On the urban rhino trail

Round & About

Genre

The Tusk Rhino Trail is a London-wide art installation, created to raise awareness of the endangered African rhino. Land Rover talk about its sculpture, put up this Monday in Trafalgar Square.

A unique 1.2m-long rhino sculpture was towed into Trafalgar Square on Monday, in support of the Tusk Rhino Trail, to aid conservation projects for this precious, endangered, African, species. The initiative involves 21 sculptures donated and decorated by leading figures from the worlds of art and design installed at prominent locations across the capital.

Towing the sculpture into this particular location was a Land Rover Discovery SUV, as this motor manufacturer has been collaborating with Tusk, The Duke of Edinburgh’s charity, for more than 15 years to preserve the habitat of the rhinoceros, in remote African places.

This particular art installation uses specialist paint techniques from Land Rover’s state-of-the-art manufacturing process to achieve a highly durable liquid metal finish.

Gerry McGovern, Chief Design Officer, Land Rover, said: “I wanted to celebrate the magnificence of this unique creature, so my rhino is covered in a chrome finish. The idea being that because of the highly reflective nature of chrome it would be seen from a long distance, consequently creating awareness of the plight of this animal in Africa. The red painted horn signifies the absurdity of this beautiful animal being hunted for such a small part of its overall being.”

Traditionally chrome has been used on vehicles to communicate prestige. Land Rover has developed an innovative and sustainable process to create a modern interpretation of chrome using a paint coating called spray chrome.

Inspired by the dye treatments conservationists use to protect rhinos from ivory traders, the horn of the Land Rover sculpture has been painted red, highlighting the plight of this endangered creature. White ivory has huge value to poachers and one solution is to inject rhino horns with a dye, making them less appealing to hunters.

To raise awareness of the plight of the rhino, you will find 21 installations popping up all over London. culminating in the celebration of World Rhino Day on Saturday, 22nd September. Each of the 21 rhinos will then be sold to raise funds for Tusk projects across Africa at an event hosted by leading auction house Christie’s on Tuesday, 9th October.

To discover all 21 rhinos, visit Tusk Rhino Trail 2018  #TuskRhinoTrail

Shining spa

Round & About

Genre

Michelle Miley checks into Donnington Valley Hotel & Spa, near Newbury.

Life can sometimes feel like such an obstacle course of practical demands that “me time” feels like a distant, pre-children dream. So, checking into the Donnington Valley Hotel & Spa (awarded a five-bubble rating by The Good Spa Guide) for an overnight break was a very surreal experience…

Amid a glorious patch of Berkshire countryside (Highclere Castle is a hop away), the four-star, family-owned Donnington Valley is a place that melts your cares away. First of all, the spa itself. I’d heard brilliant things about the Ultimate Vitamin Glow Facial, one of the signature Decléor treatments industry experts hail as a skin saviour. I was in brilliant hands, my face and neck cocooned in warm, fragrant face food. I can’t remember when I’ve felt more relaxed (though normally I’m embarrassed about my skin) and our faces felt miraculously “bouncy” and glowing, days later.

I almost felt as though some kind of “reset” button had been pressed, and the joy of a stay is that you can build on that, indulging all your senses and whims. So, after floating about with my friend in our fluffy white robes, we headed to the 18-metre swimming pool for a swim (well, a plop, being seven months pregnant!), a soak in the jacuzzi and some light steaming in the steam and sauna rooms.

Checking into our hotel room (a cosy dream of neutral tones, comfy bed and pillows fluffy enough to suit a princess), I tucked into the beautifully wrapped velvety truffles and switched on the giant TV, thinking ‘this is the life’! My date for the evening (my husband) arrived in time to join me for a view of the sunset over the golf course (distracting him from the fact I’d devoured all the complimentary orange marmalade and banana & butterscotch biscuits!). As I often wish men would realise, it’s the little things that make you feel really special, and the White Company smellies in the bathroom, and pre-dinner bubbles in our goodie bag, did just that.

Dinner in the 2-AA Rosette restaurant, in a private booth, did not disappoint. The restaurant has an extensive wine list, from a £16 carafe to £200 bottle; hubby had a dry, Aussie pinot that went beautifully with his crispy squid and I loved my smoked duck followed by hearty venison and marrowbone jus. The modern setting is romantic and luxey; high-beamed ceiling and brass chandeliers (special mention to the pink-and-gold koi carp wallpaper in the ladies!) As for dessert: roasted pineapple with coconut ice cream and a chocolate fondant won our hearts; 10 out of 10! The staff in both the spa and restaurant put their heart and soul into serving and it was perfect.

Big hint to anyone out there wanting to treat the one you love… For overnight spa packages, or treatments, visit www.donningtonvalley.co.uk

Make believe

Round & About

Genre

Susannah Steel traverses rooftops and rainforests with prize-winning author Katherine Rundell to explore children’s literature and her inspiration

Children’s literature is that most imaginative, immersive, shape-shifting, character-building collection of written words. For many, it conjures images of wardrobes, wizarding schools and midnight gardens…

But what does it take to write? To create something so captivating, so fantastically unbelievable that your reader has no choice but to believe… So synonymous with them that they need only see a rabbit with a watch to know they’re in Wonderland?

Having lived in many countries, Katherine Rundell brings a wealth of experience and an original spirit of character and adventure to her books. Indeed, for her most recent novel, The Explorer (about four children whose plane crash-lands in the Amazon rainforest), she went on a research trip to South America. “I swam with pink wild river dolphins, captured tarantulas and fished for piranha, and then I put it all in the book,” she says.

This pursuit of authentic experience highlights the importance of storytelling in giving vicarious experience. Isy Mead, head of learning and participation at The Story Museum in Oxford agrees: “Children’s literature occupies a fundamental role in the formation of the imagination, as well as compassion, humour and perspective.” Katherine adds: “It’s true there are more alternatives to reading, but books still do something nothing else can – they give you another world you can know in an intimate, blood-deep, behind-the-eyes way.”

Whether writing about the African landscape, the strict corridors of a boarding school, Russian forests under inches of snow or the rooftops of Paris, Katherine brings a magical, poetic and vividly original flair to her characters. They include a refreshing collection of strong female protagonists. However, Katherine says, she did not set out to consciously redress this imbalance…

“They were the characters I had in my head; I loved them, and I wanted to see if I could make them fly. In fact my most recent book has a boy protagonist, Fred – but I fervently believe boys must be shown they can read books with girls in them as readily as girls read books with boys; it’s absurd that the old prejudice still has pincers in.”

Was writing always Katherine’s calling? “It was! I can’t remember a time when I didn’t want to be a writer. I wanted to be other things along the way – architect, archaeologist, acrobat, pilot… But writing was the one that stayed at the centre.”

I wonder whether Katherine has been influenced by past children’s classics and fairy tales and, if so, which? “I’m sure I must be – I loved the dream of finding Narnia, I loved Paddington’s kindness, I loved the dry wit of E Nesbit. I loved Cinderella; but the 500-year-old, pre-Disney versions, in which Cinderella murders the wicked stepmother by chopping off her head with the lid of a trunk!”

Katherine’s stories usually include a journey, physical or emotional. What is it about a “journey” that so appeals to readers? “We love transformation, whether it be of a person or a landscape,” she says. “And I do love a good packing scene!” And her stories are not without sadness…“My reckoning is life is as difficult as it is beautiful, and all books worth their salt will acknowledge this, one way or another.”

Her characters are often aided by strong friendships. I ask her; Is the loyalty of friendship something she’s keen to explore? “Yes! I think friendships in fiction, particularly boy-girl friendships, can get sidelined by romantic plots, and I was keen to look at what friendship is made of – at that particular blend of admiration, love, trust, exasperation, and shared jokes that can shape your entire childhood, if you’re lucky.”

As for Katherine’s other characters, Sophie (Rooftoppers) loves to climb, Feo (The Wolf Wilder) plays with wolves and Will runs barefoot in the African landscape (The Girl Savage). Does Katherine share any unusual hobbies with her characters? “I love to climb,” she replies. “I think climbing can be a superb way to see and know the world. I used to go clambering on the rooftops of my Oxford college [All Souls], for a sight of the gargoyles, and of the world spread out below.”

And, with Katherine’s ethereal, almost timeless application of language, her empathy with character and need for adventure, the future of the growing children’s lit genre seems to promise a vivid and enticing view. Nonetheless, as Katherine reminds us, there are growing obstacles too…“What worries me is poverty, and its effect on literacy,” she says. “Three quarters of a million children in the UK don’t own a single book, and I worry that, as more libraries close, we’ll create an apartheid, where some children are shut out from the world of books and the joy comes with them.”

After all, views of landscape, adventure and wonderlands were created without borders. Let’s make sure they need not be seen only by telescopes and keep the expanding horizons of children’s literature visible for all.

Bear Necessities

Round & About

Genre

Ella Reeves enjoys a summer highlight at the newly renovated historic gastropub The Bear & Ragged Staff in Appleton Road, Cumnor.

Head Chef of the restaurant at The Bear & Ragged Staff
The specials in restaurant of The Bear & Ragged Staff

The Bear and Ragged Staff is a charming gastropub in the village of Cumnor, retaining many of its original Tudor features. I knew we were in for a treat, as my Great Uncle Tom, who lives in the area and has excellent taste, goes there a couple of times a week.

It was the ideal location for a clement summer evening, with a well-kept display of flowers welcoming visitors on arrival. And boy, did we need welcoming. In retrospect, it would have been lovely to have taken a cycle ride to the Bear and Ragged Staff. Or, you could stay in one of the nine lovely rooms on the premises. My clumsy mistake meant we got on the wrong bus, which led to a traumatic journey, but we were put at ease when we were met by the lovely and professional staff.

We started with a drink on the south-facing terrace before dinner. I was keen to try the cocktail menu, and chose a cosmopolitan, which was perfectly balanced on sweetness and sharpness from the lime. My partner, partial to a good rosé, ordered a pinot blush, which went down a treat. Sometimes, it’s the little details that count: lavender and rosemary in little plant pots on the tables. I also noted the biodegradable straws, a good sign of a forward-thinking, sustainable establishment.

The restaurant was managed like a well-oiled machine. The staff were knowledgeable about the menu, answering each question and attending to each request with discreet elegance.

I love a good eatery with a menu dilemma… The kind of place where everything sounds so delicious that you just cannot choose and have to “panic order”. We were not rushed by the ever-patient and charming staff, but our hungry tums and salivating mouths necessitated twe order without delay.

I always wonder if it is fair to review the specials, but I have it on good knowledge that the selection is on par each evening. I was torn between the special starter of blue cheese croquettes with pickled shallots and toasted pine nut salad, and buffalo mozzarella, heritage tomato and basil salad. My decision was made when my partner agreed to let me sample his croquettes.

Digging into the crispy exterior, the blue cheese oozed onto the tangy salad leaves, set off by the gentle crunch of the pine nuts. It was described by my partner as the “best starter ever” and I knew he was genuine as it is rare he would eat his greens with such enthusiasm. I had to agree when I was allowed to sample – just a bit though, that’s shallot!

I dug into my starter and was transported back to my recent visit to Venice, where the caprese salad became my favourite dish to order at any restaurant.  The Laverstoke mozzarella – sourced from the first farm to produce authentic mozzarella in the UK – was every bit as creamy as it should be, complimented by the basil-infused dressing and stylishly multi coloured tomatoes, sweet and plump enough to rival their Italian counterparts.

It was beautifully paired with a sauvignon blanc that was every bit as crisp, fresh and lemony as it should be – just the way I like it.

Then, the mains. Oh, the mains! We both opted for duck, and were impressed by the creative talent of the chef to create two very different dishes.

My choice was the special, a roasted duck breast, served beautifully tender and pink, with crunchy pancetta, hispi cabbage, and a perfectly seasoned ‘jus’. I come from the sort of family where you would set your relatives in a state of panic by setting out a full roast and not bringing the gravy until last, so it took a great deal of self-control to resist licking my plate clean. My partner’s duck Bolognese was a welcome twist on a classic, with crispy duck crumb adding depth through the texture contrast.

Feeling that we were reaching capacity, we opted for a light finish of a trio of Jude’s free-range ice creams (him), and an espresso martini (me). I am known for being fussy about all my drinks (to say the least) and the espresso martini is no exception: it must have the perfect balance of sweetness. They nailed it.

Call The Bear & Ragged Staff on 01865 862329 or visit www.bearandraggedstaff.com

Indulge in the Foodie Festival

Round & About

Genre

Enjoying food with your family, is always a great combination, add music, great attractions and a festival and that’s a whole new take on fun!

Food and family, always go together, add music, great attractions and a festival and that’s a whole new take on fun!

The Foodies Festival returns, with a whole lot of master and bake off chefs all descending on South Park, Headington over the Bank Holiday weekend, August 25-27.

Included in the star-studded line up of culinary geniuses, is MasterChef 2018 runner-up Nawamin Pinpathomrat and Kenny Tutt, the bank manager who beat him to the MasterChef 2018 title. Both will be cooking their favourite dishes in the Chefs’ Theatre.

Great British Bake Off winner Sophie Faldo, the TV contest runner up, Steven Carter Bailey and Italian chef Giancarlo Caldesi, who presented the BBC2 series, Road to Tuscany, will also cook live.

Local chefs Paul Bell, of the Cherwell Boathouse, Paul Wellburn, The Oxford Kitchen and Chris Bentham, The Black Boy gastropub, will share their signature dishes in the chefs’ theatre.

Street Food Avenue features more than 30 food stalls and a chance to sample and buy from more than 100 artisan producers taking festival-goers on a culinary trip of the globe.

This year the festival will also celebrate live music into the night on the newly-launched stage with performances from much-loved 90s headliners Toploader, power pop group Dodgy and hugely admired band The Hoosiers.

Supported by Musicians Against Homelessness, the live music stage will see talented emerging bands and solo artists perform with tickets raising money for UK-wide homelessness charity Crisis.

As well as lots to see and eat, there are a mouth-watering array of attractions including fun cream-pie throwing, chilli-eating and cheese-stretching contests.

Visitors can try their hand at chocolate-making, cake decorating and brewing health-boosting Kombucha tea.

The Drinks Theatre will welcome expert mixologists and sommeliers to the stage and give wine-buffs a chance to sample varieties from around the world. And, thirst-quenching cocktails will be available at Tequila Shack, Tikki Rum Bar and Gin Station.

Younger foodies can have fun in the Kids Cookery Theatre, craft area and play zone with bouncy castle and face painting. A ferris wheel and carousel will add to the festival atmosphere.

Naturally, you’ll want to be at this ‘gastronomical’ event and the festival organisers have partnered up with Round & About Magazine to offer visitors, two for one tickets.

Simply visit www.foodiesfestival.com and type in the code: FOODIES241 or call 0844 9951111 

Wheelyboat fundraising appeal

Round & About

Genre

A Wheelyboat will really help The Wallingford Accessible Boat Club (WABC) members. Can you help them reach their £65,000 target?

WABC Wheelyboat

The Wallingford Accessible Boat Club (WABC) mission is to make “messing about on the river” enjoyable for everyone. It is a voluntary, community organisation where able-bodied and disabled folk are encouraged to participate independently in river-borne experiences, such as picnicking, fishing and boating on the Wallingford stretch of The Thames.

A wheelchair-accessible powerboat, the Coulam Wheelyboat V20, will make access a reality for all members of the WABC. It is a boat that has a drop-down bow facility that allows wheelchair users the ability to simply roll on to the flat bottom of the boat. ”

To get a Wheelyboat,  the WABC need £65,000.  Three major donors have come forward to give this community project a great start to its drive, but they are hoping the public can help them reach their final target.

Andrew Risk, WABC, head of marketing and communications, says: “We have been extremely fortunate in attracting three significant early donations which have given us a real head start to our fundraising appeal.  We are very grateful to the donors for their help at this time –‘early money’ makes such a difference.  Now the hard work is to keep the momentum going.  I appeal to individuals, grant-making organisations and local companies to please help us.  Any financial assistance, small or large, will be much appreciated, as it will improve the quality of life for many local, disabled people.”

Please donate via www.wabc.org.uk or email [email protected]

Key Player

Round & About

Genre

Impressionist Alistair McGowan will show audiences a different side of himself this month. He chats to Peter Anderson ahead of his Maidenhead piano show

Impressionist Alistair McGowan will showcase his love for classical piano music, motivated by his desire to open the genre up to the masses. Audience members can look forward to beautiful music (with the occasional mistake), some interesting stories and a sprinkling of his trademark impressions…

So where does Alistair’s love of classical piano come from? “I grew up with classical music,” he says. “I can remember the Peer Gynt Suite from when I was about five. Then when I was in my teens I heard some piano music on the radio; I asked my mother what it was and she told me Rachmaninov’s Second Piano Concerto. When I said I really liked it, she said she had a record of it and we listened to the whole concerto.

“With this concert, I hope to bring my love of classical piano music to a wider audience by playing about 18 short pieces and in between talking about the pieces and the composers who wrote them. There are many lovely composers for the piano whom not many people have heard of and I’d love to change that.

“One of the pieces I play is by John Field, one of the best Irish composers of classical music. During the show, there may be the occasional laugh, but this is me trying my best to play piano, not emulating Victor Borge or Les Dawson!”

I guess one of the scariest moments for an impressionist must be coming face-to-face with someone you impersonate? I wonder whether Alistair fancies meeting one of the classical composers… “Now there’s a question! I think some of the composers were a little terrifying. I think Tchaikovsky described Rachmaninov as 6 feet 6 inches of Russian gloom. John Field is someone I’ve studied and his music is good for beginners to learn. Then there’s Debussy and Grieg both of whom had a vast knowledge about piano playing.”

Alistair McGowan – Intoduction to Classical Piano is at Norden Farm in Maidenhead on Saturday, 11th August. For more information or to book please visit www.norden.farm/events or call 01628 788 997.

Mud in your eye

Round & About

Genre

Reaching your full potential is the name of the game at Abingdon RFC, writes Sam Colmer, the club’s chairman of the mini and youth teams

Abingdon RFU

Abingdon Rugby Club is a community club with a current emphasis of encouraging every player to achieve full potential while enjoying both the sporting and social aspects of the game.

Founded in 1931, Abingdon RUFC boasts a playing membership of 250+ with a full range of Mini and Junior teams to compliment the three senior sides.

Abingdon RFU

Fully qualified coaching is available to those of any age or gender who wish to improve performance or who have simply never played the sport and want to give it a go!

We enjoy our own dedicated facilities of a large modern clubhouse with four pitches and a floodlit training area. For any further information or details of membership opportunities (playing or otherwise), please don’t hesitate to contact us.

The Mini/Juniors Rugby Season at Abingdon RUFC starts on the first Sunday in September, and the Senior sides kick off the second Saturday in September.

Abingdon RFC Minis welcomes players from age 5 years to 16 years. The practical lower age limit is 6 although well co-ordinated rising 5s would not be turned away.

As a club we are proud to champion Rugby’s core values of Teamwork, Respect, Enjoyment, Discipline and Sportsmanship which we hope inspires  lifelong bonds between the children, adults and a our sport.

Our philosophy within the Minis and juniors section is to put the children at the heart of everything we do and all the decisions that we make, that is why we have taken the Quilter Kids First Pledge for the U7-U13 age grades.

Abingdon RFU
Abingdon RFU

Within the U14 – U18 age grades  our core values are strongly upheld and the ethos is to be competitive and to enjoy winning but not at all costs, as it’s the fun of playing with your mates that we as a club support above all.

We have an amazing group of RFU qualified and very dedicated coaches who help create a safe, fun and inclusive environment for our children to learn and prosper through rugby.

Using rugby union as a vehicle for developing a young  person’s “Personal and Social” skills can have a dramatic impact an all aspects of their life.

We also have a Colts team and 2 Senior sides and it doesn’t matter how old you are if you can run around and pass a ball we will welcome you with open arms.

Senior preseason training starts are currently runing every Tuesday and Thursday. We welcome anyone over the age of 17, to senior preseason training – whether you have never touched a rugby ball in your life or are a seasoned pro, we welcome you to join in.

Abingdon RFU

We also run the RFU O2 touch rugby session on a Sunday throughout the summer and mid

O2 Touch is a fun and friendly non contact game environment for both men and women of all abilities to get involved in touch rugby.  Whether its about honing your fitness or having a great time exercising as a group, this is social fitness at its best.

For more information call 01235 553810 or visit www.abingdonrufc.co.uk

Woking Wonders

Round & About

Genre

A glimpse of Woking between the wars is the focus of a current photographic exhibition by Sidney Francis at the Lightbox Gallery

Photographs around Woking: Sidney Francis in the 1920s and 1930s gives us a glimpse of life in Woking and the surrounding towns and villages nearly a century ago.

This fascinating, uplifting collection is testament to the area’s vibrant and diverse community spirit.

Visitors can gaze at locals dressing up celebrating Woking Carnival in 1927; family-owned businesses such as dairies, butchers, printers and confectioners proudly displaying their wares; crowds gathering for Remembrance Day memorials; religious holidays at the Shah Jahan Mosque (Britain’s first purpose-built mosque) and families uniting for modest yet joyful wedding parties, sports teams, Eid celebrations, parades, dancers and musicians.

Sidney Francis was born Sidney Francis Patient in Southwark. By the time of the 1911 census, he was working as a photographer’s assistant in Crawley. By 1916 he was working as a photographer in Godalming. During the First World War, he served in the Royal Air Force.

From 1923 Francis lived at 88 Maybury Road in Woking, where he also ran his photography business. Often describing himself as a “photographic chemist”, Francis’ work included wedding photography, commissions for local businesses, event photography for local newspapers the Woking News & Mail and Surrey Advertiser, and commissions for The Islamic Review.

For details, please visit www.thelightbox.org.uk

Colourful Capers

Round & About

Genre

The colourful comic book world of 1930s America lands in Windsor as Le Navet Bete brings Dick Tracy to the stage in their own style, writes Peter Anderson

Will Dick Tracy be able to save the day, get the girl and get to the bottom of who’s causing all the mayhem? Or perhaps the truth is closer than he thinks… With its theatre work rooted in the ridiculous, Le Navet Bete’s Dick Tracy is a physical comedy influenced by the world-famous detective incorporating fooling, original live music, plenty of audience interaction, lightning quick character changes, incredibly authentic accents spattered with mystery, malice and mischief.

I asked Al Dunn, one of the Exeter team, how he got into comedy, and Le Navet Bete? “I loved the slapstick side of comedy,” he says, “and can remember when I was 12 or 13 I really enjoyed watching programmes like Bottom with Rik Mayall and Ade Edmondson. Then I met up with the other guys when we were at college. We worked out a show and took it to the Edinburgh Fringe. It went down well and ten years later we are still touring, in our 30s and married, so we don’t do as many foreign trips! But I am pleased to say our Dracula script has been published in Canada, America and Greece as well as other countries.”

So, I wonder, is he looking forward to performing in Windsor, and what can the audience look forward to? “I love the Theatre at Windsor it is really old and beautiful, as to what the audiences can look forward to, well… With Dick Tracy, we aim to recreate the colourful cartoon strips of 1930s America with loads of set pieces and great music. It is so much fun to connect with the audiences; they seem to love to watch something build and build only for it to come crashing down. I guess you could say slick but slapstick.”

This team promise you a show where the villains end up in handcuffs and the audience in stitches.

Dick Tracy is at The Theatre Royal, Windsor, 13th-15th September. To book, please visit www.theatreroyalwindsor.co.uk.