporate.”

Q: Can you tell us a little about your studio?
“It’s such a happy place to be; it’s up the stone steps of a small restored coach house with north-facing skylights that bring the light in. It’s so peaceful and I spend hours and hours immersed in painting. We also run a little Airbnb in the studio at weekends, which makes for a bit of clearing up (!) but it is a unique place that I love to share.”

˜Angie’s Open Studio is 18th – 20th May in her Moreton in Marsh studio, near Stow-on-the-Wold. Visit www.angiehunt.co.uk and follow her on Instagram @angiehuntart – for more info.