The Art of the Album Cover

Karen Neville

The Beatles

Henley-based art publisher Hypergallery welcomes browsers and buyers to an exhibition of signed, limited-edition prints by music’s most extraordinary visual artists

A collection of exquisite limited edition prints and affordable works by a collection of talented artists who have worked with some of the most iconic musicians from the 20th Century will be on display at Hypergallery in Henley from November 26th.

Celebrating the Golden Years of rock music through the album cover art that put a face on it, visitors can view pieces featuring David Bowie, Pink Floyd, Led Zeppelin, King Crimson, T.Rex, Peter Gabriel, 10cc, Jimi Hendrix, The Who, The Beatles, Elton John, Genesis, Donovan, The Hollies, Cream, Pentangle.

The featured artists exhibiting include:

Vincent McEvoy was the art director of Polydor in the 1970s. As such, he had unique access to some of the biggest names in Rock, including The Who, Bob Marley and Eric Clapton. In recent years he has rekindled his passion for silkscreens, producing powerful pop-artworks based on some of the wonderful and iconic memorabilia that he accumulated throughout his career.

Karl Ferris is the man behind some of the most recognisable images of Jimi Hendrix. The originator of psychedelic and infrared photography worked closely with Hendrix on his image, styling and of course the photographs. With subjects including Cream, The Hollies, The Beatles and Donovan, Ferris was right at the epicentre of the psychedelic revolution.

Terry Pastor is a graphic artist who has worked for clients all across the world, creating iconic imagery with masterful flourishes of his airbrush. Pastor is best known for two images that jump-started the career of a young David Bowie, Hunky Dory and Ziggy Stardust. He has revisited and ‘remastered‘ his original source material in the creation of his stunningly sympathetic editions.

Barry Godber was a friend of King Crimson lyricist Peter Sinfield and a regular visitor to the group‘s rehearsal room in the basement of the Fulham Palace Road Cafe. Using watercolours, Godber gazed into a shaving mirror and constructed one of the most fearful self-portraits ever to grace a record sleeve.

Hipgnosis created some of the most innovative and surreal record cover art of the 1960s, 70s and 80s for the biggest bands and musicians of the era including Pink Floyd, Led Zeppelin and 10cc. For fifteen years Hipgnosis (Storm Thorgerson, Aubrey Powell and Peter Christopherson) thrived as one of the best known photo design companies and latterly movie makers, creating timeless rock iconography.

Alan Aldridge created imaginative designs and intoxicating colour-rich images that captured the dreams and hallucinations of a generation; in The Beatles Illustrated Lyrics, on album covers for The Who, Cream and Elton John, and on the notorious Chelsea Girls poster for Andy Warhol.

Richard Evans began his rock’n’roll career as a shoe designer in the early 70s, putting multi-coloured platforms under the feet of Elton John, Roxy Music and The Osmonds. It was at this time that he met Aubrey Powell and Storm Thorgerson and later worked at Hipgnosis with them as their graphic designer for several years. Eventually, he set up his own design studio, working with many big names in the music industry. Since 1976 he has worked closely with The Who, designing tour visuals, merchandise and, of course, album covers.

Sir Peter Blake was elected RA in 1981, awarded a CBE in 1983, and was knighted in 2002. His seminal art for Sgt. Pepper’s Lonely Hearts Club Band is probably the world’s best-known album cover, but Peter’s connections with pop music led to many other ventures in album packaging, including The Who, Live Aid, Paul Weller, Oasis, Ian Dury, Eric Clapton and Brian Wilson.

Exhibition details:

Dates: 26th Nov 2022 – 23rd Dec 2022

Open: 11am-2pm by appointment

Location: Hypergallery, 47 Market Place, Henley-on-Thames, RG9 2AA

Admission: free

If you would like to visit, just drop Hypergallery a line at [email protected] or call on 01491 637021 to ensure someone will be at the gallery to welcome you.

The Beatles: Get Back

Round & About

The Beatles

Get Back is set to celebrate the iconic band’s influence

“The Beatles gave my generation their genius and their joy and they changed the world through their art,” says Nicholas Callaway, founder & publisher of Callaway Arts & Entertainment. “The creativity and inspiration expressed in this landmark book and in Peter Jackson’s film are as important and relevant today as ever.”

His company, along with Apple Corps Ltd. are set for the global publication of The Beatles: Get Back, the first official standalone book to be released by the band since international bestseller The Beatles Anthology.

The 240-page hardcover tells the story of The Beatles’ creation of their 1970 album, Let It Be, in their own words. You’re invited to travel back in time to January 1969, the beginning of The Beatles’ last year as a band. The “White Album” is still at number one in the charts, but the ever-prolific foursome regroup in London for a new project, initially titled Get Back. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every day’s work, the band rehearse a huge number of songs, new and old, in preparation for what proves to be their final concert, which famously takes place on the rooftop of their own Apple Corps office building, bringing central London to a halt.

Legend now has it that these sessions were a grim time for a band falling apart, but, as acclaimed novelist Hanif Kureishi writes in his introduction: “In fact this was a productive time for them, when they created some of their best work. And it is here that we have the privilege of witnessing their early drafts, the mistakes, the drift and digressions, the boredom, the excitement, joyous jamming and sudden breakthroughs that led to the work we now know and admire.”

Presenting transcribed conversations drawn from over 120 recorded hours of the band’s studio sessions with hundreds of previously unpublished images, including photos by Ethan A. Russell and Linda McCartney, it also includes a foreword written by Academy Award-winning director, producer and screenwriter Peter Jackson.

The book’s texts are edited by John Harris from original conversations between John, Paul, George and Ringo spanning three weeks of recording, culminating in The Beatles’ historic final rooftop concert. The release will be a special and essential companion to director Peter Jackson’s The Beatles: Get Back feature documentary film, set for theatrical release on August 27, 2021.

To watch the book trailer and find out more, visit thebeatles.com

Pre-order at lnk.to/thebeatlesgetbackbook