Fountain of folk: music in Marlborough

Round & About

Wiltshire

St Agnes Fountain are about to embark on their 18th sell-out Christmas tour and tell us why you should catch them in Marlborough on Friday, 14th December.

“Marlborough is and always has been a firm favourite with the band,” Chris While of the band tells us.

“We haven’t missed it in the 18 years we’ve been touring and although we’ve played at lots of venues in and around the town, the audiences are always lovely. Andrew Bumphrey, the promoter is a dear friend of the band and such a brilliant supporter of live music so the warm welcome is felt both on and off the stage.”

Since the group’s first recording of the eponymous St Agnes Fountain album in 2001, founder member David Hughes, Fairport Convention’s Chris Leslie and BBC Folk Awards Best Duo 2009, Chris While and Julie Matthews, have brought musical invention and laughter to the season.

They have now released 12 treasured albums; eight studio albums and two live CDs as well as a couple of Best Of albums, but it is, without question their magical live performances that have endeared them to an ever-growing audience – tickets were actually being sold for this year’s tour as the curtains fell last year.

This December, the band will bring you more of their sparkling musicianship, humour and heartfelt renditions of your favourite Christmas tunes both original and familiar. Chris Leslie is a multi-instrumentalist and singer-songwriter based in Oxfordshire, primarily known for the past 19 years for his work with Fairport Convention. He has toured and recorded with, among others, Steve Ashley, the Albion Band, Jez Lowe, Ian Anderson, Chris While and Julie Matthews, Whippersnapper, Alan Stivell and Feast of Fiddles.

David Hughes is an acoustic guitarist, songwriter, author and playwright. His six albums include Active in the Parish which, in 1997 was named by Q magazine as one of their albums of the year. Chris While (vocals, guitar, bodhran, darbuka and percussion) and Julie Matthews (vocals, piano, guitar, acordion and gazouki) have been nominated ten times in the BBC Radio 2 Folk music awards in the “best song, best duo, best live act” categories and winning best duo in 2009.

Next year St Agnes Fountain will celebrate 25 years together. Last year saw them perform at the Royal Albert Hall as part of the BBC Radio 2 Folk Awards alongside Boo Hewerdine, John McCusker and Kris Drever and many others. They are performing songs from the Ballads Of Child Migration across the UK.

To book your tickets for the December show call 01672 512465 or visit www.stagnesfountain.com

Clowning around: Cheltenham panto star

Round & About

Wiltshire

Peter Anderson chats to Alan Digweed, AKA Tweedy The Clown, ahead of his star turn in Aladdin at Cheltenham’s Everyman Theatre.

Q: How did you get into circus and clowning?

A: “I grew up in Aberdeen and had always had an interest in youth theatre. Career-wise I had wanted to be an animator, but then realised that perhaps what I wanted more was to be the character I was animating. I did a lot of research, writing around as this was in the days before computers and the internet and found a clown school in Bristol. I was saving up hard to go there and worked as a Butlins Redcoat which gave me lots of opportunities to try things, but sadly before I got the all the money.

There is a quote from Joseph Grimaldi the best way to learn how to be a clown, is to be one. So, I then wrote to a lot of circuses and got a job with Zippo’s Circus as a publicity clown basically doing the occasional children’s show and standing on street corners handing out leaflets. Then one day one of the main clowns got stuck in traffic and I had to step in they liked my work and I never looked back. I met Nell Gifford when she was a groom in another circus and when she started her own circus I asked her if I could have a job.”

Q: What was your first panto role?

A. “I have done panto alongside clowning nearly all my life. When I was younger, panto casts were bigger, and I played one of two broker’s men. I think I was down in Truro doing pantomime when I met the general manager from the Everyman Theatre [in Cheltenham] and he liked what I did, but it was a number of years before I made it on stage for the pantomime and in between times did a couple of years at the Wyvern Theatre in Swindon in 2000-01 and 2003-04.”

Q: Do you find your slapstick skills honed from clowning help?

A. “Undoubtedly, though I have always been a fan of both Laurel and Hardy and Norman Wisdom.

Q: Do you enjoy the interaction with children, is it similar?

A: “Oh yes, I think in both cases the children are almost like an extra member of the cast and it is great to get that level of engagement.”

Q: What memories of Christmas do you have growing up in Cirencester?

A: “My best memories are sledging in the amphitheatre, loads of people who don’t know each other drawn together for a single enjoyable experience.”

  • Aladdin, written and directed by legendary Blue Peter presenter and actor Peter Duncan, is on at Everyman Theatre from Friday, 30th November until Sunday, 13th January.

A cut above: best Christmas roasts

Round & About

Wiltshire

Turkey is a traditional favourite but there are so many choices of meat when it comes to the festive table, and many excellent local producers

What scene depicts Christmas more traditionally than a large cooked bird being brought out to the table and carved by the head of the household?

Turkey is, of course, the popular festive choice. Tom Copas Jnr says: “Turkey is what you’re meant to have! We’ve been rearing the best turkeys in Britain for over 60 years and nothing tastes better on Christmas Day, especially knowing all the care and attention that’s gone into their welfare.” Visit www.copasturkeys.co.uk.

Walters Turkeys is a family business running since 1911 on the Yattendon Estate in the Berkshire Downs. The team are passionate about animal welfare and expert in the best way to cook and store your bird for the perfect feast; call 01635 578 251 or visit www.waltersturkeys.co.uk. Tell your butcher how many guests you have (and how greedy!) to select a bird or joint of the perfect size.

Excellent traditional alternatives to turkey include goose and duck, which are more expensive and do not give as much meat per size as a turkey. Cockerels (male chickens) clock in at about the 10lb in weight and are becoming a popular alternative to turkey. For more adventurous of home cooks there is also the three-bird roast, with a wide variety of bird breasts one inside another (such as turkey, pheasant and partridge). These have plenty of meat but need to be carefully cooked.

Hungerford butcher Christian Alba says: “In all the places I’ve worked, Christmas meat is usually turkey. But I grew up on a turkey farm, so I have beef fore rib.” Phil Currie, head chef at The Greyhound in Letcombe Regis says: “I like to use beef shin as the bone provides so much flavour which leaves you with a great sauce. For Christmas we serve it with classic bourguignon garnish and a twist with a blue cheese dumpling. It’s a great alternative to turkey.” Visit www.thegreyhoundletcombe.co.uk or call 01235 771969.

Jesse Smith Butcher & W.J Castle in Cirencester has a unique dry-aging process for its beef featuring a room lined with Himalayan salt bricks. The company, which goes back for several generations, are passionate about animal husbandry and welfare and also offer the very finest poultry, game, pork and lamb for the well-stocked Christmas larder; visit www.jessesmith.co.uk or call 01285 653352.

Recipe queen Lyn Deveson says: “I’ve always cooked turkey and a gammon; cold turkey, ham, turkey curried, stir fried, in sandwiches is a big part of the appeal. But I cooked a cockerel last Christmas and won’t go back to turkey – it has more flavour. I remember my mother cooking the turkey all night on a low heat but the French way is best; higher heat and less time. People complain it can be dry but if cooked properly, it isn’t. Good gravy makes all the difference, too!

“I also remember my mother cooking the turkey all night on a low heat, but the French way is best – higher heat and less time. People complain it can be dry but if cooked properly, it isn’t. Traditionally we cook turkey, stuffing, bread sauce, sausages wrapped in bacon etc. with the head male at the top of the table, carving! That’s the  picture we all have in our heads and everyone wearing paper hats and pulling crackers! Because turkey meat can be quite bland, you can go to town with the other flavours. A good gravy makes the difference and thanks to chefs such as Jamie Oliver, we are learning that Bisto is not the essential ingredient but I am shocked by the number of English who still use it! The trouble is we are so spoilt nowadays and can eat anything any time of the year, so Christmas lunch or dinner isn’t such a treat as it used to be.”

Enter our competition for a Christmas In A Box foodie hamper – including a 6kg turkey!

GINspiration

Round & About

Wiltshire

Gin is enjoying a resurgence in popularity, with a wealth of interesting spirits produced right here on our doorstep. We chat to some of the enthusiastic local producers and offer up our favourite tipples!

History of gin

Gin may be one of the most popular liquors in the country, yet the colourless spirit has had to contend with a chequered history since it first landed on these shores more than 300 years ago.

Originally gin was sold as a medicine, distilled and supposedly capable of aiding kidney ailments, gallstones and gout after Dutch physician Franciscus Sylvius created genever. Brits were first introduced to it when the English soldiers assisted the Dutch against the Spanish in Antwerp during the late 16th century during the Eighty Years’ War.

The armies were known to drink genever before heading into battle, and it’s thought to be the origin of the phrase “Dutch courage”. William of Orange then arrived here to rule in 1688 and promptly relaxed laws on making spirits. Gin, which starts with a base of juniper berries, gained in popularity – among all classes – with the upper classes drinking genever and the working classes making do with a new, cheaper “imitation” gin, substituting the costly ingredients with such things as turpentine and sulphuric acid.

Subsequently, gin’s reputation took a turn for the worse. In London alone, more than 7,000 “dram shops” sprang up with an estimated 10 million gallons being distilled annually by barbers, grocers and market stall holders. Gin became increasingly cheap to produce, easily accessible, little duty was paid on it and some workers were even given it as part of their wages. The 1736 Gin Act forced anyone wishing to sell distilled spirits to take out a licence costing £50.

Only three such licences were taken, but gin’s popularity did not wane as “mother’s ruin” remained hugely popular, before a second act was passed in 1751, which raised duty, and prohibited distillers, grocers, chandlers, jails and workhouses from selling the liquor.

         

Thankfully this was the low point for gin and the spirit has rebuilt its once-tarnished reputation to become the UK’s most popular alcoholic drink. “We’re spoilt for choice with local gins here in the in Thames Valley” says Catriona Galbraith of The Greyhound in Letcombe Regis. “Our favourite is the TOAD Oxford Dry Gin, a delicious citrus and aromatic combination or the kaffir lime and lemongrass gin from Twisting Spirits, as exotic as it sounds with a hint of Asian spice notes. “We like to serve our gins simply, with either a favourite tonic from the Fevertree range and garnish such as lemon, lime, orange, cucumber, mint or basil or even neat over ice, to allow the real complex botanical flavours to come through.”

Hobbs of Henley

“There’s nothing more marvellous than a gin at 11 o’clock on the river to wake the spirits…” Indeed, back in 1870, Mr Harry Hobbs, founder of Hobbs and Sons (now Hobbs of Henley) and publican of The Ship Hotel was renowned for his flamboyant beard and nature, often seen in his punt sipping his home-distilled gin of a morning. Mr Hobbs threw parties along the riverbanks, hiring out his boats for shindigs. Now, 150 years later the family’s gin is made with local botanicals.

 

Cotswold Distillery

Cotswold Distillery uses local raw materials, traditional kit and techniques to create its handmade gin. There’s a 500-litre pot still, (only filled ¾ full to make sure the vapours get contact with the copper during distillation). Distilled with nine carefully considered botanicals, the Cotswolds Dry Gin has an aromatic twist of juniper, coriander seed, angelica root, local lavender, bay leaf, hand-peeled fresh lime and pink grapefruit zest, cardamom and black peppercorn. The distillery building itself is a miniature version of what is usually an enormous plant and the shop and tasting rooms are more like a cosy Cotswolds cottage – you can sit by the wood burner to sip their outstanding natural spirits.

Foxdenton Estate

The use of British fruit combined with traditional recipes is what makes our fruit gin so quaffable,” says Nick Radclyffe of Foxdenton Estate. “There is nothing better as the nights draw in than the warming tipple of a fruit gin cocktail such as the Ping Pong.” Foxdenton Estate creates gin liqueurs with plums, sloes and damsons using recipes that date back several generations with father and son gin producers, Nick and Piers, choosing the traditional tipples they know and love. Sloe Gin, 70cl £24.50.