An Officer and A Gentlemen will soar into New Theatre Oxford from Monday 27th May until Saturday 1st June. Director Nikolai Foster shares his thoughts.

An Officier and A Gentlemen: The Musical follows the hot-headed and determined naval candidate Zack Mayo (played by Richard Gere in the movie) who has a fiery, passionate relationship with factory worker Paula Pokrifki (Debra Winger on screen) before sweeping her off her feet in the soaringly romantic finale.

The film’s writer Douglas Day Stewart co-wrote the book with Sharleen Cooper Cohen for a musical which had a short run in Sydney in 2012, with original songs by Ken Hirsch and Robin Lerner. Now, Oxford audiences can look forward to a brand new, perhaps surprising, outing, directed by Nikolai Foster.

“I think a lot of people associate it with being cheesy ’80s romcom,” says Nikolai when asked about the stage version of the film… “There’s nothing wrong with a cheesy 80s romcom – and we offer some tasteful cheesy choices in our production – but audiences will be surprised by the depth of this story and how moving the show is. It is genuinely uplifting because we invest in the lives of these characters and care about them.

“Audiences will be surprised by the depth of this story”

“It delicately charts the lives and experiences of working class people in Pensacola, Florida. In some ways these appear to be ordinary and unremarkable lives but the characters created by writer Douglas Day Stewart (based on his own experiences) have remarkable stories to tell. When you throw a load of ’80s pop hits into this world, it truly is uplifting and sings in the way only a musical can. The songs in our show don’t propel the narrative forward but express something of the characters’ inner lives and emotions that they are unable to speak in their everyday lives. The music heightens the emotions.

“All of these characters are seeking some kind of escape, including from a factory which doesn’t allow women to move up the hierarchy. In our play Casey Seeger is the first woman in history to ‘get jets’ and Lynette believes her only escape from an abusive, alcohol-soaked home life is literally on the wings of a naval aviator.

“This is a completely new production, created by our incredible team at Curve. Alongside original screenwriter Douglas Day Stewart we have worked with his writing partner Sharleen Cooper Cohen and the team at Jamie Wilson Productions to take the film from screen to stage. It’s been an exhilarating ride for all of us – almost as exciting in taking off in a fighter jet!”