I wonder whether Katherine has been influenced by past children’s classics and fairy tales and, if so, which? “I’m sure I must be – I loved the dream of finding Narnia, I loved Paddington’s kindness, I loved the dry wit of E Nesbit. I loved Cinderella; but the 500-year-old, pre-Disney versions, in which Cinderella murders the wicked stepmother by chopping off her head with the lid of a trunk!”
Katherine’s stories usually include a journey, physical or emotional. What is it about a “journey” that so appeals to readers? “We love transformation, whether it be of a person or a landscape,” she says. “And I do love a good packing scene!” And her stories are not without sadness…“My reckoning is life is as difficult as it is beautiful, and all books worth their salt will acknowledge this, one way or another.”
Her characters are often aided by strong friendships. I ask her; Is the loyalty of friendship something she’s keen to explore? “Yes! I think friendships in fiction, particularly boy-girl friendships, can get sidelined by romantic plots, and I was keen to look at what friendship is made of – at that particular blend of admiration, love, trust, exasperation, and shared jokes that can shape your entire childhood, if you’re lucky.”
As for Katherine’s other characters, Sophie (Rooftoppers) loves to climb, Feo (The Wolf Wilder) plays with wolves and Will runs barefoot in the African landscape (The Girl Savage). Does Katherine share any unusual hobbies with her characters? “I love to climb,” she replies. “I think climbing can be a superb way to see and know the world. I used to go clambering on the rooftops of my Oxford college [All Souls], for a sight of the gargoyles, and of the world spread out below.”
And, with Katherine’s ethereal, almost timeless application of language, her empathy with character and need for adventure, the future of the growing children’s lit genre seems to promise a vivid and enticing view. Nonetheless, as Katherine reminds us, there are growing obstacles too…“What worries me is poverty, and its effect on literacy,” she says. “Three quarters of a million children in the UK don’t own a single book, and I worry that, as more libraries close, we’ll create an apartheid, where some children are shut out from the world of books and the joy comes with them.”
After all, views of landscape, adventure and wonderlands were created without borders. Let’s make sure they need not be seen only by telescopes and keep the expanding horizons of children’s literature visible for all.