Behind the glitter

Round & About

Community & Charity

As a nation, it seems we just adore dancing. Beloved BBC television show Strictly Come Dancing often beats The X Factor on ratings at Christmas time.

Last year, 9.9 million people tuned in to watch Debbie McGee and Alexandra Burke show off their fancy footwork, compared to the 4.4 million tuning into the singing show final.

Step Up, the American dance drama movie franchise brought in more than £458million thanks to Channing Tatum’s swish moves. And on a weekend, come summer or winter, our country’s bars and clubs are packed to the brim with 20 and 30-somethings (or older) all dying to let go of any troubles from the previous week and just have a bit of a boogie – preferably with a cocktail in hand.

It’s understandable that many of us are considering dance as a new hobby. Ballroom, Latin, salsa, ballet, street, tap, modern, swing – there are so many different types to try. But what do you need to know before you put your best foot forward? Ballroom dancing looks effortlessly glamorous from an outsider’s perspective. But what’s it like on the front line, behind the hairspray, glitter and dazzling outfits?

I started ballroom dancing about two years ago and just competed in my very first contest, the Nationwide Medallist of the Year finals 2018 in Blackpool – the home of ballroom dance.

Stepping on to the Empress Ballroom floor at the Winter Gardens for the first time, with hundreds of eyes on me, I felt a little bit special – if not quite myself.

I was dark brown in tan, wearing the tightest and brightest royal blue ballroom dress, and my eyes fluttered beyond my control thanks to long false eyelashes glued to my eyelids. My hair had half a tube of gel in, and was hard as stone after multiple coats of hairspray. My acrylic nails were long and sparkly, my lips painted on in dark plum, and I stretched my mouth into the biggest, and most dazzling smile I could muster. I took up hold with my partner and began to dance…

It was utterly magical, if not incredibly frightening at the same time. I danced a waltz, tango, foxtrot and quickstep (the Viennese Waltz was saved for those who made the semi-final). And while I didn’t make the second round, here’s what I’ve learnt about what it takes to make it in ballroom:

1 Have passion! Like every hobby, you need to be passionate about it. I wouldn’t join a football team because I’m simply not into football. Competitive dance takes up a great deal of time, practice and requires dedication. There were moments I was ready to throw the towel in and quit forever, but my dance partner, teachers and family urged me to keep going and keep fighting.

2 Know your steps! I’ve had this drilled into me multiple times by teachers. If you don’t know the steps, it doesn’t matter how good your posture is, or how nice your hair looks, you simply can’t move if you’ve forgotten where to put your feet. Like any new skill, practice is key.

3 Take pride in your appearance! A lot of
work (and I mean a lot) goes into the appearance of a ballroom dancer before they compete – more so for the ladies than the men. Some of the dancers look completely unrecognisable. There’s fake tan, false eyelashes, hair pieces, bronzer, glitter, excessive jewellery and bright colours. Nothing seems to be off limits. I’ve seen girls wearing neon yellow dresses, with elaborate hair buns piled high into an almost unicorn shape. But it’s all to help them stand out. If a contestant decides against the fake tan – no matter how good a dancer they are – it may well be the difference between being noticed by a judge and not.
4 Stand your ground! I was, I’ll admit, a bit shocked during my first competition at the amount of elbows flying around. But once you’ve got your impressive ballroom shape, you don’t want to lose it and risk a judge seeing you just standing there in the middle of the floor. That may be the only time that judge looks up in your direction. So if you knock into another couple, regardless of whether their elbow goes into your eye socket, chest or perfectly styled hair, you stand your ground and keep going.

5 Be powerful! Dancing looks so graceful and effortless to me. But in reality, the most experienced couples are working in overdrive to power their way across the floor. Many of the top dancers are slim and slight, but underneath have muscles working harder than ever before. A judge is far more likely to spot a couple powering their way across the entire length of a floor, rather than taking tiny steps in the corner.

6 Show confidence! The winning couples are often the most confident – it pours out of them. They dance their routines perfectly, looking like it’s second nature; they wink at the audience and grin and laugh as they go. They’re the ones who catch the eye. So even if you take a wrong step, style it out, you’re far more likely to sail through to the next round.

7 Have fun! If something isn’t fun, it probably isn’t for you. It’s just the way it is. But dance doesn’t have to be competitive. If you don’t enjoy the serious side of it, it’s perfectly OK just to continue it as a casual hobby. I spent my first year of ballroom just having a laugh at my weekly beginners’ classes before I stepped into the competing world and decided to take it more seriously.

Fancy learning something new? Want to set yourself a challenge? Dance suits all ages, abilities and fitness levels. Head over to a class with your other half, friend, parent or colleague and see if you have what it takes to “keeeep dancing”.

Give it a go yourself…

The Dance Lab in Upper Richmond Road in Putney offers ballroom and Latin classes to people of all abilities; call 020 8870 6113.

Dance Attic Studios in North End Road Fulham offers classes for kids and adults, in ballroom, Latin, and ballet; call 020 7610 2055.

Desire & Drama

Round & About

Community & Charity

Cotswold Arcadians will perform Twelfth Night outdoors at Hatherop Castle from Monday, 23rd to Saturday, 28th July, writes Catherine Hitchman.

Twelfth Night will be set in the fashionable seaside resort of Illyria in an England benefiting from the sustained prosperity of the Roaring Twenties. It was an era of social, artistic and cultural dynamism with Jazz music blossoming – the so-called Golden Age. Live music will be provided by a jazz group consisting of baritone and tenor sax, clarinet, cornet and ukulele banjo, with some specially arranged songs.

Generally considered to be Shakespeare’s most perfect comedy, Twelfth Night is an incomparable blend of exquisite poetry, boisterous laughter and bittersweet emotion. Over 400 years it has become one of the most popular of his plays for young and old alike, yet it is 23 years since the Arcadians last presented it at their previous home of Quenington Old Rectory in Cirencester.

Romantic love, and the pain it can cause, are key components of the play. The self-regarding central triangle involves Orsino, Olivia and Viola who are caught up, not in their family circumstances but in their own and each other’s fantasies. They are seen as prisoners of desire. But this can also be said of Sir Toby and Maria, Sir Andrew and his unrequited love for Olivia, and even, Malvolio in his self-love and unresolved passion for his mistress.

No long and languorous soliloquies in this play – it’s a racey, pacey rom com packed with naughty humour, mistaken identity, gender switching, deceit, confusion, rollicks, frolics and beautiful poetry, beribboned and bejewelled in plentiful music from start to finish.

The venue of Hatherop Castle in Cirencester (now a co-educational preparatory school) is part of an estate mentioned in the Domesday Book – the surroundings are beautiful so as summer sunshine has been ordered (!) why not get a party of friends together, bring your picnic and drinks, and why not dress up to match the setting of the Jazz Age in 1920s outfits too?

To buy your tickets, visit www.arcadians.org or call the box office on 01285 898019.

Mozart in Midhurst

Round & About

Community & Charity

Amazing vocal acrobatics in a village hall setting would normally emanate from whatever activity was happening in that community space – usually a fete, a parish meeting or a mothers’ meeting. Pop-up Opera is about to change all that for the village of Elsted, turning the hub of this community into an acoustic auditorium.  

As well as engaging operatically, the performances will be brought to life for audiences with “silent movie” captions telling the story of the act. It could be a pair of actresses battling it out to be the prima donna of the score, or a pair of lovers expressing their feelings for each other. This tour sees an exciting collaboration with New British Music Theatre Award nominee Anna Pool. She says: “It’s so exciting to get to work with Mozart’s music. His world is vivid, funny, ridiculous – artists argue, create and constantly battle! I’m enjoying exploring the characters, and it is hugely rewarding.” 

Pop-Up Opera, at Elsted Village Hall, GU29 0JY on Tuesday, 24th July. Visit www.popupopera.co.uk

Rise & Shine

Round & About

Community & Charity

Cirencester’s Barn Theatre presents The Rise and Fall of Little Voice from 7th July to 4th August, concluding its inaugural season after two critically successful productions.

First produced in 1992, The Rise and Fall of Little Voice by Jim Chamberlain has been named one of the top 50 best plays of all time.

The play was nominated for six Olivier awards, winning three of them as well as the prestigious Evening Standard Award. Its film adaptation, Little Voice (1998) starring Jane Horrocks in the title role was also a huge hit receiving an Oscar nomination alongside numerous other awards for its screenplay and cast.

This production will be directed by Michael Strassen. The Barn’s artistic director Iwan Lewis says: “Little Voice is a modern British classic and it’s the perfect play to end our inaugural season. Michael Strassen is one of theatre’s great directors and it’s very exciting to welcome such excellent and prolific creatives to our theatre to bring his radical interpretation.”

The cast includes newcomer Sarah Louise Hughes in the title role. The play tells the heart-warming story of a reclusive Northern girl-next-door whose remarkable ability to impersonate the great singers gives her a chance to transcend her tragically unappealing domestic life. But pushed by a foul-mouthed, hard-drinking mother and coaxed into the limelight by her mother’s latest talent agent boyfriend, timid “Little Voice” will need to conquer more than just stage fright if she is to find her own voice in the world.

The Barn Theatre, Beeches Road, Cirencester, GL7 1BN. Call the box office on 01285 648255 and visit www.barntheatre.org.uk

Shrew business

Round & About

Community & Charity

Pranksters Theatre Company return to Guildford’s historic Castle Keep from 13th – 21st July to stage William Shakespeare’s rollicking comedy The Taming of The Shrew

“Of all mad matches, never was the like!” Shakespeare’s outrageous comedy is host to one of theatre’s greatest double-acts, a couple hell-bent on confusing and outwitting each other right up to the play’s controversial conclusion. 

Sparks fly, identities are confused and parents fooled in this tale of money, marriage and love! Will Petruchio tame tempestuous Katherine, the shrew? Can Lucentio outwit his rival suitors and win the love of fair Bianca. 

Jenny Swift co-director of the show says: “The Taming of the Shrew is a brilliantly fun and fast-moving play from beginning to end and we have loved picking the script apart to play to Shakespeare’s humour and his love of complications! With such a small and intimate setting within the Castle Keep, the audience can almost become a part of the action which will be a very special experience for all.” 

Pranksters Theatre Company create site-specific productions. Recent successes include sold-out Henry V also in Guildford Castle Keep and TWO by Jim Cartwright at the Keep Pub. The Taming of The Shrew will be their fourth production in Castle Keep.

Tickets £15 adults (£12 students/under-16s) are restricted to 50 per show. Book from Guildford Tourist Information Centre, 155 High Street, Guildford, GU1 2AJ, 01483 444333. Visit www.pranksterstheatre.org.uk

Ebb & flow

Round & About

Community & Charity

Author Sofka Zinovieff explains more about her new novel inspired by the patch of south-west London where she grew up and which is being hailed as a summer must-read…

I spent much of my childhood living by the river in Putney. We lived so close to the bridge that the house trembled every time a Tube train went over, and passing “pleasure boats” blaring dance music were a feature of summer evenings.

My father had an electronic music studio that started in a shed in the garden, and later graduated to the basement. Vast banks of computers and synthesisers let out mad squawks and bleeps and I would regularly return from school (Putney High School) to find rock groups like Pink Floyd and Led Zeppelin, as well as experimental musicians from around the world.

When I decided to write a novel set in the 1970s, it was too tempting not to use elements from my own environment as the setting. Although the story is not my own, the physical setting is largely based on the place I lived and the heady atmosphere of barefooted, flower-powered, wild-child indulgence is inspired from the world I knew.

Daphne is only 13 when she falls in love with Ralph, an upcoming composer, 20 years her senior. Ralph is married, but he has long been obsessed with Daphne – “dark, teasing, slippery as mercury, more sprite than boy or girl”. He is also close to her alluring bohemian parents, Ellie (a Greek political activist) and Edmund (a successful writer). In the hot summer of 1976, Daphne and Ralph travel to Greece together and manage to “disappear” for a few days to an island. Only one person knows of their passionate trysts: Daphne’s best friend Jane, whose awe of the intoxicating Greenslay ensures her silence.

Daphne looks back to her first love as a romantic secret. After a rackety life with a brief, disastrous marriage to a Greek billionaire and years of drug abuse, she is finally back on track. She and her 12-year-old daughter now live on the other side of the Thames, with a view across to her old home. When Daphne re-connects with Jane, she is forced to reconsider her relationship with Ralph. Growing anxiety over her own adolescent daughter leads her to confront him, the truth of her own childhood, and an act of violence that has lain hidden for decades…

Woodland Wonder

Round & About

Community & Charity

Woods are amazing. They’re where imagination takes root. Where a love of nature grows and thrives. And they’re the lungs of our county. They are also the best place to escape to, and shrug off your cares. The Japanese have a name for it; Shinrin-Yoku, which, poetically coined, means “forest bathing”. Living in this part of the world, we’re spoilt for choice, so we have teamed up with The Woodland Trust, a charity that exists to protect native woods, trees and their wildlife for the future. They focus on improving woodland biodiversity and increasing peoples understanding and enjoyment of woodland.

Harpsden & Peveril Woods

Harpsden & Peveril Woods is an 18-hectare area that has been designated as “ancient semi-natural woodland”, an Area of Outstanding Natural Beauty, Site of Special Scientific Interest, Special Area of Conservation and has Tree Preservation Order work. This site, next to Henley Golf Club, approximately a mile south of Henley-on-Thames, and within the Chiltern Hills Area of Outstanding Natural Beauty, has a 50-year management plan with the minimum of silviculture intervention in place.
Harpsden & Peveril Woods is dominated by mature beech, pedunculate oak, ash trees and sessile oak. Also hazel, holly, field maple, rowan, wild cherry all present.

The majority of the land of this wood was acquired by The Woodland Trust in 1991, after the Great Burns Day Storm of 1990. There were a lot of wind-blown trees, and these gaps are being filled with younger trees of a variety of species.

The Woodland Trust says there will be a loss of ash through ash dieback disease, which is very likely to occur in the next 10 years and this will add further gaps to the mature tree canopy. Over time this wood is likely to become more of mixture of beech, oak, birch and sycamore.

The open canopy gaps have allowed other flora and fauna to flourish. There have been 40 recorded species of flowering and uncommon plants strongly associated with old woodland including bird’s nest orchid, narrow-lipped helleborine, green-flowered helleborine, cow-wheat, goldilocks and the yellow bird’s nest. The deadwood habitat is also very rich, and this wood has been noted for its diversity of fungi. In a fungal survey in 1999 recorded 171 species of which nine are rare.

Penn and Common Woods

Walk back in time in Penn and Common Woods, once home to Iron Age smelting, a Roman settlement, a wood-turner’s workshop for High Wycombe’s chairmaking businesses, and even an army base during World War II.

You can find this place, which is at the very heart of the Chilterns Area of Outstanding Natural Beauty, close to the amenities in the village of Penn Street, near Beaconsfield in Buckinghamshire.

These woods today have taken their shape as a direct result of its rich and changing history. For those interested in archaeology, there are a number of features to look out for which point to the wood’s past, such as banks, ditches, pits and dells.
As well as providing a home and source of income for individuals, Penn and Common Woods has had an interesting history of wildlife. Wild boar, wolves and deer roamed the wood in the Middle Ages, and there are still roe deer to be seen today.

Medieval farmers would bring their cattle, horse, sheeps and pigs to graze on common ground. The Woodlands Trust has reintroduced cows to Penn Wood to maintain open pasture by trampling down thickets and fertilising the ground, encouraging a vast array of flora and fauna back.

Penn Woods is renowned for its rich stock of ancient woodland. Over much of the site the canopy is dominated by broad-leaved tree species including oak, beech and birch – some of which are over 200 years old. However, there are also areas of dense coniferous plantation and open pasture.

The range of habitats here supports a diversity of species adapted to completely different ecological niches. This can be illustrated by the rare butterflies and unusual beetles. A survey in 2000 discovered 10 nationally scarce beetles.

Overhead a wide range of birds can be spotted including brambling, tawny owl, cuckoo, garden warbler, red kite, kestrel and buzzard.

Puttenham Village Walk

The Puttenham Village Walk (3miles) Leg 1. Follow the signs for a footpath, you’ll pass a cottage, keep left round the corner, down steps to a bridleway, then turn right (you’ll see yellow arrows, follow them). Pass through some swing gates, over stiles and a flat bridge towards a large metal gate, which, leads you to Puttenham Lane. Turn left, pass through a kissing gate, into the meadow, keep left and follow the winding path steeply uphill. In the distance, you will see Puttenham Priory on the right. At the final stile, continue ahead to a T-Junction in the village. (On the right is St John the Baptist – well worth a visit.) Reward yourself with a pint and lunch.
The Culmill Circuit (7½miles) Leg 2. From the village head towards the North Downs Way. It’s a five-mile straight walk, with a few twists and turns, but you will have a fine view of the Hog’s Back. This path will take you towards Totford Wood to meet a junction with fields. Look out for the yellow arrows, that will guide you through an area called Payn’s Firs. Look out for the little fairy house in the trees. Go right on the road. (If you need a toilet break head towards St Laurence.)

Next the trail is a zig-zag, starting from the left towards Binton Wood. There are lots of chestnut trees here. Stay on the path, following the green-and-white signs, past beautiful, tall pine trees, to a place known as Culver’s Well. The track runs through open woodland of Crooksbury Common, and onwards to the timber works, keep an eye out for the vehicles. You’ll get to a crossing. On the otherside is Britty Wood.

Leg 3 (2½miles). The route goes up through pines, beeches and a coppice. Then it’s downhill into a beautiful area of silver birches. You come to views of Cutmill Pond, this used to serve an iron mill in the 16th century. Pretty soon you’ll pass Rodsall Manor, with its proud stone eagles. When you see the steps on the left, you’ll be back at the car park.

Stratfield Brake

Stratfield Brake, OX5 1UP, two miles outside Kidlington, is really family-friendly. The Woodland Trust began managing the 18.5-hectare site from 1997 after establishing a lease with the site’s owner, Oxfordshire County Council.

The wood is made up of a mature wood, a young wood and a wetland area. This wood contains tree species such as oak, field maple and elm, as well as many bird species such as tree creepers, rooks and woodpeckers. Old oak trees provide habitats not just for birds but also fungi, mosses, insects and bats.
Sadly, at the moment, access is restricted to the mature woodland area in response to the presence of a disease called acute oak decline, which affects native oak trees, leading in some cases to their death. The disease poses no threat to either humans or animals, but it may be spread through movement of bacteria picked up on visitors’ shoes and clothing or by vehicles. Therefore, on the advice of Forest Research, the Woodland Trust has temporarily closed Stratfield Brake’s mature woodland area to the public.

There’s still plenty to observe at Stratfield Brake this summer including the meadows and the wetland. Just park near the sports club and follow the signs to the wood. There are four entrances to the site from here, creating a network of 1.5miles, buggy-friendly surfaced and unsurfaced paths in Stratfield Brake, which are level and have no width restrictions (but can get muddy in wet weather).

One short loop of surfaced path leads to a bird-watching area overlooking the wetland. All year round it attracts all sorts of birds – you might be lucky to hear the drumming of great spotted woodpeckers high in the trees. There’s a good chance you’ll see mute swan, tufted duck, heron and coot and, if you’re lucky you might spot a rarity such as a little egret. This small heron is hard to miss as it has whiter than white plumage.

Stratfield Brake is also a good place to join the Oxford Canal towpath; a 4.7-mile (7.6km) circular walk using the footbridge to Yarnto, developed by local Ramblers for the Canals & Rivers Trust.

Visit www.woodlandtrust.org.uk for more woodland walks. Please remember when setting off for a walk, to take a compass, a good map, a bottle of water and a snack.

Headway Highlight

Round & About

Community & Charity

Headway Surrey is the Mayor of Guildford’s chosen charity for 2018. Its five paid staff, supported by wonderful volunteers, won the Queen’s Award for Voluntary Services last year.The charity helps adults across the county with an acquired or traumatic brain injury, offering cognitive rehabilitation and family support.

There are two types of brain injury:  

• Acquired via a stroke, heart attack, brain tumour, blood clot, encephalitis, haemorrhage, aneurism, meningitis, hydrocephalus, carbon monoxide poisoning and other medical issues.  

• Traumatic event such as a road accident, sports injury (skiing, football, rugby, boxing), work incident, assault, combat, falls, trips and slips. 

Brain injury affects cognitive ability, things we take for granted such as making a cup of tea, walking, talking, reading, writing, cooking and dressing. Headway staff support those who now have problems with social skills, conversation skills and behaviour, helping individuals to control their lost inhibitions. The brain needs executive skills to make sense of information and then to make decisions. Using selected exercises and strategies, individuals can find new brain pathways around the damaged area of the brain.  

The fastest recovery time is within the first two years (using cognitive rehabilitation therapy), however long-term slow stream rehabilitation can go on for decades. Headway Surrey provides a range of services: individual programmes, group workshops, home community visits, hospital  liaison visits, a befriending scheme, a helpline and supportive activities for family and carers.    

Another often forgotten area is the family. One minute your husband/wife, dad/mother or son/daughter is normal, the next minute they are not.  Brain injury is a hidden disability – your loved one may look the same, but they are “not the same”.  They may have issues not only with thinking, decision making, prioritising, memory, but also with clumsiness, balance, slurring words, hand/eye co-ordination, taste… the list is endless. 

Families have their own issues and may suffer loss of friends and depression. Partners often have to give up their jobs to become full-time carers and relationships can break down. 

Headway’s support activities for carers and families, therefore, are extremely valuable. Clients are matched with volunteers who enjoy similar social or recreational activities. They meet weekly, fortnightly or monthly, and might go for a coffee, a walk, visit the cinema or whatever.

Sonja Freebody, CEO of the charity, is passionate about fundraising and she and her team will take part in the Guildford Raft Race on Saturday, 7th July. Please sponsor them by visiting www.uk.virginmoneygiving.com

Please contact Headway about fundraising, volunteering and services on offer. Visit www.headwaysurrey.org or call 01483 455225  or email [email protected]

It’s got to be … Purdy

Round & About

Community & Charity

As a child, growing up on a farm, with three older brothers, Purdy (AKA Rebecca Poole) admits she was given to escaping, with a lot of fanciful, romantic dreams.

“There was not much to do, other than avoid my brothers’ teasing,” she says, “I discovered song-writing when I was 11 years old, because I enjoyed writing poetry. I’ve always had a fascination with matters of the heart and my songs reflect that. I used to be shy about singing, and then, crazily, I joined a jazz band. It was a good learning curve for me; I found my voice.”

And what a voice! Purdy’s songs may tell tales of triumph in love and heartbreak, but her delivery is certainly not schmaltzy, saccharine wallow. Her vocals are deep, warm, and full of purpose. “I’ve not had much vocal coaching. It must be the red wine, whiskey and occasional cigars,” she jokes.

Check out her debut album, Diamond In The Dust. Produced by Grammy award-winning producer Andy Wright, online at www.purdymusic.co.uk. It was her vocal uniqueness that caught the imagination of boogie-woogie legend Jools Holland who invited her to tour as support, with the last date being at the Royal Albert Hall.

“It was nerve-wracking beforehand,” she says about the experience. “When I sing, I sing from the heart. When I walked on stage at the Royal Albert, my heart was floating to the rafters. It was a dream come true. I felt incredibly privileged. My dream has never been to be famous, it’s been to do what I love.”

When I ask about her stage name “Purdy” she explains: “When I was starting my career in singing, I met Alan McGee, manager of Oasis, for advice. He told me two things: ‘jazz is not cool’ and to change my name. I didn’t listen to his musical tastes, but I did change my name. I was inspired by Purdy, because my brothers were in a band, at the time, with the same name, and I chose the heroine’s name. Having that pseudonym has been a good friend; I have metaphorically hidden behind her. She allows me to reveal my heart on stage.”

Expect a number of Purdy’s original timeless compositions, along with some of the standards that have inspired her – made famous by those she calls ’the Golden Girls’ (the likes of Ella Fitzgerald, Julie London and Peggy Lee).

Purdy performs on Wednesday, 4th July, at 606 Club, 90 Lots Road, Chelsea, SW10 0QD; 020 7352 5953 or www.606club.co.uk. She also one of the stars at Henley Festival, 11th-15th  July, which Round & About is proud to sponsor. Visit www.henley-festival.co.uk

Match of the day

Round & About

Community & Charity

Charity begins at home, but when you’re a business, and want to do good in your local community, where do you find what is most needed on your doorstep?

Support A Local Charity is one such initiative working hard to support corporate responsibility. It works just like a dating agency to find a compatible partner, but of course, it’s business, and the point is to align a business with a social cause. 

This initiative was launched as part of Gloucestershire’s Local Business Charity 2018 awards, sponsored by risk strategy and commercial insurance consultants Jelf and Ageas. 

Requests for help can include anything from looking for new trustees to help with fundraising, volunteering, accounts, marketing, PR, social media, HR etc. Businesses are asked to submit a form stating what they are willing to offer; from sharing the firm’s core skills, to supporting the charity for a year, or more general fundraising and volunteering support. 

Forms to support or register a charity can be downloaded from www.localbusinesscharityawards.co.uk. Upon joining, charities and firms can browse the register until they see a potential match, at which point the magic happens.

This is how IT firm, Cyber Security Associates, met women’s charity, Gloucestershire Bundles. Madeline Howard, of Cyber Security Associates said: “We loved the idea of ‘Support A Local Charity’ and were delighted to receive a call, asking for help with GDPR compliance from this charity.” 

Stacey Brayshaw, trustee of Gloucestershire Bundles added: “We are so grateful, without this initiative and finding a match, we would have spent vast amounts of money on becoming compliant.”