It’s got to be … Purdy

Round & About

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As a child, growing up on a farm, with three older brothers, Purdy (AKA Rebecca Poole) admits she was given to escaping, with a lot of fanciful, romantic dreams.

“There was not much to do, other than avoid my brothers’ teasing,” she says, “I discovered song-writing when I was 11 years old, because I enjoyed writing poetry. I’ve always had a fascination with matters of the heart and my songs reflect that. I used to be shy about singing, and then, crazily, I joined a jazz band. It was a good learning curve for me; I found my voice.”

And what a voice! Purdy’s songs may tell tales of triumph in love and heartbreak, but her delivery is certainly not schmaltzy, saccharine wallow. Her vocals are deep, warm, and full of purpose. “I’ve not had much vocal coaching. It must be the red wine, whiskey and occasional cigars,” she jokes.

Check out her debut album, Diamond In The Dust. Produced by Grammy award-winning producer Andy Wright, online at www.purdymusic.co.uk. It was her vocal uniqueness that caught the imagination of boogie-woogie legend Jools Holland who invited her to tour as support, with the last date being at the Royal Albert Hall.

“It was nerve-wracking beforehand,” she says about the experience. “When I sing, I sing from the heart. When I walked on stage at the Royal Albert, my heart was floating to the rafters. It was a dream come true. I felt incredibly privileged. My dream has never been to be famous, it’s been to do what I love.”

When I ask about her stage name “Purdy” she explains: “When I was starting my career in singing, I met Alan McGee, manager of Oasis, for advice. He told me two things: ‘jazz is not cool’ and to change my name. I didn’t listen to his musical tastes, but I did change my name. I was inspired by Purdy, because my brothers were in a band, at the time, with the same name, and I chose the heroine’s name. Having that pseudonym has been a good friend; I have metaphorically hidden behind her. She allows me to reveal my heart on stage.”

Expect a number of Purdy’s original timeless compositions, along with some of the standards that have inspired her – made famous by those she calls ’the Golden Girls’ (the likes of Ella Fitzgerald, Julie London and Peggy Lee).

Purdy performs on Wednesday, 4th July, at 606 Club, 90 Lots Road, Chelsea, SW10 0QD; 020 7352 5953 or www.606club.co.uk. She also one of the stars at Henley Festival, 11th-15th  July, which Round & About is proud to sponsor. Visit www.henley-festival.co.uk

Match of the day

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Charity begins at home, but when you’re a business, and want to do good in your local community, where do you find what is most needed on your doorstep?

Support A Local Charity is one such initiative working hard to support corporate responsibility. It works just like a dating agency to find a compatible partner, but of course, it’s business, and the point is to align a business with a social cause. 

This initiative was launched as part of Gloucestershire’s Local Business Charity 2018 awards, sponsored by risk strategy and commercial insurance consultants Jelf and Ageas. 

Requests for help can include anything from looking for new trustees to help with fundraising, volunteering, accounts, marketing, PR, social media, HR etc. Businesses are asked to submit a form stating what they are willing to offer; from sharing the firm’s core skills, to supporting the charity for a year, or more general fundraising and volunteering support. 

Forms to support or register a charity can be downloaded from www.localbusinesscharityawards.co.uk. Upon joining, charities and firms can browse the register until they see a potential match, at which point the magic happens.

This is how IT firm, Cyber Security Associates, met women’s charity, Gloucestershire Bundles. Madeline Howard, of Cyber Security Associates said: “We loved the idea of ‘Support A Local Charity’ and were delighted to receive a call, asking for help with GDPR compliance from this charity.” 

Stacey Brayshaw, trustee of Gloucestershire Bundles added: “We are so grateful, without this initiative and finding a match, we would have spent vast amounts of money on becoming compliant.”

Monelise magic

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Visitors to the Thame Town Music Festival this month will be in for a treat as they listen to the haunting compositions of Monelise.

Her classically inspired soundscapes, which are truly twenty-first century tone poems blurring the lines, rather than crossing over between classical and contemporary, lyric and poetry, reality and dream. It was in an ethereal dream-like place, Iceland, she spent time last year as she recorded the video for her latest single The Flood which was released last month. You may be able to hear the single quite often as you shop, as the TopShop Group have signed an agreement for the song to be played in their stores during June and July,

Speaking of fashion, Monelise is pleased to return to Edinburgh earlier this year performing at the Alternative Fashion Week. Monelise was born in St Petersburg, she has lived in Russia, Houston Texas, Luxembourg and five years in Edinburgh. She is now living in London and studying for a Masters’ degree in Popular Music at Goldsmiths University as well as performing at some of London’s best kept secret haunts.

She gives her inspirations from across the musical spectrum including Kate Bush, Bjork, Michael Nyman, Yann Tiersen, Enrico Caruso, Frederic Chopin amongst others. If you are inspired to go and listen to her, then details of her performance and all the acts at the Thame Town Festival which is on at various locations across Thame on the 13th and 14th July can be found at www.thametownmusicfestival.org.

Music & more marvels

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Family-friendly Marvellous festival at Dinton Pastures Country Park over the weekend of 21st & 22nd July promises tribute acts galore and lots more!

Our respect for the talent of tribute acts has risen to such a point that whole festivals are dedicated to them. This certainly makes economic sense: in this time of austerity how else can you enjoy Tina Turner, Coldplay, Pink and Led Zeppelin in concert?

One of the longest running and best tribute festivals is the suitably named Marvellous which returns to Dinton Pastures Country Park near Hurst over the weekend of 21st and 22nd July.

Marvellous features 15 top tribute performers who perform their pitch-perfect imitations all over the world. On the Saturday you can have a fiesta with Oye Santana, listen to when Sting was great with Police Force and enjoy the sounds of Ed Sheeran (minus 100,000 screaming teenagers) in Jack Shepherd’s tribute.

Marvellous is well known for serving up an eclectic mix of musical genres and eras, and this year you will be right royally entertained by tributes to all your favourite artists and more as well as a second stage marquee featuring a plethora of unsigned local talent. Kids of all ages will find plenty to do with fabulous fairground rides as well as loads of free activities in the Big Kids’ Village – including balloon modelling, arts and crafts, games, and face painting.

New for 2018 is the Silent Disco tent where revellers wear headphones and can switch between two channels of music transmitted wirelessly to them by the DJ – great fun to do and to watch! The festival offers both day tickets and weekend tickets, camping and glamping packages.

Then there’s Sir Tom (Jones), P!nk, and Definitely Might Be (Oasis). That’s another great thing about tribute acts – you can watch unexpected reunions such as the Gallagher brothers or even reunions from beyond the grave in the case of T Rextasy who support Saturday headliners Ultimate Eagles.

On the Sunday the fun continues with Bruno (not Frank; Mars), Sounds of Simon (& Garfunkel), Boot Led Zeppelin, Typically Tina, The Fillers (The Killers tribute), Legend (Bob Marley tribute), and the headliner Coldplace.

Tickets for Saturday or Sunday cost £43 (£70 for the weekend) for adults, and £20 (£35) for children. If you plan to camp – or glamp! – then there’s an additional charge. For more details and to book visit: www.marvellousfestivals.com

Homegrown heroes

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Henley Symphony Orchestra will take centre stage on Saturday, 14th July, at the Henley Festival which Round & About magazine is proud to sponsor this year

Featuring a programme of popular classics from around the world, Henley Symphony Orchestra will play an inaugural concert from 11.30am to 1.30pm, on the “floating stage” as part of Henley Festival.

This is the first of two special classical concerts over the festival weekend; the second being the English National Opera’s concert on Sunday evening.

The HSO, now in its 48th season, continues to attract a wide audience and soloists of the highest calibre. It has given performances in Henley’s twin towns of Leichlingen, Falaise and Bled. Most recently it performed to a full house at the Hexagon, Reading, with the inspirational young cellist Sheku Kanneh-Mason playing Elgar’s Cello Concerto.

July’s concert will feature the violinist Min Kym who has performed with many of the world’s leading orchestras and eminent conductors. She will be playing two showpieces with the orchestra; Massenet’s beautiful Meditation from Thais and Sarasate’s scintillating Zapateado.

Under the masterful command of conductor Ian Brown, the orchestra will also perform Dvorak, Gershwin, Marquez, Offenbach and Walton. Tchaikovsky’s iconic 1812 Overture, with its resounding bells and cannon fire – a fitting end to the concert!

Tickets for the concert on 14th are £20 (£10 for under-18s and students). For the full Henley Festival line-up visit www.henley-festival.co.uk

High achievers

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This month Wimbledon, next year the West End and the world…
Dance Overture is London Studio Centre’s annual end-of-year production, showcasing the varied and exciting talents of first and second-year students.

Overflowing with energy, this month offers dance-lovers the chance to see household names of the future…
in spectacular form, between Friday 13th and Sunday 15th July Wimbledon’s New Theatre will host an exuberant display of jazz, ballet, contemporary dance and musical theatre. This exciting production was developed and rehearsed in just five weeks and showcases the diverse range of skills students have studied through a challenging year of technical training, rigorous assessment and rewarding academic exploration honed by leading and emerging choreographers.

London Studio Centre is keen to support former students in their careers, and some of the pieces in the production have been created by alumni who have established themselves in the field of choreography. Now they have a chance to work with those who are following in their footsteps.

However, this is by no means the only route people have taken once graduating. The London Dance Centre is 40 years old. It was founded by Bridget Espinosa and offers a comprehensive programme for students who are dedicated in the pursuit of excellence in all facets of musical theatre. The course offers a broad and versatile training and offers students the chance to specialise in classical ballet, contemporary dance, jazz dance and musical theatre. Aspects of all these genres will be showcased in the performances.

Studio Centre alumni have joined many of the leading companies such as Rambert Dance Company, Matthew Bourne’s New Adventures, English National Ballet, Royal Ballet, Phoenix Dance Theatre, Stomp, ZooNation, Spirit of the Dance, JazzXchange, Royal Shakespeare Company and the Royal National Theatre. They have also appeared in many Broadway and West End Shows such as Hamilton, Wicked, Matilda and Cats.

This will be an inspiring show for future young dancers as they have a chance to see students from a centre which is at the cutting edge of creative development. For further information and tickets, please visit www.atgtickets.com

Imaginative arts

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Make a date to visit Basildon Park this month to enjoy a spectacular exhibition. The grounds of Basildon Park, Lower Basildon, are the setting for Wayfaring.

This is a free outdoor installation and performance space created in the grounds of this country house, by artists Mandy Dike and Ben Rigby, who work together as And Now.

As the name poetically inspires, Wayfaring is an artistic journey of exploration, inspired by the landscape and ancient routes of the Icknield Way, a pre-Roman pathway running from north Norfolk to the Dorset coast. Basildon Park, where the North Wessex Downs meets the Chilterns, sits on the edge of the route.

Usually visitors pay to enter Basildon Park’s beautiful parklands – but on the 18th, 19th and 20th July entry is free.

The journey begins in the park, where you can contribute to the artwork, with materials found by Mandy, Ben and their team and a group of volunteers and local schoolchildren.

On the evening of Saturday, 21st July, at 7pm, fire, pyrotechnics, live music and performance will light up the installation in a rousing celebration. The audience will play an active part in Wayfaring – walking, looking, listening, maybe even singing. This event is an exciting opportunity to create an amazing journey for audiences in a very special location.

Wayfaring is the culmination of a three-year artistic and heritage collaboration between And Now: and the National Association for Areas of Outstanding Natural Beauty (AONB).

This project will provide a stepping stone to transform natural locations with imaginative arts events.

www.wayfaring.org.uk

Birth & beyond

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Following the success of The Nature of Forgetting, Theatre Re bring Birth – their latest work in progress – to the Wilde Theatre in Bracknell, writes Peter Anderson

That is it we carry deep down within ourselves from the very beginning? Diving into a world of myths, legends, fairytales, folk songs and taking inspiration from the fields of neuroscience and psycho-genealogy, Theatre Re will use their trademark mix of mime, live music, sound, light, costumes and props to explore what is passed between generations and how this shapes us.

Theatre Re are an associate company of South Hill Park and Guillaume Pigé, their founder and artistic director has many happy memories of Bracknell, he tells me. “We absolutely love bringing our work to SHP! It is always our first port of call and has nurtured numerous projects at early stages. We have fond memories of performing in 2012 and in 2013. Then the stage of The Wilde was the largest we had ever been on. We could not be more excited to share our newest discoveries in July!”

What are the advantages of putting a play in development in front of a live audience? “It gives us a deadline, otherwise we could keep exploring for a very long time without getting anywhere! Things start off with a few ideas, props to play with but it can also be texts, poems, images, movements or set exercises. We realised having an audience helps us to rediscover and reinvent and sometimes also questions the material that we have created in the rehearsal room. It is also incredibly useful for us to hear people’s feedback very early on. It allows us to gain a better understanding of what we are doing and check it is accessible and meaningful.”

What is it about the human condition that so fascinates him? “I don’t think I’ve ever made a conscious decision about it. After having made a few pieces I realised the common ground to all the different shows was the fragility of the human condition. Birth is very much a continuation of the exploration we started with The Nature of Forgetting about memory, when we explored what is left when memory is gone. With Birth the idea is to look at the same question but from the beginning point of view. What is it that we all start with or what is it that we carry deep down within ourselves from the very beginning. We are exploring genetic and family memory and what it is that we subconsciously inherit from our ancestors.

“There will be a lot of Theatre Re trademarks –sweat, live music, not many words – but also new elements we are playing with… you’ll be surprised”

Birth is on Thursday, 12th July, at 7.45pm at the Wilde Theatre, South Hill Park, RG12 7PA, and there will be a post-show discussion. Call 01344 484123 or visit www.southhillpark.org.uk

Much ado outdoors

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Summer wouldn’t be summer without a spot of open-air Shakespeare, and Progress Theatre is bringing Much Ado About Nothing to Reading’s medieval Abbey Ruins.

Written right at the end of the 16th century, Much Ado About Nothing is, of course, a comedy, albeit one with a hint of darkness. It also explores the meanings of loyalty, chivalry and true love.

In this al fresco production Progress Theatre shifts the time and place of the story from Italy’s Messina to an English country house at the end of World War II.

Director Trevor Dale, a veteran of many local Shakespeare productions, says: “One of the key elements of this play is the speed with which the romance emerges – these aren’t people who can afford the luxury of a long courtship. The war in Europe is over, but people would have been mindful of the continuing conflict in the Far East.

“Historically, there was a lot of social change at this time than after World War I, and so much of the humour and conflict comes from the difference in the social positions of men and women. So I wanted to highlight the strength of women in relation to men.

He continues: “Being outside really adds to the show – Shakespeare’s plays would originally have been performed in an open-air theatre. On top of that, the Abbey makes for an amazing backdrop and that alone is a reason to see it.”

Much Ado About Nothing is at Reading Abbey Ruins, from Wednesday, 11th July until Saturday, 21st July.

To book a ticket, visit www.progresstheatre.co.uk

True colours

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Kev Munday’s positive, vibrant artwork inspired by people-watching and the everyday will be unveiled at Reading’s Oracle as part of Reading Fringe Benefits, 24th-29th July.

Exaggerating and celebrating the ordinary, Kev aims for his art to appeal to all ages and make the viewer think and smile at the same time. His work takes inspiration from art forms as diverse as kawaii graphics and Huichol yarn paintings.

Using bold lines and block colours, the vibrancy of his style creates an enthralling visual experience. His iconic crowd paintings depict a sea of unique individuals showcasing the beauty in diversity.

Kev, 31, has created artwork for brands including Walt Disney, Graham & Brown wallpaper, Fracture Skateboards and Uni-Ball and his art is collected and exhibited worldwide. Having recently been named by The Telegraph as a “British artist to invest in right now”, Kev’s work can be found transcending gallery walls and on to a plethora of surfaces, including everything from police cars to pianos, billboards to grandfather clocks.

Relishing the opportunity to work in the public domain, Kev likes to see everything as a canvas and often produces artwork live at events. Upcoming projects include a large-scale mural in Dusseldorf, a public art trail in Southampton and an installation in a lift in The Oracle in Reading.

“I’ve done a few projects and commissions in Reading over the last few years, these include exhibiting at the UnBoxd street market in Broad Street Mall last December and painting part of an installation for the Festival of Light in 2016. I find it’s a nice town to exhibit in and the public are always accepting of new creative projects.”

His latest being in a lift at The Oracle, he explains: “It’s called Uplift and I’m basically painting all four walls, the floor and ceiling of a lift so you can literally step into one of my paintings. On Wednesday, 25th June, from 11am to 2pm there will be musical performances on different levels of the carpark, you can take the lift to see the acts.”

Kev took a graphic design degree at Solent University but says he got into art through graffiti and street art as a teenager which he believes is a great way to create art in the public domain. He adds: “It’s also a great way to get young people interested in art in my opinion. I still use spray paint and marker pens and paint public murals.”

Visit www.kevmunday.co.uk and for more on Reading Fringe Festival see www.readingfringefestival.co.uk