Festive fortification tipples for all

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Our wine columnist Giles Luckett suggests some great fortified wines for the season of goodwill

Hello. Christmas is a time for traditions. The tradition of opening a present on Christmas Eve just after you’ve put the sprouts on! Of partners asking you to buy them something you think they’ll like with the surprise being they need to ask if you’ve kept the receipt! To not so much as driving home for Christmas as stuck in traffic for Christmas.

OK, so, some traditions we could all definitely do without, but there’s one tradition that the British have clung to since the late 18th century, which is one to be treasured – enjoying a glass of fortified wine over the festive season. From Port to Madeira and Sherry to something from the New World, there’s a world of fortified diversions out there, and here is my pick of this spirited bunch…

Christmas wouldn’t be Christmas without a glass or two of Tio Pepe (Sainsbury’s £10). Some of my generation are wary of Sherry, but wines like Tio Pepe are increasingly finding favour with younger wine lovers, and it’s easy to see why. Pale, fresh, dry and clean, its combination of abundant pear, watermelon, and apple fruit and savoury, creamy yeast make for an easy-drinking yet wholly satisfying glassful. Try this on its own and with smoked fish or creamy cheese canapés.

If you’re in the mood for something sweet, then why not enjoy something truly indulgent? Pedro Ximenez (PX to his friends) produces gloriously sweet wines such as the Adnams X Sopla Poniente (£10.99 Adnams). This phenomenal mouthful of treacle, butterscotch, liquid caramel, and hazelnuts is a joy on its own, but with enough acidity to prevent it from becoming cloying, it goes down beautifully with strong blue and white cheeses or, as I found, liver pâté.

When most people think of fortified wines, they think of Port, and this year, I discovered the excellent Adnams Finest Reserve (Adnams £15.99). This has to be one of the best everyday drinking Ports I’ve ever tasted. Many entry-level Ports struggle to integrate the spirit and have a hot, disjointed finish, along with overly sweet, one-dimension fruit profiles. The Adnams, however, is luscious, packed full of dried black fruits, blackcurrant conserve, and prunes and has a rounded, seamless finish. If you’re looking for brilliance on a budget, give this a whirl.

Another, less well-known style of Port is White Port. While much of this is fine but forgettable, there are quality-focused producers who are breathing new life into this old-style wine. I tasted the Quinta Da Pedra Alta White Port (Master of Malt £17.42) at the estate in the summer, and it blew me away. Fresh-tasting and bursting with white fruits, apricots and peaches in syrup, the way it managed to combine the sugar and the spirit into the body of the wine to create a luscious yet clean and refreshing whole is remarkable. We tried this with tonic, and it made for a delicious long drink too.

My favourite style of Port is a wood Port, wines that are aged for an extended period in barrel rather than in bottle. This long ageing in cask has the effect of leaching colour, accentuating the freshness and adding a lovely nuts and dried fruit tone to the wines. An excellent example of this is the Kopke 10-Year-Old Tawny (The Secret Bottle Shop £23.95). Deep red-gold, the nose offers an inviting mix of preserved cherries, plums, almonds, spices and candied citrus peel. In the mouth, it’s warming, full, and gentle, but with a wonderfully complex mix of dried fruits, nuts, caramel, smoke, and a clean, tangy acidity. Try this with blue cheeses or fruity desserts.

Fancy something a little different this Christmas? I have just the thing, the Zuccardi Malamado (Tesco £9). This is an Argentinean fortified Malbec – so Argentinean Port, if you will – and it’s amazing. At first, it tastes like a great Malbec, all blackberries, blackcurrants, fresh blueberries, and sweet spices, but then a warm wave of sweetness comes in, adding decadent richness and power. You can drink this with food as though it were a table wine or with hard cheeses; either way, it’s a Christmas cracker.

South Africa built their wine industry on fortified wines, and while they’re not as important these days, the best can still be world-beaters. Take the Kleine Zalze’s Project Z (Noble Green £33). Made from a blend of noble white grapes, this luscious golden sipper is opulently sweet (think marmalade) and offers creamy flavours of dried pears, candied apples, and peaches in syrup, with a lovely hit of lemon peel and lime juice to the finish. Enjoy this chilled with fruity desserts or white cheeses.

Madeira is one of the world’s most misunderstood wines. It isn’t a type of Sherry – it’s 700 miles from Spain and made in a completely different way – it isn’t all sweet, and if it’s an old maid’s wine, then call me Old Maid Giles! Madeira is joy as the Henriques & Henriques 10-Year-Old Sercial (Waitrose £18.99) shows. Sercial is the driest style of Madeira and it’s only after a decade or so in barrel that it reveals its brilliance. Dark amber, the nose offers caramel, roasted nuts, sweet coffee, citrus peel, and grapefruit. On the palate, it’s rich, yet tangy, with honey, green fig, and dried orange and pear tones offset by lemon and lime.

My next recommendation is one of Australia’s great wine originals. Take Muscat grapes (a Petits Grains Rouge, in case you were wondering) and leave them till they are raisins on the vine. Pick and press but stop the fermentation mid-way with spirit to preserve the sugar. Then age them in a Sherry-style ‘solera’ system, and bingo, you have wines like Campbells Rutherglen Muscat (Waitrose £13.99). This golden ‘sticky’ as the Aussies call it, tastes of sultanas laced with spiced honey mixed with citrus peel and given a mocha shot. This unique wine is phenomenal and is an after-dinner delight.

I’ll finish my festive fortified feature with what most wine lovers regard as the ultimate fortified wine, Vintage Port. Vintage Port is a rare wine – they make up about 3% of Port production – made only in the finest years that can only spend 2 years in cask before bottling with their sediment. The resulting behemoths can age for decades (the 1955 Taylor (MWH Wine £420) was amazing in 2022) and offer a level of complexity and elegance no other fortified wine can match. For drinking now, try the Niepoort 1997 (Fareham Wine Cellar £57.50). A great vintage, time has softened this, giving it a red-amber colour with a nose of fruits of the forest, chocolate, cherries, and smoke. In the mouth, it is sumptuous, loaded with black and red berry fruits, black figs, plums, sweet spices, and liquorice. Decant and enjoy on its own with good company.

Well, that’s it from me for 2023. I’ll be back in January with some no-and low-alcohol wine recommendations. So, until then have a fine wine Christmas, and here’s to a happy 2024.

Cheers!

Giles

Giles Luckett’s Christmas wine crackers!

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Our wine columnist raises a glass to top tipples for the big day

Hello!  Christmas is said to be the most wonderful time of the year and for wine lovers, I’d say that was definitely the case. It’s that time when you can pull a cork at 11am without people raising eyebrows (or organising an intervention!) and when everyday wines are replaced by fine ones. So, to give you some festive inspiration here are the six Christmas crackers I’ll be pulling out this year.

First up, a fizz.  I’m convinced it’s no coincidence that traditional Christmas breakfast fare perfectly partners sparkling wine. Whether you’re having smoked salmon or eggs Benedict, a glass of fizz is a must. This year I’ll be toasting my smoked salmon on toast with a glass of Balfour 1503 (Majestic £21.99). This English sparkler is delightfully fresh, with plenty of green apples and citrus fruit offset by a pinch of pepper and a twist of thyme before the creamy, yeasty finish.

Suitably restored after my daughter’s excited 5.30am alarm bellow, It’s time to cook. For this I need a sip and run wine that will pique my appetite and year after year I turn to Tio Pepe (£12 Amazon). Quite the most civilised sherry I know, with its arresting, Sauvignon-like crispness, generous pear and melon fruit and creamy hit of yeast, it’s the perfect aperitif and goes brilliantly with all types of canapé and Christmas nibbles.

“There’s no point putting wine with Christmas pudding.”

Giles Luckett

Prep done, it’s time to take a well-earned break and share a glass with the family. This calls for Champagne and I’ll be serving Adnams’ 2012 Vintage Champagne (Adnams £41.99). 2012 was a fantastic year in Champagne, and the extended bottle age this has received has imparted a lovely softness that makes it a real crowd-pleaser. From its inviting nose of dried apples, honey, and lemon to its broad, generous, weighty palate of red apples, melon, peaches and digestive biscuits, this is a class act.

The turkey’s resting (no idea why, it’s me that’s done all the work) so it’s time to open the wines for the main event. I like to have a white and a red on the table, the latter being perfect for brown meat lovers, and this year I’ll have the Organist Chardonnay 2022 (£26 Ocado) and the Miguel Torres Vigno Carignan (Waitrose £13.99). 

The Organist cleverly balances intense, bold, fruit tones of baked apple, peach, and grapefruit with a luscious, buttery vanilla imparted by the oak ageing. This allows it to balance the breast’s natural dryness while bringing out the flavour without overpowering it. The Vigno on the other hand is a dark, juicy wine whose ample blackberry and loganberry character cuts through leg and wing’s gaminess while its dried herb tones add another dimension to it.

And to finish. There’s no point putting wine with Christmas pudding. Trust me, I’ve tried everything from Sauternes to Madeira and all get lost like the one of the kid’s presents by Boxing Day. After the pud’s done, however, I’m going to settle myself down with a glass of the Ned Noble Sauvignon Blanc (Ocado £14). I tried this little sweetie earlier this year and I was hugely impressed.  Opulently rich with flavours of barley sugar, pineapple, caramel, and dried pears, it has a cleansing gooseberry and lime acidity that stops it being cloying. Try this with full-flavoured cheeses – if you can find the room!

Well, here’s to a merry Christmas and a fantastic 2024.

Cheers! Giles

Festive fizz that’s worth a pop

Round & About

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Our wine columnist Giles Luckett raises a glass to the best Champagnes for party season

Hello! I’m in agreement with Andy Williams on Christmas being the most wonderful time of the year – though whether that time starts in October as the shops would have us believe is open to debate. What isn’t up for debate is that Christmas calls for champagne, and in this month’s column I’m running down my top 10 Christmas champagnes. So, without further ado

10. Waitrose Non-Vintage (£21.99) – in my experience buyer’s own brand (BOB) champagnes can be disappointing – especially when it comes to supermarket wines. For some it seems the main aim is hitting a low price point with the wine’s quality coming second. Waitrose’s, however, is consistently excellent. Medium-bodied with lovely peach and apple fruit, a rich seam of creamy yeast runs through to the clean, red berry finish. This versatile wine makes for a stylish aperitif or goes well with white cheeses.

9. Graham Beck Pinot Noir Rosé (Majestic £18.99) – OK so technically this isn’t a champagne, unless the Champagne AC’s expansion has taken it to South Africa, but this is of champagne quality hence I’ve included it.  Deep pink, the nose offers an abundance of blossoms, cherries, red fruits, limes and biscuity yeast. On the palate its weighty, fruit-laden – strawberries ad raspberries – with a lovely cherry sherbet finish. Serve this with smoked salmon or savoury canapés.

8. Adnams’ Selection Rosé Champagne (Adnams £33.99) – this is a champagne, and a very fine one at that. Produced by Champagne Blin, this is a traditional style of rosé, being full yet refined, fruity, yet dry. Opening with a nose of dried raspberries, strawberries, and buttery brioche, the palate offers pure, slightly savoury, raspberries and boysenberry flavours, followed by touch of blackcurrants and finishing with a taut, chalky finish. This is one of the best value champagnes I’ve seen in a long while.

7. Taittinger Prélude Grands Crus (Amazon £55) – Taittinger’s Prélude is a fascinating wine, and one that’s as much about the mind as the mouth.  Made from 50% Chardonnay and 50% Pinot Noir from Grand Cru vineyards, it all sounds very classical. The twist is that It’s aged for five years in Taittinger’s magnificent chalk cellars (much longer than usual) before release.  This drives a seam of yeast and savoury minerals through the apple, citrus, rhubarb and peach fruits, adding even more complexity and depth. A stylish aperitif, we had this with turkey last year and it was sensational.

6. Gosset Petite Douceur Rosé (Waitrose £59.99) – Gosset’s champagnes are things of rare beauty – and I don’t just mean the bottles – but this was love at first sip. Gosset’s wines are all about precision. Tiny bubbles, perfectly delineated fruit and a balance a tight rope walker would envy. This new wine takes their wines in a new direction by subtly ramping up the sweetness.  Now while this is by no means sweet, there’s a sweeter tone to the red and white berry fruit, as flavours of orange and kiwi come through, and there’s honeyed hint to the long, grapefruit and white peach finish. A superb after supper sipper, it would partner fruit tarts and petit fours perfectly.

5. Palmer & Co Blanc de Blancs Brut (Waitrose £53.99) – the best Blanc de Blancs champagnes – that is ones made from only white grapes – offer a subtler, more delicate style of wine. My recent encounter with the Palmer Blanc de Blancs reminded me that what these wines lack in power, they more than make up for in complexity. From the Palmer’s mid-gold body emerges notes of pears, hawthorn blossom and milk toast. Initially fresh and lively, it soon develops a quiet intensity in the form of baked apples, hazelnuts, peaches, and fresh vanilla cream. Sip this beauty on its own or with seafood. 

4. Champagne Piaff Rosé (Master of Malt £52) has been another delightful discovery of 2023. A blend of Pinot Noir, Chardonnay, and Pinot Meunier, it has a very ‘winey’ tone. By that I mean that is it is both full-flavoured and well-structured like a still wine. Salmon coloured, the nose combines fresh strawberries and cherries with savoury strains of beetroot and bread. The palate’s broad, with complimentary tones of red berries, black cherries, and lemons coming together at the finish with a creamy yeast touch. Try this with cold cooked meats or fish pâté.

3. Next I want to recommend a wine by Bruno Paillard. I was going to say try their Première Cuvée (Vinum £46.40) but in the spirit of giving an alternative view, I’ve gone for the Bruno Paillard Blanc de Noir Grand Cru (Wanderlust Wine £66.90). Released this year, this is made from 100% Pinot Noir and marries power with precision. The nose offers an enticing notes of roses, pink grapefruit and smoke.  The palate, while firm and weighty, is precise, rounded, and packed with fruits of the forest, cherries, and loganberries with a hint of clove. On the long finish are fresh red fruits with their signature shot of salinity. 

2. Dom Perignon is one of those wines that every wine lover should try to try at least once. I’ve been fortunate to enough to have had multiple vintages of this exceptional wine, but my recent encounter with the Dom Perignon 2013 (Waitrose £195) left me feeling this was the best young Dom Perignon I’ve ever tasted. Generous and welcoming, everything is perfectly appointed and perfectly rounded.  Soft as a satisfied sigh, the white plum, peach, and apricot fruit mingle seamlessly with gentle spices, highlights of alpine strawberries, and cool minty notes to crisp, nuanced finish. Try this on its own. Or better still, on your own!

1. While all the wines on this list are amazing, the Dom Ruinart 2010 (The Champagne Company £256) is just magnificent. The bouquet blends brioche, white berries, pears, and citrus with yeast.  In the mouth, it’s extraordinarily rich, layered, and full, yet precise and poised. Creamy tones of melon, green pears, apricot, orange, vanilla, chalk, and gentle spices come together to create a mesmerising mouthful. Youthful and sleek, this has a long, long life ahead of it, but if like me you enjoy your champagne young and vibrant, then this is perfect.  Yes, it’s expensive, but for those special occasions, to my mind, this is worth it.

Well, I hope you will have a fine Christmas and enjoy some fine wines along the way.

More soon….

Giles

Chile: home of affordable fine wines?

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Our wine columnist Giles Luckett explores the best Chilean charms worth trying…

Hello! I recently hosted a slightly unusual Chilean wine tasting. It wasn’t, as one of my wag friends suggested, unusual as there were no Chilean wines on show, but because the focus was on fine wines. Chile has a long wine-making history – the first vines were planted by Spanish conquistadors in the 16th century – and since its rise to wine prominence in the 1980s, it’s been focused on the production of great value everyday drinking wines.

In doing so, Chile had an advantage over the other re-emerging wine nations, as its industry wasn’t based on the production of fortified wines as was the case in Australia and South Africa, but on table wines. This, coupled with the influence of French settlers in the early 20th century, meant their wines were often produced from popular, noble varieties such as Cabernet Sauvignon, Merlot, and Chardonnay. 

For the longest time, Chile seemed content to produce these great everyday wines and leave the fancily priced “icon” labels to the Californians and the Aussies. Recently, however, there’s been a change in attitude. Winery owners have been looking at the abundant gifts mother nature has bestowed, have invested heavily in wineries and winemakers, and have started producing wines that are as fine as anything old-world regions can produce.

What I wanted to discover at this tasting was a) does Chile still deliver the goods at all price levels (spoiler alert: Oh, yes!) and b) how the Chilean superstars match up to the world’s greatest wines. The results were fascinating, and while some of the wines in this article are far from cheap, they still represent great value when set against their peers.

Top Chilean fine wines 

I’ll kick things off with wine that combines classical Chilean value, a touch of South American flair, and fine wine unorthodoxy. It’s the Don Aldo Olivier Pedro Ximenez Chardonnay (Laithwaites 11.99). I’ve never seen a Pedro Ximenez wine outside of Spain, and those were mainly sweet sherries. This is fresh as a spring dawn and just as joyful. The zesty, grapefruit and lime nose is followed by a tangy white berry palate, before the creamy Chardonnay comes in, softening things with peaches and apricots and adding a smoky richness. This would be great with turkey. Sorry, too soon….?

Montes is one of the great names of Chilean wine, with the likes of the Montes Alpha and Montes M amongst Chile’s first super-premium wines. We tasted another of their fine wines, the Montes Single Vineyard Chardonnay (£12.99). Hailing from the cool Casablanca Valley, this is a refined incarnation of Chilean Chardonnay with lots of green and red apple fruit, crisp green pear, and melon tones and a twist of lemon on the end. The oak provides a creamy, nutty backdrop but isn’t allowed to dominate. Give this an hour open and try it with roasted poultry, pheasant or partridge.

When you see the name “Rothschild” on a label, you know that quality awaits. The (Lafite) Rothchild side of the family has been involved in Chile for many years and the Los Vascos Sauvignon Blanc (Ocado £15) remains an affordable fine wine classic. The crisp, refreshing nose has plenty of citrus and green pepper tones, but also has hints of flint and cut grass. In the mouth, it’s intense, concentrated and precise, with a lean, fresh profile that reveals grapefruit, lemons, gooseberries and savoury green peppers. This is Chilean Sauvignon in the fine Bordeaux style without the fine Bordeaux price tag.

Chile’s abundance of microclimates means it can give a good home to almost any grape variety and produce something special. Time and again it’s impressed me with its dry Rieslings and the Matetic Corralillo Riesling 2021 (Hic! £14.50) is another gem. Gloriously fragrant with aromas of apple blossom, peach, honey, and Granny Smith apples, the palate was multi-layered, combining white berry and orchard fruits with minerals, apricots and a zesty finish. Dry, with just a hint of richness, this would be sublime with smoked fish or strong cheeses such as gruyere or stilton. Oh, did I mention it’s dry?

I’ll leave the whites on a high. About 700m high, to be exact, with a Chardonnay from the Aconcagua Coast region in central Chile. The Las Pizarras Chardonnay (Berry Bros & Rudd £52.50)is the greatest Chilean Chardonnay I’ve ever tasted and has achieved scores of 97+ from the world’s leading critics. Oh, and from me. Poised and refined, this beautiful wine offers apple and Comice pear fruit in a firm, precise fashion. The oak adds weight and spice to the mix and even more complexity. At £52 it’s not cheap, but if you compare it to its Burgundian peers, it’s an absolute steal. If you’re thinking of trying this, look for the 2019 or older. It takes a couple of years to show its best and so older vintages are well worth seeking out.

And so the reds. Carmenere is Chile’s signature red grape. Shunned in Bordeaux, it’s found an ideal home in Chile and even fine examples remain affordable. Take the Adnams Carmenere (Adnams £8.49). This super-fruity, easy-drinking, plump red is bursting with blueberry and mulberry fruit with an undertow of leaf tea, mint, and prunes. Carmenere remains slightly misunderstood/unfashionable, which means it gives even greater value for money. Try this red meats or tomato-based dishes.

Next up is a “field blend”. No, until a couple of years ago I’d never heard this either. A field blend is a wine that’s been created from two or more varieties that have been planted in the same vineyard. Many of these vineyards, such as those in northern California, are very old and were the product of people planting whatever they could get without paying too much heed to varieties. They can make for really interesting combinations as the La Despensa Field Blend (Corkage £25) shows. This Rhône-style wine is made up of Grenache, Mourvèdre and a splash of Roussanne (a white vine). Mid-red and dominated by red cherries and plums, there’s a lovely lift of alpine strawberry on the mid-palate while the Roussanne adds a curious herby tang to the finish. Try this will slow-cooked lamb.

Cabernet Sauvignon is often referred to as the King of Grapes and with good reason. The most important grape in Bordeaux, it produces noble wines across the globe including eye-wateringly expensive examples such as California’s Screaming Eagle – a snip at £3,000+ a bottle. Affordable fine wines can be found, however, such as the Ventisquero Grey Cabernet Sauvignon (Adams £17.99). Varietal Cabernet can be green and aggressive, but the Grey is plump and gentle. The nose mixes blackcurrants, mint and fresh tobacco, while the silky palate is packed with black and red berries with peripheral flavours of chocolate, cream and sweet spices.

My next choice is a wine that’s helped cement Chile’s reputation as a fine wine nation, Sena (£115 MWH Wine). Sena was created in 1995 by Robert Mondavi (the godfather of Californian wine) and Eduardo Chadwick (Chilean wine legend) with a view to creating a world-beating wine. Since then, Sena has scooped many accolades and ranks amongst the world’s finest wines. Crafted from a blend of Cabernet, Carmenere, Petit Verdot, and Cabernet Franc, it’s a wine that delivers complexity, sumptuous quantities of red and black fruits overlain with smoke, minerals, and a fleshy, meaty tone to the finish. This is a wine I would urge every serious wine lover to try at least once, as it’s an unforgettable experience.

And finally, we have the Vinedo Chadwick (£225 Cru Wine). This is a seriously fine wine and while it has a serious price tag, to my mind it is worth the money. The Vinedo Chadwick is a wine that sets out to be the best of the best, and it’s hard to argue that the wine-making team haven’t achieved this. The 2021 has been given perfect 100-point scores by some of the world’s greatest critics and even at this tender age, it’s hugely impressive. Inky in colour, much swirling and breathing coaxed red berries, earth, smoke and eucalyptus from it. The mouthfeel is glorious. It’s rich, yet poised, the tension between super-ripe blackcurrants, mulberries, blueberries and plums and tangy raspberry acidity is awesome. Impeccably well-structured, the tannins are firm but round and support the impressive length that suggests a very long life ahead.

I hope you’ll try some of these extraordinary Chilean wines – if you’re opening any Sena I’m free to help pour!

 
Next time out I’ll look at some of the best wines from Spain.

Cheers!

Best New Zealand wines for 2023

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Discover more about New Zealand wines as Round and About’s columnist, Giles Luckett, shows there’s more to offer from the islands than Sauvignon Blanc…

Hello. I’ve been on a voyage of wine (re)discovery over the past few weeks. As you may remember from school geography lessons, the world is a pretty big place. And amongst this pretty big place are an increasing number of wine-producing countries. So many in fact that even the hardest drinking, sorry, tasting, wine professional can miss things. Regions you once followed closely slip into the periphery only to draw you back with a wine so startlingly good that you discover it anew. This is what happened to me a few weeks back when I was asked to sample some new-style New Zealand wines, including an unexpected and breathtaking Syrah, which has prompted me to create this top ten New Zealand wines list.

New Zealand: A Brief History of Wine

When I joined the wine trade in 1993, New Zealand wines – particularly Marlborough Sauvignon Blanc – were everywhere. Cloudy Bay had launched in 1985 and its full-throttle, super-intense “cat’s pee on a gooseberry bush” style led Oz Clarke to deem it the world’s best Sauvignon. The drew everyone’s attention to the wines of this cool climate land. Soon other regions on the North and South Island became known, and everything from buttery Chardonnay to strikingly elegant Pinot Noir became the biggest things from New Zealand to hit the UK since Crowded House’s Woodface.

Sauvignon ruled the roost. Harrods sold Cloudy Bay on allocation to a (very) select few, and other leading estates such as Wairau River, Esk Valley, Villa Maria and Te Mata also became hugely sought-after. Inevitably, over time tastes and fashion changed, and just as Australia had its ABC (anything but Chardonnay) backlash, so New Zealand saw the rise of the ABS (anything but Sauvignon) league.

A fire had been lit, however, and while Sauvignon’s star burned less brightly, the amazing possibilities of this emerging wine nation weren’t going to be left to wither on the vine. New varieties were planted, site selection explored, and winemaking innovation deployed to produce a crop of wines that were as exciting as those early Sauvignons.

My recent reappraisal of New Zealand wines proved revelatory, and here are my top ten New Zealand wines. And you know what, there’s not a varietal Sauvignon in sight…

Top Ten New Style New Zealand Wines

First up, a Riesling, the Adnams Marlborough Riesling (Adnams £9.99). Marlborough is a cool climate area on the northern tip of the South Island. While it’s best known for its Sauvignons, it’s varieties like Riesling that are now getting the wine world juiced up. Adnams’ is made in the European style and weighs in at just 9% alcohol. This leaves some residual sugar which serves to balance the bright, lemon and lime acidity, and green apple and white currant fruit. Delicious on its own, it’s even better with poultry, white fish, or seafood.

Staying on the South Island, but moving to the edge of the Tasman Bay we have the small region of Nelson. This is another home for vines that like cooler climes and it’s given us the Waimea Estates Grüner Veltiner 2021 (Majestic £10.99). Gruner is Austria’s most acclaimed white grape, one that’s finding flavour in California, Australia and, excitingly, here in New Zealand. This too has been left with a little residual, and here it gives a tropical fruit tone with a tangy, fresh, rhubarb and lemon finish. I thought this was lovely on its own, but I can see it being superb with oriental dishes.

My next pick is the Esk Valley Artisanal Albariño (Noble Grape £12.99). Hawkes Bay lies to the east of the North Island and is best known for its red blends – if you ever get offered a glass of Esk Valley’s Terraces (£95), a blend of Cabernet Franc, Merlot and Malbec grab it, (and the bottle if you can). It’s amazing and worth every penny. Esk Valley’s Albariño is pretty special too. While Albariño is most closely associated with Portugal and Spain where it’s favoured in celebrated seafood restaurants, it’s made itself at home in New Zealand. Classically styled, it has masses of freshness, is clean as a freshly polished whistle and boasts flavours that range from grapefruit and lemon to melon and stone fruit with a yeasty, savouriness to the finish. A superb aperitif, this is a wine with hidden depths. Give it a couple of hours open and it will bring out the best in creamy cheese dishes and poultry such as guinea fowl as a peachy, apricot tone adds depth and complexity.

And so we come to the first two rosé wines. The first is the Villa Maria Sauvignon Blanc Blush (Asda £8). I said there was no varietal Sauvignon and the addition of Merlot to give this colour has saved my blushes. While there’s a lot of Sauvignon character, it’s softened and rounded out by the plum, rose petal and cherry notes from the Merlot. Beautifully coloured, bright, and bursting with energy, this is great fun and was made for good company in the sunshine.

While Cloudy Bay’s Sauvignon always got the plaudits (for the record I think the Chardonnay and Pinot Noir are better wines), the real star in Cloudy Bay’s firmament is the Cloudy Bay Pelorus Rosé (Majestic £23.99). New Zealand has perfect conditions for making world-beating sparkling wines and this is a world-class wine. Pale salmon with amber lowlights, the nose is a complex, evolved mix of strawberries, raspberries, and red cherries, cut with citrus, creamy yeast, and a hint of cranberry spice. It’s a class act. One that goes surprisingly well with food including fish pate, salmon or lamb.

And so to the reds.

No article on the best New Zealand red wines would be complete without Pinot Noir, as Pinot Noir has a mystique about it. The best New Zealand Pinots are up there with the best of the New World, and while they share some characteristics with other regions such as Australia’s Mornington Peninsula or South Africa’s Western Cape, theirs tend to be more European in style.

Take the Villa Maria Private Bin Pinot Noir (Noble Green £14.50). This is a Pinot worth getting excited about. Mid-purple, with a nose of sun-warmed fruits of the forest with raspberries and creamy oak, it’s a cheery, inviting opening. In the mouth, there are more black and red fruits wrapped in a soft, velvety body with a hint of just-ripe red cherry keeping it fresh. At first, it’s quite sedate, but as you sip so the flavour builds and it offers a persistent shot of very pure, spiced berry fruit with a citrusy edge that’s beguiling. Try it with red meat or tomato-based dishes.

With its marginal climate and free-draining soils, many regions in New Zealand have successfully produced Bordeaux blends. A fine example is Pask’s Gimblett Road Cabernet Merlot Malbec (House of Townend £14.95). Hailing from the Gimblett Gravels wine district in Hawke’s Bay (which isn’t technically a district but a brand – I know, because wine really needs to be made more complicated) the gravel, silts and clay soils force vines to dig deep for nutrients as they do in Bordeaux. The result is a deeply coloured wine with a nose of cassis, green peppers and blueberries. The palate is fresh-tasting and elegant, with abundant black berry fruits offsets by flavours of vanilla, plums, and a savoury, smoked red berry freshness.

I’ll stay in Hawkes Bay for my next recommendation, the Esk Valley Artisanal Syrah (Noble Green Wines £19.50) though this could hardly be more different. There are relatively few Syrah plantings in New Zealand the quality can be showstopping. Esk Valley’s brilliance shines through, with a wine that offers a bevy of peppered red fruits, black cherries, oriental spices, violets, vanilla, crushed nuts and a lift of berry acidity. This is a glorious take on Syrah, one that is drinking well now but which has the structure and fruit to age and develop.

Next is another Pinot, the Adnams Central Otago Pinot Noir (Adnams £19.99). Central Otago used to be the world’s most southerly wine region – that’s now in Argentina, though ask me in 6 months and it will probably be somewhere else! Central Otago is a great, if challenging, place to make any wine, but trying to tame Pinot here must be like herding feral cats. It is worth the effort though. The Adnams offers a delightful blend of red cherry and strawberry fruit with highlights of cranberry and a suggestion of peppermint tea. Medium-bodied, it’s silky with a creamy vanilla note, and the persistence of flavour makes it feel bigger than it is while remaining elegant and precise.

I’ll finish with another leftfield wine, the Trinity Hill Gimblett Gravels Tempranillo (Simply Wines Direct £18.99). For the longest time, Tempranillo was only found in Spain. Despite its quality, it remained in Spain, rather like Sangiovese in Italy. Recently I’ve seen it popping up California, Argentina and now here. Plantings are few, but the potential is phenomenal. Juicy, spicy, and packed with bramble, plum, mulberry, and citrus peel fruit notes, there’s more than a whiff of Rioja about this. On the palate, it reveals itself to be very much its own wine, though. Opulently deep, it flashes between the sweet and savoury as blackberries vie with chocolate, liquorice and herbs. This is a must-try with pan-fried liver or strong hard cheeses.

Well, I hope my top ten new-style New Zealand Wines will inspire you to explore New Zealand’s fascinating and fast-evolving wine scene.

Next time I’ll look at another region that’s challenging traditional perceptions as I take a tour of France’s Roussillon.

More soon…
Giles

Celebration of Champagne with Giles Luckett

Round & About

Adnams

Round & About’s resident wine columnist gives his top picks of Champagne which are worth a pop!

Hello. I’ve just returned from my latest foray into the wonderful world of wine, this time a visit to one of my favourite regions, Champagne. To many champagne is a by-word for celebration; the wine with which to mark life’s highlights. While I wouldn’t disagree with this sentiment, that is to overlook champagne’s place as one of the great wines, one that can be enjoyed with food or as a celebration in itself.

In my latest column for Round and About, I’ll give you a brief guide to this fascinating region, its styles, and run down of my top ten champagnes. So, without further ado, let’s talk chalk.

Champagne: Beauty isn’t skin deep

Take a former inland sea, a hill with delusions of grandeur, trillions of dead fish, a good supply of trees, and place them in cool, north-western France, and what do you get? You get the world’s greatest sparkling wine region, Champagne. 

Beneath a thin layer of largely poor soils, lies meters of ancient chalk. It’s this chalk that allows grapes to ripen in what would otherwise be (pre-climate change) an inhospitable place for vines. By leaching heat and storing water, the vast chalk deposits that underlay the region, Champagne manages to get chardonnay alongside the black grapes of pinot noir and pinot meunier to ripen and produce its wondrous wines.

For many of the top champagne houses – names such as Taittinger, Ruinart, Moet & Chandon, and Gosset – the chalk plays another vital role in the creation of these singular wines: ageing.

In the 5th century Roman settlers planted vines here. The name Champagne derives from the Latin’ campania’ in reference to the rolling hills of Campanula near Rome which the area resembles. When they arrived, they discovered very little in the way of building materials on the surface and so they started to dig. They soon discovered the vast deposits of chalk which they excavated to build cities such as Reims and Epernay, leaving behind huge subterranean caves – the ‘crayeres’ as they are now known – in their wake.

Today, many of these are used to house champagne while it slowly matures. Given the crayeres impressive depth – some go down over 30 metres – they provide the continuously cool, vibration-free environment the wines need as they develop.

Time is an essential element in the production of champagne. Even non-vintage wines, those blended from several harvests, received at least 18 months of bottle ageing prior to release, and vintage wines, ones from a single year, needing at least 3 years. And when it comes to rare cuvee de prestige wines such as Taittinger’s sublime Comte de Champagne or Gosset’s Celebris, a decade or more of ageing may be required.

Champagne’s Grapes and Styles

Given the wine itself is white or rosé, it may come as a surprise to you that most wines are made with black and white grapes. Around 75% of champagne’s grapes are black, the rest being made up of chardonnay.

As the juice of almost all grapes is white when pressed, the colour comes from contact with skins, and while there are seven authorised varieties in Champagne, the three most important vines are:

Chardonnay – which produces mineral-rich wines with wonderfully pure fruit, fragrance, and aromas

Pinot Noir – an aristocratic red grape that gives acidity, backbone, depth, and body to the wines

Pinot Meunier – rarely seen elsewhere, pinot meunier adds fruitiness and roundness to the finished blend

In terms of styles, that is largely in the hands of the winemaker and even wines produced from similar blends – the ‘cepage’ – can deliver markedly different wines. Try a bottle of Taittinger’s Prelude with its ripe, peaches in syrup fruit, subtle yeasty undertow, and generous weight beside Gosset’s equally long-aged Grande Reserve and you’d be forgiven for thinking the wines were made in different regions. The Grande Reserve is high-toned and fresh, with a piercing citrus flavour that’s softened by a rich seam of red berries and creamy yeast.

In terms of labels, the following are the styles you are most likely to see:

Brut – this is a dry wine which has a limit to the amount of sugar that gets added to the wines – the ‘dosage’. In the case of a Brut wine, this is less than 12g of residual sugar per litre. Brut is a movable feast, however, and some Houses have residual sugar levels that are close to the limit while others, such as Gosset, tend to be far lower

Demi-Sec – this is an off-dry champagne that is often served as an aperitif or with deserts

Blanc de Blanc – white wine made from white grapes; this is invariably 100% chardonnay. Most of these wines are good for early drinking while the fruit is young and bright, but given the structure of Champagne’s chardonnay, some blanc de blanc can age wonderfully. Taittinger’s Comte de Champagne is routinely aged for a decade before release and will reward another decade or more of cellarage. I’ve enjoyed venerable bottles of Ruinart’s R de Ruinart Blanc de Blanc, and my recent encounter with the sublime Gosset Blanc de Blancs show it’s a wine that has time on its side

Blanc de Noir – made exclusively from black grapes, blanc de noir is an odd category. Much of the cheap (and let’s face it, nasty) supermarket champagne is blanc de noir and is made almost exclusively from pinot meunier with the aim of being drunk young. At the other end of the scale, you have wines such as Bollinger’s Vielle Vignes Francaise or Krug Clos d’Ambonnay which combine extraordinary power, depth, and concentration and are amongst Champagne’s most revered (and expensive) wines

Rosé – in Champagne this is invariably bone dry and can be made in one of two ways. The first is to allow the grape to come into contact with the black grape skins and bleed its colour into it the must – the ‘saignee’ method. The alternative is to add around 15% of red wine to the white

Champagne’s Best 10 Wines

The following is my top ten and is based on a combination of excellence, value, and availability. It would be easy for me to reel of the off top ten greatest champagnes I’ve ever had, and some of them are included on this list. But unless you work in the trade or have a bank balance the size of Moet’s marketing budget, listing the likes of Krug’s Clos de Mesnil 1982 (£3,300) isn’t that helpful. 

Now, the following represents ten wines that show champagne’s diversity, styles, and that its brilliance doesn’t have to be reserved for special occasions:

Taittinger Comtes de Champagne (£150 Waitrose) – Comtes is an astonishing wine. 100% chardonnay – so a blanc de blanc – logic would suggest that it wouldn’t stand up to a decade of aging before release, let alone that it would cellar well for years to come. Equally how does a chardonnay have such intensity, complexity and depth of flavour? Comte’s nose is flowers and white berries with a whiff of creamy yeast.  On the palate it begins as a gentle vanilla mousse, but this soon builds as tones of apple, preaches in syrup, minerals and brioche flood in. Yes, it’s expensive, but in terms of quality phenomenal and is well-priced when viewed against its peers.

Gosset Grand Rosé (Ocado £60) – Gosset’s wines are intense, precise, capable of seemingly endless ageing, and wonderfully sophisticated. Their Grand Rosé is pale pink, with a nose that combines fresh summer berries, pear drops, and yeast. In the mouth it’s clean, tangy and fresh with an underlying richness and power. This is a wine for the mind as well as the mouth, and I would urge any wine lover to try it. 

Vilmart Grands Reserve (The Champagne Company £35) – Vilmart is a small, high-quality house that takes a Burgundian approach to making wine. Visit winemaker Laurent Champs and you’ll find a small, pristine cellar that’s lined with new oak barrels. Oak ageing is at the heart of what Vilmart does, and it imparts a richness and weight to their wines, giving a creamy mouthfeel without smothering the fine red and white berry fruits.

Taittinger Prelude (The Champagne Company £48.50) – while the Taittinger Prestige Rosé (Majestic £44.99) was named as the ‘Best Rosé’ by Good Food Magazine in 2022, the Prelude is probably my favourite Taittinger. Such is my ardour for this glorious wine, that at my recent visit I passed up a second glass of Comte de Champagne 2012 (lovely, but so young) in favour of this. Prelude is aged for six years prior to release, and this gives the Grand Cru chardonnay and pinot noir fruit time to mellow and soften. Mid-gold, the nose is a complex blend of yellow autumn fruits, honey and citrus. In the mouth it’s weighty and ripe, but with that signature Taittinger elegance. 

Roederer Brut Premier (£35 Majestic) – I first encountered this while working at Harrods as part of a tasting that included every champagne in the shop – over 100 wines. This was a standout for me and remains one of my favourites. The ripe, peach, apricot, and citrus nose gives way to rich, weighty, brioche and red berry palate that oozes class and refinement.

Alfred Gratien (£38 Vinatis) – Alfred Gratien is one of a few Houses that still age their wines in oak – other notable Houses include Krug and Bollinger. The barrels in question are old and the idea isn’t to add a vanilla flavour, but to allow micro-oxygenation (apparently) that imparts a richness and roundness to the wines. Richness is certainly a key trait. These are super-ripe, luxurious, sumptuous wines with a baked apple tone that’s balanced by minerals and a touch of salinity. 

Adnams Selection Rosé (Adnams £33.99) – there’s a lot to be said for own-label or buyers’ own brand champagnes. In many cases these wines are from prestigious Houses who create bottlings for merchants. This is definitely one of the best I’ve ever had. It’s made by Blin, an excellent, but not that well-known House, and gives you a lot of wine for your money. Deeply pink, the nose is an enticing blend of red berries, citrus, and brioche. The palate is broad, rich, and satisfying but with enough freshness to keep it balanced.

Billecart Salmon Rosé (Laithwaites £60) – I first bought ‘Billy Rosé’ as we call it as it had a pretty bottle, and pretty is a good way to describe the wine. The pretty in pink colour is flecked with amber highlights, while the nose is a complex, fragrant blend of black fruits, rose petals, and yellow plums. The palate is soft, silky and loaded with strawberries and raspberries, minerals and a lovely yeasty finish. This is a great champagne to serve with lamb, salmon, and chicken.

Pol Roger Brut Reserve (Waitrose £39) –Pol Roger was Winston Churchill’s favourite champagne, and their cuvee de prestige is named in his honour. This is a traditional style of wine that never disappoints.  The nose combines intense berry fruit with brioche and white flowers.  The palate is taut, refined, and gives the sense of everything being where it should be giving a perfect balance to a rounded, yet clean tasting wine.

Dom Perignon (£160 Sainsbury’s) – despite its vast production and rising price, this remains an excellent wine. Best drunk a few years after release, Dom Perignon is a charmer of a wine. Its appeal lies in its complexity, which is admirable, and it offers a classic ‘biscuity’ nose that combines berry fruit with yeast and honey. The palate is typically rich and rounded, with noticeable flavours of Mirabelle plum, raspberries, peaches, and offers a long, complex finish.

Until next time…

Well, I hope that’s whetted your appetites for all things Champagne. Next time I’ll look at some reds that will make the long autumn evenings seem just a little too short.

Cheers!

Giles