Dark drama at Theatre Royal Windsor

Round & About

Posted on

drama

Trial by media examined in Accolade starring Ayden Callaghan and Honeysuckle Weeks

Theatre Royal Windsor is delighted to be staging two plays directed by award-winning director Sean Mathias this year starting with Accolade this month.

Ayden Callaghan and Honeysuckle Weeks are to lead the cast in Emlyn Williams’ gripping drama Accolade, the first play in this year’s Sean Mathias season.

Ayden Callaghan is best known for his roles as Joe Roscoe (Hollyoaks), Miles De Souza (Emmerdale) and as Frank Farmer in last year’s UK tour of The Bodyguard The Musical.

Honeysuckle Weeks became a popular face on television playing Sam Stewart (Foyle’s War). She has just finished touring the UK in the role of Cora in Calendar Girls the Musical.

In Accolade, Ayden will play the protagonist Will Trenting, with Honeysuckle, his socially ambitious wife, Rona. Whilst William’s dark and sinister play originally stems back to 1950, the underlying tensions, couped with the fragility of one’s personal reputation, make this play as relevant today as when it was first written.

Completing the cast are Jamie Hogarth (Albert), David Phelan (Thane Lampeter), Sarah Crowe (Marian Tillyard), Louis Holand (Ian), Gavin Fowler (Harold), Sarah Twomey (Phyllis), Nardiner Samra (Daker) and Kayleigh Cooper (Parlour Maid).

Accolade opens at the Theatre Royal Windsor on Friday, 31st May and will run until Saturday, 15th June before embarking on a tour within the UK over the summer.

Accolade will be followed this autumn with Felicity Kendal in the title role of Eduardo de Filippo’s Filumena, the second play to be directed by Sean Mathias this season.

Director Sean Mathias said of staging the two plays: “These two plays are not what they first appear to be. Accolade is atypical of Emlyn Williams, examining success as approved by the establishment, it quickly deconstructs that success and then looks to smash it. The central character, Will Trenting, was written by the author for himself to play in the world premiere – a character lionized by an order he despised, Will contains shades and shadows of the Welshman himself, who refused to fit into any boxes. Williams had a deep fascination with the psychology of the criminal or alternative mind, and Accolade is a riveting theatrical reflection of his interests.”

To book visit: Home – Theatre Royal Windsor

Get the latest news straight to your inbox

Choose which newsletter:

New theatre company Moonhawk stage Frankenstein

Karen Neville

Posted on

drama

Abingdon’s Unicorn Theatre is the stage for inaugural production 

Catch new theatre company Moonhawk in action from Wednesday, 30th March until Saturday, 2nd April when they’ll be performing a new version of a classic tale. 

The fledgling company will be staging Nick Dear’s version of Frankenstein based on the Mary Shelley original at the Unicorn Theatre full of all the Gothic and romantic elements that have made this tale popular still more than 200 years later. 

Victor Frankenstein (Nick Kovari) constructs a creature from recovered body parts. When his creation comes to life he runs away in horror and abandons it. The creature wanders across Europe, trying to escape violence and hunger. When he is taught to read and write by a blind teacher he learns about his creator and begins a new journey to find Frankenstein and to get answers. 

This is the first production from Moonhawk who will perform a wide range of plays, old and new and welcome anyone and everyone with an interest in all aspects of theatre production, either on stage or behind the scenes. The new theatre company has been created to give opportunities to actors and technicians of all ages with the aim of supporting those wanting to go to drama school. 

Moonhawk founder Leon Witcomb said: “I caught the drama bug over 10 years ago and have been acting, directing and stage managing ever since. More recently I’ve entered the world of producing, hence Moonhawk Productions.  

“We’re based in Abingdon-on-Thames and we use several locations to put on our diverse types of 

drama. We operate an “open door” policy meaning that anyone can be part of Moonhawk – on stage, back stage, production and front of house.” 

Leon added: “My mentor and the catalyst for my drama career is my old drama class teacher, Andrea Mardon. She taught me from a very early age and directed me in many shows and inspired me to take acting and producing seriously. Thanks Andrea! 

“Moonhawk have some really amazing plays, as they say in politics – shovel ready and raring to go! Watch this space!” 

Tickets £10, age 14 & upwards on the door or from www.wegottickets.com/moonhawk

Tell us your local news here

Get the latest news straight to your inbox

Choose which newsletter:

Cat’s whiskers

Round & About

Posted on

drama

Peter Anderson chats to Roy Marsden, producer of the classic thriller Cat and The Canary at The Theatre Royal, Windsor, 15th – 25th January

Staying sane seems so simple, until 20 years after the death of Mr West, his descendants have to gather at a remote mansion to learn who will inherit his vast wealth and the hidden family jewels. When the heir is revealed, the heritage hunters turn to prey and a chain of macabre events is set in motion. Will the heirs dare to face the haunting presence toying with them? When the cat prowls, the flock takes fright…

The Cat and The Canary, the original chilling country house thriller comes to the Theatre Royal Windsor next month. Peter Anderson caught up with the producer, Roy Marsden perhaps known to many as the PD James detective, Adam Dalgliesh.

What can we look forward to with this play?” We are looking forward ourselves as rehearsals start. This is a play written in 1920s America which has seen a number of versions including a silent movie and a comedy thriller written as a vehicle for Bob Hope. Sadly, some of the play adaptions have been lost. We have moved the setting of the play from the Louisiana swamps to perhaps our most chilling of locations – Bodmin Moor.”

When did you discover your love for the theatre? “I grew up in the East End of London, and I was about eight years old when I discovered at that age you could easily travel on the Underground and nobody asked for tickets. I also found I could sneak into the gallery at the Victoria Palace Theatre. I watched the Crazy Gang, Flanagan and Allen, and the rest of them every night I was hooked. When my parents realised where I was going and what my interest was, they sorted out a kids’ drama school for me. “

Does coming to the Theatre Royal bring back happy memories for you? “I remember asking my Dad why he preferred the Theatre Royal, in Stratford East near where I grew up, to the National Theatre. He said that when you walk into the National Theatre it is the same ambience as a library, everyone talking in hushed tones. But in the Theatre Royal, if someone recognised you in the bar, they would call out and welcome you from the other side of the room.

“I love coming to the Theatre Royal – there is such a warm and welcoming atmosphere. You always get the impression that all the staff who work there are all part of one big happy family, and it is that atmosphere that really makes an audience member feel welcome when they come in to watch something.”

More info

The Cat and The Canary runs from 15th to 25th January. For tickets & more information

Tickets

Get the latest news straight to your inbox

Choose which newsletter:

Beer-fuelled Bard

Round & About

Posted on

drama

Peter Anderson catches up with Stacey & Saul of Sh*tfaced Shakespeare which lands at Swindon’s Wyvern Theatre on Tuesday, 12th November

A smash-hit, internationally acclaimed, award-winning, multi sell-out fringe phenomenon comes to Swindon this month presenting Shakespeare in a way none of us remember it from our schooldays. We all know about pre-show drinks, but what if it is a random member of the cast who spends the four hours before a show having the pre-show drinks? Welcome to Sh*t-faced Shakespeare and their production of A Midsummer Night’s Dream. With a gin in one hand, a cup of wine in the other and a flagon of ale in the other… What could possibly go wrong?

I catch up with Stacey & Saul from the group to find out this combination of beer and the Bard, came about. “We had one of those sessions where we all put our heads together and came up with ideas on how we can make the improv different. This was the suggestion that someone came up with. I don’t remember whether we said yes or no to it at the time, but it was a little while later that in a radio interview someone mentioned that this was something, we had thought of doing. From then on, we had to it, and it seems to have been well received as we are still filling theatres after some years.”

Is there a chance the plot could change? “Oh yes, when you are one of the sober cast you have to be ready for just about anything, from Juliet deciding she is not going to commit suicide to characters appearing in the wrong play which adds to the spice and fun – for both us and the audience especially. There are rules that we use in improvisation and these can usually keep the play flowing. The important thing is that we are providing something enjoyable for the audience, there is no question of deliberately making one of the cast look stupid.”

You are quite a close-knit group of actors to be able to do improv, especially with the additional jeopardy of alcohol, but if you could have a famous actor join you for a show, who would you love? “Now, there’s a thought! I think the one actress who always seems good fun in the things she does is Helena Bonham-Carter, I am sure she would be up for it and extremely good fun whether she was drunk or sober.”

The Evening Standard said of this show “There is no doubt this is a hoot to watch”. To get your chance to see what could be subtitled for one actor A Midsummer Morning’s Hangover the show is on Tuesday 12th November at the Wyvern Theatre

Want to go?

Get your tickets here

Click here

Get the latest news straight to your inbox

Choose which newsletter: