Fun Of The Fair

Round & About

Community & Charity

Neighbours! Everybody needs good neighbours… so the lyrics to the Aussie soap opera tell us. London may not have a sun-drenched backdrop, but the city’s neighbourhoods are important environments, that are cultural and distinct, created by the human spirit and the will to connect.

However, sometimes, with our busy lives, we lose sight of the glue that holds us together. Which is where the charity, Fulham Good Neighbours, happily steps in. For more than 50 years, it’s been bringing this Fulham community together, with volunteers to support, whether caring for the elderly, doing a bit of gardening or DIY, shopping, looking after a pet and a lot more.

Raising funds is the main part of what they do, in order to support everyone who needs help in this community – and one event is the highlight of the year: the Parsons Green Fair.

For one day the neighbourhood is transformed into a traditional fete, inviting more than 8,000 visitors, with more than 100 stalls selling local goods and fairground attractions. The main stage includes acting and dance performances, promising a great vibe, whatever the weather!

The event is on Saturday, 7th July, 11.30am until 5.30pm, and is free. You can get involved by holding a stall, volunteering your time as a marshal or just turning up and having fun.

Visit www.parsonsgreenfair.org

Military music

Round & About

Community & Charity

Sarah Readings explains more about one of the lesser-known aspects of the Royal Air Force Music Service; the RAF Voluntary Band Association

Music is, and always has been, an important part of our nation’s military heritage. It has long played an essential role in military affairs, from the war carnyx that roused the ancient Celts to war, via the drums and trumpets of Roman Legions, to the bugle call that signals the lowering of the RAF ensign at sunset. Music lifts the spirits, helps keep a parade in step and encourages a sense of comradeship. Military music is a tradition in which the Voluntary Bands (VBs) of the Royal Air Force have proudly participated for a century.

In April 1918 when the Royal Air Force formed from the union of the Royal Naval Air Services and the Royal Flying Corps, musicians of the two services, augmented by fresh recruits, united to form the first RAFVBs. Funding emerged, including donations from officers. The men who flocked to volunteer came from a variety of musical traditions – brass bands, military bands, pipe bands and corps of drums – and their skills covered all manner of instruments. Some were experienced, others were hobbyists.

Soon after the Voluntary Bands began, the Air Ministry received a report calling for the inauguration of a School of Music to be staffed by a team of 50 band instructors. The Air Ministry agreed, only to reconsider when the dust of the Great War settled to reveal enormous debts. In 1920, amid loud arguments from the Army and the Navy that the RAF itself was no longer necessary, the infant RAF School of Music was disbanded. Happily, the RAF Central Band stepped in and supplied a succession of excellent Voluntary Band Instructors (VBIs).

In the 1920s and 1930s, VBs flourished: many RAF stations, both at home and overseas, had their own band and some of the larger ones worked with the RAF Central Band. Many more bands were established as the Second World War drew thousands more people into uniform and the number of RAF bases and personnel increased. A great number of new recruits of all trades had, in civilian life, been keen musicians, whether professional or amateur, and they rejoiced in the opportunity to continue banding while dressed in RAF blue. Even after the war ended, some of them stayed on in the Service and formed professional ensembles as part of the RAF Music Services.

In 1949, the RAF School of Music reopened and offered a bandmaster’s course which produced some marvellous VBIs, mainly Warrant Officers and Flight Sergeants, who guided the various bands for another three decades. By the mid-1970s, 24 bandmaster posts existed at RAF stations both in the UK and overseas.

Today’s RAF Voluntary Bands are led by fully qualified, experienced bandmasters who are the only paid members of the VBs: all other bandsmen and women are willing volunteers.

One of the welcome results of the formation of the RAFVBA is increasing collaboration among the bands. Over the past few years a number of prestigious massed band events have been staged, highlights being a concert at Symphony Hall in Birmingham in 2008 to celebrate 90 years of the Royal Air Force; a commemoration of the 75th anniversary of the Spitfire in Leicester in 2011 and a showcase concert in Cardiff in 2016. For amateur musicians these massed band events are an opportunity to participate in high-profile and prestigious concerts and enhance our feelings of pride in the Voluntary Band Association and its place in the modern music service.

Now for a more personal perspective – as a proud member of RAF Halton Area Voluntary Band, I have enhanced my musical life and improved my musical skills. I have strong links to the Armed Forces; both of my grandfathers served in WWI in the Australian and British Armies, my father served in the Australian Army in WWII and two of my brothers served in the British Army for years. I married into an RAF family; my mother-in-law was ex-WRAF and my father-in-law a Squadron Leader in the RAF. After his death my mother-in-law remarried a Wing Commander in the RAF. I have a nephew serving at RAF Benson as Puma ground support and another nephew has recently left the Royal Marines after many years’ service, including Iraq and several tours of Afghanistan.

Military tradition and its ethos of service and dedication has formed a backdrop to my life and in a very small way I am able to continue that. As a mature amateur musician, who came late to playing a brass instrument, I was able to learn a new skill and gain an insight into the world of military music. For me, a particular highlight is our participation in the annual Service of Remembrance held by the War Widows Association of Great Britain in Whitehall on the Saturday preceding Armistice Sunday. There is no greater sense of pride than marching to our national memorial, the Cenotaph, and participating in this moving event and supporting women who have suffered the ultimate loss in the protection of our country.

There are advantages to being a civilian member – I for one never thought I would learn to stand on a drill square and start working out my left foot and right foot and then be expected to march, play, stay in step, follow the right direction and not end up facing the opposite way to my comrades in the band. In conclusion, while membership of an RAF Voluntary Band does require commitment and either an understanding of, or a willingness to learn and embrace service discipline, in return you are part of an organisation that can widen your musical experience much more than is usually possible in a civilian alternative.

For more information, please visit www.haltonvoluntaryband.co.uk

It will be pilots on parade this month, as the RAF100 Roadshow reaches Horse Guards Parade, 6th – 9th July as part of the centenary year. On display will be aircraft from all through their history, including; Royal Aircraft Factory BE2c Biplane, Supermarine Spitfire MkXVI, Gloster Meteor F4 (the actual aircraft that captured the world air speed record of 616 mph in 1946), Harrier GR3, Tornado GR1, DC3 Dakota and a Chinook Helicopter. As well as the past, the RAF will also be looking to the future with an interactive STEM/Techno Zone and learn more about how they’re creating the next generation Air Force. After the Roadshow at Horse Guards there will also be a flypast and parade on 10th July. Visit www.raf.mod.uk

With grateful thanks to Mrs Mary Mackie, for her assistance with this article and her research into and words on the history of the RAF VBA. Mrs Mary Mackie, Author & Speaker, Kings Lynn, Norfolk.

Driving force

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Community & Charity

Oxford teacher David Johnson has a racing start with his art, catching the eyes of his driving heroes Sir Stirling Moss and Sir Jackie Stewart

Even from a young age David has always had a fascination of Formula One. After initially watching the sport on television, David attended his first Grand Prix at Silverstone in 1997. What began as an interest evolved into a true passion.

As a child he was always found tinkering in the garage with his granddad, building and restoring all types of products. This hands-on approach built the foundations for an enjoyable journey under the umbrella of design and technology at school. St Augustine’s in Oxford provided many exciting opportunities for students to take part in D&T projects. Under the eyes of his teachers, Mr Rose and Mr Humphreys, David remained drawn to F1 and was encouraged to get closer to the sport. His fondest memory is of the Formula Schools club that saw a team of students design, build, and race a remote control car around a small track at Silverstone.

When leaving school, as a hobby, David started to create paintings depicting some of Formula One’s greats. His first was of Jim Clark racing at Silverstone. Curiously, David decided to sell the painting that gained much interest and realised he could be on to something. As time passed this hobby grew, as did his career. He was now a teacher at St Gregory the Great Catholic School. Always aiming to get closer to the sport, he ran many exciting extra-curricular trips and activities, including Formula Schools which gained much success and recognition. He also organised trips to Formula One events and even took a group of students to Sir Stirling Moss’s home to meet the legend himself.

Throughout this time he strived to apply more focus on artwork and developing his style. It was at this point he contacted Sir Stirling Moss.

Back in 2008 he had sent a letter to Sir Stirling Moss, explaining the desire to create a painting of one of Sir Stirling’s favourite cars, with the hope he would sign the prints. In just a matter of days he received an envelope through the post with the initials SM on the reverse! On the response Moss showed a keen interest having viewed David’s previous artwork, and was happy to discuss his favourite racing cars over the phone.

With the decision of which scene to paint made, David began working on the 1956 Monaco Grand Prix with Sir Stirling Moss leading the pack in his Maserati 250F, holding off Juan Manuel Fangio to secure his first victory at the Principality. In just over a month, he had completed this art piece and it was ready to print. It was then one of David’s proudest moments, as he had journeyed to the home of the personality he’d read about and admired as one of his favourite drivers. Sir Stirling Moss hand signed a number of limited-edition prints and posed for a photograph, and the sense of achievement was great.

From this point he was on the motor sport map. He was approached by motoring publications asking to display his work and exhibited at a number of shows. As he continued to still develop and perfect his skills he had worked with other racing greats along the way including John Surtees, Jody Scheckter and Sir Jackie Stewart, just to name a few. He found himself returning to see Sir Stirling Moss regularly for the breakfast signing slot. Sir Stirling could also see David’s talents grow and wrote to him encouraging him to always follow his passion.

David has started a clean chapter with a new challenge; the palette knife. He has swapped his fine grade brushes with great success and has applied a fresh new look, still with an eye for detail. This modern approach has drawn great interest through social media, and will see him attending the Grand Prix Ball and British Grand Prix where he will be exhibiting and live-painting.

Driver signings continue. In April of this year David proudly met once again Sir Jackie Stewart, this time with a palette knife painting for signing. This was unlike anything Sir Jackie had seen before on canvas as he was astonished by the artwork. The painting is now due to be auctioned in Monaco to raise funds for Race Against Dementia.

David continues to develop his skills with a focus on capturing the excitement and atmosphere of the race. Through his art he hopes to meet and work with many more drivers in the future and leave a lasting impact on the artwork within the motor sport sector.

Please visit David’s website to view more of his work at www.formulaart.co.uk

Level best

Round & About

Community & Charity

Jonathan Lovett chats to Mark Chadwick of seminal band The Levellers ahead of their tour

Places such as Windsor, Eton, Ascot and Henley-on-Thames are beautiful,” enthuses Mark, “and we love our heritage – you can tell from the name of the band! We are contradictory; we have Tory-voting fans as well as lots of left-leaning ones…”

I’d just asked the lead singer of The Levellers if they are as happy playing more overtly “posh” areas such as the above which may not be the natural fanbase of a left-wing band named after a radical 17th-century democracy movement.

But Mark is nothing if not egalitarian and, combined with a passion for history, makes for the kind of stimulating interviewee who can quite easily fall into conversation about the Putney Debates of 1647!

“These were forced by the Levellers and paved the way for many of the civil liberties we value today,” he adds. “They were the first to talk to people as equals and the debates were a platform for common people within the context of the time. I wonder whether we need a modern Putney Debate today?”

Politics has always figured strongly in the work of The Levellers who celebrate their 30th anniversary year with a tour and the release of a new album, We The Collective. But they would never have been able to have preached to so many people if it was not for their wonderfully catchy tunes and sing-alongs which turned them into one of the most popular indie bands of the 1990s.

Indeed, they were so popular that the band still hold the record for playing to the biggest crowd Glastonbury has ever seen when an estimated 300,000-plus people saw them headline the Pyramid Stage in 1994.

“It was bizarre looking out into that crowd because it was so big,” says Mark. “It was terrifying and afterwards I had the worst stomach cramps I’ve ever had in my life because of this massive delayed nervous anxiety! I do look back with affection on those times and still get people coming up to me all the time going, ‘You helped change my life’, which is great.”

Still relevant and still challenging the status quo, We The Collective is the band’s highest-charting album entry in 21 years and features new arrangements of old classics such as Liberty Song and Hope Street alongside new songs such as Drug Bust McGee. “That’s about the subject of undercover police which is something we’ve experienced several times over the years,” adds Mark. “We’ve also been investigated and infiltrated by Special Branch and MI5 but we are no threat to society… the whole point of The Levellers is that we promote society!”

The Levellers play The Anvil in Basingstoke on Friday, 13th July. Visit www.levellers.co.uk

Pirates Ahoy!

Liz Nicholls

Community & Charity

Lechlade writer Sandra Dennis has recently published her second book for young readers aged between nine and 12; The School for Scoundrels – The Lost Map of the Prows.

How many of us have looked for a message in a bottle? One that could bring romance, or rescue someone trapped on a desert island..?

In her first novel, Shades of Time, Sandra kept her readers on their toes with the mysteries from the past which pull strings through time to make those of us in the present mere puppets in their grasp.

Her new volume, School For Scoundrels, should stir the fertile minds of our children. When a message in a bottle washes up in the harbour at the end of the summer holidays, little does Thomas Prow realise how much his ordinary life is about to change. ​Thom is reluctant to leave his grandparents, childhood home and friends but is forced to leave the seaside town in which he has grown up when his grandfather is kidnapped by pirates. He’s summoned by the mysterious Captain Ginger to attend a school for pirate youths, founded in 1642. Lessons in weaponry, history and ancestry, mythological beasts, map reading climbing the rigging and sail-mending help towards his F.Q.P. (fully qualified pirate) status

In this gripping yarn, young Thom must find new friends in a strange school to help him find his ancestor’s map and rescue his grandfather. As one young reader put it; “A great adventure for any budding pirate!”.

To find out more and buy the book, which is also available on Kindle and Amazon, visit www.sandradenniswrites.wixsite.com

By Royal Approval

Round & About

Community & Charity

Anne Denholm, Official Harpist to HRH Prince of Wales will perform one of Mozart’s most popular works for Grayshott Concerts on Friday, 15th June.

The harp is an important national instrument in Wales, and although the role of Official Harpist to the Royal Household, was discontinued during the reign of Queen Victoria. HRH Prince of Wales restored the position in 2000 in order to foster and encourage young musical talent.

The Prince of Wales has a £150,000 gold leaf harp, made by Italian harp makers Salvi Harps. It is this harp that is used by the official harpist, who is currently Anne Denholm, the sixth Royal Harpist. Her recent role was to keep the guests entertained during the Royal Wedding last month.

But you can have your very, own special performance with Anne, at St Luke’s Church, Grayshott, this month, on Friday, 15th June. She will perform Mozart’s Flute and Harp Concerto with award-winning flautist Emma Halnan, winner of the Arts Club-Sir Karl Jenkins-Classic FM Competition in 2016.

Patron, Sir Karl Jenkins, says: “This concert brings a number of strands together. The harp is particularly dear to my heart, so it’s a pleasure to see Mozart’s Concerto performed in Grayshott by Anne and Emma.

The programme will also include Debussy’s Dances Sacred and Profane for Harp and Strings, composed in 1904, accompanied by Grayshott Concerts’ orchestra-in-residence, the illustrious London Mozart Players. Also featured in the programme will be Britten’s Prelude and Fugue and Mozart’s Divertimento in D.

Tickets and more information at www.grayshottconcerts.co.uk.

Shore thing

Liz Nicholls

Community & Charity

We talk to Cotswold artist Angie Hunt about family, motherhood and the lure of the sea ahead of her solo exhibition at her home studio this May.

Q: Hello Angie, thanks for talking to us! Can you tell how your art started?
“My childhood home was quite a creative one, with an art collector father who worked in advertising and a musical mother who writes and creates beautiful gardens and interiors. I grew up at the seaside, in the north-west of England, so the coast was a big part of our childhood, the sound of seagulls, sand in our shoes! I worked in TV production and advertising before deciding to go in to fine art professionally. I wanted to channel my creative energy in a more hands-on way, so enrolled on a fine art degree course in Banbury in 2007. Ten years later I have my own studio and it’s my full-time occupation… my family would say ‘obsession’!”

Q: What’s the inspiration behind the big themes?
“My big theme currently is family and relationships, probably because of the stage of life I’m at. I’m interested in the evolving generations, how we’re part of a continuum, and how our roles within this are constantly changing. This series of mixed media pieces explores these relationships, especially between mother and child, using abstracted forms as metaphors for the people in my life. The composition is deceptively simple, but I use collage, partially revealed words, drawn lines, charcoal and many layers of oil and acrylic paint to build up texture and depth.”

Q: Which artists have particularly inspired you?
“The 20th century modernists such as William Scott, Diebenkorn, Hilton and their generation appeal to me. I love the post-war period when they were part of rebuilding a fractured society, a fragile time when they were finding ways to express themselves with limited resources.”

Q: What is it about the sea that appeals to you?
“It’s the shoreline, where land meets sea, that I’m drawn to. There’s something about it that makes me feel at my happiest and most alive. My strongest childhood memories are of paddling in the waves, sea swimming and sailing. I’ve just finished a year-long programme at the St Ives School of Painting which has reinforced this.”

Q: Has the St Ives programme changed the way you approach your work?
“It’s been a chance to develop and question these themes through tutorials and workshops, within a small and supportive group of artists. My painting time has become a sort of therapy in a way, finding visual ways to work through feelings and changes.”

Q: You clearly have a strong interest in texture and unusual materials – tell us more!
“Yes, I love to make use of what I call ‘found objects’; cast-off bits and bobs that relate to my subject. As much as I love art shops, I’m totally bewildered by the choice and choose to use these items as a starting point. I have been given old sails which are full of wonderful details – zig-zag stitching, reinforced corners with eyelets and fixings, and a textured surface that is robust enough to withstand layers of paint to be piled on and re-worked, and this is a strong theme in my exhibition this May. That said, I am incredibly lucky to have the Cotswold Art Supplies in Stow on the Wold a couple of miles away for regular top-ups and they also handle all my bespoke framing.”

Q: Do you have any favourite galleries?
“I’m a big fan of Oxford Artweeks for discovering new art, though it is very big nowadays so quite a trawl to uncover real treasures. Modern Art Oxford has some really inspiring exhibitions, eg Lubaina Himid before she won the Turner Prize. I love the Stour Gallery in Shipston-on-Stour which has an emphasis on my favourite Cornish art and there’s always an exciting programme of contemporary British artists at Fosse Gallery in Stow-on-the-Wold. I like supporting new initiatives eg The Compton Gallery, an exhibition pop-up and event venue in the middle of stunning countryside.”

Q. What direction do you see your work going in next?
“Good question! I’m enjoying this current theme and looking at relationships between people in my own life, and also between objects within the composition. My work is becoming more and more abstract, with the forms of the boats and vessels gradually becoming more ambiguous and some starting to resemble domestic objects in a still life. A recent trip to Cuba has also given me inspiration – colours and textures I’m longing to incorporate.”

Q: Can you tell us a little about your studio?
“It’s such a happy place to be; it’s up the stone steps of a small restored coach house with north-facing skylights that bring the light in. It’s so peaceful and I spend hours and hours immersed in painting. We also run a little Airbnb in the studio at weekends, which makes for a bit of clearing up (!) but it is a unique place that I love to share.”

˜Angie’s Open Studio is 18th – 20th May in her Moreton in Marsh studio, near Stow-on-the-Wold. Visit www.angiehunt.co.uk and follow her on Instagram @angiehuntart – for more info.

Elegant Equine

Round & About

Community & Charity

The Royal Horse Show celebrates 75 years at Windsor Castle, writes Rachel Wakefield

Windsor Castle will once again open its gates to the public for the Royal Windsor Horse Show, from Wednesday, 9th until Sunday, 13th May, for a spectacular 75th year.

With all eyes on Windsor ahead of the highly anticipated Royal wedding the following week, more than 55,000 spectators are expected to attend for top-class sporting action, entertainment and shopping across the five days.

This event is respected as a world-class equestrian competition. Last year, there was more than 3,000 entries; and, because of its upgrade to 5-star status, attracts the sports’ most prominent competitors. It is also the only show in the UK to host four of the eight The International Federation for Equestrian Sports (FEI) disciplines: show jumping; dressage, carriage driving and endurance.

The CSI5* Show Jumping category will return to the Castle Arena from Friday, 11th until Sunday, 13th May. It also includes a Saturday evening performance, with the climax of the action, being the Rolex Grand Prix taking place on the final day. Current World No.1 and reigning champion, Kent Farrington will be returning from injury to defend his title. Speaking after his victory in 2017, Kent said: “The Royal Windsor Horse Show, is one of my favourite shows. There’s a combination of, amazing setting, an unbelievable crowd, top course designing and great footing.”

The CDI4* Al Shira’aa Dressage Grand Prix and Freestyle to Music category will take place on the evenings of Thursday, 10th and Friday, 11th May respectively. Riders will have the unique opportunity to be judged by Susan Hoevenaars, one of the judges at the upcoming FEI World Equestrian Games™ 2018, an unmissable chance for hopefuls heading there this September.

The CAIO4* Land Rover International Driving Grand Prix, a FEI World Cup™ qualifier adds to the roster of top international competition.Competitive Endurance action will take to Windsor Great Park on Friday, 11th May, as the CEI2* Royal Windsor Endurance supported by The Kingdom of Bahrain sets off about 120km of the countryside of Windsor and Ascot for the ultimate test of stamina for both horse and rider.

More than 120 showing classes will join the four FEI disciplines in the action-packed schedule with many of HM The Queen’s horses regularly in the starting line-ups. Competitors will strive to follow in the footsteps of HM The Queen’s Barbers Shop to be crowned Royal Windsor Supreme Showing Champion on the final day.

Visit www.rwhs.co.uk or call 01753 860633

Cross Country

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Community & Charity

A Shakespearean comedy for Candlemas cycles into Capron House in Midhurst this month, as the lads from the Handlebards present Twelfth Night.

The Handlebards, comprised of Paul Moss, Callum Cheatle, Tom Dixon and Callum Brodie, have an eco-friendly ethos as well as a love of the Bard!

They have been touring the country, and further afield presenting plays by Shakespeare while pedalling hard between venues carrying all the costumes, scenery and camping gear on their four bikes. They are joined in their cross-country capers by the girls, who when they return from Asia will be touring the country with tales of star-crossed lovers.

Twelfth Night tells of Duke Orsino who is in love with lady Olivia, but she won’t have anything to do with suitors. Viola is shipwrecked and believes her twin brother Sebastian to be dead. She pretends to be a boy and becomes a servant to Orsino. Olivia falls in love with Viola, believing her to be a boy, whilst Viola falls in love with Orsino. Then Viola’s twin turns up…

Meanwhile, Sir Toby Belch (Olivia’s uncle), Sir Andrew Aguecheek (his friend), Maria (a maid) and Feste (a jester) plot to make a fool out of the pompous Malvolio (Olivia’s head steward).

Book your tickets for Twelfth Night on May 30th at 6.30pm for tickets for this evening of riotous amounts of energy, a fair old whack of chaos. They’ll also perform at Guildford’s Electric Theatre on 27th. Visit www.handlebards.com

Fortitude

Round & About

Community & Charity

Host of Radio 4 Extra’s Newsjack, Angela Barnes is touring her show. Peter Anderson chats to her.

Q: Your father was a large influence on your comedy; was humour and watching comedians part of your memories of growing up?
“He was. I grew up watching all the greats – Monty Python, Peter Cooke and Dudley Moore, Morecambe and Wise, then in addition to that, listening to the Radio 4 comedy programmes like Round the Horne and The Navy Lark.”

Q. Which comedians have inspired you?
“I think the late Linda Smith; she came from Kent just like me. When I heard her doing comedy on Radio 4 it was just like listening to one of my own family and it helped convince me that I could do it.”

Q. This show is about you turning 40. Have you set yourself any targets for the next ten years?
“I am not someone who believes in setting targets at all! As for my career, I would much rather live in the moment and enjoy the ride.”

Q. What is your technique for writing – are you disciplined and allocate a certain time each day or do you write when the Muse/ideas appear?
“I so cannot write to order; a blank sheet of paper or screen just freezes my brain. Don’t laugh: but I have a pad and pencil by my bed and soap crayons so I can write things on the tiles if I have an idea while I am in the shower…”

Q. How do you relax after a show?
“After a show, there is nothing like a three-hour drive to relax you, or if I am nearer home I just potter around catching up with the washing-up or maybe watch some television.”

Q. You are coming to the Phoenix Arts Centre; do you have any memories of performing here?
“Yes, it is a lovely little theatre. I came here when I was the warm-up for Alan Carr. After doing my piece, I dived into the dressing room and spent the rest of the evening playing with his two red setters, Bev and Janice.”

Angela Barnes will perform her show Fortitude at the Phoenix Arts Centre on Thursday, 10th May. Visit www.phoenixarts.co.uk  and at Putney Half Moon on Wednesday, 4th July, Visit www.halfmoon.co.uk and www.angelabarnescomedy.co.uk