Homegrown heroes

Round & About

Community & Charity

Henley Symphony Orchestra will take centre stage on Saturday, 14th July, at the Henley Festival which Round & About magazine is proud to sponsor this year

Featuring a programme of popular classics from around the world, Henley Symphony Orchestra will play an inaugural concert from 11.30am to 1.30pm, on the “floating stage” as part of Henley Festival.

This is the first of two special classical concerts over the festival weekend; the second being the English National Opera’s concert on Sunday evening.

The HSO, now in its 48th season, continues to attract a wide audience and soloists of the highest calibre. It has given performances in Henley’s twin towns of Leichlingen, Falaise and Bled. Most recently it performed to a full house at the Hexagon, Reading, with the inspirational young cellist Sheku Kanneh-Mason playing Elgar’s Cello Concerto.

July’s concert will feature the violinist Min Kym who has performed with many of the world’s leading orchestras and eminent conductors. She will be playing two showpieces with the orchestra; Massenet’s beautiful Meditation from Thais and Sarasate’s scintillating Zapateado.

Under the masterful command of conductor Ian Brown, the orchestra will also perform Dvorak, Gershwin, Marquez, Offenbach and Walton. Tchaikovsky’s iconic 1812 Overture, with its resounding bells and cannon fire – a fitting end to the concert!

Tickets for the concert on 14th are £20 (£10 for under-18s and students). For the full Henley Festival line-up visit www.henley-festival.co.uk

High achievers

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Community & Charity

This month Wimbledon, next year the West End and the world…
Dance Overture is London Studio Centre’s annual end-of-year production, showcasing the varied and exciting talents of first and second-year students.

Overflowing with energy, this month offers dance-lovers the chance to see household names of the future…
in spectacular form, between Friday 13th and Sunday 15th July Wimbledon’s New Theatre will host an exuberant display of jazz, ballet, contemporary dance and musical theatre. This exciting production was developed and rehearsed in just five weeks and showcases the diverse range of skills students have studied through a challenging year of technical training, rigorous assessment and rewarding academic exploration honed by leading and emerging choreographers.

London Studio Centre is keen to support former students in their careers, and some of the pieces in the production have been created by alumni who have established themselves in the field of choreography. Now they have a chance to work with those who are following in their footsteps.

However, this is by no means the only route people have taken once graduating. The London Dance Centre is 40 years old. It was founded by Bridget Espinosa and offers a comprehensive programme for students who are dedicated in the pursuit of excellence in all facets of musical theatre. The course offers a broad and versatile training and offers students the chance to specialise in classical ballet, contemporary dance, jazz dance and musical theatre. Aspects of all these genres will be showcased in the performances.

Studio Centre alumni have joined many of the leading companies such as Rambert Dance Company, Matthew Bourne’s New Adventures, English National Ballet, Royal Ballet, Phoenix Dance Theatre, Stomp, ZooNation, Spirit of the Dance, JazzXchange, Royal Shakespeare Company and the Royal National Theatre. They have also appeared in many Broadway and West End Shows such as Hamilton, Wicked, Matilda and Cats.

This will be an inspiring show for future young dancers as they have a chance to see students from a centre which is at the cutting edge of creative development. For further information and tickets, please visit www.atgtickets.com

Imaginative arts

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Community & Charity

Make a date to visit Basildon Park this month to enjoy a spectacular exhibition. The grounds of Basildon Park, Lower Basildon, are the setting for Wayfaring.

This is a free outdoor installation and performance space created in the grounds of this country house, by artists Mandy Dike and Ben Rigby, who work together as And Now.

As the name poetically inspires, Wayfaring is an artistic journey of exploration, inspired by the landscape and ancient routes of the Icknield Way, a pre-Roman pathway running from north Norfolk to the Dorset coast. Basildon Park, where the North Wessex Downs meets the Chilterns, sits on the edge of the route.

Usually visitors pay to enter Basildon Park’s beautiful parklands – but on the 18th, 19th and 20th July entry is free.

The journey begins in the park, where you can contribute to the artwork, with materials found by Mandy, Ben and their team and a group of volunteers and local schoolchildren.

On the evening of Saturday, 21st July, at 7pm, fire, pyrotechnics, live music and performance will light up the installation in a rousing celebration. The audience will play an active part in Wayfaring – walking, looking, listening, maybe even singing. This event is an exciting opportunity to create an amazing journey for audiences in a very special location.

Wayfaring is the culmination of a three-year artistic and heritage collaboration between And Now: and the National Association for Areas of Outstanding Natural Beauty (AONB).

This project will provide a stepping stone to transform natural locations with imaginative arts events.

www.wayfaring.org.uk

Birth & beyond

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Community & Charity

Following the success of The Nature of Forgetting, Theatre Re bring Birth – their latest work in progress – to the Wilde Theatre in Bracknell, writes Peter Anderson

That is it we carry deep down within ourselves from the very beginning? Diving into a world of myths, legends, fairytales, folk songs and taking inspiration from the fields of neuroscience and psycho-genealogy, Theatre Re will use their trademark mix of mime, live music, sound, light, costumes and props to explore what is passed between generations and how this shapes us.

Theatre Re are an associate company of South Hill Park and Guillaume Pigé, their founder and artistic director has many happy memories of Bracknell, he tells me. “We absolutely love bringing our work to SHP! It is always our first port of call and has nurtured numerous projects at early stages. We have fond memories of performing in 2012 and in 2013. Then the stage of The Wilde was the largest we had ever been on. We could not be more excited to share our newest discoveries in July!”

What are the advantages of putting a play in development in front of a live audience? “It gives us a deadline, otherwise we could keep exploring for a very long time without getting anywhere! Things start off with a few ideas, props to play with but it can also be texts, poems, images, movements or set exercises. We realised having an audience helps us to rediscover and reinvent and sometimes also questions the material that we have created in the rehearsal room. It is also incredibly useful for us to hear people’s feedback very early on. It allows us to gain a better understanding of what we are doing and check it is accessible and meaningful.”

What is it about the human condition that so fascinates him? “I don’t think I’ve ever made a conscious decision about it. After having made a few pieces I realised the common ground to all the different shows was the fragility of the human condition. Birth is very much a continuation of the exploration we started with The Nature of Forgetting about memory, when we explored what is left when memory is gone. With Birth the idea is to look at the same question but from the beginning point of view. What is it that we all start with or what is it that we carry deep down within ourselves from the very beginning. We are exploring genetic and family memory and what it is that we subconsciously inherit from our ancestors.

“There will be a lot of Theatre Re trademarks –sweat, live music, not many words – but also new elements we are playing with… you’ll be surprised”

Birth is on Thursday, 12th July, at 7.45pm at the Wilde Theatre, South Hill Park, RG12 7PA, and there will be a post-show discussion. Call 01344 484123 or visit www.southhillpark.org.uk

Much ado outdoors

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Community & Charity

Summer wouldn’t be summer without a spot of open-air Shakespeare, and Progress Theatre is bringing Much Ado About Nothing to Reading’s medieval Abbey Ruins.

Written right at the end of the 16th century, Much Ado About Nothing is, of course, a comedy, albeit one with a hint of darkness. It also explores the meanings of loyalty, chivalry and true love.

In this al fresco production Progress Theatre shifts the time and place of the story from Italy’s Messina to an English country house at the end of World War II.

Director Trevor Dale, a veteran of many local Shakespeare productions, says: “One of the key elements of this play is the speed with which the romance emerges – these aren’t people who can afford the luxury of a long courtship. The war in Europe is over, but people would have been mindful of the continuing conflict in the Far East.

“Historically, there was a lot of social change at this time than after World War I, and so much of the humour and conflict comes from the difference in the social positions of men and women. So I wanted to highlight the strength of women in relation to men.

He continues: “Being outside really adds to the show – Shakespeare’s plays would originally have been performed in an open-air theatre. On top of that, the Abbey makes for an amazing backdrop and that alone is a reason to see it.”

Much Ado About Nothing is at Reading Abbey Ruins, from Wednesday, 11th July until Saturday, 21st July.

To book a ticket, visit www.progresstheatre.co.uk

True colours

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Community & Charity

Kev Munday’s positive, vibrant artwork inspired by people-watching and the everyday will be unveiled at Reading’s Oracle as part of Reading Fringe Benefits, 24th-29th July.

Exaggerating and celebrating the ordinary, Kev aims for his art to appeal to all ages and make the viewer think and smile at the same time. His work takes inspiration from art forms as diverse as kawaii graphics and Huichol yarn paintings.

Using bold lines and block colours, the vibrancy of his style creates an enthralling visual experience. His iconic crowd paintings depict a sea of unique individuals showcasing the beauty in diversity.

Kev, 31, has created artwork for brands including Walt Disney, Graham & Brown wallpaper, Fracture Skateboards and Uni-Ball and his art is collected and exhibited worldwide. Having recently been named by The Telegraph as a “British artist to invest in right now”, Kev’s work can be found transcending gallery walls and on to a plethora of surfaces, including everything from police cars to pianos, billboards to grandfather clocks.

Relishing the opportunity to work in the public domain, Kev likes to see everything as a canvas and often produces artwork live at events. Upcoming projects include a large-scale mural in Dusseldorf, a public art trail in Southampton and an installation in a lift in The Oracle in Reading.

“I’ve done a few projects and commissions in Reading over the last few years, these include exhibiting at the UnBoxd street market in Broad Street Mall last December and painting part of an installation for the Festival of Light in 2016. I find it’s a nice town to exhibit in and the public are always accepting of new creative projects.”

His latest being in a lift at The Oracle, he explains: “It’s called Uplift and I’m basically painting all four walls, the floor and ceiling of a lift so you can literally step into one of my paintings. On Wednesday, 25th June, from 11am to 2pm there will be musical performances on different levels of the carpark, you can take the lift to see the acts.”

Kev took a graphic design degree at Solent University but says he got into art through graffiti and street art as a teenager which he believes is a great way to create art in the public domain. He adds: “It’s also a great way to get young people interested in art in my opinion. I still use spray paint and marker pens and paint public murals.”

Visit www.kevmunday.co.uk and for more on Reading Fringe Festival see www.readingfringefestival.co.uk

Pax a punch!

Round & About

Community & Charity

You’re welcome to come along and explore Lord Baden Powell’s former home in Bentley on Sunday, 8th July, where there will be fun for all ages and tastes.

Each year Pax Hill Care Home in Bentley holds a summer fete in aid of a chosen charity with the help of residents who make items for sale and help with stalls on the day. 

This year, the chosen charity is Cancer Research. Everyone is welcome, from 2pm-4pm in the central courtyard, GU10 5NG.

Visitors can also have a look around the home and grounds occupied for more than 20 years by Robert Baden Powell and his wife Olave.

In addition to residents’ contributions, many stalls will offer a variety of items, from vintage gifts and craft ideas to garden goodies. There will be plenty of on offer, including Nepalese street food, barbecue, ice creams, tea and cakes and live entertainment from Hampshire Scouts.

Organisers are hoping for fine weather for this family-friendly event in the beautiful Hampshire countryside. Pax Hill is surrounded by footpaths giving lovely views of the old village of Bentley. Free parking is available in Pax Hill’s grounds and a footpath trail can be accessed from halfway up the drive.

If you are interested in looking at care homes for now or future reference, this is a good day to talk to the people who live at Pax Hill and see what life is like in modern day care.

Call Pax Hill Care Home on 01420 525 882 or visit www.paxhill.co.uk

Class Act

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Community & Charity

Westerberg High is back in class this summer with new songs, new material and new classmates with Heathers the Musical

Produced by Bill Kenwright and Paul Taylor Mills, who produced the award-winning Carrie together in 2015, this musical is one of the most anticipated UK premieres this year, and opens at The Other Palace for a limited run until Saturday, 4th August.

Heathers The Musical is based on the 1988 teen film classic starring Winona Ryder and Christian Slater. The award-winning writing team, Laurence O’Keefe (Legally Blonde, Bat Boy) and Kevin Murphy’s (Reefer Madness, Desperate Housewives), hit musical adaptation has enjoyed successful runs in Los Angeles and New York, and finally arrives in the UK for its European premiere.

Veronica Sawyer is played by Carrie Hope Fletcher who has shown her versatility in stage musicals appearing as Wednesday in The Addams Family, Eponine in Les Miserables and Truly Scrumptious in Chitty Chitty Bang Bang. The mysterious JD is played by Jamie Muscato, who is making a return to the Other Palace after appearing there as Story Edward in Big Fish and he has also appeared as Joe in Bend it Like Beckham (Phoenix Theatre), Anthony in Sweeney Todd (Welsh National Opera).

The three Heathers are played by Jodie Steele, T’Shan Williams and Sophie Isaacs. This musical takes us to a place where popularity is life and death, but is it harder to be a nobody or a somebody? To find out and make sure you don’t miss the school bell, head to www.theotherpalace.co.uk

Fun Of The Fair

Round & About

Community & Charity

Neighbours! Everybody needs good neighbours… so the lyrics to the Aussie soap opera tell us. London may not have a sun-drenched backdrop, but the city’s neighbourhoods are important environments, that are cultural and distinct, created by the human spirit and the will to connect.

However, sometimes, with our busy lives, we lose sight of the glue that holds us together. Which is where the charity, Fulham Good Neighbours, happily steps in. For more than 50 years, it’s been bringing this Fulham community together, with volunteers to support, whether caring for the elderly, doing a bit of gardening or DIY, shopping, looking after a pet and a lot more.

Raising funds is the main part of what they do, in order to support everyone who needs help in this community – and one event is the highlight of the year: the Parsons Green Fair.

For one day the neighbourhood is transformed into a traditional fete, inviting more than 8,000 visitors, with more than 100 stalls selling local goods and fairground attractions. The main stage includes acting and dance performances, promising a great vibe, whatever the weather!

The event is on Saturday, 7th July, 11.30am until 5.30pm, and is free. You can get involved by holding a stall, volunteering your time as a marshal or just turning up and having fun.

Visit www.parsonsgreenfair.org

Military music

Round & About

Community & Charity

Sarah Readings explains more about one of the lesser-known aspects of the Royal Air Force Music Service; the RAF Voluntary Band Association

Music is, and always has been, an important part of our nation’s military heritage. It has long played an essential role in military affairs, from the war carnyx that roused the ancient Celts to war, via the drums and trumpets of Roman Legions, to the bugle call that signals the lowering of the RAF ensign at sunset. Music lifts the spirits, helps keep a parade in step and encourages a sense of comradeship. Military music is a tradition in which the Voluntary Bands (VBs) of the Royal Air Force have proudly participated for a century.

In April 1918 when the Royal Air Force formed from the union of the Royal Naval Air Services and the Royal Flying Corps, musicians of the two services, augmented by fresh recruits, united to form the first RAFVBs. Funding emerged, including donations from officers. The men who flocked to volunteer came from a variety of musical traditions – brass bands, military bands, pipe bands and corps of drums – and their skills covered all manner of instruments. Some were experienced, others were hobbyists.

Soon after the Voluntary Bands began, the Air Ministry received a report calling for the inauguration of a School of Music to be staffed by a team of 50 band instructors. The Air Ministry agreed, only to reconsider when the dust of the Great War settled to reveal enormous debts. In 1920, amid loud arguments from the Army and the Navy that the RAF itself was no longer necessary, the infant RAF School of Music was disbanded. Happily, the RAF Central Band stepped in and supplied a succession of excellent Voluntary Band Instructors (VBIs).

In the 1920s and 1930s, VBs flourished: many RAF stations, both at home and overseas, had their own band and some of the larger ones worked with the RAF Central Band. Many more bands were established as the Second World War drew thousands more people into uniform and the number of RAF bases and personnel increased. A great number of new recruits of all trades had, in civilian life, been keen musicians, whether professional or amateur, and they rejoiced in the opportunity to continue banding while dressed in RAF blue. Even after the war ended, some of them stayed on in the Service and formed professional ensembles as part of the RAF Music Services.

In 1949, the RAF School of Music reopened and offered a bandmaster’s course which produced some marvellous VBIs, mainly Warrant Officers and Flight Sergeants, who guided the various bands for another three decades. By the mid-1970s, 24 bandmaster posts existed at RAF stations both in the UK and overseas.

Today’s RAF Voluntary Bands are led by fully qualified, experienced bandmasters who are the only paid members of the VBs: all other bandsmen and women are willing volunteers.

One of the welcome results of the formation of the RAFVBA is increasing collaboration among the bands. Over the past few years a number of prestigious massed band events have been staged, highlights being a concert at Symphony Hall in Birmingham in 2008 to celebrate 90 years of the Royal Air Force; a commemoration of the 75th anniversary of the Spitfire in Leicester in 2011 and a showcase concert in Cardiff in 2016. For amateur musicians these massed band events are an opportunity to participate in high-profile and prestigious concerts and enhance our feelings of pride in the Voluntary Band Association and its place in the modern music service.

Now for a more personal perspective – as a proud member of RAF Halton Area Voluntary Band, I have enhanced my musical life and improved my musical skills. I have strong links to the Armed Forces; both of my grandfathers served in WWI in the Australian and British Armies, my father served in the Australian Army in WWII and two of my brothers served in the British Army for years. I married into an RAF family; my mother-in-law was ex-WRAF and my father-in-law a Squadron Leader in the RAF. After his death my mother-in-law remarried a Wing Commander in the RAF. I have a nephew serving at RAF Benson as Puma ground support and another nephew has recently left the Royal Marines after many years’ service, including Iraq and several tours of Afghanistan.

Military tradition and its ethos of service and dedication has formed a backdrop to my life and in a very small way I am able to continue that. As a mature amateur musician, who came late to playing a brass instrument, I was able to learn a new skill and gain an insight into the world of military music. For me, a particular highlight is our participation in the annual Service of Remembrance held by the War Widows Association of Great Britain in Whitehall on the Saturday preceding Armistice Sunday. There is no greater sense of pride than marching to our national memorial, the Cenotaph, and participating in this moving event and supporting women who have suffered the ultimate loss in the protection of our country.

There are advantages to being a civilian member – I for one never thought I would learn to stand on a drill square and start working out my left foot and right foot and then be expected to march, play, stay in step, follow the right direction and not end up facing the opposite way to my comrades in the band. In conclusion, while membership of an RAF Voluntary Band does require commitment and either an understanding of, or a willingness to learn and embrace service discipline, in return you are part of an organisation that can widen your musical experience much more than is usually possible in a civilian alternative.

For more information, please visit www.haltonvoluntaryband.co.uk

It will be pilots on parade this month, as the RAF100 Roadshow reaches Horse Guards Parade, 6th – 9th July as part of the centenary year. On display will be aircraft from all through their history, including; Royal Aircraft Factory BE2c Biplane, Supermarine Spitfire MkXVI, Gloster Meteor F4 (the actual aircraft that captured the world air speed record of 616 mph in 1946), Harrier GR3, Tornado GR1, DC3 Dakota and a Chinook Helicopter. As well as the past, the RAF will also be looking to the future with an interactive STEM/Techno Zone and learn more about how they’re creating the next generation Air Force. After the Roadshow at Horse Guards there will also be a flypast and parade on 10th July. Visit www.raf.mod.uk

With grateful thanks to Mrs Mary Mackie, for her assistance with this article and her research into and words on the history of the RAF VBA. Mrs Mary Mackie, Author & Speaker, Kings Lynn, Norfolk.