How does your garden grow?

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Spring, even the sound of the word lifts your spirits. Little shoots of colour start to emerge and with it hope for the warmer months ahead, so get digging and clearing and start getting your garden in shape

Getting your garden ready for spring should be a pleasure rather than a chore, so it’s time to dig deep and get some spade work in and you’ll reap the rewards later.

Even for professionals such as our expert Cathie Welch, kick starting your garden for spring is no easy task: “Gardening is a real challenge these days and every season will be different.” So where to start? Cathie advises ‘mulch, mulch, mulch’. “The most important thing any gardener can do is to improve the soil. A thick mulch of home-made garden compost, well-rotted manure or suitable compost that is peat free.

“It’s a huge subject but anything that is not wood chip or multi-purpose potting compost should be ok but check to avoid expensive mistakes. A thick mulch will keep in the moisture, suppress germinating weeds, feed the plants, prevent soil compaction from walking on it as well as looking fabulous.”

Having done the ground work, you need to turn your attention to your plants health, which means pruning and training. This time of year is especially important for roses to ensure a fragrant colourful abundance in the summer months to come – make sure you know whether you have climbers, ramblers, bush, shrub and prune accordingly, says Cathie.

And it’s not just roses that need some TLC, “Wisteria is another tricky one that needs its spur prune by mid March as do apples and pears,” Cathie continues, “many other plants can be cut hard back like Spireaea, Hypericum, Buddleia and all the Dogwood Cornus to name but a few. Avoid pruning Acers until they are in full leaf and never prune plums and other stone fruits until the summer. Evergreens should ideally wait and be especially vigilant of nesting birds. When you prune consider making piles or a dead hedge if you have space rather than burning or binning.”

For many of us our lawns are the crowning glory. This month is the ideal time to sow a new lawn or repair worn patches. As the month progresses, it may even be time to cut the lawn again. Some lawn basics – set the mower blades high to avoid scalping. Rake (scarify) the lawn to get rid of debris, dead grass and moss. Aerate badly drained areas of the lawn with a hollow tined fork. Try to avoid walking on waterlogged lawns and working in sodden borders to avoid soil compaction.

Cathie warns against neglecting your lawn. “If you want a green striped lawn then that is hard work scarifying, aerating, top dressing and seeding at this time of year. Think about whether you can let areas grow a little longer or create a meadow (not easy) but you are creating diverse habitats.”

And finally, to planting. Cathie says: “Take time to enjoy the bulbs, emerging shoots and the warming sun.” Find out more advice and about her services at cathiesgardeningschool.co.uk

For over 30 years, the team of skilled professionals at Kingston Landscape Group has been providing exceptional service and excellence in landscaping and garden maintenance to a diverse range of clients. Whatever the size of the garden, they prioritise high standards and attention to detail to ensure your garden looks beautiful throughout the year. Visit klg.com and call 0208 893 8992 to discuss your ideas.

After the essentials are done you can get creative and start planting from trees and shrubs to perennials, roses and climbers. The garden centres are full of them just waiting to bloom to life as the seasons progress.

The spring flowering bulbs carefully planted in autumn will be raising their heads and once the tulips and daffs start to go over, it’ll be time to deadhead. Compost the blooms but leave the foliage to die down naturally in order to feed the bulb for next year’s flowering.

The experts at Squires Garden Centres with branches across Surrey have advice on hardy annuals too which can be sown from seed in late March, either where they are to flower or in trays and pots to be transplanted later.

Plants bring a garden to life. Whether it’s planting ideas for a new area or refreshing existing beds and borders, Camelia Ann Gardens can create you a stunning plan, blending colours, shapes and textures that will give you interest throughout the seasons. They can also source the plants and help to plant them. Contact 07977 569297 or find out more at cameliaanngardens.co.uk

It’s not all about flowers and an array of colour at this time of year, in the vegetable patch onion sets and shallots can be planted now. “Put seed potatoes in a cool, light position to chit (sprout) for planting later. Early varieties can be planted towards the end of the month,” say Squires. “Broccoli, cabbage, kale, parsnips, peas, radishes and spinach can be sown outside towards the end of March and covered with cloches, or a little later in the season you can buy young plants to grow on. Many varieties of tomatoes and chillies can be sown now in the greenhouse, on a windowsill or in a conservatory.”

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Professor Alice Roberts star Q&A

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Academic, TV presenter and author Alice Roberts tells us about her Crypt theatre show, based on her latest book, which visits Guildford’s G Live and Wycombe Swan this month…

Q: Hello Alice. You’re taking your new show, Crypt on the road. What is it about?

“The show is all about my new book, Crypt, illustrated with lots of great images and packed full of intriguing stories and surprising revelations. I’d like to say it’s an all-singing, all-dancing romp through the worst injuries and diseases of the Middle Ages, but – my audiences will be thankful – there’s no singing and dancing in it. But I can promise plenty of plague, syphilis and leprosy, gruesome murders, archery and sword fights. Crypt is the final instalment in a trilogy that started with my books Ancestors and Buried. It pulls together some of the threads from the first two books but also moves us on in time. Ancestors focused on prehistory, while Buried was about the first millennium: Romans, Anglo Saxons and Vikings. With Crypt, I move into the Middle Ages, but once again I’m looking at how archaeology is being radically transformed by new science, from chemical techniques which allow us to analyse tooth composition and work out where out where somebody grew up, to ancient DNA – where we’ve now entered the era of “archaeogenomics”.

Q: Can you tell me more about why ancient DNA is so exciting?

“Yes – we’re now sequencing entire genomes – in other words the entire set of genetic information contained in an organism. And that’s providing us with all sorts of revelations when it comes to human history – allowing us to trace family relationships between individuals in cemeteries and communal tombs, and to track migration in the past. But the focus in Crypt is on diseases and what this genetic investigation can tell us about them. It’s completely transforming our understanding of how diseases have affected human societies in the past because we’re suddenly able to make definitive diagnoses using DNA – and see how diseases have changed genetically over time, too. During COVID, we used similar techniques – PCR and sequencing – to test for the disease and to track the emergence of new mutations and strains of the virus, and we can do the same with ancient pathogens.”

Q: Does it have any relevance to today?

“Yes, absolutely. It means we can understand the impact of disease on past populations much better – and that’s very useful information for archaeologists and historians, but it also means we understand more about how diseases actually work.”

Q: Do you draw comparisons between disease in the Middle Ages and COVID?

“Not explicitly, but it’s interesting to look at how epidemics and pandemics emerged and spread in the past – and how society responded. You might think that, 500 years on, we’d be dealing with infectious disease very differently – but actually, up until the point we had vaccines, the only protection we had available was similar to what people had in the Middle Ages – quarantining, keeping away from people, wearing a mask.”


Q: Do you look at how diseases were treated in the past?

“Yes – I’m interested not only in how we can use new science to look at old diseases but also the experience of those individuals with diseases – how they were treated by society and the management options available to them. If you had leprosy, for example, there was certainly no curative treatment available but there were hospitals – more like the hospices of today – where you could be cared for.”

Q: What is the genome research you cover in the book and talk about in the show?

“I focus on the exciting 1000 Ancient Genomes Project at the Francis Crick Institute in London, led by Pontus Skoglund – and already generating some incredible results. It’s the most ambitious ancient DNA project in Britain to date. But there’s lots of other genetic research mentioned in the book, too.”

Q: Can you give us an example?

“One really fascinating case is the Justinianic Plague of the sixth century CE. Through DNA research, we now know that the three big pandemics of history – the 19th-century Hong Kong Plague, the 14th-century Black Death and the Justinianic Plague – were all caused by the same pathogen, Yersinia pestis. It’s a great example of how DNA can lead us to a precise diagnosis of diseases in the past – and a sobering lesson about how diseases can lie dormant for centuries, then re-erupt into a pandemic. If we can understand why that happens – that will help us combat disease today.”

“I love campervanning – heading off on adventures, and not necessarily knowing where I’ll end up.”

Q: Do the audience need to be science boffins to follow the things you mention?

“Definitely not. I’m interested in sharing science in a way that’s detailed and interesting but accessible to everyone. That’s not about dumbing down – but just about explaining technical terms and not using impenetrable jargon! I want to open up this amazing science and history – to tell these brilliant stories and reveal secrets – without talking down to people.”

Q: What else happens in the show?

“I can promise a very entertaining evening, which may sound weird to say when it’s about death and disease. There’s a lot of new science, and it really is this collision of science and history that for me is very exciting. There’s also a Q&A with the audience and a book signing afterwards.”

Q: Has an audience member ever asked a question in a Q&A that stumped you?

“Yes, of course! There have been times when I’ve genuinely never thought of a particular question and it’s really exciting to be challenged. I find that with my university teaching too – I love being asked interesting questions. If I can’t answer a question, it means I either have to go away and find out – or if the answer doesn’t exist that could be a whole new avenue for research. And some questions can be more philosophical or ethical – and those questions invite everyone in the audience to form an opinion.”

Q: You’re a qualified doctor, who once treated living patients. Do you think of the skeletons you work on as dead patients, as it were?

“Yes I do. When I’m looking at a skeleton I’m not just looking at a bunch of old bones, I’m very much looking at a person. I’m looking for the traces of that life, written into the bones. It’s a kind of biography.”

Q: You’ve packed a lot into your career – doctor, academic, author, television presenter, artist and now children’s author. Do you have a favourite?

“I enjoy all the strands of my career, and feel very lucky to be exploring ideas I find fascinating in my writing and broadcasting – and sharing those ideas with an enthusiastic audience. The different aspects of my work might seem quite separate, but they all flow together. I started writing because of television, and I started doing television because of my academic work, by writing bone reports on Channel 4’s Time Team, back in the day. I really enjoy the teamwork and camaraderie when I’m making documentaries, but I also enjoy the monastic solitude of writing, and I also love teaching medical students. It sounds like a lot of different things, but they all inform each other and are quite synergistic. I also really enjoy ranging across different disciplines – bringing together ideas from biology and history, genetics and archaeology.”

Q: Will people get to see your art in the show?

“I’ve drawn chapter headings for the new book, so I’ll certainly be sharing those images. I’ve always enjoyed art, but have been making more time to develop new techniques and use new media in recent years, and I’ve recently been made an honorary academician of the Royal West of England Academy. I offer some of my artwork as giclee prints which people can buy via my website.”

Q: What projects are you working on at the moment?

“I’m writing the sequel to my children’s novel Wolf Road, and I’m currently working on a series for History Channel called Royal Autopsy, where we explore the medical histories and causes of death of various monarchs. We’ve already autopsied Elizabeth I and Charles II, and in the new series we’ll delve into the insides of Henry IV, Mary Tudor, Queen Anne and George IV. We interrogate what was written about their deaths at the time, but also approach them with modern eyes. There’s also a new series of Digging for Britain – series eleven – and it will be available on iplayer, of course – where viewers can also catch up with my earlier landmark series such as Ice Age Giants and the Incredible Human Journey. I’ve also got an exciting programme on the Herculaneum scrolls coming soon on Channel 5. And I’m very much hoping to embark on a science podcast soon with my good friend, the geneticist and broadcaster Adam Rutherhood. So I’m keeping myself busy!”

Q: You’re famously part of the campervan community– how did that start?

“It’s all down to the wonderful, late Professor Mick Aston, of the University of Bristol and Time Team fame, who used to have a campervan which he used to drive to filming locations. I bought it from him – it was a very special Type 25 Syncro – and I sprayed it a lurid green! I’m now the proud owner of a slightly younger VW T5 California. I love campervanning – heading off on adventures, and not necessarily knowing where I’ll end up!”

Q: Do you use your camper van when you’re on tour?

“Yes I do – on my last book tour I stayed in some fantastic campsites across the UK. I had a great time touring round northern Ireland and found some really special places to stay in the Yorkshire Dales too. Our ancient ancestors were nomadic hunter-gatherers – perhaps that’s why I love camping so much!”

Buy tickets for Alice Roberts’ CRYPT tour here

Pre-order CRYPT here

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The Henley Players present Pygmalion

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Much-loved classic comedy comes to the Kenton Theatre, March 20th to 23rd

Eccentric phonetics expert, Henry Higgins, thinks he can pass off a poor flower girl in polite society with a few months of elocution lessons.

It turns out that spirited Eliza Doolittle has a mind and personality of her own and is not willing to lose them as easily as she sheds her cockney accent.

Strong characters and great wit animate this classic comedy, and the themes of social mobility and women’s empowerment are as relevant today as when Pygmalion was first performed, over a century ago. Whether you’re a lover of classic drama or a seeker of truth, this play promises an unforgettable evening.

Pygmalion spawned many adaptations for film and stage and was recently revived at the Old Vic.

The Henley Players’ Saturday matinee performance is once again ‘pay what you want’ with a minimum price of £5.

To book visit here.

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Mother Mother – Grief Chapter review

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Album number nine finds the Canadian band dealing with grief in the best way possible

You’ve probably heard of Mother Mother without even knowing it. After their song Hayloft blew up on TikTok they became something of a viral hit – if the earworm “daddy’s got a gun” means anything to you, then you’ve definitely come across Mother Mother. Hayloft was in fact 12 years old before it discovered a new life as a trend, having appeared on the band’s second album, 2008’s O My Heart. Social media eh? A rabbit hole of wasted time scrolling it might be, but breathing life into old songs is one of its more positive aspects.  

Life is at the heart of Grief Chapter, the band’s 9th or more specifically, contemplating the vagaries of life and the inevitable final chapter. It would appear that Mother Mother has reached something of a midlife/end of life crisis. Not that you would notice if you’re not paying attention, because they have a habit of wrapping up complex and disturbing ideas in finely crafted indie pop. Take for example The Matrix, on the surface it’s a booming, thunderous pop anthem, but at its heart, it’s a defiant and rebellious rejection of the status quo. It’s about making the most of this life because you only get one go around and as vocalist and principal songwriter Ryan Guldemond croons at the start of the song “…you’re going to die”. However, as the song progresses, it veers from nihilism to the spiritual as he starts to ponder the possibility of an afterlife. If all this sounds overly heavy, rest assured, it possesses a hook that is impossible to ignore and a deluge of profanity, which is a pretty fine combination.

Head back to the start of the album, and the basic premise behind most of these songs is laid out in stark fashion. Nobody Escapes, cuts to the chase from the off. You’re dead too. This daunting idea could be overwhelming in the hands of the darker souls out there, but Mother Mother can make heavy concepts feel like a party at the end of the world. If anything, it feels entirely positive. In part, this is down to the band’s capability of mixing tight, catchy rock riffs with dance inspired beats, and vocals that wouldn’t sound out of place on a kids show. This is at play on Explode, a song whose main refrain is the line “when I die, I’ll let go”, which in plain black and white looks like the kind of thing an Emo band would have no problem in over-emoting (the clue’s in the genre name). But with the twin vocals of Ryan and Molly Guldemond it’s all oddly celebratory. As the song reaches its conclusion, it becomes clear that this is an album not so much about shuffling off this mortal coil, as embracing every moment and making the most of the time we have here.

Pinning the band down to a specific style is quite tricky. They can veer from folk stomp to overblown pop ballad in a heartbeat. They throw in Pixies inspired guitar riffs and vocals (Monkey Gone To Heaven and Where Is My Mind? have definitely made an impression on them), strange off-kilter segues, choral flourishes, punk attitude, classical orchestration and occasional discord just for good measure. Somehow, they can deliver lines like “Innocence is just a bridge to pain” or “What if I just rip out her throat?” and make them sound entirely viable as a chart hit. Part of this is down to the smart vocal interplay between Ryan and his sister Molly, but essentially it points to intelligent and subversive songwriting.

Grief Chapter isn’t an exercise in navel gazing – despite its main subject matter. There are moments of social commentary (Normalize tackles gender and sexuality politics), amusing stoner concepts (God’s Plan ponders what the great creator must have been on whilst devising their Earth project), and self-aware in jokes. Anyone who can consider the end of their life and imagine that anyone attending their funeral will just shout for Hayloft has a keen sense of humour.

Ultimately, this is an album packed with pop songs that address the apparent pointlessness of life whilst simultaneously encouraging everyone to embrace their time here on this rock. Mother Mother might have just written a new chapter in the stages of grief, and it sounds pretty damn fine.

Mother Mother are currently touring the UK
Grief Chapter is out now on Warner Music / Parlophone.

Photo Credit: Mackenzie Walker

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How to hire amazing people!

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In the first of a series of helpful articles, Oxfordshire business hero Peter Mols offers his words of wisdom to help you employ the best people to help your business grow

300- 1: The #1 rule for hiring amazing people.

In the last month, a staggering 300 people have applied for jobs with our small business, and today, I’ll share my #1 rule for attracting the right people to you.

As a business coach, the facilitator of mastermind groups and the founder of a kick-ass networking group, I speak to lots of people who tell me that they scaled their business, only to find the challenge of “managing people” too hard, and decided to scale back down to being a “solopreneur”. It’s a sad story, which, to be honest, is completely avoidable if they’d just followed my #1 rule. 

Decide on the “culture” you want for the business before you’re ready to grow.

In the past month, 300 people have applied for positions at Outside Ideas, and I put it all down to that rule. It’s not because we’re paying the most, it’s not because we’re doing groundbreaking stuff and not because we’re the #1 in our industry (watch this space:). It’s because we focussed on telling the story about the business, where were going and our culture.

“I speak to lots of people who tell me that they scaled their business, only to find the challenge of “managing people” too hard.”

I first learned about corporate culture more than 20 years ago during my business degree, when I read, Screw It, Let’s Do It by Richard Branson, Branson’s quote, “Train them so well that they could work anywhere, treat them so well they wouldn’t want to” sticks with me to this day.

The reality is, that most business owners are so focused on “making the furniture” that they never find the time to decide on the crucial first step to growth: deciding who you are, what you’re great at, where you’re going, and what you stand for; and WRITING IT DOWN.

By missing this first step, they set themselves up for a life of long weeks, short holidays, and spinning all the plates. 

In “business coaching” speak, we call this process creating a Vision, Mission, and Values, and I start there with all 121 clients.

If you’re a business owner who’s thinking about growing, my challenge to you this month is simple, spend some time answering the following questions:

  • Where is the business heading, where do you see it in 10 years’ time? This is your Vision
  • What do you want to be “world-class” at? This is your Mission
  • What are your internal values as a human? These are your Business values

Next month, I can share my strategy for attracting the right kind of people to your business using the Oi Way of hiring great people, or I can discuss creating values for your business. You chose, and let me know at hello@outside-ideas.com 

Onwards and upwards, my friends!

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Gareth Ennis talks war comics

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“Quentin Tarantino of comicbooks” gives online interview for the Soldiers Of Oxford Museum

Garth Ennis, the writer behind The Boys and Preacher, is to give online interview and live audience Q&A for Soldiers of Oxfordshire Museum. The interview will be streamed on Saturday 9th March from 7pm, followed by a live Q&A session where the audience will be invited to put forward their own questions. Watchable via the museum’s website, the event is the latest in a series of popular online events the museum has been running over the past three years.

The interview ties into one of the museum’s most recent exhibitions, Into Battle! The Art of British War Comics, which runs until the end of April 2024. The exhibition and this accompanying event are a collaboration with Oxford-based publisher Rebellion, best known for 2000AD and Judge Dredd, alongside their recent revival of several classic British war comics.

In the interview, Garth discusses how his childhood enthusiasm for comics led to a career writing for 2000 AD, Marvel and DC Comics.  He will also discuss the landscape of British War comics in the seventies and their decline in the eighties and describe how writers re-invigorate classic characters for contemporary audiences.

This event will offer a chance to hear from one of the leading comic book writers, whose literary achievements have recently been translated into successful television series.

The interview and Q&A will be free to view and participate in, with donations encouraged throughout the stream in support of the museum. Soldiers of Oxfordshire Trust aims to preserve the county’s military heritage for future generations in its archives and museum, and a diverse range of stories through its exhibitions and events like these. Shortly after the live event ends, a recording will be made available to watch on-demand, from the same page, for those that wish to catch-up later.

You can watch the interview with Garth here.

The Soldiers of Oxfordshire (SOFO) Museum opened during the summer of 2014. A new take on the classic military museum, SOFO shares stories of heroism, combat and peace from across the globe and throughout time and explores how conflict has affected the county and its people, from soldiers serving on the front lines to ordinary people living on the Home Front.

As well as a range of ever-changing displays and events, the permanent exhibits explore topics that are surprising and moving in equal measure, such as raw accounts of the liberation of Bergen-Belsen from both camp survivors and Oxfordshire soldiers.

Battles of the Oxfordshire and Buckinghamshire Light Infantry puts you on-board a Horsa Glider as it prepares to land in Normandy in the early hours of D-Day 1944, while Secret Agents, Secret Armies explores the world of spies and espionage through the lens of Ian Fleming and his creation, James Bond.

SOFO holds a collection of over 3,500 objects and 7,500 archive items from two county regiments, the Queens Own Oxfordshire Hussars (QOOH) and the Oxfordshire and Buckinghamshire Light Infantry.

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The Six Nations is the best!

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The annual rugby tournament is something to look forward to in this grim month

Shortest day of the year, done. Christmas, hecho. All that’s left is to traverse these next couple of drizzly months before we welcome Wimbledon, Glastonbury and ‘might be too hot’ season. For now, though, we need a vehicle to steer us towards those better days. How about the best sporting tournament on Earth? Oh, go on then. Six Nations time.

Nothing brought my family together quite like the Six Nations growing up. We’d all flood over to my grandparents early enough to be fully caught up with each other in time for the build up to start with John Inverdale or Gabby Logan. You can’t fault our dedication to the pre-match interviews.

As a family resonating from Scotland, we’d sit around the telly, fire crackling, daring to ponder whether today maybe, just maybe would be different. Might Scotland pull a performance out of the bag and pick up their seemingly biennial win? Oh, that renewed hope, always a killer. The game would very rarely be different, and Scotland would very rarely win. But that was never the point (thankfully, or we’d crumble); it was just a nice event to be a part of. So why is the Six Nations the best?

For starters, it’s a simple easy-to-follow format that works. Six teams. Five rounds. Every home nation plays each other, and you never really know who’s going to win any of the three games that take place each weekend. Jeopardy also plays a huge part. So few games equals very few (if any) dead rubbers.

It’s tribal, without being tribal. It always amazes me how these players knocking chunks out of each other manage to channel their aggression so skilfully, but the same goes for those watching on. You’d think you’d need segregation, but oh no. Tens of thousands of fans packed into some of the best sporting arenas in the world, all mixing. A healthy attitude, and an element of perspective seems to be a common supporter denominator. Well let’s hope we win but if we don’t then that’ll be a shame, but this is a fun way to spend a Saturday anyway.

It’s also a spectacle, and it’s dangerous. Thirty people doing things you wouldn’t dream of doing. The players on the pitch become fictional, putting their bodies on the line, running and catching under pressure which feels so far removed from anything we do day to day; unless you are reading this and are some form of medical professional.

The tournament that’s a little under a quarter of a century old in its current format has geography to thank for its success too. London, Cardiff, Edinburgh, Dublin, Paris and Rome. All varied and popular cities, close enough together that a large number of away supporters will make the trip, but just far enough away that you need to make a weekend of it and populate the local pubs for the weekend.

Rugby is still faced with huge challenges. It has to find a way to navigate its way through a sea of safety concerns that need to be taken seriously and fend off the red trousers and brogues stereotype; something Full Contact on Netflix has made a brilliant start in debugging (just watch Finn Russell and Ellis Genge in the first two episodes). Though through the evolving sporting landscape, emerging new tournaments, investors and formats, the Six Nations is something we’re very lucky to live with, and I really hope it never gets taken away from us.

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Can you support Nai’s House?

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Oxford charity provides mental health support for young adults

Last year 65 people in Oxon took their own life – most of them young adults with suicide now the biggest cause of death for people under 35. Each death is heart-breaking – a tragedy, a terrible loss and a dreadful waste of potential. A death that changes the family they leave behind forever. 

There is a fantastic charity Nai’s House.  Set up in 2019 by Nai’s Mum – Gem after Nai sadly took her own life in 2017 aged just 22 , Nai’s House is a place of sanctuary, safety and support. It is a place that gives young people in crisis the safe space of a ‘home from home, a place where they can get the specialist help, they need, an environment that can help them hopefully turn a corner and move through crisis to more stability. 

Since 2019 they have helped over 600 young people, but they are at a crossroads. The truth is they can’t meet the demand they are now facing. More and more young people are getting in touch asking for help with over 200 young people on their waiting list, many of them who can’t get the support they need through the NHS given the pressures there. 

It’s an emergency for sure but it is an emergency we can help address and help tackle together. If Nai’s House can grow and expand its services it can offer help to the 200 plus people on the waiting lists. 

Your support could make a massive difference and offer a genuine lifeline. Just £20 could help give a young person in need a fighting chance. It costs £800 a year to help one young person with professional therapy to. £520 over 13 weeks to train a volunteer. But the reality is that every penny counts. 

Nai’s House didn’t exist when Nai needed it.  Please help us make sure it can be there for other young people who do now so, together, we can help prevent this tragic loss of young life. 

Please watch this video to see how you can help….

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Buy a butterfly to celebrate memories!

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BBOWT wildlife charity launches new commemorative display

To mark Valentine’s Day, a local wildlife charity has opened two new butterfly memory walls to celebrate special occasions, declare your love for nature – or your sweetheart!

The ‘Your Wild Memories’ displays have been installed by Berkshire, Buckinghamshire & Oxfordshire Wildlife Trust (BBOWT) at two of its visitor centres. They feature specially-designed butterfly plaques which can be personalised with messages to remember precious moments, people or wild times.

The butterflies are made of brushed stainless steel and fly above an eye-catching wildlife border. They have been put up at the Nature Discovery Centre near Thatcham and College Lake visitor centre near Tring.

Laura Pepper, BBOWT’s Head of Philanthropy, said: “If your Valentine sets your heart a-flutter or you’ve just got engaged or married, why not celebrate your love with a specially engraved butterfly? Or you might like to commemorate a special birthday, a retirement, a favourite family walk or perhaps remember a loved one.

“Butterflies hold all sorts of different meanings for people, as well as being beautiful to behold. Our new ‘Your Wild Memories’ wall is a lovely way to celebrate your special memories and help the vital work of BBOWT at the same time.”

The Your Wild Memories walls have got off to a flying start, with butterfly messages added by local MPs, writers and nature champions.

Estelle Bailey, BBOWT’s Chief Executive, wrote: This special place, with nature at its heart. Here for every community.

Laura Farris, MP for Newbury, left this message on her butterfly at the Nature Discovery Centre: Delighted to support the NDC, bringing the wild into the heart of Thatcham.

Buckingham MP Greg Smith’s butterfly at College Lake reads: Thank you BBOWT, our nature champions. Proud to support you and work with you.

Writer and butterfly lover Patrick Barkham left this beautiful message: Breathe in green, Breathe in blue, Soar soul! Thanks, nature.

Priced at £250 (inclusive of VAT), each butterfly can be engraved to order with the wording of your choice. Funds raised from the sale of the commemorative butterfly plaques will go towards BBOWT’s work creating more nature everywhere for everyone, to benefit wildlife, climate and people.

To order your personalised butterfly visit: www.bbowt.org.uk/support-us/your-wild-memories Order forms are also available from College Lake or the Nature Discovery Centre. For more information call 01865 775476 (Monday-Friday 9am to 5pm) and ask to speak to the Membership Team.

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For the love of wine

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In this, the month of love, our wine columnist Giles Luckett picks out his current top ten passions.

It’s February and love is in the air. Well, it’s in the card shops, the supermarkets, and, somewhat incongruously, my milkman’s van. It’s amazing what you can have delivered with your silver top these days! Anyway, what’s definitely in the air, in my house at least, is the love of wine, and here are my current top ten passions.

I’ve often struggled with New Zealand Chardonnay. Far too often they seem to have taken an oak-first, last, and always approach to winemaking, so you end up with a glassful of ghee. This isn’t the case with The King’s Legacy Chardonnay (Majestic £12.99). Wine, like life, is all about balance and this walks the tightrope between under and over-oaked brilliantly. Mid gold, the nose has plenty of vanilla and honey, but the apple, peach, and melon fruits also shine through. It’s the same story on the palate, which is generous, and plump and balances spicy oak with clean white and green fruits.

“Wine, like life, is all about balance.”


Riesling is arguably the greatest of all white grapes. “Born” in Germany in 1435 (13th March if you fancy sending it a card) it’s capable of creating breath-taking wines, some of which are breathtakingly expensive – Egon Muller’s Trockenbeerenauslese 2003 will set you back just under £23,000 a bottle. Back in the real world, sensational dry Rieslings are also available such as the Pewsey Vale Eden Valley Riesling (Ocado £18.95). This Australian Riesling hails from the cool Eden Valley and is simply stunning. Ghostly pale, the nose is an arresting blend of grapefruit, peach stones, apple blossom, and honey. It’s taut, precise, mineral-soaked, and complex in the mouth. Green and red apples, grapefruit, stone fruit, pears, and citrus come together in a wonderfully refreshing way. This is perfect with food – we had it with salmon pesto and spinach roulade – but it will be delicious with white meats and green vegetables and will age well over the next few years.

Mention Rioja, and most wine lovers will think of red wines. This is fair as the reds are more famous, and black grapes account for about 90% of plantings. The whites, though, can be just as splendid, especially when made by top producers like C.V.N.E. – their Contino Blanco (Noble Grape £23.99) is an absolutely lovely wine. The one that I keep coming back to at the moment, however, is the Ramon Bilbao Limite Norte Rioja Blanca.  Produced from an unusual blend of late-picked Maturana Blanca and Tempranillo Blanco, this is a wine of freshness and depth. Golden yellow, the nose is soft and fresh with lemon and lime notes backed by honey. On the palate its tangy and immediate, offering quince, white peach, and green grape flavours, with something deeper, smokier, and fatter toward the finish. Idiosyncratic and utterly unlike any white Rioja I’ve tasted before, this is well worth trying, especially when partnered with creamy cheeses, white fish, or seafood.

And to so the reds, and I’ll start in South Africa with the excellent Spier Creative Block 3 2018 (Slurp £21.95). Being a blend of 94% Shiraz, 5% Mourvèdre, and 1% Viognier, this is very much in the mould of the Rhône Valley’s famed Cote Rotie wines, but this is no wannabe homage; it’s much better than that. Inky black, the bouquet melds heady spices with crushed plums, black cherries, and brambles. In the mouth, the Shiraz leads the way with intense, fresh blackberry and blackcurrant tones. Then there are subtler, earthier tones of tobacco and smoke from the Mourvèdre and a peachy lift from the Viognier before chocolate and cloves come in at the end. This is a great (big) wine that’s fantastic with red meats, strong cheeses, and tomato-based dishes.

Stepping back into Rioja we have the LAN Crianza 2019 (Hay Wines £15.49). 2019 was a stunning vintage for Rioja, but even taken in that context, the LAN is a little bit special.  Very dark, with plenty of spicy vanilla, blackberries, prunes, and earthy spices to the nose. This medium-full-bodied beauty has an arrestingly rich texture that reflects the excellent levels of extraction. A complex composite of black fruits, cherry kirsch, black figs, raspberries, and charred wood, this is an awful lot of wine for the money. Buy a case and enjoy this over the next five to seven years.

When I was learning the ways of wine, I was given to believe that Beaujolais was a light, nothing to get excited about wine. Indeed, only Beaujolais Nouveau seemed to attract anyone’s attention, and not always for good reasons. Fast forward and Beaujolais is once again an exciting, dynamic region that’s producing some of France’s best-value fine wines. Take the Chateau des Jacques Moulin-A-Vent 2021 (Ocado £19). Moulin-A-Vent is one of Beaujolais ten “Cru” villages, and as this is owned by Burgundy’s great Louis Jadot, it’s not surprising that it’s excellent. Deep purple with a crimson rim, the nose is a classic mix of black cherries, strawberries, and raspberries with a background of crushed rocks. Generous on the palate, cherries and fruits of the forest are kept in check by a dry, savoury loganberry acidity.

If you fancy taking on something truly mountainous, then get a team of sherpas/some good friends, whichever you have to hand, and try the Amarone Tedeschi Marne 180 2019 (London End Wines £36.99). Amarone is one of Italy’s greatest reds and is produced using dried grapes. Drying the grapes increases the concentration of the juice and allows wines like this to attain great power (it’s 16.5%), depth, and complexity. Open and let it breathe for a couple of hours and you’ll be rewarded with a fragrant nose of vanilla-tinted dried cherries, cranberries, and blueberries. Despite its heady power, it’s sophisticated and nuanced. Red and black cherries, damsons, toasted almonds, roasted meat, and chestnuts come together to make a mighty mouthful. Try this with full-flavoured dishes such as lamb shanks, blue cheese tarts, or slow roast pork belly.

And so, to the fizz. Regular readers of this column will know I have a bit of a weakness for sparkling wines. A weakness that’s about the size of the San Andreas Fault, truth be told, but as I get to try things like the Graham Beck Cuvee Clive 2017 (Frontier Wines £44.95), is my weakness to be wondered at? All of Graham Beck’s sparkling wines are exceptional, but the Cuvee Clive is in a different class. 60% Chardonnay, 40% Pinot Noir from premium cool sites in Napier, Robertson, and Durbanville, fermented in champagne barrels and stainless steel before ageing in bottle for over four years, this wine gets regal treatment. Mid-gold, the nose is a joyously complex blend of ripe autumnal fruits, red berries, yeast, and citrus. In the mouth its mellow, succulent, and packed with flavour and diversion. Peaches, apricots, honey-drizzled melon, dried pears, a tangy, saline-tinted green apple acidity, and a hint of liquorice spice make for a glorious wine that offers something different with every sip.

Champagne remains the greatest sparkling wine in the world, and recently, I’ve been lucky enough to enjoy two brilliant but very different examples. The Gosset Grand Blanc de Blancs (The Champagne Company £55.50) is made from 100% Chardonnay and is as beautiful as the bottle it’s presented in. White gold with amber highlights, there’s richness behind the fresh white fruit and pear nose, with notes of apricots and creamy yeast coming through, thanks to the four years it spent resting in Gosset’s cellars before release. The palate has some of Gosset’s customary intensity but is far more delicate. Citrus – especially grapefruit and lemon – are present alongside quince, green apple, and custard apple. This is sublime wine that, for me at least, is best enjoyed as a soloist.

I’ll finish with a rosé Champagne, the Dom Ruinart Rosé (Majestic £79.99). The Dom Ruinart Blanc de Blancs Extra Brut 2010 (The Finest Bubble £220) was my wine of 2023, and this is a contender for 2024’s crown. Deep pink, the bouquet is suffused with fresh red cherries and black and red berries, with a vibrant, slightly perfumed note. Give this some time to breathe or even better decant it, and you’re in for a treat as fruits of the forest, cherries, cherry sherbet, orange zest, and plump plum notes assail the palate. This is a wine that I’ve had on its own and with dishes such as rack of lamb and pheasant, and I think it’s even better with food.  It has the weight and intensity to cut through, and the food brings out the deeper, darker tones of this great wine.

Right, well that’s enough love for one day. Next time out some new season wines to put a spring in your step.

Cheers!

Giles

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